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Author: John ONeill

Vintage Treasures: Damnation Alley by Roger Zelazny

Vintage Treasures: Damnation Alley by Roger Zelazny

Damnation Alley hardcover-small Damnation Alley Berkley Medallion-small Damnation Alley Movie tie-in-small

Roger Zelazny is one of my favorite authors. He wrote a wide range of fantasy, from Hugo-winning science fantasy (the brilliant Lord of Light) to a wildly original epic (the ten-volume Chronicles of Amber) to Sherlock Holmes-Lovecraft pastiche (A Night in the Lonesome October). Only one of his novels has ever been adapted for the screen, however: his post-apocalyptic adventure Damnation Alley, first published in hardcover by Putnam in 1969 (above left, cover by Jack Gaughan).

The book follows Hell Tanner, a condemned murderer, who’s offered a pardon if he will attempt a suicidal run across the blasted terrain from L.A. to Boston to deliver a plague vaccine. Tanner faces radioactive storms, 120-foot-long snakes, killer bats, giant mutated scorpions, and desperate human survivors as he traverses the thin habitable zone zig-zagging across the nuclear-scarred ruins of America.  The movie, which barely rises above the level of camp, was expected to be a major blockbuster. But it had the misfortune to be released the same year as Star Wars, and it sank without a trace.

The movie did a lot of things wrong… but one thing it did right was to focus much of the marketing on Tanner’s sweet ride: the Landmaster, a gigantic, grenade-throwing, nearly impenetrable all-terrain vehicle. It was custom designed for the film. Only one was every built — at a staggering cost of $350,000 in 1976 — and it still survives today. That’s why it pays to get the extended warranty, especially during periods of nuclear armageddon.

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New Treasures: Swords of Steel edited by D.M. Ritzlin

New Treasures: Swords of Steel edited by D.M. Ritzlin

Swords of Steel-smallSwords of Steel is a brand new sword & sorcery anthology edited by D.M. Ritzlin, filled with stories written exclusively by heavy metal musicians. In his introduction, David C. Smith says the “idea was to create a collection of the kinds of stories you would have found in the late 1960s and 1970s — in the Swords Against Darkness anthologies, for example.” I’m a fan of Andrew Offut’s Swords Against Darkness, and I heartily approve of any effort to recapture their spirit.

Swords of Steel is an anthology of fantasy/horror adventure stories; it  includes interior illustrations and maps by a variety of artists, and poems by Sean Weingartner. There’s also an artilcle, “Headbanging Warriors,” by Black Gate‘s Thursday blogger  M Harold Page.

Mighty-thewed barbarians… vengeful lords of chaos… desolate devil-haunted ruins… carnage-soaked battlefields… forbidden spells of great power… All of these you will find in the works of authors of heroic fantasy as well as heavy metal musicians. But modern fantasy has been plagued with convoluted plots and series without end. Who better to return traditional fantasy to its former glory than the heavy metal bards?

Swords of Steel is an anthology of fantastic and horrific adventure stories, each penned by a heavy metal musician. Members of such bands as Bal-Sagoth, Manilla Road, Twisted Tower Dire, Cauldron Born, Solstice, and more — proving their talent for the written word as well as song — cut through the modern wasteland, wielding Swords of Steel.

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Leah Schnelbach Ranks the Fantasy Films of the 1980s

Leah Schnelbach Ranks the Fantasy Films of the 1980s

Krull poster-smallOver at Tor.com, Leah Schnelbach is having entirely too much fun ranking the major fantasy films of the 1980s. Here she is on Krull, which she ranks an abysmal 17 (out of 18):

What this movie’s actually about is the Glaive, but it only gets like ten minutes of screentime. This film was developed as a starring vehicle for the Glaive, the five-bladed boomerang-like weapon wielded by the hero. Unfortunately, the Glaive’s career never really took off: After one too many brawls at the Viper Room, and one two many sunrises spent waking up on the lawns of strangers, the weapon checked itself into a much-needed stint at Hazelden. Deciding that the Hollywood lifestyle just wasn’t enough to fill the void in its soul, the Glaive finally retired to Oregon, where it raises alpacas, and is said to be very happy.

I’m pretty sure her article is a lot more fun than watching Krull all over again.

If there was a decade of fantasy film tailor-made for impassioned fan debate, it’s the 80s. It’s ten years of classics, and stinkers, and classic stinkers, like The Beastmaster, Dragonslayer, Highlander, and many more. Schnelbach is hilarious, and even Excalibur doesn’t escape her snarky commentary (“Have you heard of an actor from Ireland or England? Yeah, he’s in this movie.”)

The article isn’t perfect (um, where’s the timeless S&S classic The Sword & the Sorcerer?) But she does give real movie fans the true gift of being dead wrong on several occasions (Master of the Universe is better than HighlanderWillow and Clash of the Titans both rank above Excalibur??), and we all know movie fans cherish nothing as much as a good debate.

Read the complete article at Tor.com, and leave your impassioned defense of Labyrinth or the original version of Conan the Barbarian in the comments.

February 2015 Nightmare Magazine Now on Sale

February 2015 Nightmare Magazine Now on Sale

Nightmare Issue 29-smallThe February 2015 issue of Nightmare Magazine is now available. (Truthfully, issue 30 will be on sale any day now too, but I’ll get to that later.)

Nightmare is the sister publication of the highly-regarded science fiction and fantasy magazine Lightspeed. It’s an online magazine of horror and dark fantasy, with a broad focus — editor John Joseph Adams promises you’ll find all kinds of horror within, from zombie stories and haunted house tales to visceral psychological horror.

This issue has two pieces of original fiction:

“The Garden” by Karen Munro
“Descent” by and Carmen Maria Machado

As well as two reprints:

“Fishfly Season” by Halli Villegas
“Cult by Brian Evenson

There’s also the latest installment of their column on horror, “The H Word,” plus author spotlights, a showcase on the cover artist, and an interview with award-winning author Chuck Palahniuk.

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Bernie Mireault: The Forgotten Herald of the Modern

Bernie Mireault: The Forgotten Herald of the Modern

Bernie MireaultOver the weekend, Mark Shainblum pointed me towards columnist Timothy Callahan’s article in Comic Book Resources discussing the work of artist Bernie Mireault. It’s been around for a while, but I’d managed to miss it, so I appreciated the link. Here’s a snippet:

If we look around the axis of American superhero comics, at the groundbreaking Modern work produced in the mid-1980s, it’s the same four or five names that keep popping up in our conversations: Alan Moore, Frank Miller, Rick Veitch, Howard Chaykin, maybe Matt Wagner. These were the creators who changed the landscape of American superhero comics, for better or worse. They heralded the Modern.

Yet there’s one creator who doesn’t get mentioned nearly as often. A writer/artist who was combining the high Romanticism of the fantastic with the mundane life on the street as well as any of the others. A comic book creator whose visual style has rarely been duplicated… I’m talking, of course, about Bernie Mireault.

Mireault (rhymes with “Zero”) has been working continuously in the comic book industry for the past 24 years, but he gets almost none of the acclaim given to his peers… in the mid-to-late 1980s and early 1990s, Mireault produced or helped produce three essential texts of the Modern era, and it’s time those three books were given their due.

I first met Bernie in 1985, when he crashed at my home in Ottawa, Canada, while attending a local comic convention. I was impressed with him immediately — especially his groundbreaking work on the hilarious Mackenzie Queen for Matrix Comics. He’s extrememly gifted as a comedic artist, and his character design is second to none — as you can see from his marvelous panel illustrating “The Loiterer in the Lobby” by Michael Kaufmann and Mark McLaughlin for Black Gate 4 (above). I hired Bernie as an illustrator when I launched Black Gate, and he graced virtually every issue of the print magazine. I profiled him back in 2009, and Matthew David Surridge wrote a detailed review of his excellent comic The Jam last December. His other work includes Grendel (with Matt Wagner), The Blair Witch Chronicles, and Dr. Robot.

Read the complete CBR article here.

The Future of Fantasy: March New Releases

The Future of Fantasy: March New Releases

The Buried Life-small The Devil’s Detective-small Defenders of Mankind-small

Ah, March in Chicago. The ice finally starts to melt off the porch, and you can find all that lost mail you’ve been looking for (and occasionally, a frozen postal worker.)

March is packed with exciting fantasy releases — featuring a detective in Hell, a subterranean city, a teenage boy who squares off against Deep Ones, mysterious goings-on in an old cemetery,  a new anthology of Lovecraftian fiction, and much more. Sit back and let us do our job, and fill you in on all the noteworthy fantasy fiction coming your way in the next 30 days.

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Vintage Treasures: Echoes of Valor III, edited by Karl Edward Wagner

Vintage Treasures: Echoes of Valor III, edited by Karl Edward Wagner

Echoes of Valor III-smallAnd so we come to the end of our all-too-brief series on Karl Edward Wagner’s ambitious and highly regarded sword & sorcery anthologies. Echoes of Valor III was published in paperback by Tor Books in September 1991, just three years before poor Karl drank himself to death in 1994.

The three Echoes of Valor books are perplexing in some regards, especially for collectors. Wagner had taken a huge step towards literary respectability for Robert E. Howard in 1977, by compiling and editing the definitive three-volume hardcover collection of the unexpurgated Conan for Berkley: The People of the Black Circle, Red Nails, and The Hour of the Dragon. It’s clear that he intended Echoes of Valor to accomplish the same feat for a wider rage of his favorite writers, by assembling the defining collection of their best heroic fantasy in hardcover — and with non-fiction commentary that treated them to genuine scholarship.

It didn’t quite work out that way. The first volume of Echoes of Valor appeared only in paperback in 1987, and it had no non-fiction content at all. It was also burdened with a Ken Kelly cover that pretty obviously had originally been intended for Tor’s Conan line — I wouldn’t be surprised if most book shoppers in 1987 mistook it for just another Conan pastiche, and didn’t give it another glance.

With the second volume, Echoes of Valor II, Wagner finally got the book he’d aspired to. It appeared in hardcover in 1989 with an original cover by Rick Berry, and no less than eight non-fiction pieces (autobiographical sketches, forwards, and author appreciations) from four distinguished writers: C.L. Moore, Forrest J. Ackerman, Sam Moskowitz and Wagner himself.

Echoes of Valor II was one of the first books to treat sword & sorcery as serious fiction, and the hardcover format meant that Tor was able to sell it into libraries and schools across the country. It was a groundbreaking book for the genre. So it was a bit puzzling when Echoes of Valor III appeared three years later — exclusively in paperback, and with only one brief essay from Sam Moskowitz.

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New Treasures: The Thorn of Dentonhill by Marshall Ryan Maresca

New Treasures: The Thorn of Dentonhill by Marshall Ryan Maresca

The Thorn of Dentonhill-smallI don’t know much about this Marshall Ryan Maresca fellow. His short fiction has appeared in Rick Klaw’s anthology Rayguns Over Texas, and Hint Fiction: An Anthology of Stories in 25 Words or Fewer.

But his debut novel sounds like a lot of fun. The Thorn of Dentonhill follows the adventures of Veranix Calbert, diligent college student by day, and crime-fighting vigilante by night. When Calbert intercepts two powerful magical artifacts owned by a local drug lord, he suddenly becomes a major player in the nighttime struggle for control of Maradaine. But he also becomes a major target…

Veranix Calbert leads a double life. By day, he’s a struggling magic student at the University of Maradaine. At night, he spoils the drug trade of Willem Fenmere, crime boss of Dentonhill and murderer of Veranix’s father. He’s determined to shut Fenmere down.

With that goal in mind, Veranix disrupts the delivery of two magical artifacts meant for Fenmere’s clients, the mages of the Blue Hand Circle. Using these power-filled objects in his fight, he quickly becomes a real thorn in Fenmere’s side.

So much so that soon not only Fenmere, but powerful mages, assassins, and street gangs all want a piece of “The Thorn.” And with professors and prefects on the verge of discovering his secrets, Veranix’s double life might just fall apart. Unless, of course, Fenmere puts an end to it first.

This is the first novel set in the fantasy city of Maradaine, but it won’t be the last. DAW has Maresca’s A Murder of Mages: A Novel of the Maradaine Constabulary, the first novel in a new series, on the schedule for July 7, 2015.

The Thorn of Dentonhill was published on February 3, 2015 by DAW Books. It is 400 pages, priced at $7.99 in paperback ad $6.99 for the digital edition. The cover is by Paul Young.

Leonard Nimoy, March 26, 1931 — February 27, 2015

Leonard Nimoy, March 26, 1931 — February 27, 2015

Leonard Nimoy Dead-smallLeonard Nimoy, the gifted actor who breathed life into the emotionless Vulcan Spock — and in the process created one of the most famous and enduring TV characters of all time — died today in Bel Air, California.

Nimoy was born in Boston in 1931. His first major role was at the age of 21, when he was cast in the title role of the film Kid Monk Baroni (1952), followed by more than 50 small parts in TV shows and B movies, including an Army sergeant in Them! (1954) and a professor in The Brain Eaters (1958). He was a familiar face in westerns throughout the early sixties, appearing in Bonanza (1960), The Rebel (1960), Two Faces West (1961), Rawhide (1961), Gunsmoke (1962), and on NBC’s Wagon Train four times. He starred alongside DeForest Kelley (the future Dr. McKoy) in The Virginian (1963), and with William Shatner in an episode of The Man from U.N.C.L.E (1964).

Nimoy was the only actor to appear in every episode of the original Star Trek series, which ran from 1966-69. He received three Emmy Award nominations for playing Spock, and TV Guide named him one of the 50 greatest TV characters in 2009. The role both haunted him and enriched for the rest of his life — which he famously addressed in two autobiographies, I Am Not Spock (1975) and I Am Spock (1995). After Star Trek ended Nimoy found regular work on the small screen in Mission: Impossible for two seasons, the TV documentary In Search of… , and more recently in Fringe. He also appeared in eight feature-length Star Trek films, including the recent reboots directed by J.J. Abrams. He directed two, Star Trek III: Search for Spock and Star Trek IV: The Voyage Home.

Star Trek was one of the first science fiction shows to be taken seriously as adult entertainment, and Leonard Nimoy was a huge part of that success. In his near-perfect portrayal of a hero in flawless control of his emotions, Nimoy connected with his audience — and an entire generation of young SF fans — in a way that very few actors, living or dead, have succeeded in doing. Leonard Nimoy died today of chronic obstructive pulmonary disease, at the age of 83.

Future Treasures: Year’s Best Weird Fiction Volume Two, edited by Kathe Koja

Future Treasures: Year’s Best Weird Fiction Volume Two, edited by Kathe Koja

Year's Best Weird Fiction Volume 2-smallThe first volume of Year’s Best Weird Fiction looks like it has been an unqualified success.

In his review, James McGlothlin wrote:

We are long overdue to have a year’s best anthology dedicated specifically to the weird… The craft of fine writing is quite exemplar here… Barron has successfully compiled an excellent anthology.

Now Undertow Books has revealed the cover and the complete Table of Contents for Year’s Best Weird Fiction Volume Two, to be published later this year. Here’s the TOC:

“The Atlas of Hell” by Nathan Ballingrud (Fearful Symmetries)
“Wendigo Nights” by Siobhan Carroll (Fearful Symmetries)
“Headache” by Julio Cortázar. Translation by Michael Cisco (Tor.com, September 2014)
“Loving Armageddon” by Amanda C. Davis (Crossed Genres #19, July 2014)
“The Earth and Everything Under” by K.M. Ferebee (Shimmer #19, May 2014)
“Nanny Anne and the Christmas Story” by Karen Joy Fowler (Subterranean Magazine, Winter 2014)

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