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Author: John ONeill

The Devil’s Left Hand in the Weird West: The Devil’s West Trilogy by Laura Anne Gilman

The Devil’s Left Hand in the Weird West: The Devil’s West Trilogy by Laura Anne Gilman

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Silver on the Road Gilman-small The Cold Eye Gilman-small Red Waters Rising-small

Laura Anne Gilman’s The Devil’s West trilogy is a Weird Western that follows Isobel, a sixteenth year-old who chooses to work for the devil in his territory west of the Mississippi. The opening novel Silver on the Road was a Locus hardcover bestseller and a Publishers Weekly Top Ten Pick for Fall 2015, and SF Signal said it “marks a major landmark in the burgeoning subgenre of Weird West Fantasy.” In his NPR review Jason Sheehan wrote:

Gilman… [has] chosen a fertile place to begin her new series (the broad plains, red rock and looming mountains of the American West), and amped up the oddity of it all by planting the Devil there as a card dealer, fancy-pants and owner of a saloon in a town called Flood.

And the Devil, he runs the Territory. Owns it in a way. Wards it against things meaner than he is, because Gilman’s Devil isn’t exactly the church-y version. He’s dapper in a fine suit and starched shirt. He’s power incarnate — a man (no horns, no forked tail, just a hint of brimstone now and then) who gets things done; who offers bargains to any who come asking and always keeps to the terms because, as everyone in the territory knows, “The Devil runs an honest house.” He never asks for anything you’re not prepared to give, never gives anything that doesn’t have a price.

So when Isobel, who has worked since childhood as an indenture in the Devil’s house, comes of age and has the chance to cut her own deal with Old Scratch, she gives the only thing she owns — herself — into the employ of the Boss and becomes the Devil’s Left Hand.

The sequel The Cold Eye arrived last year to similar acclaim; Library Journal called it “a fabulous coming-of-age tale of magic and power, set in a conflict-ridden alternative Wild West,” and NPR said “It’s like the Oregon Trail of magical voodoo western novels.”

The third and final volume, Red Waters Rising, finally arrived in June, and our friend John DeNardo at Kirkus Reviews called it “a gripping conclusion.” It’s been too long since I’ve had a great Weird Western to dig into, and finally having all three books on my shelf has proven irresistible. They will be my pleasure reading this weekend.

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CICADA Magazine Closes

CICADA Magazine Closes

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YA lit/comics magazine CICADA has folded effective August 31. It was part of Cricket Media, which also publishes Cricket, Ladybug, and Spider magazines. CICADA was an excellent market for YA fantasy short fiction for over 20 years, and its sudden loss is a blow. Team CICADA posted the following message on their website:

Dear members, contributors, and readers,

Our story began in 1998, and we like to think it’s been a good one — full of twists and turns, ups and downs, and a tasteful amount of werewolves and Vikings. Here’s the thing about all good stories, though: they have to come to an end when it feels right. We think that time has come.

As of August 31, 2018, we will be ending CICADA. It has absolutely been our honor to work with such an amazing community of authors and artists, and it has been our pleasure to share their work with our readers. We’ve always been so inspired by the creativity, kindness, talent, and courage of our online community. It isn’t easy to say goodbye, but we’re really proud of this publication and community, and it’s been an amazing ride.

The website will remain active until September 15, 2018, so we encourage our contributors and readers to download any digital files they may want to keep. We understand that you may have questions — please feel free to reach out to us at cicada@cricketmedia.com or on the forums. Subscribers will be contacted via email with details on refunds for the remainder of their subscription periods.

Thank you again to all our contributors, readers, and Slammers for being part of our story. We are so, so excited to see what you will create in the future.

CICADA had an excellent line-up of modern fantasy writers (and it looked great on my bookshelf). The magazine’s list of favorite writers included Nnedi Okorafor, Daniel Jose Older, Nalo Hopkinson, Kelly Link, Ursula Vernon, Sofia Samatar, Leigh Bardugo, Octavia Butler, and other genre stars. It advertised itself as a magazine “fascinated with the lyric and strange and committed to work that speaks to teens’ truths… Especially welcome: works by people of color, people with disabilities, LGBTQAI+ people, nonbinary people, and other marginalized peoples.” The website will come down on Sept 15; until then you can check it out here.

Future Treasures: Vengeful, Book 2 of Villains by V. E. Schwab

Future Treasures: Vengeful, Book 2 of Villains by V. E. Schwab

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Vicious V E Schwab-small Vicious V E Schwab-back-small Vengeful V E Schwab-small

V. E. Schwab (who also writes YA fantasy under the name Victoria Schwab) is one of the few — indeed, perhaps the only — author with a bestselling superhero fiction saga that doesn’t belong to Disney or Warner Bros. Her Shades of Magic trilogy, the epic tale of an ambassador and smuggler who travels between parallel Londons, was a New York Times bestseller, and This Savage Song, the opening volume of her Monsters of Verity series, set in a divided city overrun with monsters, was both a #1 New York Times bestseller and an Amazon Best Book of the Year.

Matthew Surridge was the first person to bring her to my attention, with his 2014 Black Gate review of Vicious, the opening novel inVillains. Here’s Matthew:

Ten years ago, Victor Vale and Eli Cardale (later Eli Ever) are brilliant pre-med students who discover that near-death experiences can, under certain circumstances, grant survivors strange powers. They experiment, things go wrong, and while they both get powers, they end up as enemies. Now, in the present, Victor’s gotten out of prison, recruited some assistants, and is seeking out Eli — who himself has been up to some surprising things in the previous years, having come to hate the extraordinary people (or EOs) gifted with powers…

I think Vicious is interesting precisely because it straddles genres. It attenuates some of the signifiers of the super-hero genre (costumes, code-names, and so on) while maintaining others. And the result, I feel, moves the story in the direction of another genre. It moves it toward the gothic… It comes to feel a little like some of the early Vertigo comics, the Morrison and Pollack Doom Patrol, perhaps Nocenti’s Kid Eternity or Peter Milligan’s Shade: clear super-heroic elements mixed with a greyer world and some elements of horror. It’s not as complex as the best of the Vertigo books, but has a narrative drive many of them lacked… It’s fascinating to see the gothic emerging from under the skin of the super-hero genre. And as a character study, it succeeds, integrating flashbacks while maintaining narrative momentum. It reads smoothly, swiftly, and well.

Vengeful, the long-awaited second novel, arrives in hardcover from Tor on September 25. Here’s the description.

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Future Treasures: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo

Future Treasures: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo

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Worlds Seen in Passing Ten Years of Tor.com Short Fiction-smallTor.com is one of the finest genre websites on the planet. Originally created to promote Tor Books, it has taken on a very substantial life of its own, with news, art, commentary, thoughtful re-reads of many of my favorite novels (and more than a few that I’ve overlooked)… and especially fiction. It’s become widely renowned for its top-notch fiction, from many of the biggest names in the genre.

How did it all start? Tor.com publisher Irene Gallo tells all in the Preface to Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, a feast of a book collecting 40 of the best stories published at the site over the years.

Tor.com celebrated its tenth anniversary on July 20, 2018 — the forty-ninth anniversary of the first manned moon landing. It started out innocently enough. In 2006, our publisher, Fritz Foy, while attending the Tor Books holiday party, pulled Patrick and Theresa Nielsen Hayden and me aside and said he wanted to create “a river of conversation, art, and fiction” within the SF/F community — an online magazine that crossed the borders between publishers and media.

It took us a couple years to get off the ground. During that time, whenever we felt lost in the process, we’d come back to the word “genuine.” We wanted to build a place that treated science fiction and fantasy (and related subjects) with gravitas and humor, a place to have fun without shying away from weightier, more thoughtful subjects. In short, we wanted to build a place where we wanted to hang out…

We knew from the start that fiction was always going to be at the heart of Tor.com. As publishers it made sense, but also… the entire site is dedicated to storytelling. Of course we wanted fiction to be our focal point. We have since published hundreds of original stories, along with art, reprints, comics, and poems — all of which are a source of pride for us, as well as bringing enjoyment to our readers.

This is a very substantial volume — 567 pages! — and it’s packed with fiction from the best writers in the industry, including Kathleen Ann Goonan, Jeff VanderMeer, Leigh Bardugo, Lavie Tidhar, A.M. Dellamonica, Dale Bailey, Tina Connolly, Max Gladstone, Alyssa Wong, Genevieve Valentine, Kij Johnson, Mary Robinette Kowal, Rachel Swirsky, Ken Liu, Ruthanna Emrys, Isabel Yap, Helen Marshall, Pat Murphy, Kameron Hurley, Yoon Ha Lee, N. K. Jemisin, Carrie Vaughn, Charlie Jane Anders, and many, many others.

Here’s the publisher’s description.

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New Treasures: Apart in the Dark by Ania Ahlborn

New Treasures: Apart in the Dark by Ania Ahlborn

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Apart in the Dark-small Apart in the Dark-back-small

It was Goth Chick who introduced me to the novels of Ania Ahlborn, with her advance review of The Neighbors (which she said “lies somewhere near the intersection of Blue Velvet and Basic Instinct due to its psychological suspense and ever-mounting terror”). Goth Chick interviewed Ania just a few months later, and teased a tale of childhood horror out of her involving a Ouija board and a couple of porcelain dolls (“These things, I swear… they’d change position in the night.”) When The Neighbors was released in November 2012, Ahlborn confided to us that “My fingers are crossed that I get at least a few dozen marriage proposals.” The bio on the back of her latest book says she’s married, so I hope that worked out for her.

It was Goth Chick who introduced me to Ania, but it was Andrew Liptak at The Verge who tipped me off to her new novella collection Apart in the Dark, in his report on the Best Science Fiction and Fantasy in January of this year. Here’s Andrew:

If you’re looking for a pair of shorter reads, Ania Ahlborn’s new book is a pair of supernatural novellas, “The Pretty Ones” and “I Call Upon Thee.” In the first, New York City is gripped with fear in the midst of the Son of Sam murders, and when her best friend is murdered, Nell Sullivan knows that there’s something else responsible. In the other, Maggie Olsen spent her childhood stalked by a shadow, and years later, she’s forced to return home to confront her past.

Both stories were previously published as digital novellas; this is their first appearance in print. Both are very nearly novel length — “The Pretty Ones” is 142 pages, and “I Call Upon Thee” is 210. I bought a copy a few weeks ago, and so far I’m enjoying it. Any book that opens with a Robert Bloch quote (“The man who smiles when things go wrong has thought of someone to blame it on”) is okay in my book.

Apart in the Dark was published by Gallery Books on January 16, 2018. It is 365 pages, priced at $16 in trade paperback. There is no digital edition. The cover was designed by Anna Dorfman.

Today Only — Get Todd McAulty’s The Robots of Gotham for Just $2.99

Today Only — Get Todd McAulty’s The Robots of Gotham for Just $2.99

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Todd McAulty was one of the most popular writers in the print version of Black Gate. Free SF Reader said “McAulty appears to be world class,” and Locus declared “Todd McAulty is Black Gate‘s great discovery.” His debut novel, The Robots of Gotham, was published in hardcover by Houghton Mifflin Harcourt in June, and has been accumulating rave reviews ever since:

“Massive and impressive… McAulty maintains breathless momentum throughout.”— Publishers Weekly (starred review)

“The whole story is a thrilling action flick in book form… Read it while walking in slow-motion away from an explosion.” — RevolutionSF

“Beautifully combines a post-apocalyptic man-versus-machine conflict and a medical thriller… This is thrilling, epic SF.”— Booklist (starred review)

“A massive, fast-paced, action-packed epic… Every page has the fierce readability of early Neal Stephenson, which is as high praise as it gets.”— Toronto Star

“A fast-paced, engaging read… The book is a thrilling ride.”— The Verge

Amazon’s Best Science Fiction and Fantasy of the Year (So Far)

The Robots of Gotham is 688 pages, and priced at $26 in hardcover. But for today only, August 29th, the digital version of the book has been discounted to $2.99. Copies are available at Amazon, Kobo, and other fine online retailers.

The Strangest Alien: Julie E. Czerneda’s Esen-alit-Quar Returns in Two New Books

The Strangest Alien: Julie E. Czerneda’s Esen-alit-Quar Returns in Two New Books

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Julie E. Czerneda is one of the leading SF writers of the 21st Century. A biologist by trade, she’s brought a unique appreciation for the far-ranging possibilities of extraterrestrial biology to her fiction, and the result has been some of the most joyously alien characters in all of modern SF. One of her most popular characters is Esen-alit-Quar, the alien protagonist of the Web Shifters trilogy (Beholder’s Eye, Changing Vision, and Hidden in Sight), published by DAW between 1998-2003. Who or what is Esen? Here’s Julie, in an essay she wrote for The Little Red Reviewer.

Short answer? A blob of blue, shaped like a teardrop. Who happens to be a semi-immortal shapeshifter. Who has really good intentions… but is working on her life skills.

Writing Esen’s attempts to protect life in the universe – or at least keep it civil – makes me happy and always has. As it turned out, Esen made you happy too, dear readers. I’ve received more feedback and love from you for the Dear Little Blob than for all my other work combined.

For those unfamiliar with my work, I’m a biologist by training, an optimist by preference, and have been writing the stories I want to read for quite a while now, thanks to Sheila Gilbert and DAW Books. If you read and enjoy my other SF, you’ll find Esen’s stories funnier, with more aliens and their worlds, but with no less — and sometimes more — heart. I came across this email from Tanya Huff the other day, about Esen’s first book. “…this was so much fun. It reminded me of all the reasons why I started reading SF in the first place.” Yup. Grinning.

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September/October 2018 Asimov’s Science Fiction Now on Sale

September/October 2018 Asimov’s Science Fiction Now on Sale

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Asimov's Science Fiction September October 2018-smallI think the annual “slightly spooky” issue of Asimov’s Science Fiction, traditionally their September/October issue, is my favorite every year. And this year’s does not disappoint, with an endless graveyard, witches, secret cities, sinister aliens, and a vampire novella by Greg Egan!

This issue contains fiction by Carrie Vaughn, Suzanne Palmer, Sheila Finch, Leah Cypess, Robert Reed, and many others. Here’s editor Sheila Williams’ description.

Our annual slightly spooky September/October 2018 issue is rising out of the gloaming. It’s filled with chills and thrills! In our terrifying cover story, “3-adica,” you’ll find vampires and other evil monsters as well as all the math you might expect from Greg Egan. There are many secrets to decode in this frightening novella. Don’t miss it!

You’ll rendezvous with more alarming creatures in Carrie Vaughn’s tale of “The Huntsman and the Beast”; discover what it’s like to be under the control of a rigid democracy with alien influences in Robert Reed’s “Denali”; walk through an endless graveyard with Sheila Finch to meet some eerie “Survivors”; see the lighter side of humanity’s eventual doom in Suzanne Palmer’s “R.U.R.-8?”; and observe true bravery in Doug C. Souza’s “Callisto Stakes.” In her first Asimov’s tale, Stephanie Feldman reveals why it’s a good idea to beware “The Witch of Osborne Park”; new author Erin Roberts paints a perfect picture of horror in “The Grays of Cestus V”; Rick Wilber’s taut new novella about Moe Berg divulges the location of “The Secret City”; David Erik Nelson encounters excruciating horror “In the Sharing Place”; Leah Cypess tells a haunting tale about why Revenge is “Best Served Slow”; and in her unsettling first story for Asimov’s Jean Marie Ward invites us to jump into “The Wrong Refrigerator.”

“I Invent the Compact Disc in 1961,” says Robert Silverberg in his Reflections column, and he’s delighted to have done so; James Patrick Kelly’s On the Net considers the “X O”; Norman Spinrad’s On Books goes “Outside the Envelope” to review works by Jeff Noon, Michael Houellebecq, and Boualem Sansal; plus we’ll have an array of poetry and other features you’re sure to enjoy.

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Sign up to Support Heroic Fantasy Quarterly through Patreon!

Sign up to Support Heroic Fantasy Quarterly through Patreon!

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HFQ Patreon-small

Heroic Fantasy Quarterly is one of the most reliable outlets for top quality adventure fantasy on the market. In his review of Volume One of The Best of Heroic Fantasy Quarterly, Fletcher Vredenburgh wrote:

Heroic Fantasy Quarterly is… the most consistent forum for the best in contemporary swords & sorcery. Some may think I’m laying it on a little thick, but The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011, a distillation of the mag’s first three years, should prove that I’m not.

HFQ‘s reputation doesn’t just rest on quality. They’ve published four issues a year like clockwork for nearly a decade — and all of it available free online. Fans have been asking for a way to support the magazine for years, and the editors have finally created a Patreon where those who love quality fantasy can make meaningful contributions. Here’s HFQ editor and Black Gate blogger Adrian Simmons:

Heroic Fantasy Quarterly has brought new voices in sword and sorcery, adventure fiction, and historical fiction to the people since 2009. On our shoestring budget we have hit our goal of publishing three stories and two poems every three months AND started working in artwork, AND starting working in audio; and with more funds we could do much more.

Even just a few dollars a month can have a huge impact. Make a much-needed contribution to HFQ here, to help ensure one of the best modern fantasy magazine can continue for years to come. And check out their latest issue here.

Downton Abbey in Deep Space: The Imperials Saga by Melinda Snodgrass

Downton Abbey in Deep Space: The Imperials Saga by Melinda Snodgrass

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The High Ground Melinda Snodgrass-small In Evil Times Melinda Snodgrass-small The Hidden World Melinda Snodgrass-small

Melinda Snodgrass is perhaps best known as the story editor for Star Trek: The Next Generation during its second and third seasons, and for writing the famous episode “The Measure of a Man.” More recently she’s earned acclaim as the co-editor of the ongoing Wild Cards series with George R.R. Martin.

But she’s also a celebrated SF novelist in her own right, with The Edge of Reason trilogy and others under her belt. Her most recent series is one of the most original space operas on the market, a fascinating saga that mixes British period drama with science fiction, imagining a polite aristocratic society in outer space. Gamers Sphere says “Snodgrass has done a wonderful job of depicting how aristocrats and society would work in world where aliens and space travel is an every-day norm,” and Retrenders calls it “Downton Abbey/Sense & Sensibility drama with a mix of science-fiction action.” Admit it — that’s not something you see every day.

The third novel in the series, The Hidden World, was published by Titan last month. Here’s the description.

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