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Author: Brandon Crilly

From Beneath the Review Pile: The Same Old Story

From Beneath the Review Pile: The Same Old Story

oie_1235943NVf82AxcAs they used to say in Monty Python, “and now for something completely different.”

The more I read, the more difficult it is for me to be entranced by a novel or short story. My writer brain is always whirring away in the background, pointing out when an author has done something clever or highlighting specific techniques like Chekhov’s gun. To be honest, it’s sort of a pain in the ass. If a novel isn’t gripping to the point that my writer brain clicks off for a bit – or at least gets quieter – I usually put it down somewhere around the fifty-page mark, if not sooner.

Doing this column makes it tough sometimes, too, because a) I don’t like to review something I didn’t at least enjoy enough to finish, but b) I need to find a book worth reviewing every two weeks. And honestly, two years into this column it’s getting harder, since I keep seeing the same story over and over again.

Let me give you an example, without giving too many specifics (since I don’t want to insult anyone). Recently I started a space opera ARC that I received from a publisher, because the back cover blurb sounded really cool, involving a protagonist who’s vilified by the galaxy he worked to save. Except the novel doesn’t start with that; it goes back to the protagonist’s youth, struggling to find his own way in a typical noble household, feeling stifled and controlled until he escapes and begins to come into his own, etc, etc. Sigh. Where’s my story about the intergalactic savior grappling with whether he should consider himself a hero or a villain? If we started there, I’d be able to forgive yet another far-future imperial setting structured like a hundred other novels I’ve read in the last few years.

Sorry if that sounded a little more heated than I usually get here. It’s just that I keep seeing the same story, and it’s wearying. Sometimes the story pretends to be different through its main characters. Like a post-alien invasion apocalypse where the adults are gone and young people have to survive on their own. Jazz it up with lead characters that are different than your usual fare, whether it’s based on gender identity, race, mental health, physical disability, etc, and maybe you’ve got a hit. Or maybe it’s the same story with the exact same beats and even some of the same tropes, and all the author is trying to do is be clever.

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In 500 Words or Less: An Advance Review of The Fall by Tracy Townsend

In 500 Words or Less: An Advance Review of The Fall by Tracy Townsend

The Nine Tracy Townsend-medium The Fall Tracy Townsend-small

The Fall (Thieves of Fate, Book 2)
by Tracy Townsend
Pyr (400 pages, $18 paperback, $9.99 eBook, Jan 15, 2019)

Let’s start with something my friend Matt Moore would call a “hand grenade” on a panel: The Empire Strikes Back is the best Star Wars movie.

Why? Because it splits up our beloved characters and challenges them with new locales and crises, all while introducing brand new favorites and raising the stakes. I can still remember watching it for the first time as a kid (fine, it was on VHS) and learning back then that one of my main measures for the quality is how many times I gasp out loud at what’s happening. That sort of reaction is tough to achieve with a debut, let alone a sequel, but Lucas and his team pulled it off. And Tracy Townsend has done the same with The Fall, her follow-up to breakout novel The Nine, which I reviewed last year as my Top Book 0f 2017.

And good gods, The Fall is just as amazing. It even reminded me of Empire in a lot of ways, which may or may not have been intentional. Young Rowena Downshire is still very much the star, as she tries to find her footing in the company of Erasmus Pardon and Anselm Meteron, retired campaigners determined to keep her from realizing she’s one of nine subjects being studied by God as part of His Grand Experiment. But each of our valiant heroes gets their moments in the sun, as we learn how far they’re willing to go on the side of right. Much like Empire, The Fall expands various characters like Rowena’s mother Clara, but also adds a bunch of new faces to the mix. There’s even a Palpatine-esque shadow cast by Anselm’s father, Bishop Meteron, though he isn’t quite the Big Bad you’d expect – if he’s a villain at all.

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In 500 Words or Less: The Quantum Magician by Derek Künsken

In 500 Words or Less: The Quantum Magician by Derek Künsken

The Quantum Magician-smallThe Quantum Magician
by Derek Künsken
Solaris (480 pages, $11.99 paperback, $6.99 eBook, October 2, 2018)

When I reviewed Yoon Ha Lee’s Ninefox Gambit last year, I joked that there’s a reason why I teach in the humanities, which is the same reason I don’t read a lot of hard science fiction. For me to enjoy a hard SF novel enough to discuss it here is a big deal – and I really enjoyed Derek Künsken’s The Quantum Magician, even though I’m sure that like Ninefox, I didn’t get as much out of it as someone else might have.

To be clear, the worldbuilding here is intricate, compelling and absolutely fascinating. From the moment concepts were introduced I wanted to know more, especially the different subsets of humanity that Künsken presents, each the product of generations of genetic manipulation. I mean, an entire population of neo-humans nicknamed Puppets because of their diminutive size, who double as religious zealots worshipping their divine beings’ cruelty? Or an intergalactic political hierarchy based on the economics of patrons and clients, complete with the inequalities and social issues you might expect? These demand further unpacking, which Künsken does with deliberate skill, slowly revealing more and more about humanity’s divergent offshoots and the galaxy they inhabit.

But I can’t say that I walked away from The Quantum Magician with a crystal clear sense of what I read. The core plot is a con game perpetrated by a team of ragtag scoundrels, trying to sneak a flotilla of warships through a wormhole controlled by another government… but don’t ask me to explain more than that. Künsken does an amazing job of presenting a bunch of quirky protagonists who play off each other well, but the characters that stand out do so powerfully; between that and the rich worldbuilding of things like the Puppets, I forgot about that flotilla and the original aim of the con for a good third of the novel, until they came back into focus.

Much as I rooted for protagonist Belisarius (who would be the Danny Ocean of these scoundrels) and his partner/love interest Cassandra (who I suppose is Tess and Rusty from Ocean’s Eleven combined), the secondary characters stole the spotlight for me, particularly AI-on-a-religious-mission Saint Matthew and the creepily dangerous Scarecrow hunting these scoundrels down.

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In 500 Words or Less: It’s Not the End and Other Lies by Matt Moore

In 500 Words or Less: It’s Not the End and Other Lies by Matt Moore

oie_2002521f3K3WVh7It’s Not the End and Other Lies
by Matt Moore
ChiZine Publications (300 pages, $17.99 paperback, $10.99 eBook, July 2018)

When I was newly-arrived in Ottawa, starting my first year as a high school teacher and still struggling to “break in” as a writer, I subscribed to On Spec, Canada’s premier magazine for short speculative fiction. One of the first issues I received was On Spec #92 in spring 2013, containing an op-ed titled “Next Stop: Suburban Fantasy” that discussed the popularity of urban fantasy and how the subgenre might evolve. It’s sitting on my office bookshelf right now, and rereading it this week I’m just as impressed as I was over five years ago.

That first read was long before I became friends with Matt Moore, whose recent story collection It’s Not the End and Other Lies proves several of the points he made in his op-ed, including that the urban sprawl we find ourselves in today can be just as bizarre and terrifying as the wilderness humanity has left behind. What I’ve loved about Matt’s work for a long time is his ability to combine an everyday suburban setting and make it the perfect place for something uncanny. The core of “Only at the End Do You See What Follows,” for example, is really a widower struggling over what to do with his house – except that his dead wife somehow predicted every person who would come to see it. The supernatural element isn’t really the hook, though; instead, it’s the protagonist’s relationship with his wife, a malicious cheater who’s borderline emotionally abusive, and the question of whether he’s hearing her from beyond the grave at all.

Like the best science fiction or horror writers out there, Moore’s talent doesn’t stop at combining the everyday with the speculative – the real magic is his character work. The supernatural force killing townspeople in “The Leaving” is just the vehicle; the real intrigue is waitress Georgina, desperate to atone for sending an ex-lover out into the night to die. Whether “Of the Endangered” is alternate history, slipstream or far-future SF is a mystery right to the end, but so is Noah, the Gunslinger-esque hunter chasing a backwoods demon. The fallen sky in “Touch the Sky, They Say” is a beautiful concept, but only because of the people wanting to press their hands against the stratosphere. But my personal favorite (I think) is “Brief Candles,” focusing on a couple desperate to have children in a post-Vietnam suburb, but forced to wait until they get a candle holding a soul that can be given new life through reincarnation. Whether the Cycle in this world is fact or fiction is never established; the important thing is what these characters believe, and what they’re willing to do because of it.

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In 500 Words or Less: Tales of the Captain Duke by Rebecca Diem

In 500 Words or Less: Tales of the Captain Duke by Rebecca Diem

oie_71323z2d6LGpYTales of the Captain Duke
By Rebecca Diem
Woolf Like Me (paperback/ebook editions, price varies, Aug 2014 – May 2018)

For anyone who reads this column even semi-regularly, this next review is probably gonna seem out of place. But indulge me for a few minutes to talk about Tales of the Captain Duke, a four-part series of indie novellas by Toronto author Rebecca Diem.

First thing to make clear: these novellas are equal parts steampunk adventure and romance, which is obviously not my usual cup of tea, so the fact that I’m reviewing it here should tell you something. Because honestly, I got swept up in this series. Why? Besides the fact that airships and pirates and steampunky technology are really cool, these novellas focus on character, which is always the number one thing I look for in a series.

Though the title is Tales of the Captain Duke, the focus is really on Clara, a debutante who leaves her life of wealth by sneaking away on an airship and falls in with “pirates” standing up to economic tyranny and corruption, under the leadership of the legendary Captain Duke. Okay, maybe that sounds like an obvious romantic setup – especially as the attraction between Clara and her new Captain is made clear – but Clara is far from your stereotypical female character.

She’s a badass, and quickly becomes an important part of the Captain Duke’s crew, joining a group of nuanced characters who go through a series of arcs from the first novella to the last. For example, you have first mate Trick, who becomes a vehicle for exploring physical disability when he relearns how to make music with a prosthetic arm, and youths Cat and Mouse, who desperately want to be adults and contribute more to their captain’s operations but have a lot to learn before they can.

This character work is tied into detailed, thought-out worldbuilding beyond the usual Victorian steampunk. Remember that this is an adventure story, too, complete with plenty of action and danger. Admittedly, this isn’t a story about elaborate twists and turns or huge surprises; when things from Clara’s past get mentioned off hand, you know they’re going to play a greater role later on, and when the Captain Duke’s people get betrayed, the culprit is pretty clear. That isn’t a bad thing, by any means. I love what Patrick Rothfuss calls “big fat fantasy books,” but sometimes I need a story that’s straightforward and fun, too, which Diem delivers in this series.

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In 500 Words or Less: Antilia: Sword and Song by Kate Story

In 500 Words or Less: Antilia: Sword and Song by Kate Story

Antilia Sword and Song-smallAntilia: Sword and Song
by Kate Story
ChiZine Publications (280 pages, $14.99 paperback and eBook, June 19 2018)

I firmly believe we need less grimdark and more hopepunk these days, but I still like novels that explore a darker near-future, since they remind us we aren’t out of the woods yet. That’s the specific focus of Antilia: Sword and Song by Kate Story, which straddles two worlds: a near-future North American Union governed by a populist, militant government, and a strange fantasy realm protagonists Ophelia and Rowan independently use as their escape from the “real world.”

The typical “boy meets girl” motif in Sword and Song takes interesting turns, not just as Ophelia and Rowan realize someone else knows about their made-up world. Their dysfunctional family dynamics are unique and compelling and explain why they both so desperately need an escape. The slow reveal about Antilia is effective, too, since for the first half our protagonists only jump there for brief stints, giving the bizarre island an air of mystery. Things aren’t good there, either, between an erupting volcano and a political fracture between the island’s two cities, but apparently Ophelia and Rowan are destined to fix things. That probably sounds familiar, but strangely the more we learn about Antilia, the more it all feels familiar: the architecture, inhabitants, cultural tentpoles, etc, feel like a cross between Wonderland and Narnia, almost like Antilia was created by accident based on someone’s favorite stories as a kid. There’s even a sword-in-the-stone, which Rowan remarks is bizarrely similar to Excalibur.

Unfortunately, Ophelia and Rowan ending up stuck in Antilia in the book’s second half lost my interest the further I got, specifically because the island didn’t feel very fresh. Their parents and friends in the “real world” jumped off the page, but the people and creatures of Antilia seemed more cookie-cutter. If there was a point to the hodgepodge of familiar elements, I missed it, or maybe didn’t appreciate it. The North American Union is way more compelling, and I kept wanting to go back.

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In 500 Words or Less: Graveyard Mind by Chadwick Ginther

In 500 Words or Less: Graveyard Mind by Chadwick Ginther

oie_9232935aM029I3CGraveyard Mind
By Chadwick Ginther
ChiZine Publications (300 pages, $17.99 paperback, $10.99 eBook, July 2018)

I love a book set in a Canadian city… other than Toronto. Sorry, T-dot; you get a lot of attention in the mainstream, but we have a big-ass country for SFF authors to play with, and as Bobby Singer once said to the Winchesters, “You ain’t the center of the universe.”

Sorry, that probably seemed aggressive. But it’s justified, since one of the things worth celebrating about Chadwick Ginther’s newest novel, Graveyard Mind, is that once again he brings us back to Winnipeg, painting it in a much different light than his Thunder Road novels by focusing on the underworld: ghosts, vampires, monsters, and more. There’s a similar feel here in the way Chadwick weaves interesting story elements together, presenting a unified world that makes total sense while being freaky and entertaining. You’ve got Frank, a golem stitched-together from dead soldiers who grapples with wanting to die; an underworld “territory” divided between an aging, pot-bellied vampire and an aristocratic animated skeleton; and protagonist Winter Murray, the necromancer charged with protecting Winnipeg while she deals with her never-born twin sister whispering in the back of her head. There’s even hell hounds and cultists and whatnot!

The freaky moments are superb, like where Winter’s frenemy vampire Christophe shows up at an art sale and brings the entire room under his thrall just to throw his weight around. These are so gripping because of Chadwick’s excellent character work; even minor characters make you care about them because, apologies for the cliché, they jump off the page. Graveyard Mind is a lot like The Dresden Files in that the interpersonal is just as important (and handled as well) as the excitement and terror of the supernatural. Winter tries to support her best friend Lyssa, who’s lost her mother, while at the same time keeping a local cult from taking over the funeral; she has a tenuous relationship with the lingering spirit of her mentor, Grannie Annie, who abducted her and brutally trained her in necromancy, keeping her from ever seeing her parents again; and so on. The consequences of Winter’s decisions on these relationships are more important than the consequences for her city or the supernatural world, because that’s what matters more to her.

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In 500 Words or Less: An Ancient Peace by Tanya Huff

In 500 Words or Less: An Ancient Peace by Tanya Huff

An Ancient Peace Tanya Huff-small A Peace Divided-small The Privilege of Peace-small

An Ancient Peace (Peacekeeper #1)
By Tanya Huff
DAW Books (432 pages, $7.99 paperback, $1.99 eBook, October 2016)

I love seeing characters in new contexts. An author creating a character who’s rounded and nuanced and thrilling to read about is something really special – characters like Harry Dresden, Millie Roper, Sira di’Sarc, or Logen Ninefingers. When an author can take that character, spin the world around them and let them thrive in an entirely changed environment – that’s something else entirely, and it’s phenomenal to see done well. Like moving Morgan to Fear the Walking Dead or Worf to Deep Space Nine.

And that’s exactly what Tanya Huff has done with Torin Kerr, formerly the star of the Confederation novels and now one of the central characters to the recently-concluded Peacekeeper trilogy. I’m a little behind the game in that I’ve only just read the first novel, An Ancient Peace, but damn if it wasn’t even more exciting and compelling than the previous Torin adventures I’ve read. In any long-running series, there are bound to be books that stand out and others that comparatively don’t measure up (much as I love The Dresden Files, not all fifteen are actual magic) but so far Huff consistently makes each novel even better than the last.

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In 500 Words or Less: A Short Fiction Roundup!

In 500 Words or Less: A Short Fiction Roundup!

oie_11175654znBnLB0voie_11175745eAgDEx2yFocusing a review into less than five hundred words is tough sometimes, but I feel like I’ve got the hang of it. The obvious next step? Talk about multiple books in one review!

This week I’m doing a roundup of some excellent short fiction I’ve read in the last few weeks. It covers a breadth of genres and styles, so hopefully some (if not all) of what I mention below appeals to you.

First off, I had the pleasure of receiving an ARC of the second issue of Reckoning, edited by Michael J. DeLuca, who I co-hosted the first #solarpunkchat with on Twitter in April. Reckoning focuses specifically on environmental justice, and Issue 2 is packed with a ton of experimental and forward-thinking work about sustainability, culture and the environment. Michael’s introduction concerning how to raise a child knowing their world will be fundamentally different than your own echoed a lot of my concerns about teaching, but the piece that blew me away was Marissa Lingen’s “The Shale Giants,” giving voice to the earth beneath us, which might not be patient and benevolent forever.

If you’re a fan of themed anthologies, get a copy of Alice Unbound from Canada’s Exile Editions, which riffs off Alice in Wonderland with SFF twists. There are too many great stories to mention here. Kate Heartfield, whose debut novel I reviewed recently, creates a tragic narrative around Carroll’s Gentleman in the Paper Suit in “Dressed in White Paper.” Geoff Gander and Fiona Plunkett turn Alice and her friends into Firefly­-esque freelancers, complete with a caterpillar alien, in “Full House.” Though the final reveal in Pat Flewwelling’s story of madness spreading through an airport is a little too on-the-nose for me, “Cyphoid Mary” is still the most terrifying piece in the anthology. But my absolute favorite is “The River Street Witch” by Dominik Parisien, told from the perspective of a young girl who believes she’s a witch with no control over her magic, but if you read between there’s much more at play — this is a story that will stay with you long after you’ve finished.

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In 500 Words or Less: Kate Heartfield’s Debut Novel Armed in Her Fashion

In 500 Words or Less: Kate Heartfield’s Debut Novel Armed in Her Fashion

Armed in Her Fashion-smallArmed in Her Fashion
By Kate Heartfield
ChiZine Publications (350 pages, $17.99 paperback, $10.99 eBook, April 2018)

Fantasy is a tough industry. You can a) stick to tried-and-true tropes and structures and hope to stand out in subtler ways or b) come up with something truly outside-the-box and hope that it still appeals to the traditional fantasy audience. Neither of these options is a sure thing (is anything?). But it seems like every month, reviewers point out authors who are doing one or the other and doing it well.

That’s basically what I’m doing here. Not simply because I’ve been a fan of Kate Heartfield’s short fiction since well before I got to know her here in Ottawa (she’s awesome, by the way). It’s because her first novel, Armed in Her Fashion, is basically Option B on some performance-enhancing drug.

We’ve all seen the basic quest narrative, right? Protagonist and company need to travel somewhere and do a thing, they go through a bunch of challenges en route, and the path to their goal isn’t at all what they expect when they set out from home. Fashion is essentially a Campbellian hero’s journey, but it’s also way more. It’s set in 14th century Flanders, for one thing. It’s also alternate history, taking place at the outset of the Hundred Years War, but with a Hellmouth and revenants in play. And the cast is mostly women, centered on widow Margriet de Vos and her daughter Beatrix, looking to reclaim the latter’s inheritance from Margriet’s sorta-dead husband. The concept of women’s rights and authority is a huge piece of this story, but in a medieval context, and with an additional angle in the form of Claude, a transgender man-at-arms. Claude is a particularly compelling character, allowing Heartfield to explore a topic I’ve never seen in fantasy before: how a transgendered individual would be treated by a medieval, patriarchal society. As well, the disconnect between how Claude views himself and how even Fashion’s other protagonists view him as “that woman who dresses like a man” isn’t all that alien when compared to contemporary society.

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