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Month: February 2017

Dorgo’s Dozen Questions: Getting Grilled by Joe Bonadonna

Dorgo’s Dozen Questions: Getting Grilled by Joe Bonadonna

Interview with Seth Lindberg 2-small

Thanks to Joe Bonadonna for the opportunity to be grilled by Dorgo’s Dozen questions. Phew, this will be intense! One cannot lie to a detective as keen as Dorgo, especially when his dowsing rod can sense minor indiscretions — I just hope he can differentiate between fantasy and reality. So please read on, as I attempt to pass the interrogation.

Who the hell are you?

I’m Seth (S.E.) Lindberg, residing near Cincinnati, Ohio working as a microscopist during sunlight and writer by moonlight. Two decades of practicing chemistry, combined with a passion for the Sword & Sorcery genre, drives me to write adventure fictionalizing alchemy. I write the Dyscrasia Fiction series and contribute to Perseid Press anthologies. All are invited to the Goodreads.com Sword & Sorcery Group which I co-moderate.

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Winter 2016 Space & Time Magazine Now Available

Winter 2016 Space & Time Magazine Now Available

Space-and-Time-magazine-127-smallSpace & Time magazine celebrated its 50th Anniversary last year, an extraordinary landmark for a small press magazine. It was founded in 1966 by Gordon Linzner, who edited it for four decades. Hildy Silverman took over in 2007, and she has edited it for the past ten years. Honestly, I thought it had stopped publishing a couple of years ago, so I was surprised to find a copy of the Winter 2016 issue at my local Barnes & Noble last week. We’ve never covered the magazine here, but heck. It’s not too late to start.

Space and Time is one of the few remaining print genre magazines — and one of the only ones that’s not a digest. (The only others I can think of at the moment are Cemetery Dance and Locus.) The Winter 2016 issue has fiction by Peter David, Jessica Amanda Salmonson, Christopher M. Cevasco, Mary Mascari, and others. The magazine is well designed and laid out, and illustrated throughout, with professional art by Martin Hanford, Alfred Klosterman, Alan Beck, Skikhar Dixit, and others.

In addition to the fiction and poetry, the magazine has highly readable nonfiction content, including an editorial by Silverman with some excellent writing advice, a film column by Daniel M. Kimmel that looks at classic SF movies (in this case the 1985 Enemy Mine), an interview with Leanna Renee Hieber, a review of The Winter Boy by Sam Tomaino, and more.

Here’s the complete contents.

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Ed Bryant, August 27, 1945 – February 10, 2017

Ed Bryant, August 27, 1945 – February 10, 2017

Cinnabar Ed Bryant-small Pulphouse Ed Bryant-small Particle Theory Ed Bryant-small

SF author and critic Ed Bryant died yesterday after a lengthy illness.

Bryant wrote a single novel, Phoenix Without Ashes (1975), a collaboration with Harlan Ellison. As an author he was best known for his short fiction, including his Nebula Award-winning stories “Stone” (1978) and “giANTS” (1979). His collections include Among the Dead and Other Events Leading Up to the Apocalypse (1973), Cinnabar (1976, cover by Lou Feck), and Particle Theory (1981, cover by Richard Powers), which contained both “Stone” and “giANTS.” His most recent collection was Predators and Other Stories (2014), from ReAnimus Press. He was a contributor to the Wild Cards shared world series, and was featured on the cover of issue #0 of Pulphouse magazine (1991).

But Bryant’s most significant contribution to the field, and certainly the way I came to know him best, was through his reviews. He had long-running review columns in Locus (for nearly two decades, 1989-2007), The Twilight Zone magazine (1987-89), and Cemetery Dance (1990-98), and published reviews in Vertex, TaleBones, and many other places. Bryant’s columns were frequently the first features I read in many of my favorite magazines. He was an insightful and prolific critic with a keen appreciation for a good tale, as well as a frequent convention-goer. His numerous convention reports in Locus were always entertaining, and did a great deal to promote science fiction conventions across the country.

Ed Bryant died on February 10th in North Denver, from complications of Type 1 Diabetes. He was 71.

Morbid Number Crunching: The Norman Bates Kill Tally

Morbid Number Crunching: The Norman Bates Kill Tally

Norman-Bates-Smile Okay, legit now: Happy Valentine’s Day Weekend.

Beyond the 1978 original, I have close to zero interest in the Halloween franchise filled with numerous sequels, a partial reboot, a remake, a sequel to the re-make, and now another partial reboot sequel (I think; details on the new film remain unclear at this point). The only other film in the Halloween series that interests me is Halloween III: Season of the Witch, which has no connection to any other series installment. However, Halloween III is ultra-bizarre and it has the benefit of making the best use of the holiday.

The only “slasher” franchise that I’m actually a fan of is Psycho. The original Alfred Hitchcock Psycho is a masterpiece, obviously, but it wasn’t a slasher horror film in the way we define these movies now (i.e. define them post-Halloween). It was one of the critical building blocks of what slasher films would become. Its sequels, however, were released when the slasher film was a firmly established genre. And bizarrely, I’m way into them.

Since I recently did a write up on the original Halloween, it became imperative… imperative … that I chronicle the killing spree of the grandfather of the screen slashers, Norman Bates. Because lists are fun.

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Wordsmiths: An Interview with Evan May

Wordsmiths: An Interview with Evan May

The King in Darkness Evan May-small The King in Darkness Evan May-back-small

Well, folks, we’ve survived the first month and a bit of 2017 – barely, some might say. I’m of the mind not to let various disruptions get you down or mess with the writing mojo, which is partly why I’m really glad to be sharing this interview with my fellow rational human being and generally chill writer, Evan May. Below we discuss his first novel, The King in Darkness, which I reviewed a few posts back, as well as the fantasy genre, the writing craft, and Vladivostok (no joke). Here’s a short bio for Evan, followed by the interview:

Evan May is a freelance writer and history professor who lives in Ottawa, Canada. Evan studied Creative Writing at the University of Windsor before moving on to study medieval history, concentrating on scamps and troublemakers in 15th century York and London. He has recently been pleased to return to writing down some of the strange things that live in his head. When not writing or teaching, Evan enjoys distance running and tending to the whims of two lazy cats.

For more about Evan’s work, visit his  blog (emaymustgo.wordpress.com) or follow him on Twitter: @GiantTourtiere.

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The Dark Fairy, a Magic Carpet, and Forbidden Lovebirds: Cornelia Funke’s The Golden Yarn

The Dark Fairy, a Magic Carpet, and Forbidden Lovebirds: Cornelia Funke’s The Golden Yarn

reckless-the-petrified-flesh-small reckless-living-shadows-small reckless-the-golden-yarn-small

In The Golden Yarn, the final (?) volume of the Reckless trilogy by Cornelia Funke, the unthinkable happens. Not in the way you would suppose, of course. After returning to the real world in search of a precious item, Jacob is accosted by Clara, his brother’s girlfriend. More’s the pity when she reveals her true identity; she’s actually an Alderelf who sees to Jacob’s incapacitation and traps the actual Clara in a sleep from which she can never awaken.

A devious Alderelf named Spieler has sent his young apprentice, along with her brother, to do his bidding. Having disguised himself as Jacob’s father, he knows Jacob and his brother, Will, all too well. He desires Jacob’s firstborn child. (Remind you of anyone?) That prevents Jacob and Fox, his beloved companion, from acting on their unbearable feelings for one another. Then there’s Will, who embarks on a quest to find the Dark Fairy, who cursed him all the way back in Book One. Of course, Jacob follows him on what ends up being the most devastating journey yet.

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New Treasures: Mechanica by Betsy Cornwell

New Treasures: Mechanica by Betsy Cornwell

Mechanica-small Mechanica-back-small

Stick around long enough in this genre, and you start to see fresh ideas repeat. Like fairy-tale retellings, for example. Do we really need another version of Cinderella?

Well, if it’s as fresh and funky as Betsy Cornwell’s New York Times bestseller Mechanica then, yeah. Maybe we do. In this version, Nicolette is a young inventor mocked by her cruel step-sisters, who finds a secret workshop on her sixteenth birthday. And when she learns of the upcoming technological exposition… well, you know there’s only one way that can play out. And I want to be onboard to see it happen. Kirkus says “A spunky mechanic stars as a steampunk Cinderella who doesn’t need rescuing… A smart, refreshing alternative to stale genre tropes,” and Amazon.com listed it among the Best Young Adult Books of 2015,

Mechanica was published by Houghton Mifflin Harcourt Books on August 2, 2016. It is 320 pages, priced at $8.99 in paperback and for the digital edition. The cover is by Manuel Sumberac; click the images above for bigger versions. Read an excerpt here, and learn more about the book here.

See all of our recent New Treasures here.

Goth Chick News: Rare Footage of Steven Spielberg NOT Directing Poltergeist

Goth Chick News: Rare Footage of Steven Spielberg NOT Directing Poltergeist

Poltergeist

Setting aside the fact that Poltergeist is one of the most celebrated horror films of all time, a burning question has been the cause of endless debate among fans: who really directed the film?

What? Have you never heard this story?

Well me either until this week – so here goes.

While Tobe Hooper – certified genre legend for helming The Texas Chainsaw Massacre – is the credited director, there has long been debate around whether or not it was in fact producer Steven Spielberg who did most, if not all, of the directing.

The rumor about Spielberg’s creative control began way back in 1982 with an L.A. Times feature on the making of Poltergeist that ran before the film’s release. In it, Spielberg contrasted his input with Hooper’s: “Tobe isn’t what you’d call a take-charge sort of guy. He’s just not a strong presence on a movie set. If a question was asked and an answer wasn’t immediately forthcoming, I’d jump up and say what we could do. Tobe would nod agreement, and that became the process of the collaboration.”

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Modular: Rethinking the OSR through Modiphius’s Conan – Adventures in an Age Undreamed Of

Modular: Rethinking the OSR through Modiphius’s Conan – Adventures in an Age Undreamed Of

ConanRPGWell, many of you don’t need to be told that Mophidius’s Conan: Adventures in an Age Undreamed Of is out. Well, maybe it’s not quite out: for those of us who require a hard copy, word is it won’t be shipping until sometime in June. But backers and shoppers now have access to PDF copies of the Conan Core Book and a collection of adventures entitled Jeweled Thrones of the Earth.

I became a backer quite late in the game. Indeed, it couldn’t have been much more than a month ago. I’m not sure why I was late. I’m almost certain I looked at the Kickstarter when it was announced but probably initially passed it over because I assumed that so much of the Conan material probably was done “better” (as in open to additional literary inspirations) in the “conventional” rpgs (D&D and its clones) with which most of us already are familiar.

Curiosity is what made me change my mind. Modiphius was offering free “Quick Start” rules in PDF form. I downloaded them and read them all, including the introductory adventure. Contrary to what some others on this site have reported, I was absorbed and excited by the rules set. I didn’t run the adventure because, well, I write my own adventures. And, outside of egotism, the main reason I don’t run other people’s adventures is because I can’t see how most of them can work. At one point in the introductory “To Race the Thunder” adventure, it reads,

With no hope of joining or rescuing the forces inside the fort, the player characters’ only hope is to strike out to the settlements, to warn the settlers, gathering them and helping them across the Thunder River to safety. The banks of the Thunder River are their only hope at this point, else they will all end up as corpses, cooling as their life-blood sinks into the black and hungry earth.

Are you kidding me? If my players are told they can’t possibly get into the fort, you can be certain that that is the one and only thing they obsessively will try. And with me as GM, they very likely will succeed.

And with that observation, I have come to the thesis of this article: rethinking the OSR in light of what I have learned from reading the new Conan RPG. The OSR, as many of us need not be told, stands for Old-School Renaissance (or Revival, or Roleplaying). And I am fascinated and excited by it. For the few of us who don’t know already, broadly speaking the OSR names a movement in the tabletop rpg industry that is regressive, perhaps nostalgic, a return to iterations of D&D that were popular before the third edition (or d20 system) of the rules. This return was facilitated by “retroclones” made legal under the Open Game License. Examples of retroclones are Swords & Wizardry, Castles & Crusades, Dungeon Crawl Classics and a host of others that might be impossible to enumerate. And to add to this OSR, players no longer need “return” to revised versions of the old rules but can purchase the actual old rules outright from Wizards of the Coast, because the latest owner of the D&D property now has released virtually its entire back stock in PDF and print form.

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Adventures in Earth’s Prehistory: Jane Gaskell’s Atlan Saga, Part IV

Adventures in Earth’s Prehistory: Jane Gaskell’s Atlan Saga, Part IV

The City Jane Gaskell-Orbit-smallThe previous installments in this series are:

Jane Gaskell’s Atlan Saga, Part I
Jane Gaskell’s Atlan Saga, Part II
Jane Gaskell’s Atlan Saga, Part III

Ostensibly the final book in Jane Gaskell’s Atlan Saga is The City. It is a slim volume, especially when compared to its predecessors, coming in at 190 pages.

Picking up where Atlan left off, we find our hapless heroine Cija, half-starved and sick with scurvy from a long sea voyage, deposited in the docks of a foreign land. The master of the vessel has found a loophole in his verbal contract with the bandit chief Ael – he who paid for Cija’s safe voyage away from Atlan. Unbound by any promise regarding Cija’s treatment once ashore, the master has determined to sell her into slavery.

The docks are a squalid affair, gripped by winter. Icy rime covers mounds of garbage — and worse. Even so some punters are about, and after a bit of bidding Cija is sold and led away, still dazed and begging one of the ships boys to rescue her baby, Seka.

The City is a fast paced book. One gets the feeling Ms Gaskell was in the final sprint in the series, and this book reflects it. While she does not scrimp on descriptions, there is no wastage in the narrative. In almost a different style, Cija heads off from adventure to adventure. Even portions where time passes by are quickly dealt with until the next adventure starts.

Shortly after Cjia is led away from the slave block, the ship’s boy, Eel, and some of his cronies assail her new owner and whisk her away to promised safety. Soon she is reunited with Seka at Eel’s mothers house, which Cija soon twigs is a brothel where she is due to become a new attraction. Sickened by the prospect but still weak and lost in the foreign city, all she can do is try to capitulate.

One thing about Cija, she is a survivor. Although she has seen many streaks of bad luck, she also has the occasional run of good. This is the beginning of such a run. Her first customer turns out to be a youngster with a romantic view of the world. He believes her sob story, and sets to rescuing her. Cija escapes and, along with the youngster, finds her way to the city’s suburban greens and into his home, as a servant.

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