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Year: 2015

Presenting the 2015 Nebula Awards

Presenting the 2015 Nebula Awards

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Presenting the 2015 Nebula Award for Best Novelette
Presenting the 2015 Nebula Award for Best Novelette. Photo by Keith Stokes

I don’t mean that title metaphorically. Like, “Here are the 2015 Nebula winners, so awesome!” I mean it literally. As in, presenting a Nebula Award on stage, in front of God and everybody, while wearing a suit and desperately hoping I pronounced all the names correctly. How’s that for awesome?

The 2015 Nebulas were presented by the Science Fiction Writers of America at the 50th Annual Nebula Awards Weekend on Saturday, June 4th, at the Palmer House in downtown Chicago. The event was attended by the brightest and most dazzling talents in the industry (plus, I was there too). I was invited to present the Nebula for Best Novelette, which was a fabulous honor that made me all giddy. If at any point on Saturday I shook your hand and tried to give you a Nebula Award, I hope you can understand — when I’m nervous, rehearsing make me feel better.

Please forgive me. Unless your name is Alaya Dawn Johnson, in which case, congratulations again on winning, and I’m very sorry I added three extra vowels to your first name. Ha ha ha, Alaya. It looked so damn easy on paper.

Anyways, the Nebulas. Super-big deal. The biggest names in the industry, gathered together to celebrate the very best writing of the year. And also to see and be seen, to socialize, discuss the big issues of the day, renew friendships, make new friends, gossip, catch up on all the news. Plus, to give out some Nebula Awards.

Derek Kunsken posted a fine summary of the weekend earlier today. After working with him for so many years, I was delighted to finally meet Derek for the first time, and he turned out to be just as articulate and entertaining in person. He wasn’t the only Black Gate writer to attend — I also caught up with Steven Silver, Jeremiah Tolbert, Tina Jens, and Beth Dawkins.

The highlight, of course, was the awards ceremony. And without any further ado, here’s a complete rundown on the winners.

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Self-published Book Review: The Age of Heroes by Scott Robinson

Self-published Book Review: The Age of Heroes by Scott Robinson

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The Age of Heroes Robinson-smallThis month I’m reviewing The Age of Heroes by Scott Robinson. I’ve reviewed one of Scott’s books before, The Brightest Light, a self-described crystal-punk story. This time around, Scott’s story is straight up sword and sorcery.

Rawk is the last of the great heroes.  Famed for his great deeds, everyone in the city of Katamood knows him, he has a crowd of fans following him everywhere he goes, and women decades younger throw themselves at him.  He could easily retire — his friend Weaver declared himself Prince and took charge of Katamood thirty years ago — but despite the fact that he’s well past his prime, he refuses to. It’s a matter of pride, of preserving his reputation: he’s a hero, not a former hero.  But there just isn’t a lot for a hero to do these days.  Since Weaver banned sorcery, and the nearby city-states started to do the same, there’s been a distinct lack of exots — the weird and horrible creatures that require a hero to deal with.  Anyone else who wants to get into the heroism business has to travel far and wide to do so, leaving Rawk as the last active hero whose deeds are still known in Katamood.  So when an oversized wolf shows up one day, he’s the person that everyone calls on.

Heroism is a young man’s game — not just in the Age of Heroes, but in heroic fantasy in general.  People complain about the man part, but you’re more likely to see a woman as the protagonist in heroic fantasy than anyone over forty.  I couldn’t find Rawk’s exact age, but he’s at least in his fifties. He gets aches and pains even when he’s not particularly active, and his first fight almost ends badly when his knee nearly gives out. He spends the rest of the novel in a perpetual state of pain, unwilling to back down and let the soldiers whose job it is to deal with such threats steal his glory. Rawk’s age is a significant factor, and is the main reason this book is such a change of pace from most books in the genre. His point of view feels like that of a mature, older man, but he doesn’t necessarily act like one.

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Future Treasures: Fool’s Quest by Robin Hobb

Future Treasures: Fool’s Quest by Robin Hobb

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Fool's Quest-smallAuthor Megan Lindholm began a new career, under the name Robin Hobb, with the publication of Assassin’s Apprentice (1995), the first book in The Farseer trilogy. Robin Hobb quickly became a bestselling writer, and she continued the tale of FitzChivalry Farseer and his enigmatic friend the Fool in The Tawny Man trilogy (2001-2003). 

Last year she launched a new trilogy, Fitz and the Fool, with Fool’s Assassin, and in August the tale continues with the next installment, Fool’s Quest, in which Fitz discovers devastating secrets and dark conspiracies that cast a dark shadow over the history of Fitz and his world.

Long ago, Fitz and the Fool changed the world, bringing back the magic of dragons and securing both the Farseer succession and the stability of the kingdom. Or so they thought. But now the Fool is near death, maimed by mysterious pale-skinned figures whose plans for world domination hinge upon the powers the Fool may share with Fitz’s own daughter.

Distracted by the Fool’s perilous health, and swept up against his will in the intrigues of the royal court, Fitz lets down his guard… and in a horrible instant, his world is undone and his beloved daughter stolen away by those who would use her as they had once sought to use the Fool — as a weapon.

But FitzChivalry Farseer is not without weapons of his own. An ancient magic still lives in his veins. And though he may have let his skills as royal assassin diminish over the years, such things, once learned, are not so easily forgotten. Now enemies and friends alike are about to learn that nothing is more dangerous than a man who has nothing left to lose.

Fool’s Quest will be published by Del Rey on August 11, 2015. It is 768 pages, priced at $28 in hardcover and $13.99 for the digital edition.

May/June Magazine of Fantasy & Science Fiction now on Sale

May/June Magazine of Fantasy & Science Fiction now on Sale

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Fantasy-and-Science-Fiction-May-June-2015-smallYesterday, during the Nebula Awards banquet here in Chicago, I had the opportunity to talk with Gordon van Gelder, long-time publisher and editor of The Magazine of Fantasy & Science Fiction, and get his take on how well the transition to new editor C. C. Finlay has been proceeding. It was great to hear that he sees the same things I do — that F&SF has a new level of energy, and that the transition has generated some long overdue attention and interest for the magazine.

Jerard Bretts’s review at Tangent Online is fairly typical of the comments I’m seeing.

Charles Finlay’s second issue as editor is a strong one. The powerful stories by Grossbach, Gerrold and Sarafin are alone worth the price of entry.

Robert Grossbach’s “Entrepreneurs” is the longest and best story in this issue. Stretching from 1952 into the near future, it tells of the efforts of enterprising engineer Morty Rushman to make it big in business ─ with the help of some equally enterprising aliens from the Eep planet, Narusto. Grossbach uses the theme of alien contact to make some very amusing points about modern American capitalism in the second half of the twentieth century and beyond. The humour reminded me of Kurt Vonnegut and Robert Sheckley, and there can’t be much higher praise than that.

This issue also features a Lovecraftian horror story by Albert E. Cowdrey, James Sarafin’s tale of hunting the wild creatures of the Pleistocene, a semi-autobiographical story by David Gerrold, and fiction from Lisa Mason, Sarah Pinsker, Caroline M. Yoachim, Amy Sterling Casil, and Rob Chilson.

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Blogging from the Nebulas Weekend

Blogging from the Nebulas Weekend

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I’m in Chicago, at the 50th Annual Nebula Awards Weekend, and so far, it’s all pretty amazing. For Annihilation_by_jeff_vandermeerthose who don’t know, the Science Fiction and Fantasy Writers of America hold an annual Nebula Awards weekend that feels kind of like a very small fan con, except most of the attendees are SFWA members and networking and casual business discussion dominates.

My first Nebulas Weekend was in San José two years ago. Chicago is pretty impressive and the hotel, the Palmer House in downtown Chicago, is even moreso. And like at World Fantasy, attendees got loot bags upon arrival, provided by publishers. A small selection of by book bag contains: Tobias Buckell’s Sly Mongoose, an advance proof of Aliette de Bodard’s House of Shattered Wings, Daryl Gregory’s Afterparty, Ken Liu’s Grace of Kings, Nick Cutter’s The Acolyte and many more.

I don’t tend to go to as much programming as I used to at cons; I go more to meet editors, agents, publishers, and other writers, because hey, common interests. This weekend is an exception because the speakers are pretty uniformly the people who are steering the field itself.

I checked out a panel with Sheila Williams (Asimov’s) and Jacob Wiesman (Tachyon Press) about what editors are looking for. This is a bit in the same theme as Neil Clarke’s recent and excellent and data-based post about what he’s looking for at Clarkesworld. Based on the conversation, it struck me how much building Asimov’s each month is like building an anthology, where tone and editorial vision and story offering have to balance.

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The Series Series: Shieldwall: Barbarians! by M. Harold Page

The Series Series: Shieldwall: Barbarians! by M. Harold Page

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Shieldwall BarbariansThings you’ve probably noticed if you’re a regular Black Gate reader:

  • When one of the Black Gate bloggers has a new book out, there’ll be posts here about it. Many posts, and that’s a good thing.
  • We bloggers like to cheer each other on. Writing can be a discouraging business, but celebrating each other’s good news is one of its great pleasures.
  • I will tell you straight up what I think a book’s virtues and shortcomings are, even if the book is by a fellow Black Gate blogger. I do give the occasional gushing review, but not indiscriminately.

I lay it out like that because there’s exactly one thing I wish were different about M. Harold Page’s new book, Shieldwall: Barbarians!, and it’s something I fully expect the next volume in the series will satisfy.

So, on to the story:

A brother chases warbands, and then armies, across the ragged edges of the Roman Empire, right into a city besieged by Attila the Hun, because that’s what it will take to rescue his sister from slavery. On the way, young Prince Hengest’s own warband doubts his readiness to lead them. Can a boy fostered among Romans ever truly become a man of the Jutes? And as their odds of finding Princess Tova look slimmer and slimmer, why should they keep risking their lives far from home against foes they have no quarrel with? The man who was to marry Tova, hoping to claim Hengest’s crown for himself, feeds those doubts. That insubordination will end in blood, sooner or later.

Hengest is too civilized for his barbarian kinsmen, too barbaric for the fading nobility of the empire, and too late to side with Attila, whose army encampment spreads as far as the eye can see. The young Jutish prince and his men will take the job the doomed city of Aurelianum offers them. Doomed — for Aurelianum cannot possibly stand against Attila, can it? What Hengest must do is find his sister, wherever her captors have hidden her in the city, and get her out through the carnage when at last Aurelianum falls and releases him from his oath to protect it.

Good thing Hengest is a master of improvisation, because nothing plays out as he expects.

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New Treasures: Probably Monsters by Ray Cluley

New Treasures: Probably Monsters by Ray Cluley

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Probably Monsters-smallToronto press Chizine Publications is one of the hottest publishers in the business. I was so impressed with their recent output that, after returning from the World Fantasy Convention in November of last year, I sat down to compose a survey of their catalog.

But it wasn’t just their 2014 releases that grabbed me. I was also highly intrigued by Probably Monsters, the debut collection from British Fantasy Award-winning author Ray Cluley, author of Water for Drowning (August 22, 2014). It was released in April, and I finally had a chance to get my hands on a copy yesterday, at the Nebula Awards weekend here in Chicago. I love a good monster story, and these look very promising indeed.

From British Fantasy Award-winning author Ray Cluley comes Probably Monsters — a collection of dark, weird, literary horror stories. Sometimes the monsters are bloodsucking fiends with fleshy wings. Sometimes they’re shambling dead things that won’t rest, or simply creatures red in tooth and claw. But often they’re worse than any of these. They’re the things that make us howl in the darkness, hoping no one hears. These are the monsters we make ourselves, and they can find us anywhere…

Probably Monsters was published by ChiZine Publications on April 14, 2015. It is 352 pages, priced at $16.99 in trade paperback, and $7.99 for the digital version. The cover art is by Erik Mohr, with design by Samantha Beiko.

See all of our recent New Treasures articles here.

Science Fiction Seeking Legitimacy: Connoisseur’s Science Fiction, edited by Tom Boardman

Science Fiction Seeking Legitimacy: Connoisseur’s Science Fiction, edited by Tom Boardman

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Connoisseur's Science Fiction-smallConnoisseur’s Science Fiction
Edited by Tom Boardman
Penguin Books (234 pages, $0.95, 1966)

It’s a small world. The last story in the last anthology I read (Other Dimensions, edited by Robert Silverberg) was “Disappearing Act,” by Alfred Bester. The next book I read was this one, and the first story therein was “Disappearing Act,” by Alfred Bester. How do you like that? In any event, I didn’t read it again, but copied my remarks from the review at my site to this one.

In Connoisseur’s Science Fiction, Boardman, a pioneering SF reviewer in Britain who went on to edit four more anthologies, attempted to put together a collection of science fiction stories that had literary merit — or something like that. And you thought this business about science fiction seeking legitimacy was a new thing. Half of the stories worked for me and half did not.

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“Disappearing Act,” by Alfred Bester

The military is trying to determine why shell-shocked patients in a secret ward are disappearing. The answer is a fairly simple one having to do with other dimensions. But it’s made more interesting by the portrayal of the General in charge, who’s way over the top and who’s constantly demanding experts to sort out whatever he needs to know. Comparisons to a certain Kubrick movie wouldn’t be too far off the mark.

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Vintage Treasures: Jamie the Red by Gordon R. Dickson with Roland Green

Vintage Treasures: Jamie the Red by Gordon R. Dickson with Roland Green

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Jamie the Red-smallThieves World is one of the most endlessly creative concepts in the history of fantasy. Nearly four decades after it was first conceived, it’s still surprising me.

This time the surprise came in the shape of Jamie the Red, a 1984 fantasy novel written by Gordon R. Dickson and Roland Green and published by Ace Books, with a cover by Thieves World artist Walter Velez. It’s a surprise because, up until last week, I never knew it existed, despite the fact that I’ve been collecting Thieves World books for 37 years. And also because a little investigation revealed that it’s one of the most important books in the storied history of Thieves World — and for a fascinating reason.

But let’s back up. Who the heck is Jamie the Red, and just what does he have to do with Thieves World?

For our first clue, let’s turn to Paul Shackley’s Poul Anderson Appreciation blog. In August 2013, Paul wrote an entry titled Jamie the Red, where he said, in part:

Maybe everyone else out there already knew this but I certainly did not. When, in “The Gate of the Flying Knives” (Poul Anderson, Fantasy, New York, 1981), Anderson’s character, Cappen Varra, receives help from his friend, Jamie the Red, that friend is a Thieves’ World character in his own right and is even the title character of a novel by two other authors.

Paul was the first to tip me off about Jamie the Red. Yes, Jamie is a Thieves World character, and he does appear rather prominently in a Poul Anderson’s TW story. But Gordon R. Dickson was not even a Thieves World writer… so how the heck did he end up writing a Jamie the Red novel? And why isn’t there a Thieves World banner on the cover?

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R.A. MacAvoy’s The Book of Kells

R.A. MacAvoy’s The Book of Kells

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MacAvoy KellsLately I’ve been exploring portal fantasies, and last time I talked about Charles de Lint’s The Little Country. This week I’d like to take a look at R.A. MacAvoy’s The Book of Kells.

John Thornburn is a Canadian artist living and teaching in Dublin. He’s a bit of a klutz socially and emotionally, and has a tendency to focus on his work to the exclusion of everything else. His friend and sometime lover Derval O’Keane is an academic historian. The story begins when a young, injured girl suddenly appears in  John’s bathroom, having come through a portal  he inadvertently opened while working on the tracing of an old Gaelic pattern. It takes a bit of doing, but John and Derval finally figure out that Ailesh is the survivor of a Viking attack on her village in the Ireland of 985, saved by her father’s throwing her through the portal.

John and Derval take Ailesh back to her own time, and find the injured poet Labres MacCullen among the dead. John doesn’t know how to open the portal from this side, or even if it can be opened, so they accompany Ailesh and Labres to Dublin, where they hope to get help and justice from the King. Though the King in Dublin is himself a Dane at this point in history, they also want to warn him that the Vikings seem to have come as invaders, not as mere raiders who, having struck, will now go away.

Unknown to them, however, these same Vikings offered the lives of all the villagers to Odin, and the fact that Ailesh and Labres escaped puts them in a bit of a quandary. The leader decides that they must find and kill those who escaped, or forfeit their own lives – and the success of their expedition – to Odin’s displeasure.

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