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Month: July 2013

Arak Issue 3: Welcome the Iron Maiden!

Arak Issue 3: Welcome the Iron Maiden!

Arak_Vol_1_3IMG_0001Our adventures with Arak the Viking-Native-American continue!

Before I summarize issue 3, I haven’t said anything much about the artwork yet, so I’ll do my best to opine on that a bit. I don’t have a particularly deep background in visual art, other than that I’ve been looking at it all my life (and occasionally drawing a cartoon or illustration here and there), so I speak strictly as a layperson on this. That said, here are my general impressions.

First, the elephant in the room: To younger eyes that grew up on the computer-enhanced visuals of the past decade or so, these old pre-‘90s comics must look terribly quaint. Take a representative comic off the stand today. The colors and depth and lighting effects, the impression of characters leaping right out of the 2-dimensional bounds of the page from explosions that look like they could burn your fingers: such is to be seen in any typical issue of a mainstream comic like X-Factor (which is produced twice monthly!)

So, right off the bat, a typical early ‘80s comic like Arak appears, by comparison, pretty flat, the colors dim and washed-out, with a limited palette of hues and rather pedestrian panel lay-out with few or no “effects.” Older comics look much like their ancestral progenitor: the old newspaper comic-strip or “funnies” pages, because that is essentially what they were, printed with the same technology on the same type of thin pulp paper.

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Weird Tales 361 Now on Sale

Weird Tales 361 Now on Sale

Weird Tales 361-smallThe latest issue of the world’s oldest — and arguably greatest — fantasy magazine is now on sale.

Weird Tales #361 is the special demented Fairy Tale issue, with fiction by Peter S. Beagle, Tanith Lee, Jane Yolen, Morgan Llywelyn, and many others.

There’s also articles from Darrell Schweitzer (“Ninety Years of Weird Tales“), an interview with J. David Spurlock on the artwork of Margaret Brundage, and “An Inside Look at Weird Tales,” a step-by-step look at the evolving cover concept for this issue, by editor John Harlacher and artist Jeff Wong.

It’s always a delight to see a new issue of Weird Tales, especially one as jam-packed as this. This fat issue contains no less than 19 stories and four poems, alongside several feature interviews, book reviews, and copious interior art.

The PDF review copy we received is beautifully laid out and easy to navigate and read. This is the second issue produced by Nth Dimension Media, under new editor Marvin Kaye.

Here’s the complete Table of Contents:

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New Treasures: Brilliance by Marcus Sakey

New Treasures: Brilliance by Marcus Sakey

Brilliance Marcus Sakey-smallI think of Marcus Sakey chiefly as a thriller writer. Mostly because he is.

Publications like The Chicago Sun-Times call him “a modern master of suspense” and he gets blurbed by fellow thriller writers like Michael Connell (who called him “one of our best storytellers.”) His previous efforts, including The Two Deaths of Daniel Hayes and Good People, were contemporary suspense novels. Sounds like a thriller writer to me.

So at first I didn’t pay much attention to his newest book, Brilliance. My mistake. Set in an alternate reality that diverged from ours in 1980 when 1% of births became people with extraordinary gifts, the novel follows federal agent Nick Cooper, born with the talent to hunt the world’s worst criminals, on the trail of a brilliant whose talent could lead to unheard-of destruction.

In Wyoming, a little girl reads people’s darkest secrets by the way they fold their arms. In New York, a man sensing patterns in the stock market racks up $300 billion. In Chicago, a woman can go invisible by being where no one is looking. They’re called “brilliants,” and since 1980, one percent of people have been born this way. Nick Cooper is among them; a federal agent, Cooper has gifts rendering him exceptional at hunting terrorists. His latest target may be the most dangerous man alive, a brilliant drenched in blood and intent on provoking civil war. But to catch him, Cooper will have to violate everything he believes in — and betray his own kind.

For those of you who care about such things, the novel has already been optioned by Legendary Pictures (makers of 300, Watchmen, The Dark Knight, Man of Steel, and this summer’s best movie, Pacific Rim). For me, the premise alone is intriguing enough to get my attention.

Brilliance will be published tomorrow by Thomas & Mercer, a division of Amazon.com that focuses on mystery and thrillers. It is 452 pages, priced at $14.99 in trade paperback. The Kindle edition lists at $9.99, but is currently just $3.99 — check it out.

See all of our recent New Treasures here.

Star Trek Lives

Star Trek Lives

enterpriseThis post is for Star Trek fans.

Let me be more specific. This post isn’t for fans who were brought in by the new movies, or fans of Star Trek: the Whatever – it’s for any of you who love the original TV show.

Maybe, like me, you grew up when it was the only science fiction on television, or – it’s possible — perhaps you’re a more recent convert.

I know a lot of original Star Trek fans who’ve dreamt from time to time that they’re watching an episode they’ve never seen before. I sure have. We wanted the stories to continue and sometimes our subconscious obliges. Here’s the amazing thing: I’ve recently watched something that plays almost like one of those dreams, albeit a coherent one.

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Black Gate Online Fiction: “The Highwater Harbor,” Part One, by Aaron Bradford Starr

Black Gate Online Fiction: “The Highwater Harbor,” Part One, by Aaron Bradford Starr

The Highwater Harbor-smallGallery Hunters Gloren Avericci and Yr Neh, last seen in “The Sealord’s Successor” (published here on March 3rd), “The Tea-Maker’s Task” (December 30th),  and “The Daughter’s Dowry” (October 14), find themselves tasked with unraveling the secrets of a mysterious artifact… as the death toll mounts around them.

“The Cipher Key,” he said. “Is it a code? A secret writing system?”

“A means to unlock the ships themselves?” the large man asked. His words revealed his interests, and I knew him then to be a martial man of the sea, perhaps a freebooter captain.

“A mapping coordinate system,” offered Lady Armeline at the same time. “A secret route to one of the most powerful southern fortresses of the Old Kingdom.”

Gloren chuckled, sitting back and looking at the eager trio. He glanced at Yr Neh, and then at me. “It is a puzzle,” he offered. “We’ll need a second crew, if you’re thinking of recovering a ship from the Harbor. And someone you can trust to lead them.”

“I’ve got just the man,” said the Captain.

Louis West at Tangent Online called “The Sealord’s Successor” a “gripping tale of fantasy, mystery, murder and intrigue. A must read,” and “The Tea-Maker’s Task” “an entertaining, tongue-in-cheek fantasy… I wanted more.” We’re more than happy to oblige with this fourth exciting installment of the adventures of Gallery Hunter Gloren and his cat companion, Yr Neh.

The complete catalog of Black Gate Online Fiction, including stories by Jamie McEwan, Martha Wells, Mary Catelli, Michael Penkas, Vera Nazarian, Ryan Harvey, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, Harry Connolly, and many others, is here.

“The Highwater Harbor”  is a 35,000-word novella of fantasy mystery presented in three parts, with original art by Aaron Bradford Starr. Part II will be presented next week; all three parts are offered at no cost.

Read Part I here.

Pacific Rim Loves You. Love It Back.

Pacific Rim Loves You. Love It Back.

Pacific Rim PosterPacific Rim (2013)
Directed by Guillermo del Toro. Starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Rob Kazinsky, Max Martini, Ron Perlman.

If you choose to see Grown Ups 2 this week instead of Pacific Rim, I will come after you. I know nothing about engineering, but I will find a way to build a titanic super robot and hunt you down. I know nothing about genetics, but I will find a way to grow a mutated giant monster and put it on your trail. And if you spent any money on any of the Transformers movies and you don’t go see Pacific Rim….

R-A-G-E!

Pacific Rim is here for you, summer movie fans and science-fiction worshippers: an original, thrilling, no-bloat SF geek explosion. Every summer has that film, the one that reminds us what fun the warm season movies are supposed to be, and makes us leave the theater walking tall as a 50-meter robot and loving life like a thirteen-year-old kid who hit the bank with a lemonade stand and can now afford that new video game.

I’ll admit a strong bias here, which is the same one that director Guillermo del Toro has: a reverence for the cinematic marvel of watching giant monsters knocking crap over. Pacific Rim is a contemporary love poem to Toho Studios and Tsubaraya Productions in the 1960s, the folks who brought the eruption of outrageous fun kaiju cinema. (Kaiju as Pacific Rim’s title cards define it means “giant monster.” I’ll be nitpicky as a fan and point out that the literal Japanese meaning is “strange beast,” with no reference to size. Daikaiju means “giant strange beast.” However, in fan speak kaiju has come to refer to the entire genre of special effects films centered on giant creatures.) Del Toro creates a whole world where giant monsters and human-piloted robotic suits can slug away at each other in awe-inspiring set-pieces stuffed with hero poses and fist-pumping victory shots. It’s so damn gorgeous and it feels so good.

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J.K. Rowling Outed as the Author of The Cuckoo’s Calling

J.K. Rowling Outed as the Author of The Cuckoo’s Calling

The Cuckoos CallingThere’s been a huge surge of interest in Robert Galbraith’s debut crime novel The Cuckoo’s Calling today.

That’s because “Robert Galbraith” was revealed late yesterday as Harry Potter author J.K. Rowling.

The book’s publisher has been touting the book as a “classic crime novel in the tradition of P.D. James and Ruth Rendell.” Up until yesterday, it had sold around 1,500 copies in hardback. But in the hours since its author was revealed, it has hit the bestseller list. Amazon is currently out of stock and listing it as shipping in 10 to 14 days (Barnes & Noble still has it in stock online). If you want a first edition hardcover, you better move fast.

The Sunday Times has reported that Rowling has completed a second novel featuring the same detective, Cormoran Strike. It is due next year. Rowling’s first novel for adults, The Casual Vacancy, was published last year.

After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Strike is down to one client, and creditors are calling. He has also just broken up with his longtime girlfriend and is living in his office.

Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, known to her friends as the Cuckoo, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

You may think you know detectives, but you’ve never met one quite like Strike. You may think you know about the wealthy and famous, but you’ve never seen them under an investigation like this.

The Cuckoo’s Calling was published April 30 by Mulholland Books. It is 464 pages, priced at $26 for the hardcover (if you can find one). You’ll have better luck with the digital edition, priced at $12.99.

Check Out the How To Train Your Dragon 2 Teaser Trailer

Check Out the How To Train Your Dragon 2 Teaser Trailer

I love it when a really great film sneaks up on me. It doesn’t happen very often any more — as Editor-in-Chief of the BG website, it’s more or less my job to stay on top of the latest in fantasy entertainment — but when it does, it’s a real delight.

My favorite film of 2010, and one of my all-time favorite animated films, period, snuck up on me. My kids came boiling up out of the basement, begging me to come watch it with them on DVD. So I did. They were aquiver with excitement as they watched it again — for what turned out to be the fourth time — trying to stay quiet and not spoil the surprises for me.

The film was How To Train Your Dragon, and it was everything they said it would be: funny, surprising, original, and absolutely riveting. See Andrew Zimmerman Jones BG review here, in which he calls it “Hands down, of the fantasy films I’ve seen this year, my favorite.”

And now the sequel has snuck up on me. Or at least the teaser trailer has — I had no idea the movie was in production. But I’m delighted to hear it, and anxiously awaiting the finished product. Canadian writer/director Dean DeBlois, who also directed the first film, calls this one “the epic second act of a much larger story.” Here’s a look at the trailer posted two days ago on YouTube, where it already has over 1.6 million views.

How To Train Your Dragon 2 was produced by DreamWorks Animation and directed by Dean DeBlois. The voice cast includes Gerard Butler, Kristen Wiig, Jonah Hill, Jay Baruchel, and Craig Ferguson. It is scheduled for release in June 2014.

Virgil Burnett’s Towers at the Edge of a World

Virgil Burnett’s Towers at the Edge of a World

Towers at the Edge of a WorldOne of the distinct pleasures of book fairs and used book sales is finding an intriguing book you’ve never heard of. A greater and related pleasure comes when that book turns out to be quite good. Then, in reaction to that, there’s a melancholy that sets in from the fact that a worthwhile book is largely unknown. I’d like to think I can take the edge off that last sense by writing about some of these books here. So, given all that, a few words about Virgil Burnett’s Towers at the Edge of a World:

First published in 1980 by St. Martin’s Press and republished in 1983 by The Porcupine’s Quill with illustrations by the author, it’s a collection of 15 short stories and an introduction, all set in an imaginary French town in times ranging from the Dark Ages through to the near-present. It’s tied together by imagery and theme more than plot, both as a whole and in the individual stories. There’s little dialogue or drama, though more as the book goes on — it could be seen to be replicating the (supposed) historical development of a sense of character.

Born in Kansas in 1928, Burnett passed away last year. As well as being an author, teacher, and acquaintance of Stein and Joyce, he was an artist and art historian whose work included cover illustrations for Penguin (I’ve included examples of his art that I’ve found online alongside this article). From 1974 to his death, he lived in Stratford, Ontario, where he taught Fine Arts at the University of Waterloo. In addition to Towers, he wrote Skiamachia: A Fantasy (1982), A Comedy of Eros (1984), a collection of short stories called Farewell Tour (1986), and Scarbo Edge: A Romaunt (2008). He co-wrote two mystery novels with Bruce Barber under the name Bevan Underhill, The Bloody Man (1993) and The Running Girl (1994), and with Barber co-edited the 2004 anthology, Habaneras, which he published through his own Pasdeloup Press. In 2010, he published an essay on drawing, Object and Emblem. In 2003, a translation of his play Leonora was published in French; I can’t find a record of an English publication.

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Challenging the Classics: Questioning the Immutable Hallmarks of Genre

Challenging the Classics: Questioning the Immutable Hallmarks of Genre

The Gone-Away WorldEvery once in a while, usually in the midst of conversations about the history of SFF or arguments about its greatest works and writers, I’ll guiltily remember how few of the Classics I’ve read, and make rash promises to remedy the situation.

I know Orson Scott Card is a raving homophobe, I’ll think to myself, but I really should read Ender’s Game. In a fit of mad optimism, I’ll add various works by Isaac Asimov and William Gibson to my Amazon wishlist, only to delete them the next time I’ve got money to spend, because I just can’t muster up the interest. Friends have lent me copies of Jack Vance, Vernor Vinge, and Gene Wolfe, and each time, despite my best intentions, the books are left to molder by the bedside in favor of something by Catherynne M. Valente or Nnedi Okorafor.

It’s not like I have any moral objection to books by straight white male writers – after all, I’ve been compulsively reading and rereading both Discworld and A Song of Ice and Fire for over a decade, I’m an absolute sucker for China Mieville and Nick Harkaway’s The Gone-Away World will forever be one of my all-time favorite novels (and that’s just for starters).

But with the genre developing in so many different directions at once, it feels needlessly regressive to pry myself away from the latest book by Elizabeth Bear or N. K. Jemisin and instead try to read, out of duty rather than passion, some decades-old novel that’s already been analysed, reviewed, and criticised ad nauseum.

Which doesn’t make them bad novels, or mean that there’s anything wrong with loving, critiquing, discovering and talking about them now. They’re just not for me, is all, and most of the time, I can live with that. But then I’ll read yet another article complaining about newcomers to SFF reinventing the wheel for lack of familiarity with the Classics, or hear someone bemoaning the fact that fantasy Isn’t What It Used To Be, and part of me starts to doubt my own credentials. Can I really call myself a fan of science fiction if I’ve never read Dune? If I let slip that I never made it past book one of The Wheel of Time, are the Geek Police going to come along and revoke my right to talk about epic fantasy on the Internet?

If I’ve never read the Classics, then how did I get into SFF in the first place?

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