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Month: March 2011

Howard Andrew Jones on How Captain Kirk Led Me to Historical Fiction

Howard Andrew Jones on How Captain Kirk Led Me to Historical Fiction

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captain-kirkMan, that Howard Andrew Jones is, like, everywhere.

Today he’s at Tor.com, writing about how James T. Kirk led him on a many-year mission to explore strange new worlds of historical fiction:

I’d read that Star Trek’s creator Gene Roddenberry had modeled Captain Kirk after some guy named Horatio Hornblower. I didn’t think I’d like history stories, but I sure liked Star Trek, so I decided to take a chance. Once I rode my bicycle to the library and saw how many books about Hornblower there were, I figured I’d be enjoying a whole lot of sailing age Star Trek fiction for a long time to come.

Of course, it didn’t turn out quite like that. Hornblower wasn’t exactly like Kirk, and his exploits weren’t that much like those of the Enterprise, but they were cracking good adventures. Thanks to my own curiosity but mostly to the prose of the talented C.S. Forester, my tastes had suddenly, and accidentally, broadened beyond science fiction… I no longer thought of historical fiction as a strange, untouchable world, and as I grew older I tried more and more of it, sometimes because a period interested me and sometimes just because I liked a cover or a title. That’s how I found the work of Cecilia Holland, and it’s why I wasn’t afraid to try out a book by Harold Lamb titled The Curved Saber after I was spellbound by Lamb’s biography of Hannibal, the great Carthaginian general…

The complete article is here, and you can learn the mind-boggling details about Howard Andrew Jones month at Black Gate here.

Bradley Beaulieu’s The Winds of Khalakovo Released This Week

Bradley Beaulieu’s The Winds of Khalakovo Released This Week

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windsofkhalakovocover_smBlack Gate blogger Bradley Beaulieu’s first novel The Winds of Khalakovo was published by Night Shade Books on Monday. I asked him to tell us a little bit about it, and his influences:

Thanks for having me on Black Gate. It’s great to be able to talk to some of the fans of the magazine, because unlike other places where I often feel like a relative newcomer — a welcome guest, so to speak — here I feel at home. I feel like I’m among friends, like we’re all part of an extended family: those who love adventure – and epic-based fantasy. So I was excited about the chance to share the news about my debut novel, The Winds of Khalakovo, just released by Night Shade Books.

The Winds of Khalakovo is a story about Nikandr, the Prince of a Grand Duchy modeled loosely after Muscovite Russia. The Nine Duchies of Anuskaya have been beset by a decade-long blight, by a wasting disease that strikes commoner and royal alike, and by the Maharraht, a rebellious splinter group that wants nothing more than the destruction of the Grand Duchy and her people. While searching for a way to heal the islands, Prince Nikandr stumbles across a boy, a boy who has the power to break worlds, and he finds that the Maharraht are bent on using this boy to achieve their goals. But the boy also has the power to heal, and it falls to Prince Nikandr to unlock his secrets before the Maharraht can use him to lay waste to his home of Khalakovo.

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Art of the Genre: The Cat Lord

Art of the Genre: The Cat Lord

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Harry Quinn shows us the serious Cat Lord
Harry Quinn shows us the serious Cat Lord
What is the Cat Lord? Well, to me it’s something my friend Mark told me about when he was reading Gord of Greyhawk back in high school, a magical character with awesome power. Having owned three cats in my lifetime, I’d say he has to be an interesting fellow, a rather profound god of feline things. This of course isn’t to be confused with Bast, the Egyptian goddess of cats, but something more D&D based.

I’d picked up D&D 1st Edition’s Monster Manual II at some point, and certainly the Cat Lord appeared in there, two great pictures of him done by Larry Elmore and Harry Quinn helping to flesh out this mysterious demi-god.

He seems an interesting enough fellow, all cats digging him, and if you ever play a campaign based on the planes, particularly Planescape, I’d suggest throwing him in. I mean, why not, he’s the perfect neutral foil to either a good or evil party who could lead the characters on a wild quest of whimsy. It doesn’t even have to be based in his home plane of The Beastlands, just throw him in anywhere, having him show up in a tavern with a girl on each arm, or maybe on a fence playing with a mouse.

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Will Mars Needs Moms be one of the Biggest Box Office Bombs in History?

Will Mars Needs Moms be one of the Biggest Box Office Bombs in History?

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mars-needs-momsThe New York Times is reporting that Mars Needs Moms, which opened on Friday, “is on track to become one of the biggest box-office flops ever.”

In the movie business, sometimes a flop is just a flop. Then there are misses so disastrous that they send signals to broad swaths of Hollywood. Mars Needs Moms is shaping up as the second type.

Walt Disney Studios spent an estimated $175 million to make and market Mars Needs Moms, which sold $6.9 million in tickets at North American theaters in its opening weekend. That grim result puts the 3-D animated adventure on track to become one of the biggest box-office bombs in movie history, on par with such washouts as The Adventures of Pluto Nash, Cutthroat Island and The Alamo.

Much of the blame for the film’s poor reception is being placed on high ticket prices, especially for Imax.  While it costs between $8 and $9 to seat a child for a typical movie, ticket prices for 3-D screenings average around $13 — and $15.50 for the Imax version.

The film is based on the 2007 book Mars Needs Moms! by Berkeley Breathed, creator of Bloom County. It follows the adventures Milo, of a 9-year-old boy (voiced by Robot Chicken creator Seth Green) whose mother (Joan Cusack) is abducted by Martians.

The NYT predicts the impact on Disney “will be severe.” Disney has already closed down ImageMovers Digital, Robert Zemeckis’ animation division. Zemeckis, the Oscar-winning director who helmed Back to the Future, Forrest Gump, and The Polar Express, was a producer for Mars Needs Moms.  His last film using the same motion-capture animation style, A Christmas Carol (2009) was also a disappointment for Disney, and now the studio has canceled his next planned feature, a 3D remake of Yellow Submarine.

I thought the trailer looked good, and Breathed’s book was terrific. My kids want to see Mars Needs Moms, so I guess I’ll discover firsthand if the film is enjoyable… but the odds aren’t promising.

First Teaser Trailer for Conan the Barbarian

First Teaser Trailer for Conan the Barbarian

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conan-3dThe first trailer for the new 3D remake of Conan the Barbarian has been unleashed this week by Lionsgate.

The trailer is quite brief (one minute), and doesn’t show much beyond a lot of smoke, a few poorly nutritioned villains, a beautiful woman, and some goofy dialog on how to achieve contentment through slaying.  That part reminded me of Buffy the Vampire Slayer, but with more swords and a better soundtrack.

The brief film description reads:

The tale of Conan the Cimmerian and his adventures across the continent of Hyboria on a quest to avenge the murder of his father and the slaughter of his village.

I don’t remember anything about his father in the original version. But as Howard Andrew Jones is constantly telling me, I probably need to read more Robert E. Howard.

The finished film will be released on August 11, 2011.  It is directed by Marcus Nispel and stars Jason Momoa (Stargate: Atlantis) as Conan.

The film also stars Ron Perlman, Stephen Lang, and Rose McGowan, who’s preparing her own take on a Robert E. Howard character in the upcoming Red Sonja, also scheduled for release this year.

Howard Andrew Jones’ Plague of Shadows Now on Sale

Howard Andrew Jones’ Plague of Shadows Now on Sale

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Pathfinder Tales: Plague of Shadows, by Howard Andrew Jones. Coming February 2011Howard Andrew Jones’ second novel in two months officially goes on sale today:

The race is on to free Lord Stelan from the grip of a wasting curse, and only his old elven mercenary companion Elyana has the wisdom — and swordcraft — to solve the mystery of his tormentor and free her old friend before three days have passed and the illness takes its course. When the villain turns out to be another of their former companions, the elf sets out with a team of adventurers across the Revolution-wracked nation of Galt and the treacherous Five Kings Mountains to discover the key to Stelan’s salvation in a lost valley warped by weird magical energies and inhabited by terrible nightmare beasts. From Black Gate magazine’s managing editor Howard Andrew Jones comes a fantastic new adventure of swords and sorcery, set in the award-winning world of the Pathfinder Roleplaying Game.

Pathfinder Tales: Plague of Shadows is the third novel in the new line of Pathfinder Tales from Paizo. They are standalone tales set in the world of Golarion, home of the succesful Pathfinder role playing game; Plague of Shadows follows Prince of Wolves by Dave Gross and Winter Witch by Elaine Cunningham.

You can order copies directly from Piazo, either individually or as part of their Pathfinder Tales subscription.

Celebrate the 30th Anniversary of Excalibur on Blu-ray

Celebrate the 30th Anniversary of Excalibur on Blu-ray

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excalibur-blu-ray-cover1Excalibur (1981)
Directed by John Boorman. Starring Nigel Terry, Nicol Williamson, Helen Mirren, Nicholas Clay, Cherie Lunghi, Paul Geoffrey, Patrick Stewart, Liam Neeson, Gabriel Byrne.

One land! One king! 1080 lines of resolution!

Did you know that there is a re-make of Excalibur is in pre-production? Apparently, the lawyers at Legendary Pictures have forgotten that Le Morte d’Arthur and its associated characters are in the public domain and have been since the bleeding Dark Ages. No more about the re-make (for now).

The original, Once and Future Excalibur, is a crowning piece of high fantasy from the 1980s. It is also my favorite film version of the Arthurian legends. (Apologies to Monty Python and the Holy Grail.) Most movies about King Arthur, especially those before Excalibur upped the ante, are tatty costume dramas lacking magic, either cinematic or literal, and which feel like they were adapted from children’s editions of the story. (Apologies to Howard Pyle.) None of these movies connect to the sensations that the original telling of the legends, from Geoffrey of Monmouth, to Chrétein de Troyes, to Sir Thomas Malory’s Le Morte d’Arthur, create in me when I read them. A sense of dark mysticism pervades through the oldest versions of King Arthur’s myth: a mixture of paganism and early Christianity, a connection to Faerie, the eternal struggle between chaos and civilization. Excalibur, ignoring attempts to either look “realistic” or to resemble the generic expectation of a Hollywood costume drama, drives into the spiritual heart of King Arthur and emerges with something fantastic and often breathtaking.

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Weird Tales 357 Arrives

Weird Tales 357 Arrives

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weird-tales-357The office copy of Weird Tales arrived today, and it looks great. Howard Andrew Jones immediately challenged me to rock-paper-scissors-lizard-Spock for the right to take it home, and then had the poor grace to win the best two-out-of-three rematch. Bonehead.

Before it passed out of my grasping hands forever, I did notice that this issue has six new short stories, from N.K. Jemisin, Karen Heuler, J. Robert Lennon, Karin Tidbeck, Peter M. Ball, and Mark Meredith, and poems by Kurt Newton and Seth Lawhorn.

Matthew Kressel contributes a non-fiction piece on real-life weird tales, Geoffrey H. Goodwin interviews Caitlin R. Kiernan, and Contributing Editor Kenneth Hite reports on Lovecraft’s fascination with the town of Kingsport in “Lost in Lovecraft.”

Rounding out the issue are four pages of book reviews and an editorial by Ann VanderMeer, in which she reports on staff changes at the magazine, including the resignation of Stephen Segal, who left for an editorial position at Quirk Books. Ann has now become Editor-in-Chief, and continues to serve as fiction editor, and Mary Robinette Kowal and Paula Guran have joined the staff, as Art Director and Non-Fiction Editor, respectively.

We last reported on Weird Tales with issue 356 in November.  Good to see the magazine stick to a regular quarterly schedule, just as promised.

Cover price for the issue is $6.99. It is 80 pages; the gorgeous cover is by Lee Moyer. Their website is here.

Steven Erikson finally gets a Bestseller with The Crippled God

Steven Erikson finally gets a Bestseller with The Crippled God

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the-crippled-godJustin Golenbock, publicist at Tor, tells us that Steven Erikson’s The Crippled God, the last book of The Malazan Book of the Fallen, will debut at #12 on the print bestseller list in the March 20 edition of The New York Times. It’s only the second time for Erikson — last year his previous novel barely made the list.

As Justin puts it:

Steven’s first novel, Gardens of the Moon, came out in 1999 to much fanfare…and flopped. We spent the next ten years and eight novels telling everybody and anybody who would listen that this was THE fantasy series to be reading, the best that no one knew about. The depth and breadth of its world, characters and cultures, its heartbreaking yet addictive story, and the level of pathos and philosophy embedded into every narrative layer is staggering. Erikson’s core fans knew; so many of our top-selling authors kept telling us, he’s the guy who deserves it more; yet it was on us to convince everyone else.

Then last fall, Steven’s ninth novel, Dust of Dreams, finally squeaked its way onto the NYT extended bestseller list, claiming the last spot at #35… and it was just this afternoon that we learned that the tenth and final novel in his Magnus opus will get the due he so richly deserves.

During his 2008 book tour Steven confirmed that he had signed to write six more Malazan novels; two trilogies, one of which would be a prequel to the main series, detailing the history of Anomander Rake and Mother Dark. He also plans six additional Bauchelain and Korbal Broach novellas, set in the same world.

Congratulations to Steven Erikson, Justin Golenboc, and Tor books on a job well done!

London Calling: The Iron Heel and the Literature of Ideas

London Calling: The Iron Heel and the Literature of Ideas

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The Iron HeelLast week I discussed Olaf Stapledon’s Star Maker as an example of a true literature of ideas: a work structured not as a traditional narrative, with plot and character development as we know them, but instead built around the ideas that the work’s presenting, so that the book’s material is defined not by narrative but by the ideas at the core of its theme. As it happens, I recently stumbled across another example of this sort of thing.

Published in 1907, Jack London’s The Iron Heel is an imaginative account of North America sliding into a totalitarian society. London, a socialist, wrote the book as a cautionary tale about the oligarchs of his era. It’s an odd thing, mixing journalism and (what we now call) dystopic science fiction with economic hectoring. It’s slow going, particularly in the first half, but the climax is exciting adventure writing. You can see why it didn’t catch on, but it’s still worth looking at.

(You can read the book here, here, or over here, or listen to an audio version over here. I note there was recently a piece about the book on Daily Kos; you can find that here.)

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