Browsed by
Month: February 2015

The Son of Satan: A Gem from the Marvel of the 70s

The Son of Satan: A Gem from the Marvel of the 70s

Son of Satan 2
So many demons to fight.

While interviewing Associate Editor Jake Thomas of Marvel Comics for my last blog post (see Middle Child) , we also talked a bit about horror in comics and where it fits, what fans are looking for, etc. It turns out that until recently, I hadn’t gone all the way to thinking about comics as a horror medium, partly because I’d never found them scary.

Marvel Spotlight 22
Human side versus devil side plus sister thrown in for family angst, and a guy on a flaming motorcycle. Freud! Help!

The old saw is that, other than superheroes, comics chased movies and TV, so that when westerns were popular, the comic industry produced cowboy books, and when SF movies were popular, they made SF comics, etc. And the 70s of course was the era of The Exorcist, The Shining, Jaws, and so on.

Some of the grotesqueries of the 1950s drove the creation of the Comics Code, but I guess I’d looked at the post-Code books like Tomb-of-Dracula and Man-Thing and Werewolf by Night as monster books, rather than horror.

There’s only so much you can do within the code, which was part of the reason why Marvel experimented with magazine-sized black and whites in the 1970s, which, by today’s standards (ex.: Severed or Wytches, from Image) look like a tea party… the little kid play, not the political movement.

However, despite being not scary, there was a rich subtlety in some of Marvel’s spooky books, an unreliability of perception, that drew me in, as a pre-teen and teen, and probably helped form some of my tastes.

In the summer of 1981, my mother gave me four comics, one of which was Doctor Strange #43. Doctor Strange was soooo wierd, but good, knock-off Chthulhu good.

And I hunted down Doctor Strange everywhere I could find him, which led me to the Defenders, another oddball child of the 1970s.

Read More Read More

Vintage Treasures: Echoes of Valor III, edited by Karl Edward Wagner

Vintage Treasures: Echoes of Valor III, edited by Karl Edward Wagner

Echoes of Valor III-smallAnd so we come to the end of our all-too-brief series on Karl Edward Wagner’s ambitious and highly regarded sword & sorcery anthologies. Echoes of Valor III was published in paperback by Tor Books in September 1991, just three years before poor Karl drank himself to death in 1994.

The three Echoes of Valor books are perplexing in some regards, especially for collectors. Wagner had taken a huge step towards literary respectability for Robert E. Howard in 1977, by compiling and editing the definitive three-volume hardcover collection of the unexpurgated Conan for Berkley: The People of the Black Circle, Red Nails, and The Hour of the Dragon. It’s clear that he intended Echoes of Valor to accomplish the same feat for a wider rage of his favorite writers, by assembling the defining collection of their best heroic fantasy in hardcover — and with non-fiction commentary that treated them to genuine scholarship.

It didn’t quite work out that way. The first volume of Echoes of Valor appeared only in paperback in 1987, and it had no non-fiction content at all. It was also burdened with a Ken Kelly cover that pretty obviously had originally been intended for Tor’s Conan line — I wouldn’t be surprised if most book shoppers in 1987 mistook it for just another Conan pastiche, and didn’t give it another glance.

With the second volume, Echoes of Valor II, Wagner finally got the book he’d aspired to. It appeared in hardcover in 1989 with an original cover by Rick Berry, and no less than eight non-fiction pieces (autobiographical sketches, forwards, and author appreciations) from four distinguished writers: C.L. Moore, Forrest J. Ackerman, Sam Moskowitz and Wagner himself.

Echoes of Valor II was one of the first books to treat sword & sorcery as serious fiction, and the hardcover format meant that Tor was able to sell it into libraries and schools across the country. It was a groundbreaking book for the genre. So it was a bit puzzling when Echoes of Valor III appeared three years later — exclusively in paperback, and with only one brief essay from Sam Moskowitz.

Read More Read More

New Treasures: The Thorn of Dentonhill by Marshall Ryan Maresca

New Treasures: The Thorn of Dentonhill by Marshall Ryan Maresca

The Thorn of Dentonhill-smallI don’t know much about this Marshall Ryan Maresca fellow. His short fiction has appeared in Rick Klaw’s anthology Rayguns Over Texas, and Hint Fiction: An Anthology of Stories in 25 Words or Fewer.

But his debut novel sounds like a lot of fun. The Thorn of Dentonhill follows the adventures of Veranix Calbert, diligent college student by day, and crime-fighting vigilante by night. When Calbert intercepts two powerful magical artifacts owned by a local drug lord, he suddenly becomes a major player in the nighttime struggle for control of Maradaine. But he also becomes a major target…

Veranix Calbert leads a double life. By day, he’s a struggling magic student at the University of Maradaine. At night, he spoils the drug trade of Willem Fenmere, crime boss of Dentonhill and murderer of Veranix’s father. He’s determined to shut Fenmere down.

With that goal in mind, Veranix disrupts the delivery of two magical artifacts meant for Fenmere’s clients, the mages of the Blue Hand Circle. Using these power-filled objects in his fight, he quickly becomes a real thorn in Fenmere’s side.

So much so that soon not only Fenmere, but powerful mages, assassins, and street gangs all want a piece of “The Thorn.” And with professors and prefects on the verge of discovering his secrets, Veranix’s double life might just fall apart. Unless, of course, Fenmere puts an end to it first.

This is the first novel set in the fantasy city of Maradaine, but it won’t be the last. DAW has Maresca’s A Murder of Mages: A Novel of the Maradaine Constabulary, the first novel in a new series, on the schedule for July 7, 2015.

The Thorn of Dentonhill was published on February 3, 2015 by DAW Books. It is 400 pages, priced at $7.99 in paperback ad $6.99 for the digital edition. The cover is by Paul Young.

Leonard Nimoy, March 26, 1931 — February 27, 2015

Leonard Nimoy, March 26, 1931 — February 27, 2015

Leonard Nimoy Dead-smallLeonard Nimoy, the gifted actor who breathed life into the emotionless Vulcan Spock — and in the process created one of the most famous and enduring TV characters of all time — died today in Bel Air, California.

Nimoy was born in Boston in 1931. His first major role was at the age of 21, when he was cast in the title role of the film Kid Monk Baroni (1952), followed by more than 50 small parts in TV shows and B movies, including an Army sergeant in Them! (1954) and a professor in The Brain Eaters (1958). He was a familiar face in westerns throughout the early sixties, appearing in Bonanza (1960), The Rebel (1960), Two Faces West (1961), Rawhide (1961), Gunsmoke (1962), and on NBC’s Wagon Train four times. He starred alongside DeForest Kelley (the future Dr. McKoy) in The Virginian (1963), and with William Shatner in an episode of The Man from U.N.C.L.E (1964).

Nimoy was the only actor to appear in every episode of the original Star Trek series, which ran from 1966-69. He received three Emmy Award nominations for playing Spock, and TV Guide named him one of the 50 greatest TV characters in 2009. The role both haunted him and enriched for the rest of his life — which he famously addressed in two autobiographies, I Am Not Spock (1975) and I Am Spock (1995). After Star Trek ended Nimoy found regular work on the small screen in Mission: Impossible for two seasons, the TV documentary In Search of… , and more recently in Fringe. He also appeared in eight feature-length Star Trek films, including the recent reboots directed by J.J. Abrams. He directed two, Star Trek III: Search for Spock and Star Trek IV: The Voyage Home.

Star Trek was one of the first science fiction shows to be taken seriously as adult entertainment, and Leonard Nimoy was a huge part of that success. In his near-perfect portrayal of a hero in flawless control of his emotions, Nimoy connected with his audience — and an entire generation of young SF fans — in a way that very few actors, living or dead, have succeeded in doing. Leonard Nimoy died today of chronic obstructive pulmonary disease, at the age of 83.

Future Treasures: Year’s Best Weird Fiction Volume Two, edited by Kathe Koja

Future Treasures: Year’s Best Weird Fiction Volume Two, edited by Kathe Koja

Year's Best Weird Fiction Volume 2-smallThe first volume of Year’s Best Weird Fiction looks like it has been an unqualified success.

In his review, James McGlothlin wrote:

We are long overdue to have a year’s best anthology dedicated specifically to the weird… The craft of fine writing is quite exemplar here… Barron has successfully compiled an excellent anthology.

Now Undertow Books has revealed the cover and the complete Table of Contents for Year’s Best Weird Fiction Volume Two, to be published later this year. Here’s the TOC:

“The Atlas of Hell” by Nathan Ballingrud (Fearful Symmetries)
“Wendigo Nights” by Siobhan Carroll (Fearful Symmetries)
“Headache” by Julio Cortázar. Translation by Michael Cisco (Tor.com, September 2014)
“Loving Armageddon” by Amanda C. Davis (Crossed Genres #19, July 2014)
“The Earth and Everything Under” by K.M. Ferebee (Shimmer #19, May 2014)
“Nanny Anne and the Christmas Story” by Karen Joy Fowler (Subterranean Magazine, Winter 2014)

Read More Read More

When I Win the Lottery; Or, I Should Be So Lucky

When I Win the Lottery; Or, I Should Be So Lucky

Jackson LotteryThe phrase “when I win the lottery” seems to be used in two distinct ways. The first and, I hope, the most common usage, has the same “ain’t gonna happen” meaning as “when pigs fly,” and connotes a certain sense of realism on the part of the speaker. The second, and I think sadder, usage stands for a certain lack of foresight. It’s been said, for example, that a sizable percentage of people include winning the lottery as an element in their retirement plans.

In our house the phrase also stands for any unlikely event beyond our control that we would nevertheless welcome. Like “when they finally come up with a retina chip that will fix my right eye,” or, “when the Dhulyn and Parno novels are optioned for TV.”

The lottery as a phenomenon is now so pervasive that it’s almost impossible not to think about lotteries and winning/losing them. The concept has formed the basis of a wide variety of movie and TV plots – mostly on the negative aspects of winning, but I think that’s meant to comfort those of us who, well, lost.

How are lotteries treated in Fantasy and SF writing? I don’t mean games of chance as such, though that gives us magnificent stories like “Gonna Roll the Bones” from Fritz Leiber. Nor do I mean criminal activities like numbers running, or even straightforward betting, whether on or off track or line. No, I mean actual lotteries. You get your ticket, and you wait your chance.

Read More Read More

Goth Chick News: Gather Around, It’s Time for the Annual Stoker Awards

Goth Chick News: Gather Around, It’s Time for the Annual Stoker Awards

A Stoker – the coolest literary trophy ever
A Stoker – the coolest literary trophy ever

Just when you thought you were going to go all Freddy Kruger due to cabin fever, we’ve got a real reason for you to hunker down and stay inside for a while.

The Horror Writers Association just announced the 2014 nominees for the iconic Bram Stoker Award.

Hurrah!

Named in honor of Dracula’s beloved Pappa, the Stokers are presented annually by the HWA for superior writing in eleven categories including traditional fiction of various lengths, poetry, screenplays and non-fiction.

The HWA also presents a Lifetime Achievement Award to living individuals who have made a substantial and enduring contribution to the genre. This year’s Lifetime Achievement recipients are Jack Ketchum (The Box and Closing Time) and Tanith Lee (Cruel Pink and Space is Just a Starry Night).

Presentation of the Stoker will occur during the World Horror Convention in Atlanta, Georgia, Saturday, May 9, 2015.

So get ready to make a list – remember, the groundhog saw his shadow, so you have ample time to get through a few of these.

Here’s the complete list of nominees.

Read More Read More

Geek Parenting: D6 Thoughts for Tabletop Gamer Parents

Geek Parenting: D6 Thoughts for Tabletop Gamer Parents

2kg of Halo Megablocs. It's hundreds of pounds worth of plastic, but we'll only get a few quid for it because the sets are all jumbled.
2kg of Halo Megablocs… hundreds of pounds worth of plastic, but we’ll only get a few quid for it because the sets are all jumbled.

At the moment, Kurtzhau and I are trying to flog off 2kg of Halo Megablocs. It’s hundreds of pounds worth of plastic, but we’ll only get a few quid for it because the sets are all jumbled. Worse, he only got 18 months play out of the lot, less out of recent acquisitions. He’s 11 now and Bolt Action and Warhammer 40K have swept away all his toys.

So, this set me thinking about things I wished I known when I started parenting.

1. Your old games are rubbish

Seriously, your old edition of AD&D is unplayable — too many subsystems, too much obscurantism for anybody growing up a digital native. This is also true of those older boardgames that tried to emulate some aspects of role playing, but without the verbal problem solving and character stuff that make RPG worthwhile. In terms of making interesting decisions, Talisman, for example, is not really much better than Snakes and Ladders.

Read More Read More

British Museum uses CT Scans to Unwrap Mummies

British Museum uses CT Scans to Unwrap Mummies

A mummy undergoing a CT scan at the Royal Brompton Hospital. © Trustees of the British Museum
A mummy undergoing a CT scan at the Royal Brompton Hospital. © Trustees of the British Museum

A remarkable exhibition at the British Museum is revealing the secrets hidden inside mummy wrappings.

Ancient Lives, New Discoveries showcases eight mummies from the Nile valley, Africa’s greatest center of ancient civilization. Seven were found in Egypt and an eighth was uncovered in Sudan. They have all been analyzed with the latest model CT scanner at a London hospital to reveal information about the people without their having to go through damaging analysis.

Read More Read More

Ancient Worlds: Claiming the Lost from the Underworld

Ancient Worlds: Claiming the Lost from the Underworld

Kratzenstein's Orpheus and Eurydice
Kratzenstein’s Orpheus and Eurydice

We live in an age of reboots. I for one think this is an excellent thing. Most of the great of history has fallen into the category of reboots, retellings, recapitulations and reimaginings.

Without the concept of fanfic there is no Aeneid, and while many a college Sophmore may rejoice at that idea, world literature would be the poorer for it. That is, as well, what Ovid is doing with the Metamorphoses. He’s compiling and retelling, weaving several hundred different strands together into one long rope of story. And that work is still bearing fruit today.

One of the better and most wideley known tales that Ovid retells is the myth or Orpheus. This one is so commonly read that I’ll just sketch down the bones here: Orpehus was the greatest musician who ever lived. He was married to a young woman named Eurydice, but she died very soon after the wedding. Heartbroken, he made his way down to the Underworld, and with the power of his music, convinced Hades and Persephone to let Eurydice come back to the light. They agreed, the only time in all of history they have done so, because they were so moved by his music. But there was a condition: Eurydice would follow him up to the surface, and he couldn’t look back once.

Read More Read More