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Blogging Sax Rohmer… In the Beginning, Part Five

Blogging Sax Rohmer… In the Beginning, Part Five

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Sax-Rohmer-smallSax Rohmer 2-small“The Secret of Holm Peel” was first published in Cassell’s in December 1912 and was the last story Arthur Henry Ward published under the byline of Sarsfield Ward (having dropped the first initial A.).

Rohmer scholar Robert E. Briney rescued it from obscurity for the 1970 Ace paperback Rohmer collection of the same name. Many years later, Gene Christie selected the story for inclusion in the first volume of Black Dog Books’ Sax Rohmer Library, The Green Spider and Other Forgotten Tales of Mystery and Suspense, in 2011.

The story’s inspiration can be found in Rohmer’s article, “The Phantom Hound of Holm Peel,” which was first published in Empire News in February 1938 and was later collected by Rohmer scholars Dr. Lawrence Knapp and John Robert Colombo in the 2012 Battered Silicon Dispatch Box collection of Rohmer’s articles, Pipe Dreams: Occasional Writings of Sax Rohmer. The article was also recounted by Rohmer’s widow, Elizabeth Sax Rohmer, and his former assistant, Cay Van Ash, in their 1972 biography of the author, Master of Villainy, as well as by the aforementioned John Robert Colombo in his 2014 collection, A Rohmer Miscellany.

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Blogging Sapper’s Bulldog Drummond, Part Seven: Temple Tower

Blogging Sapper’s Bulldog Drummond, Part Seven: Temple Tower

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BD06-01Temple_Tower_1st_edition_book_coverTemple Tower (1929) was the sixth Bulldog Drummond novel and marked a departure from the series formula. Having killed Carl Peterson off at the conclusion of the fourth book and dealt with his embittered mistress Irma’s revenge scheme as the plot of the fifth book, Sapper took the series in an unexpected direction by turning to French pulp fiction for inspiration.

Sapper also placed Hugh Drummond in a supporting role and elevated his loyal friend Peter Darrell to the role of narrator. The subsequent success of the venerable movie series and the future controversies generated by Sapper’s reactionary politics and bigotry obscured the versatility of his narratives and led to his being under-appreciated when considered with his peers.

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Blogging Sapper’s Bulldog Drummond, Part Six – The Female of the Species

Blogging Sapper’s Bulldog Drummond, Part Six – The Female of the Species

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female altFemale HC 1stSapper’s The Female of the Species (1928) is quite likely the best book in the long-running Bulldog Drummond thriller series. Its one failing comes late in the narrative and spoils it as assuredly as Mickey Rooney’s bucktoothed yellow-face performance as Mr. Yunioshi sours Breakfast at Tiffany’s (1961) for modern audiences. As a devoted fan of both Blake Edwards and Sapper, I do my best to make exceptions for both artists’ failings, particularly when they were acceptable in the times they lived in.

In the case of the former, the suggestion of pornographic photos in Truman Capote’s novella could never have been transferred to the screen with an Asian actor in the role of Audrey Hepburn’s frustrated landlord. Edwards soft-pedaled the material and defused a scene that never would have slipped by the Production Code if handled dramatically by offering Mickey Rooney in a broad caricature of an Asian. It was a star cameo in a comic stereotype still common in television sitcoms of the 1960s and Jerry Lewis films. Audiences at the time laughed at the fact that it was Mickey Rooney making a fool of himself and nothing more. Today, the classic status of the film makes the sequence stick out as an unfortunate example of racial insensitivity in a fashion that does not taint comedies of the day which are now viewed as an example of what then passed for juvenile humor.

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Blogging Sax Rohmer… In the Beginning, Part Four

Blogging Sax Rohmer… In the Beginning, Part Four

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illo-Sax Rohmerrohmer2We already noted in our last installment that Arthur Henry Ward had adopted the pseudonym of Sax Rohmer for his relatively successful career as a music hall songwriter and comedy sketch writer. He would later claim that he worked as a newspaper reporter during these years, but that his articles were published anonymously. Allegedly he covered waterfront crime in Limehouse, but he also claimed to have successfully managed interviews with heads of state. There is little doubt the man was a great raconteur, but none of the anonymously published articles and interviews Rohmer credits himself with writing have ever been located by researchers. It is highly questionable whether he ever actually worked as a journalist or at least to the extent he claimed. What is factual is that he did begin having works published anonymously.

As a young man, he ran with a crowd of self-styled bohemians who occupied a clubhouse on Oakmead Road in London. Each member of the gang was known by rather fanciful nicknames with Rohmer being known as Digger. Their activities ran from simply hanging around the clubhouse to picking up girls and attempting various get-rich-quick schemes to avoid making an honest living. Some of their schemes were of questionable legality.

Around this time, Rohmer decided he would fictionalize their exploits. It is believed he authored seven stories about the Oakmead Road Gang. Five manuscripts were known to have survived their author’s death: “Narky,” “Rupert,” “Digger’s Aunt,” “The Pot Hunters,” and “The Treasure Chest.” All seven stories were submitted for anonymous publication to Yes and No. It appears only the first of the group of stories ever saw print. The surviving four manuscripts passed upon the death of Rohmer’s widow to Cay Van Ash. When Van Ash died in Paris twenty years ago, Rohmer’s unpublished manuscripts were being held by a friend in Tokyo (where Van Ash lived for many years while teaching at Waseda University). When the friend had his visa rescinded on short notice in 2000, he was forced to leave his  belongings behind, where they were junked by a Japanese family who thought the storage boxes contained worthless garbage.

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Blogging Sax Rohmer… In the Beginning, Part Three

Blogging Sax Rohmer… In the Beginning, Part Three

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illo-Sax Rohmerrohmer2“The M’Villin” was first published in Pearson’s Magazine in December 1906. Rohmer was still writing stories under the modified version of his real name, A. Sarsfield Ward. The story represented a quantum leap forward in the quality of Rohmer’s fiction and shows the influence of Alexandre Dumas’s swashbucklers.

Dumas remained a surprising influence on the author who still turned out the odd swashbuckler as late as the 1950s. It should also be noted that the character of Lola Dumas in President Fu Manchu (1936) is said to be a descendant of the famous author, while The Crime Magnet stories Rohmer penned in the 1930s and 1940s feature Major de Treville, a character whose surname suggests he is a descendant of the commander of the Musketeers from Dumas’s D’artagnan Romances.

Colonel Fergus M’Villin may be oddly named, but he makes for a fascinating character. An expert swordsman and fencing master, he is also a bit of a cad. The story of how he comes to avenge the honor of the man he previously slew in an earlier duel maintains the breezy good humor and spirit of adventure that colors The Three Musketeers in its earlier chapters. Rohmer thought well enough of the character to have penned a sequel, “The Ebony Casket,” but it was never published. The manuscript survived up until the year 2000, when it was junked in Tokyo by a family who did not imagine its worth to collectors.

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Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part Two

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Shadow of Fu ManchuShadow ZebraThe Shadow of Fu Manchu was serialized in Collier’s from May 8 to June 12, 1948. Hardcover editions followed later that year from Doubleday in the U.S. and Herbert Jenkins in the U.K. Sax Rohmer’s eleventh Fu Manchu thriller gets underway with Sir Denis Nayland Smith in New York on special assignment with the FBI. He is partnered with FBI Agent Raymond Harkness to investigate why agents from various nations are converging on Manhattan. Sir Denis suspects the object of international attention is the special project being handled by The Huston Research Laboratory under the supervision of Dr. Morris Craig. However, Smith initially chooses to keep the FBI in the dark on this matter until he is certain.

The Si-Fan has succeeded in closing in on The Huston Research Laboratory by drawing a net around parent corporation Huston Electric’s director, millionaire Michael Frobisher and his wife, Stella. The Frobisher marriage is not a happy one. Michael lives in fear that his flirtatious wife is unfaithful to him and Stella is likewise tormented by a series of neuroses. The family physician, Dr. Pardoe, recommends an eminent European psychiatrist and Nazi concentration camp survivor, Professor Hoffmeyer, to treat Stella Frobisher. Both Mr. and Mrs. Frobisher are concerned that Asians have been spying on them, going so far as to break into their home and infiltrate their country club. As their marriage is not a healthy one, neither husband nor wife confide in the other, but rather let their paranoia grow until their nerves have frayed. What neither suspects is that Carl Hoffmeyer is really Dr. Fu Manchu in disguise.

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Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part One

Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part One

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Doubleday ShadowShadow JenkinsThe Shadow of Fu Manchu was serialized in Collier’s from May 8 to June 12, 1948. Hardcover editions followed later that year from Doubleday in the U.S. and Herbert Jenkins in the U.K. The book was Sax Rohmer’s eleventh Fu Manchu thriller and was also the last of the perennial series to make the New York Times bestseller list.

The story had its origins in a Fu Manchu stage play that Rohmer had developed for actor Basil Rathbone. The project had failed to get off the ground, but became instead the first new Fu Manchu novel in seven years. Sadly, during these seven years, the property had begun to fade from the public eye.

It had been eight years since the character last appeared on the big screen (in the popular 1940 Republic serial, Drums of Fu Manchu) and eight years since the well-received Shadow of Fu Manchu radio series (from which the planned stage play and later novel borrowed its title) had left the air. Detective Comics had long since finished reprinting the Fu Manchu newspaper comic strip as a back-up feature for Batman. As far as the public was concerned, Fu Manchu was a part of the past that seemed far removed from the world that had been transformed by the Second World War.

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The Long-Awaited Return of Bulldog Drummond

The Long-Awaited Return of Bulldog Drummond

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Dead Mans GateEven more than the sinister Dr. Fu Manchu, Bulldog Drummond has become more and more obscure with each passing decade. The original ten novels and five short stories penned by H. C. McNeile (better known by his pen name, Sapper) were bestsellers in the 1920s and 1930s and were an obvious and admitted influence upon the creation of James Bond. Gerard Fairlie turned Sapper’s final story outline into a bestselling novel in 1938 and went on to pen six more original novels featuring the character through 1954.

While the Fairlie titles sold well enough in the UK, the American market for the character had begun to dry up with the proliferation of hardboiled detective fiction. By the time Fairlie decided to throw in the towel, the long-running Bulldog Drummond movie series and radio series had also reached the finish line. Apart from an unsuccessful television pilot, the character remained dormant for a decade until he was updated as one of many 007 imitations who swung through a pair of campy spy movies during the Swinging Sixties. Henry Reymond adapted both 1960s screenplays for a pair of paperback originals, but these efforts barely registered outside the UK.

Fifteen years later, Jack Smithers brought Drummond out of retirement (literally) to join up with several of his clubland contemporaries in Combined Forces (1983). Smithers’s tribute was a sincere effort that found a very limited market to appreciate its cult celebration of the heroes of several generations past. Finally thirty years later, Drummond is back in the first of three new period-piece thrillers from the unlikely pen of fantasy writer Stephen Deas. In a uniquely twenty-first century wrinkle, the three new thrillers are being published exclusively as e-books by Piqwiq.

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Blogging Sapper’s Bulldog Drummond, Part Five – “The Final Count”

Blogging Sapper’s Bulldog Drummond, Part Five – “The Final Count”

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1189621421509Sapper’s The Final Count (1926) saw the Bulldog Drummond formula being shaken and stirred yet again. The first four books in the series are the most popular because they chronicle Drummond’s ongoing battle with criminal mastermind Carl Peterson. The interesting factor is how different the four books are from one another. Sapper seemed determined to cast aside the idea of the series following a template and the result kept the long-running series fresh, as well as atypical.

The most striking feature this time is the decision to opt for a first person narrator in the form of John Stockton, the newest member of Drummond’s gang. While Drummond’s wife, Phyllis, played a crucial role in the first book, she barely registers in the early sequels. One would have expected Sapper to have continued the damsel in distress formula with Phyllis in peril, but he really only exploits this angle in the second book in the series, The Black Gang (1922).

The Black Gang reappear here, if only briefly, and are quickly dispatched by the more competent and deadly foe they face. This befits the more serious tone of this book, which has very few humorous passages. The reason for the somber tone is the focus is on a scientific discovery of devastating consequence that threatens to either revolutionize war or end its threat forever. Robin Gaunt is the tragic genius whose invention of a deadly poison that could wipe out a city the size of London by being released into the air proves eerily prescient.

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Blogging Sax Rohmer… In the Beginning, Part Two

Blogging Sax Rohmer… In the Beginning, Part Two

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illo-Sax Rohmerrohmer2“The Green Spider” marked Sax Rohmer’s third foray into short fiction. Still writing under the pen name of A. Sarsfield Ward, the story first appeared in the October 1904 issue of Pearson’s Magazine. It was not reprinted until 65 years later in Issue #3 of The Rohmer Review in 1969. Subsequently, a corrupted version, with an altered ending courtesy of the editor, appeared in the May 1973 issue of Mike Shayne Mystery Magazine. The restored text was included in the 1979 anthology, Science Fiction Rivals of H. G. Wells. More recently, the story has appeared in the 1992 anthology, Victorian Tales of Mystery and Detection, the September 2005 issue of Alfred Hitchcock Mystery Magazine, and as the title story in the first volume of Black Dog Books’ Sax Rohmer Library, The Green Spider and Other Forgotten Tales of Mystery and Suspense (2011).

The story itself shares in common with Rohmer’s first effort, “The Mysterious Mummy” the presentation of a seemingly supernatural mystery that has a rational explanation. In the nine months that elapsed between the publication of “The Leopard Couch” and “The Green Spider,” Rohmer honed his writing skills and became a more devoted student of Sir Arthur Conan Doyle and deductive reasoning. “The Green Spider” concerns the disappearance of the celebrated Professor Brayme-Skepley on the eve of an important scientific presentation. It appears to onlookers and Scotland Yard that the Professor has been murdered by a giant green spider that apparently made off with his corpse. The unraveling of the mystery reveals the green spider is no more authentic a threat than the phantom Hound of the Baskervilles. While a minor effort, the story retains its charm more than a century on and shows that the mysterious A. Sarsfield Ward was steadily improving as an author.

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