Vintage Treasures: Over the Hills and Far Away by Lord Dunsany

Vintage Treasures: Over the Hills and Far Away by Lord Dunsany

Over the Hills and Far Away-smallOver the Hills and Far Away is my favorite Dunsany collection, and the Ballantine Adult Fantasy edition, edited by Lin Carter and published in 1974, is my favorite edition.

Yes, some of that has to do with the gorgeous wraparound cover by Gervasio Gallardo (see the original painting here). But I think most of it has to do with Lin Carter’s attitude as an unabashed Dunsany fanbody, and the passion that comes across throughout the book. This is a man who was arguably the most respected voice in fantasy in the mid-Twentieth Century, and his admiration for Dunsay was second to none. Here’s a bit from his introduction:

Lord Dunsany is probably the greatest fantasy writer who ever lived. Quite a few of the most distinguished writers of fantasy have made a similar judgment of his work. James Branch Cabell, for example, praised Dunsany’s craftsmanship in glowing terms. H.P. Lovecraft adored Dunsany’s early Book of Wonder tales, and paid them the highest compliment of direct imitation (as I also have done in my little fables of Simrana the Dreamworld). In fact, Lovecraft wrote several pieces about Dunsany’s work, which he considered superlative. I think Clark Ashton Smith might also have concurred with my estimate of Dunsany, and perhaps Jack Vance and Fritz Leiber would agree as well…

In the pages of this book I have brought together twenty-five of his finest fantasy stories, as well as one major novella, or short novel. Also included are two of his most brilliant and fantastical plays, four of his short-short stories, and (just to give you a balanced and comprehensive view of his entire literary career) four of the later short stories concerning Mr. Joseph Jorkens, the world traveler and noted clubman.

Over the Hills and Far Away was edited by Lin Carter and published by Ballantine Books in 1974. It is 234 pages, priced at $1.25. The cover is by Gervasio Gallardo. It is part of the groundbreaking Ballantine Adult Fantasy series, which Keith West is current examining for us in detail; his most recent article was Dragons, Elves, and Heroes.

Building a World in a Vacant Lot: The Circus of Dr. Lao

Building a World in a Vacant Lot: The Circus of Dr. Lao

The Circus of Dr Lao Bison 2nd Edition-smallFantasy, like all life-consuming obsessions (fly fishing, stamp collecting, running for public office) has a language all its own, one that can seem arcane and incomprehensible to the uninitiated. Polder, thinning, underlier, Dark Lord, secondary world, Hidden Monarch, threshold, time abyss, mythago – each of these names a vital fantasy concept or device, and of all such terms, none is more important to the modern genre than worldbuilding.

Worldbuilding is, according to Wikipedia, (the greatest repository of fantasy on the internet) the process of “developing an imaginary setting with coherent qualities such as a history, geography, and ecology,” and it “often involves the creation of maps, a backstory, and people for the world.”

In worldbuilding as in so many other things, it was J.R.R. Tolkien who set the standard for all who followed. His Middle Earth, with its immensely deep and detailed history, cosmogony, and geography, was worldbuilding on an unprecedented scale, even to the creation of complete languages for the various races that inhabit this invented milieu.

Post-Tolkien fantasy is largely the story of the primacy of this kind of worldbuilding, as the maps, glossaries, and genealogies that pad the backs of so many fat paperbacks attest, and almost all epic fantasies published since The Lord of the Rings owe a large debt to Tolkien and his example. But all writers are worldbuilders, Hemingway and Updike as much as Jordan and Martin, and perfect as the Tolkien method is for a particular kind of tale, there are many ways to create a believable world — even a fantasy one.

The kind of construction exemplified in The Lord of the Rings is largely external, which is well suited to Tolkien’s rather formal purposes. There is another kind of worldbuilding, however, one less concerned with royal lines and the names of rivers than with what might be called the mythic geography of ordinary life. A superb example of this kind of work is Charles G. Finney’s The Circus of Dr. Lao. Published in 1935, it is one of the greatest fantasy novels ever written; indeed, in some moods I’m inclined to think that it is the greatest of them all.

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Future Treasures: The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher

Future Treasures: The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher

The Cinder Spires The Aeronaut's Windlass-smallJim Butcher is one of the top-selling fantasy writers on the market, and his Harry Dresden books are perhaps the most popular urban fantasy titles of all time. But many of Butcher’s legions of fans are unaware of his six-volume epic fantasy series Codex Alera, published between 2004 and 2009. In September Butcher will try his hand at epic fantasy again, with the first volume of a new steampunk series set in a world of noble families, steam-powered technology, and magic-wielding warriors, which the author describes as a little like “League of Extraordinary Gentlemen meets Sherlock meets Hornblower.” The Aeronaut’s Windlass, the first volume of The Cinder Spires, goes on sale September 29 from Roc.

Since time immemorial, the Spires have sheltered humanity, towering for miles over the mist-shrouded surface of the world. Within their halls, aristocratic houses have ruled for generations, developing scientific marvels, fostering trade alliances, and building fleets of airships to keep the peace.

Captain Grimm commands the merchant ship, Predator. Fiercely loyal to Spire Albion, he has taken their side in the cold war with Spire Aurora, disrupting the enemy’s shipping lines by attacking their cargo vessels. But when the Predator is severely damaged in combat, leaving captain and crew grounded, Grimm is offered a proposition from the Spirearch of Albion — to join a team of agents on a vital mission in exchange for fully restoring Predator to its fighting glory.

And even as Grimm undertakes this dangerous task, he will learn that the conflict between the Spires is merely a premonition of things to come. Humanity’s ancient enemy, silent for more than ten thousand years, has begun to stir once more. And death will follow in its wake…

The Aeronaut’s Windlass, Volume One of The Cinder Spires, will be published by Roc on September 29, 2015. It is 640 pages, priced at $27.95 in hardcover and $13.99 for the digital edition. The cover is by Chris McGrath.

Discovering Robert E. Howard: Damon Sasser on 2015 Howard Days

Discovering Robert E. Howard: Damon Sasser on 2015 Howard Days

HowardDays_HouseI’m not sure there’s quite anything like Howard Days, held each summer in Cross, Plains, TX. It’s a weekend celebration of all things Robert E. Howard and it’s helped to keep Howard’s legacy alive. Though I lived in Austin, TX for a few years, I never made it to Howard Days. So, I turned to the best fan journal (newsletter/fanzine…) I’ve ever come across, REH: Two-Gun Racounteur.

And founder Damon Sasser (2014’s Featured Guest) was kind enough to write a post about the 2015 Howard Days, which also featured a healthy (or perhaps, unhealthy) dose of H.P. Lovecraft as well. Thanks, Damon!


This past month on June 12th and 13th the annual Howard Days celebrating and remembering Robert E. Howard was held in Cross Plains, Texas. Even though it is a two day event, fans start drifting into town early in the week, with Thursday afternoon being sort of a soft kick-off for the weekend. The Howard House Museum was unofficially open allowing fans to wander through it and visit the gift shop.

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June Short Story Roundup

June Short Story Roundup

oie_733452qBKy8XQAIt’s that time again, folks: the short story roundup! June was a pretty good month, with some nice work from lesser-known (to me, at least) authors as well as some bigger names. A good sample of work from the spectrum of heroic fiction.

While there’s not a lot of action in either of Swords and Sorcery Magazine Issue 41‘s two stories, there is some very good writing.

The first, “Wind Song” by Kevin Cockle, is my favorite story this month. The narrator is a member of a class that possesses the special talent to control djinns, which are then used to power flying ships. His nation has fought great wars against the Kyberi, a people who fly dragons into battle. In the past the dragon-riders were often victorious, but now their enemies have developed weapons and stratagems to defeat them.

When the ship he directs is pursued by a dragon, the narrator finds he is able to make a psychic connection with its rider. From her he gains insights into the enemy he has never had before.

It’s a simple story with not much plot, but Cockle writes wonderfully.

The waters in the Bay of Nandorin are freakish clear – like stained blue glass – and one can see clearly the sunken hulks of long-ago warships littering the sea-floor like scattered toys. Though a man grown, I became a boy again whenever we made Nandorin, peering down into the pristine depths at the haphazard city of ghost-ships beneath. On the surface, stone towers stood like widely spaced square teeth across the mouth of the bay: their anxious sentinels craning their necks skyward to track our dragon-shadow.

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Adventures In Cards: Munchkin!

Adventures In Cards: Munchkin!

Munchkin coverHow was my day, you asked? Well, I’ll tell you. My Halfling wizard and I spent the last hour fleeing from a Gazebo, leveling up by way of a Drooling Slime, and staying alive by means of the Kneepads Of Allure and a (basic but useful) Huge Rock.

What on earth could cause such havoc and silliness? Surely not Dungeons & Dragons?

Nope. It’s D&D’s hell-spawn little brat of a brother, the card game Munchkin. Now possibly I’m late to the table on this (I often am), but Munchkin has to be the geekiest, most asinine, not to mention juvenile, card game going. It’s also a diverting homage to AD&D, and better yet, it makes both kids and grown-ups laugh.

Consider Munchkin’s very own press: “…the mega-hit card game about dungeon adventure… with none of that stupid role-playing stuff.”

Of course D&D remains a clear progenitor, and possibly Munchkin owes something to Magic: the Gathering, but it strikes me that Munchkin’s most direct sire is a horse of a very different color, the irreverent and insouciant Killer Bunnies, which, if you’ve never played it, is a must for any gaming fan’s bucket list.

That said, you’ll need a lot of patience (or a sensai) to figure out how to play Killer Bunnies. But. Once you’ve “mastered” this obscenely complicated, impossible-to-predict killing spree of a game, enjoyment and strategy abound. I’d even be willing to state in a court of law, no less, that killing rabbits has never been so pleasurable, or so downright wicked neat. After all, who wouldn’t want to do in a (purple) Congenial Bunny while wielding a piece of flying burnt toast?

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New Treasures: Underlay by Barry N. Malzberg

New Treasures: Underlay by Barry N. Malzberg

Underlay Barry Malzberg-smallBack in March I read The End of Summer: Science Fiction of the 1950s, edited by Barry N. Malzberg and Bill Pronzini, and it reminded me what an astute observer of the field Barry Malzberg is. I mean, sure, most of us observe the genre. Malzberg has studied it, with a passion and understanding that only a handful will ever approach.

He’s also a very prolific writer, and his non-fiction books The Engines of the Night and Breakfast in the Ruins: Science Fiction in the Last Millennium were both nominated for the Hugo Award. Sadly, much of his best work is currently out of print, so I was delighted to see his short comic masterpiece Underlay brought back in print by Stark House Press this month.

Harry the Flat is dead and buried in the backstretch of Aqueduct Raceway. This is causing the Mob no end of trouble on the betting side, so Harry’s oldest and dearest friend — now carrying on with Harry’s widow, Gertrude nee Hawkins, in Harry’s absence, and in debt to the Mob $1,500 — is persuaded to dig him up after the eighth race. Tony Winner, low level mob boss, is very specific on this point, and to that end has had a time bomb surgically implanted in our hero’s thigh to impress upon him the urgency of this matter.

So on this fateful day, off he goes to the Aqueduct in Queens, New York, with a cello case stuffed with a pick and a shovel, prepared to dig up the dubious remains of Harry the Flat so the Mob’s control of horserace betting is no longer compromised. His mind is filled with thoughts of Harry, of Gertrude, of his ex-wife, and all the schemes and plans and bets that led to this moment. It will be a long day for our hero. He has a lot to learn about horse racing.

Underlay was published by Stark House Press on July 1, 2015. It is 146 pages, priced at $15.95 in trade paperback. There is no digital edition.

Spotlight on Barnes & Noble “Get Pop-Cultured” Month

Spotlight on Barnes & Noble “Get Pop-Cultured” Month

PopCultured-EventsBarnes & Noble is a pretty cool store, with the one reservation that in the ‘90s it did earn a villainous reputation for running many small, independent bookstores out of business.

Ironically, B&N has in recent years run into financial troubles of its own from a new competitor on the block: Amazon and other online outlets are making survival difficult for brick and mortar stores (bye bye Borders). Tasting a bit of its own medicine, one might say. But it would be a shame to see B&N go.

In recent years, it has diversified and expanded its offerings: the children’s book section has morphed into a whole children’s toy-store department, including Lego and Thomas the Tank Engine tables where kids can play (and then beg their parents to buy the toys at premium retail prices — I walk this gauntlet every time I bring my kids along). And they are catering to fan culture with an ever-growing game section and comic-convention collectibles from brands like Diamond Select Toys, Funko, and Titans.

Underscoring this move to cater to a hip, young “geek-culture” clientele is July’s “Get Pop-Cultured” month. Throughout the month special giveaways, contests, and even encouragement for customers to engage in “cosplay” will spotlight various popular book series and film and television franchises.

I attended the July 3 spotlight on Doctor Who during “Time Travel Weekend.” Read more for a rundown of other B&N specials this month that will appeal specifically to science-fiction and fantasy fans (and for my personal opinion on whether they’re worth a trip to the store).

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Faerie Magazine 31 Now Available

Faerie Magazine 31 Now Available

Faerie Magazine 31-smallAfter covering this industry for several decades, I don’t get surprised all that often. But I was surprised when I read this Facebook announcement from author Shveta Thakrar:

I’ve been sitting on this a little while, but today is a good day for an announcement! I have sold my nagini story, “She Sleeps Beneath the Sea,” to Faerie Magazine, and it will appear in the “Midsummer Night’s Dream” issue, out next month!

I am BEYOND excited. I have adored this magazine for so many years, and now I get to be in it with a story starring mythical beings from my heritage! [Editor] Carolyn Turgeon worked with me to get the text just right for the magazine, and I can’t wait for you all to be able to read it!

I had no idea Faerie Magazine published fiction. It describes itself as a quarterly print magazine “that celebrates everything magical and extraordinary.” I found this description of the latest issue on their website:

Issue #31 is our “Midsummer Night’s Dream” issue, with all kinds of nocturnal delights … moon goddesses and bioluminescent bays and fireflies, enchanted slumber and night-blooming flowers and nourishing night creams… and much more!

Shveta was kind enough to send me tear sheets of her story, and I was astounded at the beautiful artwork. Not only is the magazine wonderfully designed, but it has full color artwork and photos throughout. Here’s a sample of two of the four pieces accompanying Shveta’s story.

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The Public Life of Sherlock Holmes: Sidney Paget Draws the Great Detective

The Public Life of Sherlock Holmes: Sidney Paget Draws the Great Detective

Paget_Cornell
Australian Phil Cornell is perhaps the finest modern Holmes illustrator. Here he gives us Sidney Paget

Last month, I mentioned that it was illustrator Sidney Paget who first adorned the head of Sherlock Holmes with a deerstalker. Along with Frederic Dorr Steele, Paget is certainly one of the two most significant illustrators of the great detective.

Baker Street Essays is one of my two, free, online newsletters. The most recent issue (#5, February 2014) contained my essay, “The Illustrated Holmes.”

Strongly influenced by Walter Klinefelter’s excellent (though black and white) book, Portrait of a Profile, I believe it to be the best look at the history of illustrators of the Canon you’ll find on the internet (it’s not exactly a crowded field!).

Today’s post, with a bit of fiddling, contains the Paget portion of that essay. Did you know Sidney was chosen by mistake? The Strand Magazine meant to hire his brother, Walter, who ended up modeling for Holmes! And Doyle thought that Paget made Holmes too handsome!

A few illustrators, including the author’s own father, Charles Altamont Doyle, had provided drawings of Holmes for the first two stories, the novellas A Study in Scarlet and The Sign of Four, without making much of an impression.

And as we know, those two books didn’t do very well. It was the short story format that Doyle applied to Holmes for The Strand Magazine that turned the world’s first private consulting detective into an enduring literary and pop culture icon. And there we meet the first (and arguably foremost) Holmes illustrator…

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