The Camera Can Lie: FairyTale: A True Story

The Camera Can Lie: FairyTale: A True Story

Cottingley FairiesNews flash: Sir Arthur Conan Doyle, having created literature’s greatest rationalist in the form of Sherlock Holmes, spent his later years heavily invested in the occult, the supernatural, and the possible existence of (yes) fairies.

Of course, people have always evinced a desire to believe — sometimes in this, sometimes in that — and so it is perhaps not so surprising that Conan Doyle played a large role in one of history’s great photographic deceptions, that of the so-called Cottingley Fairies.

In fact, he was one of those most willing to champion the trumped-up, cheap-looking fakes (black and white stills of young girls posing in shrubbery with paper cut-outs of highly Romanticized winged fairies) His role in this debacle (the girls only recanted decades later) is the subject of a FairyTale: A True Story (1997), a film well worth revisiting given our drone-happy, GPS-driven, target-rich world.

You see where I’m going with this, yes? Given our present era of photo manipulation and computer generated graphics, our collective ability to dupe the unwary has never been greater, and just like statistics, images lie.

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Neil Gaiman and Kazuo Ishiguro on Sword & Sorcery

Neil Gaiman and Kazuo Ishiguro on Sword & Sorcery

Neil Gaiman in The New Republic-small

The New Republic has posted a lengthy conversation on fantasy, titled Breaking the Boundaries Between Fantasy and Literary Fiction, between Neil Gaiman (The Graveyard Book, American Gods) and Kazuo Ishiguro (The Remains of the Day, The Buried Giant). Among other fascinating topics, the two discuss sword & sorcery, and the different cultural approaches to swordfights.

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New Treasures: Hannu Rajaniemi: Collected Fiction

New Treasures: Hannu Rajaniemi: Collected Fiction

Hannu Rajaniemi Collected Fiction-smallOne of the more enjoyable parts of the Nebula Awards weekend was the autograph session late Saturday night — when folks like Greg Bear, Larry Niven, Connie Willis, Nancy Kress, Joe Haldeman, Jack McDevitt, Aliette de Bodard, Tobias Buckell, and dozens more sat down to sign autographs for fans. The author with the biggest line was unquestionably Cixin Liu, author of Nebula-nominated The Three-Body Problem, who’d flown all the way from China, but there was plenty of love to go around. Greg Ketter from Dreamhaven was doing a brisk business in the middle of the room, selling books to eager autograph hounds. I decided to limit myself to one book and, oddly enough, despite the rare opportunities to get autographs from some of my favorite authors, the title I couldn’t resist was Hannu Rajaniemi: Collected Fiction, from an author who wasn’t even in attendance. It’s a beautiful limited edition hardcover from Tacyhon Publications. I’d heard rumors it was almost sold out, and when I saw Greg had a single copy, I snatched it up.

Inside the firewall, the city is alive. Buildings breathe, cars attack, angels patrol, hyperintelligent pets rebel.

Hannu Rajaniemi (The Quantum Thief) is always on the cutting edge. His postapocalyptic, postcyberpunk, and posthuman tales are full of extraordinary beings and unpredictable optimism. With his remarkable agility at merging science with storytelling, Rajaniemi makes the impossible possible — or even probable.

Rajaniemi’s much-anticipated first collection contains seventeen stories, with two original tales, a neurofiction experiment, and his Twitter micro-fiction. Journeying deep into inner and outer space, he asks us, how will human nature evolve when the only limit to desire is creativity? What happens when the distinction between humans and gods is as small as nanomachines — or as large as the universe? So whether you think the next big leap in technology might be genetic engineering, unlimited energy, or space travel, know this: Hannu Rajaniemi the arbiter of what happens after.

Hannu Rajaniemi: Collected Fiction was published by Tachyon Publications on May 19, 2015. It is $25.95 for the limited edition hardcover; there is no digital edition. The cover art is by Lius Lasahido.

The Public Life of Sherlock Holmes: Looking at The Bruce Partington Plans

The Public Life of Sherlock Holmes: Looking at The Bruce Partington Plans

BruceP_FDSSolar Pons is, of course, the next best thing to Sherlock Holmes (which you know because you read THIS post, right?). I’m a Pons fan and I run www.SolarPons.com, the only website dedicated to The Sherlock Holmes of Praed Street.

Along with my two free, electronic newsletters (The Solar Pons Gazette and Baker Street Essays), the heart of the site is a collection of (non-spoiler) case commentaries for August Derleth’s stories. Some day, it will also host commentaries for the Basil Copper pastiches.

One of the many projects on my ‘To Do’ list (which might as well be Wish list) is to write case commentaries for the sixty Holmes stories written by Sir Arthur Conan Doyle. I’ve done one (woohoo!!!). First, if you haven’t done so, you really, really, really (I mean, really) need to read “The Bruce Partington Plans.” It’s a short story; won’t take long. And the rest of this post will actually mean something to you.

Each case commentary includes a non-spoiler preview of the story, some notable quotes, and a plethora of miscellaneous observations and comments. I’m probably in the minority, but I think there is some good stuff below and you’ll know a bit more about the story after you read it. So, come, the game is afoot!

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Presenting the 2015 Nebula Awards

Presenting the 2015 Nebula Awards

Presenting the 2015 Nebula Award for Best Novelette
Presenting the 2015 Nebula Award for Best Novelette. Photo by Keith Stokes

I don’t mean that title metaphorically. Like, “Here are the 2015 Nebula winners, so awesome!” I mean it literally. As in, presenting a Nebula Award on stage, in front of God and everybody, while wearing a suit and desperately hoping I pronounced all the names correctly. How’s that for awesome?

The 2015 Nebulas were presented by the Science Fiction Writers of America at the 50th Annual Nebula Awards Weekend on Saturday, June 4th, at the Palmer House in downtown Chicago. The event was attended by the brightest and most dazzling talents in the industry (plus, I was there too). I was invited to present the Nebula for Best Novelette, which was a fabulous honor that made me all giddy. If at any point on Saturday I shook your hand and tried to give you a Nebula Award, I hope you can understand — when I’m nervous, rehearsing make me feel better.

Please forgive me. Unless your name is Alaya Dawn Johnson, in which case, congratulations again on winning, and I’m very sorry I added three extra vowels to your first name. Ha ha ha, Alaya. It looked so damn easy on paper.

Anyways, the Nebulas. Super-big deal. The biggest names in the industry, gathered together to celebrate the very best writing of the year. And also to see and be seen, to socialize, discuss the big issues of the day, renew friendships, make new friends, gossip, catch up on all the news. Plus, to give out some Nebula Awards.

Derek Kunsken posted a fine summary of the weekend earlier today. After working with him for so many years, I was delighted to finally meet Derek for the first time, and he turned out to be just as articulate and entertaining in person. He wasn’t the only Black Gate writer to attend — I also caught up with Steven Silver, Jeremiah Tolbert, Tina Jens, and Beth Dawkins.

The highlight, of course, was the awards ceremony. And without any further ado, here’s a complete rundown on the winners.

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Self-published Book Review: The Age of Heroes by Scott Robinson

Self-published Book Review: The Age of Heroes by Scott Robinson

The Age of Heroes Robinson-smallThis month I’m reviewing The Age of Heroes by Scott Robinson. I’ve reviewed one of Scott’s books before, The Brightest Light, a self-described crystal-punk story. This time around, Scott’s story is straight up sword and sorcery.

Rawk is the last of the great heroes.  Famed for his great deeds, everyone in the city of Katamood knows him, he has a crowd of fans following him everywhere he goes, and women decades younger throw themselves at him.  He could easily retire — his friend Weaver declared himself Prince and took charge of Katamood thirty years ago — but despite the fact that he’s well past his prime, he refuses to. It’s a matter of pride, of preserving his reputation: he’s a hero, not a former hero.  But there just isn’t a lot for a hero to do these days.  Since Weaver banned sorcery, and the nearby city-states started to do the same, there’s been a distinct lack of exots — the weird and horrible creatures that require a hero to deal with.  Anyone else who wants to get into the heroism business has to travel far and wide to do so, leaving Rawk as the last active hero whose deeds are still known in Katamood.  So when an oversized wolf shows up one day, he’s the person that everyone calls on.

Heroism is a young man’s game — not just in the Age of Heroes, but in heroic fantasy in general.  People complain about the man part, but you’re more likely to see a woman as the protagonist in heroic fantasy than anyone over forty.  I couldn’t find Rawk’s exact age, but he’s at least in his fifties. He gets aches and pains even when he’s not particularly active, and his first fight almost ends badly when his knee nearly gives out. He spends the rest of the novel in a perpetual state of pain, unwilling to back down and let the soldiers whose job it is to deal with such threats steal his glory. Rawk’s age is a significant factor, and is the main reason this book is such a change of pace from most books in the genre. His point of view feels like that of a mature, older man, but he doesn’t necessarily act like one.

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Future Treasures: Fool’s Quest by Robin Hobb

Future Treasures: Fool’s Quest by Robin Hobb

Fool's Quest-smallAuthor Megan Lindholm began a new career, under the name Robin Hobb, with the publication of Assassin’s Apprentice (1995), the first book in The Farseer trilogy. Robin Hobb quickly became a bestselling writer, and she continued the tale of FitzChivalry Farseer and his enigmatic friend the Fool in The Tawny Man trilogy (2001-2003). 

Last year she launched a new trilogy, Fitz and the Fool, with Fool’s Assassin, and in August the tale continues with the next installment, Fool’s Quest, in which Fitz discovers devastating secrets and dark conspiracies that cast a dark shadow over the history of Fitz and his world.

Long ago, Fitz and the Fool changed the world, bringing back the magic of dragons and securing both the Farseer succession and the stability of the kingdom. Or so they thought. But now the Fool is near death, maimed by mysterious pale-skinned figures whose plans for world domination hinge upon the powers the Fool may share with Fitz’s own daughter.

Distracted by the Fool’s perilous health, and swept up against his will in the intrigues of the royal court, Fitz lets down his guard… and in a horrible instant, his world is undone and his beloved daughter stolen away by those who would use her as they had once sought to use the Fool — as a weapon.

But FitzChivalry Farseer is not without weapons of his own. An ancient magic still lives in his veins. And though he may have let his skills as royal assassin diminish over the years, such things, once learned, are not so easily forgotten. Now enemies and friends alike are about to learn that nothing is more dangerous than a man who has nothing left to lose.

Fool’s Quest will be published by Del Rey on August 11, 2015. It is 768 pages, priced at $28 in hardcover and $13.99 for the digital edition.

May/June Magazine of Fantasy & Science Fiction now on Sale

May/June Magazine of Fantasy & Science Fiction now on Sale

Fantasy-and-Science-Fiction-May-June-2015-smallYesterday, during the Nebula Awards banquet here in Chicago, I had the opportunity to talk with Gordon van Gelder, long-time publisher and editor of The Magazine of Fantasy & Science Fiction, and get his take on how well the transition to new editor C. C. Finlay has been proceeding. It was great to hear that he sees the same things I do — that F&SF has a new level of energy, and that the transition has generated some long overdue attention and interest for the magazine.

Jerard Bretts’s review at Tangent Online is fairly typical of the comments I’m seeing.

Charles Finlay’s second issue as editor is a strong one. The powerful stories by Grossbach, Gerrold and Sarafin are alone worth the price of entry.

Robert Grossbach’s “Entrepreneurs” is the longest and best story in this issue. Stretching from 1952 into the near future, it tells of the efforts of enterprising engineer Morty Rushman to make it big in business ─ with the help of some equally enterprising aliens from the Eep planet, Narusto. Grossbach uses the theme of alien contact to make some very amusing points about modern American capitalism in the second half of the twentieth century and beyond. The humour reminded me of Kurt Vonnegut and Robert Sheckley, and there can’t be much higher praise than that.

This issue also features a Lovecraftian horror story by Albert E. Cowdrey, James Sarafin’s tale of hunting the wild creatures of the Pleistocene, a semi-autobiographical story by David Gerrold, and fiction from Lisa Mason, Sarah Pinsker, Caroline M. Yoachim, Amy Sterling Casil, and Rob Chilson.

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Blogging from the Nebulas Weekend

Blogging from the Nebulas Weekend

I’m in Chicago, at the 50th Annual Nebula Awards Weekend, and so far, it’s all pretty amazing. For Annihilation_by_jeff_vandermeerthose who don’t know, the Science Fiction and Fantasy Writers of America hold an annual Nebula Awards weekend that feels kind of like a very small fan con, except most of the attendees are SFWA members and networking and casual business discussion dominates.

My first Nebulas Weekend was in San José two years ago. Chicago is pretty impressive and the hotel, the Palmer House in downtown Chicago, is even moreso. And like at World Fantasy, attendees got loot bags upon arrival, provided by publishers. A small selection of by book bag contains: Tobias Buckell’s Sly Mongoose, an advance proof of Aliette de Bodard’s House of Shattered Wings, Daryl Gregory’s Afterparty, Ken Liu’s Grace of Kings, Nick Cutter’s The Acolyte and many more.

I don’t tend to go to as much programming as I used to at cons; I go more to meet editors, agents, publishers, and other writers, because hey, common interests. This weekend is an exception because the speakers are pretty uniformly the people who are steering the field itself.

I checked out a panel with Sheila Williams (Asimov’s) and Jacob Wiesman (Tachyon Press) about what editors are looking for. This is a bit in the same theme as Neil Clarke’s recent and excellent and data-based post about what he’s looking for at Clarkesworld. Based on the conversation, it struck me how much building Asimov’s each month is like building an anthology, where tone and editorial vision and story offering have to balance.

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The Series Series: Shieldwall: Barbarians! by M. Harold Page

The Series Series: Shieldwall: Barbarians! by M. Harold Page

Shieldwall BarbariansThings you’ve probably noticed if you’re a regular Black Gate reader:

  • When one of the Black Gate bloggers has a new book out, there’ll be posts here about it. Many posts, and that’s a good thing.
  • We bloggers like to cheer each other on. Writing can be a discouraging business, but celebrating each other’s good news is one of its great pleasures.
  • I will tell you straight up what I think a book’s virtues and shortcomings are, even if the book is by a fellow Black Gate blogger. I do give the occasional gushing review, but not indiscriminately.

I lay it out like that because there’s exactly one thing I wish were different about M. Harold Page’s new book, Shieldwall: Barbarians!, and it’s something I fully expect the next volume in the series will satisfy.

So, on to the story:

A brother chases warbands, and then armies, across the ragged edges of the Roman Empire, right into a city besieged by Attila the Hun, because that’s what it will take to rescue his sister from slavery. On the way, young Prince Hengest’s own warband doubts his readiness to lead them. Can a boy fostered among Romans ever truly become a man of the Jutes? And as their odds of finding Princess Tova look slimmer and slimmer, why should they keep risking their lives far from home against foes they have no quarrel with? The man who was to marry Tova, hoping to claim Hengest’s crown for himself, feeds those doubts. That insubordination will end in blood, sooner or later.

Hengest is too civilized for his barbarian kinsmen, too barbaric for the fading nobility of the empire, and too late to side with Attila, whose army encampment spreads as far as the eye can see. The young Jutish prince and his men will take the job the doomed city of Aurelianum offers them. Doomed — for Aurelianum cannot possibly stand against Attila, can it? What Hengest must do is find his sister, wherever her captors have hidden her in the city, and get her out through the carnage when at last Aurelianum falls and releases him from his oath to protect it.

Good thing Hengest is a master of improvisation, because nothing plays out as he expects.

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