Black Gate – Page 690 – Adventures in Fantasy Literature

Weird Fiction Review #6 Now on Sale

Wednesday, February 3, 2016 John ONeill Comments 2 comments

Weird Fiction Review #6 has a very clever cover. It’s an homage to Sgt. Pepper, of course, but it’s also more than that.

Click on the image at right for a bigger version to see what I mean. Jammed into that group photo are 69 “Giants of Weird Fiction.” How many can you recognize? Sure, you can pick out Edgar Allan Poe, H.P. Lovecraft, Ray Bradbury, and Stephen King. But can you spot Karl Edward Wagner? Forrest J. Ackerman? Salvadore Dali? Neil Gaiman? How about Gene Simmons?

Weird Fiction Review is an annual magazine edited by S.T. Joshi, and devoted to weird and supernatural fiction. This sixth issue contains original stories and essays by Laird Barron, Jonathan Thomas, Mollie Burleson, James Goho, Jason V Brock, and Michael Aronovitz; a lengthy interview with Clive Barker and a new interview with T.E.D. Klein; a 24-page full-color gallery of art by Christopher Conn Askew, an essay on Robert E. Howard-inspired art in the comics; a heavily illustrated essay on the artwork of L.B. Cole, and much more. It is priced at $35.

Here’s what Nick Ozment said about the last issue:

On the high $35 cover price: you can typically find the new(er) issues for substantially less than that. If you pre-order issue 5 on Amazon, they have it discounted to $26.60. And you can find copies of issue 4 for around $18. Not so for the first three issues: the cheapest issue 3 on Amazon will set you back $999.11!

Sounds like a sound investment to me.

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New Treasures: Truthwitch by Susan Dennard

Wednesday, February 3, 2016 John ONeill Comments 1 comment

Susan Dennard is the author of the popular Something Strange and Deadly series from Harper. Last month she launched the Witchland series from Tor with the opening novel Truthwitch. The early reviews have been very strong, with Books of Wonder saying it’s “Full of magic, unbreakable friendships, and purpose… a lush and wonderful adventure tale.” And I have to admit, I love Scott Grimando’s cover.

On a continent ruled by three empires, some are born with a “witchery,” a magical skill that sets them apart from others. In the Witchlands, there are almost as many types of magic as there are ways to get in trouble — as two desperate young women know all too well.

Safiya is a Truthwitch, able to discern truth from lie. It’s a powerful magic that many would kill to have on their side, especially amongst the nobility to which Safi was born. So Safi must keep her gift hidden, lest she be used as a pawn in the struggle between empires. Iseult, a Threadwitch, can see the invisible ties that bind and entangle the lives around her — but she cannot see the bonds that touch her own heart. Her unlikely friendship with Safi has taken her from life as an outcast into one of of reckless adventure, where she is a cool, wary balance to Safi’s hotheaded impulsiveness.

Safi and Iseult just want to be free to live their own lives, but war is coming to the Witchlands. With the help of the cunning Prince Merik (a Windwitch and ship’s captain) and the hindrance of a Bloodwitch bent on revenge, the friends must fight emperors, princes, and mercenaries alike, who will stop at nothing to get their hands on a Truthwitch.

Truthwitch was published by Tor Teen on January 5, 2016. It is 416 pages, priced at $18.99 in hardcover and $9.99 for the digital version. The cover is by Scott Grimando.

Post-Modern Pulp: Speaking With Indie Action Writer Jack Badelaire

Wednesday, February 3, 2016 Sean McLachlan Comments 0 Comment

COA_Small Today we’re talking to Jack Badelaire, author of numerous action books in the tradition of the 70s “Men’s Adventure” genre. His best known work is his Commando series of WWII action novels. Jack reflects on indie publishing and the state of the genre.

Full Disclosure: Jack is a critique partner of mine. He’s also a fellow member of the secret commando group Sicko Slaughterers (“SS,” we really need a new acronym), which goes after terrorists and human traffickers. So far I’ve killed 1,487 sickos, while wimpy little Jack has only killed 1,059. He gets props for killing that ISIS commander in Raqqa with a blender, though.

Anyway, on with the interview.

The Men’s Adventure fiction of the 60s and 70s is obviously a huge influence on your work. You’ve mentioned that you think there’s a lot more going on in these books than many people think. Could you expand on that?

This genre of fiction was brewed up during an especially turbulent period of history. The Cold War, Vietnam, rejuvenated organized crime syndicates, the rise of international terrorist organizations, the War on Drugs… and those are just the chart-toppers. These post-modern pulps of the period were a direct reflection of, if we want to get Freudian for a moment, society’s collective Id. The Executioner went out and slaughtered Mafiosi because we wished someone would, and Phoenix Force obliterated terrorists because we wished someone would. Even today, the modern successors to these stories feature ex-SEALs and former Delta Force operators hunting terrorists and organized crime syndicates, stories little different than those written thirty or forty years ago.

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Vintage Treasures: Science Fiction Carnival, edited by Fredric Brown and Mack Reynolds

Wednesday, February 3, 2016 John ONeill Comments 4 comments

Science Fiction Carnival paperback-small

Science Fiction Carnival paperback-back-small

In the early 50s, everyone was busy trying to prove how grown up science fiction was. That it wasn’t just kid’s stuff, pulp tales of alien invasions that only appealed to fourteen year-old boys. The earliest genre anthologies on the market — like Groff Conklin’s The Best of Science Fiction (1946) and Healy and McComas’ Adventures in Time and Space (1946) — strained to show the ambitious side of SF, its respect for science and the unique way it examined the future.

In 1953, Fredric Brown and Mack Reynolds decided to take a very different approach, displaying instead the fun side of SF in their classic anthology Science Fiction Carnival. It collected stories showing “a sharply sardonic view of our future” from Murray Leinster, Richard Matheson, William Tenn, Henry Kuttner and C. L. Moore, Eric Frank Russell, and many others.

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The 2015 Locus Recommended Reading List

Tuesday, February 2, 2016 John ONeill Comments 10 comments

Let’s assume that you’re a busy guy or gal, and don’t have time to read every new book on the shelves, regardless of how damn tantalizing the cover is. Heck, you don’t even have time to read the reviews. And let’s also assume that you still want to stay on top of the best new books. How on earth are you supposed to manage that?

As usual, Locus magazine makes it easy — by compiling a massive recommended reading list drawn from the consensus vote of Locus editors, reviewers, and outside professionals. All told, they poll some three dozen industry pros to compile the mother of all reading lists, capturing the most acclaimed fantasy novels, SF novels, YA novels, collections, anthologies, Art books, nonfiction, and short fiction of the year. It’s an invaluable resource, especially if you’re trying to get up to speed in advance of Award season.

Here, for example, is the complete Locus Recommended Reading List of 2015 Fantasy Novels:

Foxglove Summer, Ben Aaronovitch (Gollancz 2014; DAW)
A God in Ruins, Kate Atkinson (Little, Brown; Doubleday UK)
Karen Memory, Elizabeth Bear (Tor)
Nightwise, R.S. Belcher (Tor)
Beneath London, James P. Blaylock (Titan)
The House of Shattered Wings, Aliette de Bodard (Roc; Gollancz)
Prodigies, Angelica Gorodischer (Small Beer)
Wylding Hall, Elizabeth Hand (PS; Open Road)

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Future Treasures: A Painted Goddess by Victor Gischler

Tuesday, February 2, 2016 John ONeill Comments 3 comments

Never let it be said that Victor Gischler is not a versatile writer. His most recent novel, Gestapo Mars, was an over-the-top tale of interstellar Nazi mayhem, and his graphic novel, Deadpool: Merc With A Mouth, was a tale of undead mercenary dinosaur mayhem (among lots of other mayhem).

Compared to those, A Painted Goddess is actually a pretty straightforward tale. It’s the conclusion to the A Fire Beneath the Skin trilogy, in which the young warrior duchess Rina Veraiin, armed with mysterious, magical tattoos, must draw on all her abilities to save her kingdom of Helva from a nightmarish future of endless bloodshed. The first two volumes, Ink Mage (2014) and The Tattooed Duchess (2015), are still available from 47North.

A Painted Goddess will be published by 47North on March 15, 2016. It is 400 pages, priced at $14.95 in trade paperback and $4.99 for the trade paperback. The cover is by Chase Stone — see his gorgeous wraparound version here.

Pulp-era Gumshoes and Queen Victoria’s Underwear: Stitches in Time: The Story of the Clothes We Wear by Lucy Addlington

Tuesday, February 2, 2016 Comments 3 comments

GreatWarFashion — …boots-on-the-ground anecdotes about living and loving in period costume.

Did you know that men used to wear falsies?

Not for their chests, but for their calves. Back in the 18th-century, men wore stockings and knee-britches, and if you didn’t have well-turned calf muscles, then you were a “spindle shank.” So some men with skinny legs wore little cushions.

Which leads us to the young soldier Jean-Roche Coignet, seduced by an older woman, thus beset by the excruciating problem of how to hide his “wretched false calves and… three pairs of stockings.” He managed to blow out the candle and stash them under the pillow. However, what was he going to do in the morning..?

That’s perhaps the raciest story in Stitches in Time: The Story of the Clothes We Wear, Lucy Addlington’s follow up to the exquisite Great War Fashion, but gives you a sense of how she laces the book with boots-on-the-ground anecdotes about living and loving in period costume. She also scatters it with quirky side notes. Did you know, for example, that there is a market for Queen Victoria’s underwear? I’ve very glad the publishers sent me a review copy.

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Despair All The Way Down: The Illearth War by Stephen R. Donaldson

Tuesday, February 2, 2016 Fletcher Vredenburgh Comments 14 comments

“You’re determined to make this hard, aren’t you? You’re determined to make it hard for everyone.”

Hile Troy to Thomas Covenant

If Lord Foul’s Bane (go here for my review) with its rapist leper hero is a trip into the Black Hole of Calcutta, its sequel, The Illearth War (1978) is an unremitting journey into the blackest space over the event horizon. Where the first book offered hope to its characters with the successful completion of their quest, this one holds out no hope even in victory. At the best of times there is only a stay of certain execution. Mostly, though, there is loss, deep and devastating loss.

It’s also a book that almost defeated me. For three weeks it defied my efforts to put into words what I thought was going on in it and what I thought of it. It’s not that it’s super complicated, but it’s a shadowy thing that required more work than I’m used to to understand its guts.

The Illearth War is a story steeped in existential dread. Both inaction and action in the face of soul-crushing evil seem to lead to disastrous ends. To believe or not to believe? To fight or not to fight? To kill or to be killed? Does it make any difference? This is heady stuff for fantasy and bound to put off more casual readers, but Donaldson takes on the debate with conviction and seriousness.

The dilemma is addressed primarily by contrasting Thomas Covenant’s attitude toward the Land with that of a new character from our world, Hile Troy. Covenant refuses to accept the magical Land, its healing properties, or to lift a finger to save it, while Troy fully embraces it and is completely dedicated to its survival. Each man is convinced of the rightness of his path, and both suffer calamitous losses for their convictions. Covenant scoffs at Troy for thinking he can thwart Lord Foul while Troy berates Covenant for refusing to fight. Donaldson plays these titans, inaction versus action, against each other like musical counterpoints. Each reflects off the other, exposing its opponent’s dangers and rewards. This is the heart of The Illearth War.

It’s not an argument made lightly or with straw men. Donaldson digs deeply into each man’s mind and character, exploring the complex motives and reasoning behinds their choices.

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Witch Doctors and Mind-Reading Sleuths: Richard Powers’ Interior Art for 1950s Men’s Adventure Magazines

Monday, February 1, 2016 Doug Ellis Comments 2 comments

In going through several hundred issues of men’s adventure magazines for this year’s upcoming Jerry Weist estate auction at the Windy City Pulp and Paper Convention, I came across the interior illo above by Richard Powers. It’s from the January 1957 issue of Men.

I was actually surprised how many great artists appeared in the issues of Men that I went through, including Bama, Saunders, De Soto, Belarski and many, many more. Some really great art in there!

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Apex Magazine #80 Now on Sale

Monday, February 1, 2016 John ONeill Comments 0 Comment

In his editorial this month, Jason Sizemore gives us the details on the unusually-packed January issue.

You’ll note that the amount of content in this month’s Apex Magazine is… well, astounding: six original works (including a novelette by Ursula Vernon), seven poems, two reprints, and a nonfiction article. Much of this additional content was provided as reward goals for our successful subscription drive held in mid to late November. Thank you for helping us reach our goal!

The crown jewel of issue 80 is the novelette “The Tomato Thief” by Ursula Vernon. For fans of her Nebula Award-winning story “Jackalope Wives” take note — “The Tomato Thief” is set in the same universe and is an indirect sequel. Also in this issue, we have a second original story by Ursula titled “Razorback” that will remind our readers of her excellent “Pocosin” from issue 68.

Lettie Prell, one of my favorite writers, makes a triumphant return to our pages with the disconcerting “The Open-Hearted.” Also returning is Nigerian author Chikodili Emelumadu with “Soursop.” We welcome newcomers Jennifer Hykes (“Bones of the World”) and Carrie Cuinn (“That Lucky Old Sun”) to the pages of Apex.

Here’s the complete TOC.

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