Coming Out

We often talk about coming out as a process that has a beginning and an end. You come out to your family, friends and once everyone knows, that’s it. You’re done.
It’s not true though. We keep coming out throughout our lives, to every casual acquaintance. That means that in the past month I got to come out to a whole whack of new people at the Nebulas, including the Tor admin and sales people we sat with at the banquet table. Alyx and I also got to come out to the staff at the new coffee shop up the street, and the new condo concierge.
In June, I get to come out to the new hire in Accounting (he looks like a nice guy) and my new dental hygienist (assuming he or she is chatty — they usually are). Probably a few other people too.
It’s always a risk. An increasingly small risk — nothing compared to what it was in 1989 — but a risk nonetheless.
Kelly Robson’s short fiction has been published in Clarkesworld, Asimov’s Science Fiction, and at Tor.com. Her novella “Waters of Versailles” was nominated for a Nebula Award this year. She lives in Toronto.










Walt Simonson’s published eight issues so far of his ongoing comics series Ragnarök, along with a trade paperback collecting issues 1 through 6. Simonson, a veteran master of the comics form, is joined for the book by colorist Laura Martin and letterer John Workman. Edited by Scott Dunbier, Ragnarök’s published through IDW, and Chris Mowry’s credited with “production” on the first seven issues while Neil Uyetake gets the production credit on the eighth. What is Ragnarök beyond that? A fast-paced, adventurous saga. A grim playing-about with Norse myth. A super-hero high fantasy that nods to the past while telling a new and distinctive tale. And: a comic as exuberant as it is well-crafted.


