Black Gate – Page 653 – Adventures in Fantasy Literature

Joe Bonadonna Reports on Weird Tales

Friday, September 2, 2016 John ONeill Comments 14 comments

Back in May I wrote a brief post asking “Is Weird Tales Dead… Again?”

Since then there’s been no shortage of rumors, grumblings, and premature death announcements… but not a lot of facts. But this week, Black Gate roving reporter Joe Bonadonna checks in with the latest news.

In spite some talk concerning the possible demise of Weird Tales, I’m happy to report that it is still alive and well. I spoke with editor Marvin Kaye and he told me plans are in the works for the future. They had some financial issues, but all is well. The publisher plans to do an “unthemed” issue, followed by a “Halloween Edition” before all else.

I am hoping that the planned “Sword and Sorcery Special Edition” will follow after that. I was not given any specific timeline for the publication of these issues, but let’s hope they’ll all see the light of day within a short amount of time, without too much time-lag between issues. I keep checking Weird Tales websites for updates, but so far haven’t been able to learn anything. Let’s all hope for the best, and I’ll try to keep you all in the loop when and if I learn anything more.

As for new submissions, they are overstocked with fiction. No need to submit. That is all.

We’ll keep you posted as we learn more.

Andre Norton: Are Her Men Really Women?

Friday, September 2, 2016 Violette Malan Comments 0 Comment

It’s been my experience that Andre Norton is extremely popular among women of my generation, those who grew up reading SF when there were few women writing, and even fewer female protagonists. When I was looking at Norton’s Witch World last time, I found myself wondering whether this popularity was due to how Norton feminized her male protagonists, making them easier for female readers to relate to.

By feminizing, I mean that Norton gives her male protagonists the same kind of “otherness” that is normally associated with the female. Women have long been defined by how they aren’t men, and similarly Norton’s male protagonists are almost always defined by how they’re not the standard socially/politically accepted norm.

Even the positive qualities they may have are somehow the very things that set them apart, and define them as “other.” These are invariably qualities that the standard norm don’t wish to have, even though they’re demonstrably useful.

In Star Rangers Kartr, although a member of the Patrol, is a second class citizen, as are all of the Ranger class of combatants. In fact, he’s excluded from the class of regular Patrol in a number of ways. Even though he’s human, he’s from a frontier world, and is therefore a “barbarian”; he’s a “sensitive” in that he has certain mental abilities which can include telepathy – and it’s significant that this valuable ability is either distrusted by those who believe in its existence, or simply denied by those who don’t. Lastly, he’s a “bemmy lover”* in that he doesn’t join in excluding his nonhuman comrades from social or political status.

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Goth Chick News: What a Beautiful Time to Be Obsessed with LEGOs

Thursday, September 1, 2016 Sue Granquist Comments 1 comment

Come on admit it – you still love to occasionally get your Lego fix.

In a world full of VR and 3D anime games, and Pokemon Go (insert eye roll here) – the Danish idea from 1932 of making little colored bricks that snap together not only still holds up with the kiddies, but has gained full on cult-status with the grownups. And to their credit, Lego has continued to evolve to meet the needs of these adults sporting expendable incomes and a bad case of nostalgia.

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Heavy Metal Lyrics, Sword & Sorcery Fantasy and Video Games: A Cultural Synergy by Dr. Fred Adams

Thursday, September 1, 2016 Bob Byrne Comments 3 comments

Last year, Dr Fred C. Adams, Ph.D., joined our parade of writers in the Discovering Robert E. Howard series with an entry on Esau Cairn, REH’s classic science fiction character. Dr. Adams is back for another guest post here at Black Gate. Put on your headphones and go!

The parallel (and almost simultaneous) ascensions of heavy metal music, video game technology (which later migrated to personal computers), and sword and sorcery fantasy to mass popularity from the early 1970s forward are not coincidental. Rather, they are synergistic. All three draw from the late 20^th century youth culture’s fatalism and nihilism, honed to a fine edge in the fin de siècle era of the 1990s.

Consider the aesthetic of the Ur-arcade-video game of the 1980s, Space Invaders: ranks of grotesque aliens march across the screen as space ships fly overhead firing missiles. You, represented by a screen icon, scuttle back and forth, trapped in a small area firing and dodging missiles while trying to destroy the oncoming ranks of invaders before they reach you and symbolically stomp you into the earth.

The more you destroy, the more ranks appear, starting closer and advancing more quickly. You can forestall death for a time, but the denouement is inevitable. You will lose; the programming foreordains that you will die no matter how well or how long you fight. Other games of the era, like Missile Command, and Asteroids followed suit.

An occasional arcade game like Dragonquest allowed victory, but most reduced play to a life-and-death struggle the player will never win. The kill tally represents the only satisfaction—how many of them do I take with me? As the Time Traveler of Wells’ famous novel says of fighting an impossible number of Morlocks in the darkened forest, “I will make them pay for their meat.”

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What No Man’s Sky Can Learn from SFF Worldbuilding

Thursday, September 1, 2016 Carlos Hernandez Comments 5 comments

If you follow video games, you likely have heard the hype surrounding No Man’s Sky, the space exploration game with a decided pulp science fiction aesthetic that promises a universe with a whopping 18 quintillion procedurally generated planets to discover.

If there’s one thing in this game you’ll never be short of, it’s alien, picturesque vistas

Years of anticipation culminated in the game’s release on August 9, and on that day I, along with legions of frothing gamers, lit up my Playstation, grabbed the nearest 3-liter of Mountain Dew, slid my buttcheeks into the grooves of my favorite easy chair and settled in, happily anticipating a few hundred hours of wonder-stuffed fun.

Only. Well. The game. I mean. It’s. Well.

This video sums up what millions of gamers suddenly felt at once, and were suddenly silenced.

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Fantasia 2016, Day 9: Horror at Varying Levels of Self-Awareness (Shelley, The Inerasable, and Seoul Station)

Wednesday, August 31, 2016 Matthew David Surridge Comments 0 Comment

Shelley Weekends are busy at the Fantasia International Film Festival, and Friday, July 22, saw things beginning to ramp up for me after a slow few days. After much internal debate, I decided to see three movies, all of them horror films of different kinds. First came the Danish film Shelley, at the Hall theatre, about sinister events around a surrogate mother in an isolated household. Then would come a Japanese film, The Inerasable (Zange —Sunde wa Ikanai Heya), about two women investigating a ghost manifesting in an urban apartment. Finally would come an animated Korean zombie movie, Seoul Station (Seoulyeok). They promised three very different tones. And, as it turned out, delivered nicely.

Written and directed by Ali Abbasi, Shelley follows a Romanian woman, Elena (Cosmina Stratan), who has agreed to become a live-in maid for a Danish couple, Louise and Kasper (Ellen Dorit Petersen and Peter Christoffersen). They live on their own in an isolated house without electricity, and the movie opens with Elena being driven to their home in the deep woods. As she settles in and becomes friends with her bosses we learn about all three of them — how Elena has a boy back in Bucharest, how she’s struggling to send money back to him, and then on the other hand how Louise and Kasper are vegetarians and raise their own food and want a child of their own which Louise is not physically able to bear. They soon offer Elena enough money to pay for an apartment for her and her boy if she will be a surrogate mother for their child. She agrees, but as the pregnancy goes on problems develop. Health issues; the sort of things a doctor finds normal. But then also more sinister signs. A mysterious crying in the night. Bad dreams. Is the pregnancy cursed?

If so, it’s not clear by what. The feel of horror in this movie is oddly attenuated. There are hints of bad things, but no reason why those bad things are manifesting (if they are). Nor a sense of any specific malevolence. There is a shaman-like seer (Björn Andrésen) who tends to the spiritual need of Elena’s bosses, but although at moments he seems to recognise evil at work, he doesn’t hint at why or what that evil might be.

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Future Treasures: Of Sand and Malice Made by Bradley P. Beaulieu

Wednesday, August 31, 2016 John ONeill Comments 4 comments

Bradley P. Beaulieu’s first novel in the Song of Shattered Sands series, Twelve Kings in Sharakhai, was published last September, and listed as one of the Best Books of the Year by Amazon, Barnes & Noble, and BuzzFeed. The next book in the series, Of Sand and Malice Made, tells an earlier tale of Çeda, the youngest pit fighter in the history of the great desert city of Sharakhai. It arrives in hardcover from DAW next week.

Çeda, the heroine of the novel Twelve Kings in Sharakhai, is the youngest pit fighter in the history of the great desert city of Sharakhai. In this prequel, she has already made her name in the arena as the fearsome, undefeated White Wolf; none but her closest friends and allies know her true identity.

But this all changes when she crosses the path of Rümayesh, an ehrekh, a sadistic creature forged long ago by the god of chaos. The ehrekh are usually desert dwellers, but this one lurks in the dark corners of Sharakhai, toying with and preying on humans. As Rümayesh works to unmask the White Wolf and claim Çeda for her own, Çeda’s struggle becomes a battle for her very soul.

The next installment in the series, With Blood Upon the Sand, is due in hardcover in February.

Of Sand and Malice Made will be published by DAW on September 6, 2016. It is 240 pages, priced at $18 in hardcover, and $9.99 for the digital edition. The cover is by René Aigner.

A Fine Tribute to the Godfather of Weird Literature: The Mammoth Book of Cthulhu, edited by Paula Guran

Wednesday, August 31, 2016 Damien Moore Comments 1 comment

Within The Mammoth Book of Cthulhu, masterfully edited by Paula Guran, you will find a plethora of bewitching stories. Plenty of brilliant writers who contributed their talents incorporate Lovecraft’s universe into their tales. Others invent their own worlds and wink at the Godfather of weird literature.

One went so far as to sum Lovecraft up in a biography. In her piece “Variations on Lovecraftian Themes,” Veronica Schanoes shines an unforgiving light on Lovecraft’s racism and Anti-Semitism. That’s not to say Lovecraft has no redeeming qualities. Schanoes notes, for example. how he nurtured countless young writers through letters.

Contradictions abounded in Lovecraft’s life, and no one understands this more than Schanoes. Having thoroughly educated herself on her topic, her research delivers a punch to the gut. It makes you wonder if you can go on loving a writer knowing they valued hate.

On the subject of loving writers, you could say “A Shadow of Thine Own Design” by W.H. Pugmire is a love letter to Lovecraft. The story begins in the infamous city of Arkham. A young man named Malcolm Elioth meets an old woman named Edith Gnome. Ms. Gnome possesses a piece of artwork by the notorious Richard Upton Pinkman. Once the painting appears in the story, Lovecraft’s shadow looms over the stage. Yet, Pugmire makes the world his own by amplifying the grotesque power of the painting. The stunning description of Ms. Gnome’s baroque hell house shimmers off the page. Though Lovecraft’s beloved city and legendary painter play important roles in the tale, Pugmire constructs his own universe around them. And that’s what makes this tale so enjoyable.

Look no further than “Legacy of Salt” by Silvia Garcia-Moreno for an equally enjoyable piece. When Eduardo reunites with his relatives, who live in what seems like a time capsule, he desperately yearns to return to his lover in Mexico City. But Imelda, his enchanting and backward cousin, stabs a hook into his flesh. Their sordid waltz around their attraction is only one part of the story. The ancient rituals of Eduardo’s relatives, dating back to the time of the Aztecs, sear themselves into your memory. It’s not easy breaking away from a spiritual bond as strong as this one. Moreno-Garcia knows this well. This story haunts you.

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August 2016 Lightspeed Magazine Now Available

Wednesday, August 31, 2016 John ONeill Comments 0 Comment

The August issue of Lightspeed is now fully available online. This month editor John Joseph Adams offers us original fantasy by Adam-Troy Castro and Tristina Wright, and fantasy reprints by co-authors Kevin J. Anderson & Sherrilyn Kenyon, and Delia Sherman, plus original science fiction by Mercurio D. Rivera, along with SF reprints by Kameron Hurley and Maureen F. McHugh.

Best of all, there’s also a brand new SF tale by Black Gate author Jeremiah Tolbert (“Groob’s Stupid Grubs,” BG 15), which has hands-down the best title of the issue, and maybe the entire year: “Taste the Singularity at the Food Truck Circus.” Admit it, you want to read that story.

Here’s what my new favorite short fiction reviewer, Charles Payseur, had this to say about it at Quick Sip Reviews.

This is a story about food. Glorious, glorious food. It’s also a story about friendship and a bout passion and about dreams and about talent. The setting is subtle woven but vivid, an America dealing with rising sea levels and increased scarcity and refugees from the coasts. And the main character, Nico, is working as accountant but passionate about food, having to stifle that passion in the hopes of raising enough money to start out on his own out from under the thumb of a rather oppressive job. Food keeps calling him away, though, and when he bumps into an old friend who introduces him to the food underground…well, things get kinda weird… it is a fun story and one that kept me smiling throughout. So definitely check it out!

Read Charles’ complete review of the August issue here.

I had the opportunity to hang out with John Joseph Adams and Jeremy at George R.R. Martin’s Hugo Losers party at Worldcon, and that was a blast. Both of them are intimately plugged into the pulse of short fiction, and the industry in general, and it was great catching up. JJA also introduced me to Molly Tanzer (Vermilion) and Carrie Vaughn (the Kitty novels), and that was an honor and a pleasure. I took the picture below just before midnight, when the Alfie awards were announced.

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Fantasia 2016, Day 8: Animated Critiques (Psychonauts, the Forgotten Children and Harmony)

Tuesday, August 30, 2016 Matthew David Surridge Comments 0 Comment

Psychonauts There was one movie scheduled at Fantasia on Thursday, July 21 that I was determined to see: a science-fiction anime called Harmony (Hamoni). Since I had time free beforehand, I decided I’d first head to the festival’s screening room to watch something I’d missed or would be unable to see later. There, I looked over the selection available and settled on Psychonauts, the Forgotten Children (Psiconautas, los niños olvidados), an animated film from Spain. I liked the idea of a double feature of two very different cartoons.

Psychonauts is an engagingly complex movie that takes place on an unknown island, in the ruins of an industrial-age civilisation: many children go to schools, there’s a police force and a sort-of-functioning economy, but also any number of scavengers living in vast tracts of trash shaped by hills of garbage. This story isn’t to be understood as science-fiction, though, since on this island there are also monsters, separable souls, and demonic shadows. Birdboy, a mute child with the power of flight (more or less), seems to know some of the secrets of this strange place. A girl, Dinky, knew Birdboy once and still loves him. She hopes to leave the island, but won’t go without Birdboy — even though the authorities are out to get him, blaming him for selling drugs to children. The movie follows both Birdboy and Dinky as they go about their separate ways, encountering the strange societies of the island and exploring its mysteries.

Psychonauts is technically the sequel to an earlier short film, “Birdboy,” which I have not seen (and does not seem necessary to understanding Psychonauts). Both movies were co-written and co-directed by Alberto Vazquez and Pedro Rivero, based on a graphic novel by Vazquez. Psychonauts has something of the look of an indie comic, in the primitivist-yet-engaging design of its characters and the odd details of its backgrounds. If I had to point to a work in any medium which felt most like Psychonauts, I’d probably select Jim Woodring’s comic Frank, with its dreamlike, occasionally violent, and oddly complex stories. Psychonauts is an equally individual work, but has the same knack for creating oneiric symbols out of its settings and imagery.

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