Underwater Archaeology at the Ashmolean Museum

Underwater Archaeology at the Ashmolean Museum

3. Amphora with coral. Lent by Soprintendenza del Mare -® Ashmolean Museum, University of Oxford

Roman amphora with coral, from the Levanzo shipwreck AD 275‒300

Sicily has been the center of Mediterranean history for centuries. Positioned at the halfway point between the western and eastern halves of the sea, and between Europe and Africa, it has been a nexus of trade and warfare ever since humanity started sailing. Now a major exhibition at Oxford’s Ashmolean Museum looks at the discoveries by underwater archaeologists around Sicily’s shores.

Storms, War & Shipwrecks Treasures from the Sicilian Seas brings together more than 200 objects for a variety of civilizations to highlight Sicily’s importance in ancient shipping.

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Clarkesworld 119 Now Available

Clarkesworld 119 Now Available

Clarkesworld 119-smallI’ve been enjoying Charles Payseur’s short fiction reviews at his website, Quick Sip Reviews. Here’s what he says about the August issue of Clarkesworld:

It’s a month of surprises at Clarkesworld this August, as there is an extra original story plus a story in translation from German instead of the usual Chinese translation. So there’s definitely a lot to see with four short stories and two longer novelettes. The good news is that it’s all weird. Seriously, these are stories that push at the boundaries of the imagination. That conjure up strange worlds and uncertain realities and the vastness and power of both space and violence. Stories that set aliens next to 50’s greasers and mix time travel, tragedy, and immigration. And through it all there’s a sense of yearning that pervades. For a brighter future, a peaceful cooperation, and the comfort of another presence. To the reviews!

To the reviews, indeed. After a lead-in like that, it’s hard to resist. Read his complete review here.

I’m not completely used to longer fiction at Clarkesworld yet — and there are some longer pieces in this issue, including Dale Bailey’s “Teenagers from Outer Space” (11,690 words), and Karla Schmidt’s “Alone, on the Wind” (13,449 words, translated from the German). There’s also original fiction from Kali Wallace, Emily Devenport, Sean Bensinger, and Ryan Row, and reprints by Tobias S. Buckell and Madeline Ashby.

Here’s the complete list of stories featured this issue.

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Fantasia 2016, Day 3: Alien Spirits (Parasyte: Part 1 and Part 2, La Rage du Démon, For the Love of Spock, and Terraformars)

Fantasia 2016, Day 3: Alien Spirits (Parasyte: Part 1 and Part 2, La Rage du Démon, For the Love of Spock, and Terraformars)

Parasyte: Part 1Saturday, July 16, began early for me. I headed downtown to the Hall Theatre for an 11:05 showing of Parasyte: Part 1 (Kiseiju), the first instalment of a Japanese science-fiction–horror duology. After that I planned to head to the festival screening room; I hoped to see La Rage du Démon (Fury of the Demon), a French horror mockumentary that mixes film pioneer Georges Méliès, occultism, and legends of mass hysteria into the story of a cursed silent movie. Then I’d head back to the Hall for a showing of For the Love of Spock, a documentary about Leonard Nimoy and his most famous role, hosted by the director, Nimoy’s son Adam. I’d wrap up the night with Terraformars, a science-fiction film directed by Takashi Miike about humans battling genetically-modified cockroaches on the surface of Mars. Miike would be present to host a question-and-answer session and receive Fantasia’s Lifetime Achievement Award.

It would be a full day of films, and it began, as I said, with Parasyte. I would see the second film — in English Parasyte: Part 2, in romanised Japanese Kiseiju Kanketsu-hen — on Sunday morning, so I’ll write here about the two films together. Both were directed by Takashi Yamazaki from scripts Yamazaki wrote with Ryota Kosawa based on the manga by Hitoshi Iwaaki (an English translation of the manga came out from Tokyopop and is now in print from Kodansha Comics USA; an anime version, Parasyte -the maxim-, ran in Japan in 2014 and 2015). The films do a reasonable job of standing alone, but the last shots of Part 1 explicitly set up Part 2, while there’s so much story in Part 1 that I’d have to think Part 2 would suffer from not having seen it. I suspect Part 2 would end up understandable, but the characters perhaps even more than the plot would feel flattened. The first film runs an hour and three-quarters and the second two hours, so they both individually have the length of full stories. But there’s no doubt to me that they benefit from being viewed fairly close together.

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Future Treasures: Spellbreaker, the Concluding Volume of The Spellwright Trilogy by Blake Charlton

Future Treasures: Spellbreaker, the Concluding Volume of The Spellwright Trilogy by Blake Charlton

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It’s not often that a fantasy author achieves a breakout work with his first novel — or even his first series — but that’s exactly what Blake Charlton has done with The Spellwright Trilogy, which began with his debut novel Spellwright. Robin Hobb calls the series “A letter-perfect story,” and Publishers Weekly proclaimed it “A winner” in a star review.

After a nearly 5-year gap, the third and final novel in the trilogy, Spellbreaker, arrives in hardcover next week. All three books were published by Tor; here’s the complete publishing details.

Spellwright (352 pages, $25.99, March 2, 2010) — cover by Todd Lockwod
Spellbound (416 pages, $25.99, September 13, 2011) — cover by Todd Lockwood
Spellbreaker (476 pages, $25.969, August 23, 2016) — cover by James Paick

Here’s a look at the back covers of all three volumes.

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Summer Short Story Roundup: Part One

Summer Short Story Roundup: Part One

oie_167123Q3w3KW4VA veritable torrent of potent heroic fantasy short stories came out of the interwebs this summer. So many, in fact, for the first time ever I have to break the roundup into two parts. This week I’ll tell you about Swords and Sorcery Magazine, Heroic Fantasy Quarterly, Lackington’sand Cirsova. All together there are twelve stories and three poems (including the nearly six thousand-word first part of an epic poem). Next week I’ll review Grimdark Magazine, Weirdbook, and newcomer, Red Sun.

Swords and Sorcery Magazine #54 kicks off with “The Witch House” by Jamie Lackey. A young girl named Elinor, escaping a forced and bound-to-be loveless marriage, forces herself on the Witch of the Wood as her new apprentice. That’s it. It’s well written, and I’d actually be interested in reading about the characters if the plot went somewhere, but as it stands it’s too insubstantial to merit much notice.

Time Is a Lady’s Unerring Blade,” by Stephen S. Power, is a nasty piece of work. Erynd, an ex-prisoner, has plotted her revenge against one of the captors who tortured and crippled her.

Anyone can buy a soul. Even the meanest villages have dealers now, and prices remain low, thanks to the border wars five years ago. To buy a specific soul, though, Erynd has to deal with a ghost taker.

Having found her target, Erynd intends to see his soul stripped from him bit by painful bit. Not a lot happens, but there are sufficient hints of a larger context for the story that intrigued me and left me wondering about the story’s larger world and history.

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Looking for Some Great Summer Reads? Check out The Best of Prime Books

Looking for Some Great Summer Reads? Check out The Best of Prime Books

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Looking for some great reading to take to the beach in August? Prime Books has you covered. They’ve released one of their highly acclaimed Year’s Best volumes each of the last three months: The Year’s Best Science Fiction & Fantasy: 2016, edited by Rich Horton (June), The Year’s Best Dark Fantasy & Horror: 2016, edited by Paula Guran (July), and this month it’s The Year’s Best Science Fiction & Fantasy Novellas, also by Paula Guran. That ought to keep you busy! (Click each of the images below for more details.)

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Get a Free Copy of Mysterion: Rediscovering the Mysteries of the Christian Faith

Get a Free Copy of Mysterion: Rediscovering the Mysteries of the Christian Faith

Mysterion-smallBlack Gate author Donald Crankshaw (“A Phoenix in Darkness“) and his wife Kristin Janz have produced a groundbreaking anthology of Christian fantasy, Mysterion: Rediscovering the Mysteries of the Christian Faith. It will be released in two weeks from Enigmatic Mirror Press, and contains original fiction from Beth Cato, Pauline J. Alama, Stephen Case, David Tallerman, and many others. Here’s the description:

The Christian faith is filled with mystery, from the Trinity and the Incarnation to the smaller mysteries found in some of the strange and unexplained passages of the Bible: Behemoth and Leviathan, nephilim and seraphim, heroes and giants and more. There is no reason for fiction engaging with Christianity to be more tidy and theologically precise than the faith itself.

Here you will find challenging fantasy, science fiction, and horror stories that wrestle with tough questions and refuse to provide easy answers or censored depictions of a broken world, characters whose deeds are as obscene as their words and people who meet bad ends — sometimes deserved and sometimes not. But there are also hope, grace, and redemption, though even they can burn like fire.

Join us as we rediscover the mysteries of the Christian faith.

Enigmatic Mirror Press is offering 25 free review copies in digital format to Black Gate readers, in return for honest reviews (e.g., at Amazon, Goodreads, etc.) If you’re willing to read the book and provide a review, just send an e-mail to john@blackgate.com with the subject “Mysterion,” and we’ll forward the first 25 we receive along to the publisher.

Mysterion: Rediscovering the Mysteries of the Christian Faith will be published by Enigmatic Mirror Press on August 31, 2016. It is 324 pages, priced at $9.99 in digital format. See the complete Table of Contents here.

The Public Life of Sherlock Holmes: A Musical Fairy Tale – Mt. Vernon and Fairway

The Public Life of Sherlock Holmes: A Musical Fairy Tale – Mt. Vernon and Fairway

MtVernon_HollandI’m fortunate in that my boss here at Black Gate lets me wander afield from Sherlock Holmes and mystery-related topics. Now, I think I’ve managed to nominally stay within the milieu of Black Gate,  though my Humphrey Bogart – George Raft post might have stretched things a bit (I’ve got a reasonable argument ready!). So, for example, I haven’t written anything (yet…) about my hero, Hall of Famer Jackie Robinson. Today I’m going to stretch the rubber band a ways.

I think that Brian Wilson, the musical force behind the Beach Boys, is a genius. Before you could find almost any unreleased song on Youtube, I was avidly collecting bootleg albums, then CDs. I probably have a bigger SMiLE collection than anybody else you know.

It’s a rare week that I don’t listen to at least one Beach Boys song. And if you’re my Facebook friend, you’ve almost certainly learned something about their music from my posts (like this one about the Lei’d in Hawaii album). Today, I’m going to bring the Beach Boys to Black Gate: assuming it actually gets posted.

It’s well documented that Brian increasingly withdrew from the band (and for the most part, life…) after the SMiLE album was aborted in 1967. His participation level varied on succeeding albums (Smiley Smile, Wild Honey, 20/20, Sunflower, Surf’s Up and Carl and the Passions: So Tough), but it’s indisputable that he wasn’t running the Beach Boys anymore and his brother Carl was largely filling his shoes.

In the summer of 1972, the entire band, with family and friends, relocated to the Netherlands, recording in a studio that had been sent over from California and rebuilt (yes, the Beach Boys did those kinds of odd things back then). Brian co-wrote only two of the nine songs on the album, and they were late additions to boot.

But Brian’s contribution to the Holland album loomed large – in a way. The record included a bonus EP (any of you youngsters who don’t know what an EP is, go look it up).  You can click here to listen to what we’re going to be talking about.

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New Treasures: The Interminables by Paige Orwin

New Treasures: The Interminables by Paige Orwin

The Interminables-smallI find myself growing steadily more impressed with Angry Robot Books. I write only about the releases that interest me in my New Treasures columns, and in the last few months I’ve given more space to Angry Robot than any other publisher. Most intriguing of all, they’re willing to take a chance on new and emerging authors, which means in the last few years they’ve introduced me to more exciting new talent than any three other publishers combined. Just in the last few months we’ve covered the exciting and award-winning fiction they published by Peter McLean, Rod Duncan, Matt Hill, Ferrett Steinmetz, Ramez Naam, Matthew De Abaitua, Peter Tieryas, Alyc Helms, and Foz Meadows — virtually all of it in affordable mass market paperback format.

Last month they released Paige Orwin’s debut fantasy novel The Interminables, and it sounds like one of their most intriguing releases yet. Featuring two powerful agents of a wizard’s cabal in a drastically altered Earth on a mission that lands them in a very dark place, it sounds a lot like the beginning of an exciting new series. Here’s hoping.

It’s 2020, and a magical cataclysm has shattered reality as we know it. Now a wizard’s cabal is running the East Coast of the US, keeping a semblance of peace.

Their most powerful agents, Edmund and Istvan — the former a nearly immortal 1940s-era mystery man, the latter, well, a ghost — have been assigned to hunt down an arms smuggling ring that could blow up Massachusetts.

Turns out the mission’s more complicated than it seemed. They discover a shadow war that’s been waged since the world ended, and, even worse, they find out that their own friendship has always been more complicated than they thought. To get out of this alive, they’ll need to get over their feelings, their memories, and the threat of a monstrous foe who’s getting ready to commit mass murder…

The Interminables was published by Angry Robot on July 5, 2016. It is 416 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Will Staehle. Read the first chapter at B&N.

A Southern Tale of Spectral Revenge: Cold Moon Over Babylon by Michael McDowell

A Southern Tale of Spectral Revenge: Cold Moon Over Babylon by Michael McDowell

Cold Moon Over Babylon Michael McDowell-1980-small Cold Moon Over Babylon Michael McDowell-1980-back-small Cold Moon Over Babylon Valancourt-small

Leave it to Valancourt Books to produce the first reprint of Michael McDowell’s spooky southern gothic Cold Moon Over Babylon. It was originally published in paperback by Avon in February 1980 (above left and middle, cover artist unknown).

Stephen King called McDowell “The finest writer of paperback originals in America.” McDowell’s other novels include the Blackwater series, The Amulet (1979), and Toplin (1985). I first discovered him with the Valancourt reprint of The Elementals (1981). I was standing in front of the Valancourt booth at the 2014 World Fantasy Convention, gazing in amazement at their incredible back catalog, and that was the book that forced me to open my wallet.

Last year Valancourt brought most of McDowell’s back catalog back into print as part of their 20th Century Classics line, starting with Cold Moon Over Babylon, now available in a handsome new trade paperback with a wonderfully spooky new cover by Mike Mignola.

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