New Treasures: The Late Breakfasters and Other Strange Stories by Robert Aickman

New Treasures: The Late Breakfasters and Other Strange Stories by Robert Aickman

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Robert Aickman was one of the finest horror writers in our field. He received the World Fantasy Award in 1975, and the British Fantasy Award in 1981, the year he died.

Not familiar with Aickman? Great! There’s never been a better time to try him. The marvelous Valancourt Books has returned much of his work to print, including The Late Breakfasters and Other Strange Stories, an omnibus collection of his early work, released in hardcover and an affordable trade paperback format last week. It contains his debut novel The Late Breakfasters (1964), half a dozen short stories, and a new introduction by Philip Challinor.

I first discovered Valancourt by standing in front of their booth at the World Fantasy Convention a few years ago, and being absolutely astounded at how many terrific books they have in their back catalog. Here’s a few I’ve managed to highlight recently at Black Gate.

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October 2016 Clarkesworld Now Available

October 2016 Clarkesworld Now Available

clarkesworld-121-smallOkay, I’ve settled into a routine now. I drop by Charles Payseur’s Quick Sip Reviews to see what he thinks of this month’s crop of magazines, read what he has to say about Clarkesworld, and then make a beeline to the Clarkesworld website. The guy knows how to whet your appetite for good fiction.

Here he is on Genevieve Valentine’s 9,000-word tale, “Everyone from Themis Sends Letters Home.”

So this is a rather heartbreaking story about a place that doesn’t even exist. Not exactly. It’s about a woman who has been unfortunate all her life finally being a part of something that she loves, that makes her feel…okay, and then having to find out that it’s been not only a lie but a cruel one… It’s also about a game, a game that comes to be something more than that, mired in the horror of what it did but also in the good that came of it. The story is brilliantly told through letter, at first between Marie and a mysterious other person, then drawing out to include other people… The story does a terrific job of selling the idea of the game and then exploring how the game abused its test subject. How a corporation teamed with a prison to use people and how no one cared. The story flits from person to person but only through letters, so that the story is in some ways the evidence being gathered by the main character, by Benjamina, to turn over to expose what has happened. And it’s completely believable that such treatment of inmates would happen. It points to how we treat the incarcerated, how we treat those we’ve deemed criminal. How powerless they become and how easy they are to use, even when it leaves permanent damage. It’s a wrenching story and I love how it plays out, the guilt and the pain and the yearning. It uses form to great effect and you should definitely read this one. Go!

Read Charles’ complete review of the issue here.

The October Clarkesworld, issue #121, is packed with new fiction by Robert Reed, James Patrick Kelly, Chi Hui, and Nnedi Okorafor & Wanuri Kahiu, and reprints by Jy Yang and Michael Swanwick.

Here’s the complete list of stories.

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Fantasia 2016, Day 15: Ghosts and Djinns (Lace Crater and Under the Shadow)

Fantasia 2016, Day 15: Ghosts and Djinns (Lace Crater and Under the Shadow)

Lace CraterAt 7:30 PM on Thursday, July 28, I was in a seat in the De Sève Theatre waiting to see a screening of an American independent horror-comedy called Lace Crater, about a woman who catches a venereal disease from a ghost. After that I’d cross the street to the Hall theatre for a showing of the Iranian horror movie Under the Shadow. I wasn’t entirely sure what to expect from either film, which from experience I knew was often the best way to come to a screening at Fantasia. I was pondering this when the lights went down and Adam Kritzer, producer of Lace Crater, was introduced to the crowd. He thanked us for coming, and urged all of us in the audience to turn to our neighbours, whether we knew them or not, and say whether we believed in ghosts. There was an aisle to my left. I glanced to my right. The man beside me shrugged. “Not particularly,” he said in French. “Same here,” I replied.

One’s personal beliefs aside, Lace Crater is an intriguing film. Written and directed by Harrison Atkins, it starts with a group of young friends who go to a house in the Hamptons, owned by the family of Andrew (Andrew Ryder), one of the bunch. Low-key sexual banter ensues. One of the women, Ruth (Lindsay Burdge, of The Midnight Swim and The Invitation), ends up sleeping alone in a guest house, which Andrew has warned her may be haunted. It is, by a ghost named Michael (Peter Vack). Michael, clad in burlap wrappings, isn’t very scary. He and Ruth end up talking, and connecting. And sleeping together. But back in the city, Ruth finds her one-night stand has consequences. She’s caught something that looks a lot like an STD from Michael, and it makes her increasingly erratic, putting increasing strain on the small network of her friends. Will she find a cure? Or will she have to face Michael again?

Kritzer’s introduction had promised a sexy ghost story, which I assume now was a joke; Lace Crater is, when you get down to it, a movie about a woman who has a one-night stand and contracts a nasty social disease. Which doesn’t strike me as the most sexually charged story in the world. On the other hand, there’s an engaging low-key aspect to the whole affair, a sense of normality, of mundanity, that reasserts itself through the whole tale. It’s a movie that resolutely refuses to let its supernatural aspects dominate.

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The Dandelion Dynasty and Sagrada Família

The Dandelion Dynasty and Sagrada Família

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The Dandelion Dynasty is an attempt at melding two separate literary traditions, both of which I’ve been fortunate enough to inhabit.

One of them traces a lineage from ancient, fragmentary pre-dynastic legends and Warring States Period annals to the spare, vivid biographies in Records of the Grand Historian, to elegant Tang Dynasty lyric poems and politically subversive Yuan Dynasty plays and pre-modern Ming Dynasty novels, and thence to the first vernacular Chinese stories, whose awkward but also lively language is cobbled together by great writers who were also courageous translators and who enriched the new medium with neologisms and adopted grammatical structures and strange metaphors imported from the West, and finally, to the wuxia classics that revived the strength of Chinese storytelling and the modern web serials that represent the lives of men and women in a society seized by some of the greatest upheavals and tumultuous changes ever encountered by any human society, incorporating along the way historical romances, oral storytelling, and magnificent fantasies that have been built up by generations of artists, brick by brick,  like the Great Wall itself.

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Horror and Swords & Sorcery

Horror and Swords & Sorcery

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by Virgil Finlay

The air has turned crisp, the sun is dipping below the horizon earlier each evening, and the supermarket candy section seems to have grown exponentially. Halloween is just around the corner and, like many of you, my mind has turned to haunts and frights.

Horror is one of the primary elements dividing swords & sorcery from epic fantasy. To quote the Horror Writers Association’s site, horror fiction is that which “elicits an emotional reaction that includes some aspect of fear or dread.” Horror has been intrinsic to the genre from its earliest days. Robert E. Howard’s heroes, Kull, Conan, Bran, and Solomon Kane all face off against supernatural horror. In general, the worlds of S&S are dark and dangerous. The protagonists, mostly loners, find themselves pitted against an inimical universe populated with carnivorous forces of darkness that sate their hunger on humanity.

Epic fantasy is concerned with things like the fate of the world, the battle between Light and Darkness, or big dynastic squabbles. There may be moments of terror in epic fantasy (e.g. LotR’s Watcher in the Water; A Song of Ice and Fire’s wights), but it’s rarely the main event. Not in every story, but in most of their S&S work, writers like Clark Ashton Smith, Karl Edward Wagner, and C. L. Moore, created tales that were horror first and foremost. They spun nightmares and darkness into thread and, along with strands of adventure and mystery, wove from it something moodier than Prof. Tolkien or his successors.

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Self-Published Book Review: The Soldier and the Slave by Andrew J. Luther

Self-Published Book Review: The Soldier and the Slave by Andrew J. Luther

If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

the-soldier-and-the-slave-front-600x966The Soldier and the Slave by Andrew J. Luther is this month’s self-published novel. I last reviewed a book of Mr. Luther’s in 2015, called The Severed Oath, the second book of his Tales of The Undying Empire series of standalone novels. The Soldier and the Slave is the beginning of a new trilogy in that world called The Undying Empire: Rebellion.

In The Severed Oath, the Emperor played only a small part. He wasn’t very helpful, but neither was he particularly malevolent. The Emperor does not appear in The Soldier and the Slave, but he has a much more sinister role. He has ordered a detachment of his legions, led by Commander Kied, to secure a valley while a small team of specialists search for something hidden in it. The valley is inhabited by farmers, unimportant but citizens of the Empire. While Kied is initially content to follow orders, even if it involves confining Imperial citizens to their homes, he balks when he discovers what’s planned for the second part of his orders: the wholesale execution of the citizenry. His refusal, while noble, leads only to his arrest and imprisonment, and the execution of his command staff.

Reduced to a slave in the mines, he is paired up with Rotos. A giant of a man, Rotos is not only strong, but powerful, possessing abilities unlike any that Kied has seen. He can overwhelm most people with sheer presence, though Kied proves at least partially resistant. Rotos is also unfriendly, unwilling to even talk to Kied at first.

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Distinctive Visions of Earth After Climate Change: Drowned Worlds, edited by Jonathan Strahan

Distinctive Visions of Earth After Climate Change: Drowned Worlds, edited by Jonathan Strahan

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Reading reviews frequently helps heighten my anticipation for a book. That’s certainly the case with Jonathan Strahan’s acclaimed new anthology Drowned Worlds, a collection of SF tales which looks at the future of Earth after the full effects of climate change.

The book includes all-new fiction from Ken Liu, Kim Stanley Robinson, Christopher Rowe, Kathleen Ann Goonan, Charlie Jane Anders, Jeffrey Ford, Rachel Swirsky, Lavie Tidhar, Catherynne M. Valente, and many others. It’s been getting some terrific reviews, from places like Tor.com, Locus Online, and other fine institutions. Here’s a few samples, starting with author James Lovegrove in the Financial Times.

Taking its cue — as well as its title — from JG Ballard’s 1962 debut novel The Drowned World, the book offers 15 memorable, distinctive visions of Earth after climate change has exerted its grip. Sea levels have risen, and deserts have spread. People live aboard rafts, amid ruins, on other planets. The Anthropocene era has done its apocalyptic worst. There is nevertheless, a thin silvery thread of hope — humankind, through its adaptability and ingenuity, endures.

And here a snippet from Gary K. Wolfe’s lengthy review at Locus Online.

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Tabletop Terror: Betrayal at the House on the Hill

Tabletop Terror: Betrayal at the House on the Hill

Betrayal at House on the HillI was the only gamer geek in my family growing up. We played Monopoly, Clue, Risk, and so on, the staple games of the twentieth-century American experience, brought to you by Milton-Bradley, but my mother wasn’t a fan. She and my grandmother both tended more toward word games like Scrabble and card games, particularly Rummy variants. I became an avid Solitaire player early on. And we had an Atari, of course, then a Nintendo. So I was a gamer from an early age, but not a board gamer.

From high school and through college, I pretty much abandoned board games in favor of roleplaying games. Advanced Dungeons & Dragons (2nd edition) at first, but eventually I became engrossed in the World of Darkness system from White Wolf Games (now published by Onyx Path Publishing).

Board games had completely fallen off my radar by the time I got out of college and began actively adulting. Board games, after all, were for kids, right? In the age of roleplaying games and video games, including an array of online roleplaying games, surely there was no way a board game could be nearly as engaging, nearly worth the time commitment to play it.

It was Betrayal at House on the Hill (Amazon) that dispelled that illusion, showing me what board gaming had become while I hadn’t been paying attention.

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The Public Life of Sherlock Holmes: Back to the Television

The Public Life of Sherlock Holmes: Back to the Television

sherlock_season4So, episode 98 of Elementary aired weekend before last. That, of course, is the modern day Sherlock Holmes show, set in New York City, featuring Johnny Lee Miller as the brilliant, socially challenged detective, and Lucy Liu as a female Doctor Watson. The show, which began in 2012, just kicked off season five.

Meanwhile, on January 1 of 2017, BBC’s Sherlock FINALLY airs season four. Set in modern day London, it has launched Benedict Cumberbatch to superstardom and also escalated Martin Freeman’s (that Bilbo guy) career. There have been nine episodes since the show began in 2010, plus one television movie, The Abominable Bride. It’s no surprise, with two year and eleven months between episodes, that rumors abound that season four will be the end.

Do you want the bad or the good first? The bad? Ok, we’ll open with Sherlock. Among my top five all-time favorite shows after season two, season three was a self-indulgent, “we can do better than Doyle” and “look how clever we are” claptrap. Somehow, The Abominable Bride won an Emmy for best television movie. The ending of it was worse than Matt Frewer’s Hound of the Baskervilles.

I think Sherlock is now a bad show and hope that it gets put to rest after these three episodes.

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Black Gate Online Fiction: “Queen of Toads” by Joe Bonadonna

Black Gate Online Fiction: “Queen of Toads” by Joe Bonadonna

joe-bonadonna-smallWe posted Joe Bonadonna’s Dorgo the Dowser novelette “The Moonstones of Sor Lunarum,” part of Joe’s first swords and sorcery collection, Mad Shadows: The Weird Tales of Dorgo the Dowser, way back in December 2011. It quickly became one of our most popular online stories, and it has remained so for nearly five years. We also presented an exclusive excerpt from Waters of Darkness, his supernatural pirate dark fantasy novel co-written with David C. Smith, in 2013. Since then, Joe has become one of our most reliable and popular reviewers.

We are very pleased to have the opportunity to present “Queen of Toads,” an old-fashioned pulp horror tale, for your reading pleasure.

In the marsh out back, these strange creatures. I’ve seen them at night, hopping back and forth across Venn Road, coming from and heading to the marsh. They must be going out hunting, though what they might prey upon sure has me stumped. Maybe fish or small game. Hell, they’re as big as some breeds of dogs. And the way those strange feathers of theirs glow in the moonlight — the same colour as the rocks! — makes me wonder how they could possibly sneak up on anything! Makes me wonder if they came here with those rocks, came from inside them, maybe. They look like frogs and toads, but like none I’ve ever seen before. I surely won’t be frying up and eating their legs! I told my Minerva to steer clear of the things, too. Told her not to touch or try to catch them. You never know where they might have come from and what sickness they might carry.

The complete catalog of Black Gate Online Fiction, including stories by Mark Rigney, Michael A. Armstrong, C.S.E. Cooney, Vaughn Heppner, E.E. Knight, Jason E. Thummel, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.

“Queen of Toads” is a complete 9,000-word humorous Lovecraft-pastiche offered at no cost.

Read the complete story here.