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What a Book This Is: Passchendaele: A New History by Nick Lloyd

What a Book This Is: Passchendaele: A New History by Nick Lloyd

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Passchendaele: A New History (Penguin, 2017). Cover by Jeremy Sancha

What a book this is. An absolutely brilliant new assessment of one of the hardest and bloodiest battles ever fought. The engagement, technically Ypres III, popularly called Passchendaele, which was launched to capture the U-boat pens on the Belgian coast, and pitted the British Expeditionary Force (including divisions from Australia, New Zealand, Canada and South Africa) and parts of the French Army against the forces of the German Empire, lasted from June to November 1917, took place in a landscape from Hell, and claimed over half a million casualties. Nick Lloyd’s new book takes a number of different perspectives on the battle and tells many untold stories.

We get POVs from everywhere, including the High Command, the Royal Flying Corps, the politicians in London and of course, the mud-spattered Tommies in the teeth of the maelstrom. It’s a very accessible and informative read, painting vivid pictures of bitter hand-to-hand fighting for possession of railway heads, blockhouses, bunkers and trenches. It brings you closer than you could imagine to the terror of unrelenting shellfire, flame-throwers, poison gas and machine guns, but it isn’t all a story of doom.

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Lethal Vegetation and Nasty Christmas Presents: DAW’s The Year’s Best Horror Stories: Series IV, edited by Gerald W. Page (1976)

Lethal Vegetation and Nasty Christmas Presents: DAW’s The Year’s Best Horror Stories: Series IV, edited by Gerald W. Page (1976)

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The Year’s Best Horror Stories: Series IV (DAW, July 1976). Cover by Michael Whelan

The Year’s Best Horror Stories: Series IV was the fourth volume in DAW’s Year’s Best Horror, copyright and printed in 1976. This one introduced a different editor, American author Gerald W. Page (1939–). Page had edited the successful weird tales magazine Witches & Sorcery from 1971 to 1974, and some stories from his ‘zine had made the earlier volumes of Year’s Best Horror. My guess is this put him on Don Wollheim’s radar when he sought out a new editor. I couldn’t find any information on why British editor Richard Davis had been replaced; but as I said in my review of The Year’s Best Horror Stories: Series III, I was disappointed by his last volume, especially since his first two were so good.

Michael Whelan (1950–) returns as the cover artist. Whelan is a great artist and though this cover is in something of a sci-fi, surrealistic mode, I think it sufficiently announces the book as a horror anthology.

Under Page’s editorship, The Year’s Best Horror Stories: Series IV definitely has a different flavor and lineup. The front cover proclaims at the bottom that it is “The unique annual of weird tales.” And many of the authors included are indeed associated with the older Weird Tales pulp era, including Frank Belknap Long, Joseph Payne Brennan, E. Hoffman Price, H. Warner Munn, and Fritz Leiber.

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Immortal Muse by Stephen Leigh: Review, Interview, and Prelude to a Secret Chapter

Immortal Muse by Stephen Leigh: Review, Interview, and Prelude to a Secret Chapter

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Left, Paperback cover (artist unknown); Right cover art by Tim O’Brien.

Stephen Leigh is a Cincinnati-based, award-winning writer of science fiction and fantasy, with thirty novels and nearly sixty short stories published. He has also published fantasy under the pseudonym S.L. Farrell. He has been a frequent contributor to the Hugo-nominated shared-world series Wild Cards, edited by George R.R. Martin. Stephen taught creative writing for twenty years at Northern Kentucky University, and has recently retired (but not from writing). His most recent novels have been Amid The Crowd Of Stars, the SunPath duology of A Fading Sun and A Rising Moon, The Crow of Connemara, and Immortal Muse. His latest novel, Bound To A Single Sun, will be published by DAW Books next year. Stephen is married to Denise Parsley Leigh; they are the parents of a daughter and a son; he is a musician and vocalist too, active in several Cincinnati bands.

In 2014, Stephen Leigh published his Immortal Muse novel (check out the 2014 Black Gate release), an alternative-history, fantasy fictionalizing alchemy’s role in artistic muses. Wow! Of course, Leigh had to be interviewed as part of the “Beauty in Weird Fiction” interview series. Indeed he was interviewed in 2016 before the interview series merged into Black Gate. If you are interested in the aesthetics of horror and weird fantasy, check out the thoughts of our recent guests like Darrell Schweitzer, Sebastian Jones, Charles Gramlich, Anna Smith Spark, Carol Berg, & Jason Ray Carney (full list of interviews at the end of this post).

This post wraps up (1) a review of Immortal Muse, (2) the interview with the author on Leigh’s muses, and (3) teases readers within an announcement. Okay, we’ll cover that last one first. There is a missing/deleted chapter from Immortal Muse that Stephen Leigh will be posting on Black Gate soon, over 11K words with annotations on (a) why it was left out of the final book and (b) how facts were woven into this fantastical alternative-history. It serves as both a stand-alone short story and an engaging behind-the-scenes look at writing. The article with the missing chapter is posted (look here).

Let this review and interview stoke your creative fires. …

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Burger Creatures and Halloween Stories: DAW’s The Year’s Best Horror Stories: Series III (1975), edited by Richard Davis

Burger Creatures and Halloween Stories: DAW’s The Year’s Best Horror Stories: Series III (1975), edited by Richard Davis

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The Year’s Best Horror Stories: Series III (DAW, 1975). Cover by Michael Whelan

The Year’s Best Horror Stories: Series III was the third volume in DAW’s Year’s Best Horror Stories, copyright 1975, printed in that same year. Like the first two, British author and anthologist Richard Davis was the editor, though he would not continue with DAW after this volume. The cover was by Michael Whelan (1950–), his first for the series. Whelan was becoming more and more ubiquitous on sci-fi and fantasy paperbacks at the time. I think Whelan’s cover is horror-based but it does seem to lean toward the surreal, psychedelic vibe that was common in the 70s. Unlike Volume Two, this one contains no inner art.

Of the thirteen stories in The Year’s Best Horror Stories: Series III, three were originally published in books, three in magazines, and two in fanzines; five appeared here for the first time, which I’ll come back to in a moment. At least five of the authors were British, five were American, one was Canadian (Allan Weiss) and Eddy C. Bertin is the lone Belgian, for the third volume in a row. Like the last installment, this anthology contains only male authors. All three of Davis’ DAW volumes have had a bit of a British slant, but this is unsurprising given that Davis was British as well. We’ll see if that changes when we switch to an American editor, Gerald W. Page, for the fourth book.

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Always Then and Never Now: The 13 Clocks by James Thurber

Always Then and Never Now: The 13 Clocks by James Thurber

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ONCE upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn’t go, there lived a cold, aggressive Duke, and his niece, the Princess Saralinda. She was warm in every wind and weather, but he was always cold. His hands were as cold as his smile and almost as cold as his heart. He wore gloves when he was asleep, and he wore gloves when he was awake, which made it difficult for him to pick up pins or coins or the kernels of nuts, or to tear the wings from nightingales. He was six feet four, and forty-six, and even colder than he thought he was. One eye wore a velvet patch; the other glittered through a monocle, which made half his body seem closer to you than the other half. He had lost one eye when he was twelve, for he was fond of peering into nests and lairs in search of birds and animals to maul. One afternoon, a mother shrike had mauled him first. His nights were spent in evil dreams, and his days were given to wicked schemes.

Wickedly scheming, he would limp and cackle through the cold corridors of the castle, planning new impossible feats for the suitors of Saralinda to perform. He did not wish to give her hand in marriage, since her hand was the only warm hand in the castle. Even the hands of his watch and the hands of all the thirteen clocks were frozen. They had all frozen at the same time, on a snowy night, seven years before, and after that it was always ten minutes to five in the castle. Travelers and mariners would look up at the gloomy castle on the lonely hill and say, “Time lies frozen there. It’s always Then. It’s never Now.”

So begins James Thurber’s wonderful fairytale The 13 Clocks. Best known as a cartoonist, humorist, and one of the stalwarts of the New Yorker during the Harold Ross and William Shawn years, he also wrote several fairytales for children. I haven’t read the others — Many Moon and The White Deer — but I have come back to this one several times. An effervescent read, it never fails to delight.

As described in that magnificently menacing opening, the evil Duke spends his days setting his niece’s suitors impossible tasks such as cutting a slice of the moon or turning the ocean to wine. Sometimes, for no better reason than failing to describe his different-length legs properly (they differed in length because he spent his youth “place-kicking puppies and punting kittens”) or not praising his wine, staring at his niece too long, or having a name that started with X, he would just kill them.

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In 500 Words or Less: THE YEAR’S BEST AFRICAN SPECULATIVE FICTION, VOLUME ONE, ed. by Oghenechovwe Donald Ekpeki

In 500 Words or Less: THE YEAR’S BEST AFRICAN SPECULATIVE FICTION, VOLUME ONE, ed. by Oghenechovwe Donald Ekpeki

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The Year’s Best African Speculative Fiction
edited by Oghenechovwe Donald Ekpeki
Cover design by Maria Spada
Jembefola Press (358 pages, $6.99 eBook, Sept 28, 2021)

So… it’s about freaking time we have one of these, right?

Having already demonstrated impressive editing chops with Dominion (co-edited with Zelda Knight), Oghenechovwe Donald Ekpeki has created an even greater anthology with this Year’s Best, distilling twenty-nine stories into one of the most cohesive anthologies I’ve ever read. Common threads make this feel like so much more than just a “here’s who we think are the top authors” sort of Year’s Best. We’re being shown part of what African SF is saying right now, and honestly, we should feel lucky to be given this insight.

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Exorcists Take Warning: DAW’s The Year’s Best Horror Stories II (1974), edited by Richard Davis

Exorcists Take Warning: DAW’s The Year’s Best Horror Stories II (1974), edited by Richard Davis

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The Year’s Best Horror Stories Series II (DAW, July 1974). Cover by Hans Arnold

The Year’s Best Horror Stories: Series II was the second volume in DAW’s Year’s Best Horror Stories. Copyright 1972, 1973, but printed in 1974. Like the first, it was edited by Richard Davis. The cover, by Swiss artist Hans Arnold (1925–2010), was much more in line with a horror themed anthology than the first one. Clearly the cover is an homage to Dr. Jekyll and Mr. Hyde, though there’s no story with a similar theme found within.

It had been two years since the release of DAW’s first The Year’s Best Horror Stories, which had been adopted — story for story — from Davis’ first British Sphere edition with same name. But for DAW’s The Year’s Best Horror Stories: Series II, Davis did more than simply bring over every tale from the second Sphere volume. Some stories were dropped, and some added. Comparing the tables of contents, both volumes contain the Foreword by actor Christopher Lee, “David’s Worm” by Brian Lumley, “The Price of the Demon” by Gary Brandner, “The Knocker at the Portico” by Basil Copper, “The Animal Fair” by Robert Bloch, “Napier Court” by Ramsey Campbell, and “Haunts of the Very Rich” by T. K. Brown, III.

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Neverwhens, Where History and Fantasy Collide: “When the Levee Breaks (and the Goddess Wakes), I’ll Have a Place to Stay…”

Neverwhens, Where History and Fantasy Collide: “When the Levee Breaks (and the Goddess Wakes), I’ll Have a Place to Stay…”

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When the Goddess Wakes (St. Martin’s Press, August 2021). Cover by Lauren Saint-Onge

Know, O prince, that between the years when Stag-flation and the Iran Hostage Crisis drank the Carter Administration, and the years of the rise of the stepson of Roger Clinton Sr, there was an Age Undreamed of, when sword & sorcery, high fantasy epics, slender trilogies and stand-alone novels lay spread across bookshelves like paper jewels beneath fluorescent stars.

This tongue-in-cheek riff on Robert E. Howard’s famous quote from the Nemedian Chronicles is a perfect way to begin a review of Howard Andrew Jones’s concluding volume of the Ring Sworn Trilogy, because it is both a very modern fantasy, and yet, in so many ways the product of growing up as a fantasy-reading GenXer – which both Jones and I are.

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Fun, Fresh Fantasy: Mad Shadows: The Heroes of Echo Gate by Joe Bonadonna

Fun, Fresh Fantasy: Mad Shadows: The Heroes of Echo Gate by Joe Bonadonna

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Mad Shadows III: The Heroes of Echo Gate (Pulp Hero Press, February 2021). Cover artist uncredited

Joe Bonadonna’s third installment of his Mad Shadows, Dorgo the Dowser series, The Heroes of Echo Gate, was announced this Feb 2021 at Black Gate. We covered Dorgo’s world and Bonadonnoa’s cinematic narrative, which we’ll touch upon again during this review. Also on Black Gate, the author of the internationally acclaimed IX Series, Andrew Paul Weston, reviewed all three books of the Mad Shadow series. This post reinforces those articles and highlights this fresh fantasy adventure’s (a) Epic Scope, (b) Cinematic Style, and (c) Faith theme.

The Heroes of Echo Gate is fun, fresh fantasy. Dorgo and his fellowship of Harryhausen-like creatures defend a magical portal from a horde of demons. Epic!

As the cover implies, we have our beloved weird-fiction investigator & mercenary Dorgo (the guy front and center on the cover with the dowsing rod and sword) defending the titular portal with a band of friends (most of whom could have stared in a Ray Harryhausen movie. For the young readers take note that Harryhausen was the “Frank Frazetta” of cinema who gave life to the fantastical creatures before computer graphics were invented). There are three acts that follow the classic purposes: setup, rising tension, and an epic battle. The climax consumes a full third of the book and resonates with all the grandeur of defending Tolkien’s Helm’s Deep. The city of Soolaflan, on the island of Thavarar, is the fortress and it is situated around Echo Gate. Demons from across time want access to it. The portals across the world of Tanyime (and even across time and space) echo those from C. J. Cherryh’s Morgaine Cycle and even Raymond E. Feist’s Riftwar Saga.

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Guran strikes again! The Year’s Best of Dark Fantasy & Horror, Volume 2

Guran strikes again! The Year’s Best of Dark Fantasy & Horror, Volume 2

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The Year’s Best of Dark Fantasy & Horror, Volume 2 (Pyr, October 2021)

Widely known, well respected, prolific editor of dark fiction Paula Guran returns with a new volume of her Year’s Best of Dark Fantasy & Horror. This new, huge anthology collects thirty short stories that previously appeared in 2020 in various books and magazines.

Clearly it would be impossible (and tedious) to comment upon each one, hence I will only mention those which especially impressed me. In other words my personal “best” among Guran’s best.

“Recognition” by Victor Lavalle is a disquieting story set in a New York apartment building where flats are vacated little by little during the first COVID outbreak, while “ Odette” by Zen Cho is the neat description of the difficult relationship between a young orphan, her stern uncle, and the house where they live.

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