The Swordsman II (Hong Kong, 1992) In our last Cinema of Swords article, we talked about sequels gone wrong, follow-up films to surprise hits that just went off the rails. But sometimes, at the other end of the spectrum, you get sequels done right, movies that take the strengths of the first film in a series and then build and improve on them. As an example of this, I don’t think we can do better than three wuxia films from…

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Legend (Universal, 1985) The fantasy film boom of the Eighties mostly drew upon pulp sword and sorcery tales, but some harked back farther to earlier traditions of myth, fables, and fairy tales, often because the filmmakers had a more vividly enchanted look in mind. Whether hit or miss, these movies and their typically rich visuals provided a welcome diversion from the then-prevailing norm of mounted barbarians thundering across windswept steppes.

The Count of Monte-Cristo (UK, 1975) Completing our survey of Seventies movies that attempted to recapture the fire (and the box office success) of Richard Lester’s Musketeers films, here are three European productions that are often overlooked, in America at least. All three are adaptations of novels by Alexandre Dumas, but the real gem here is D’Artagnan and Three Musketeers, a Russian adaptation of the master’s greatest novel, presented with Slavic brio and panache. If you’re a fan of cinematic…

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TV Guide featuring Shogun (September 6-12, 1980) Before 1980, few people in America and Europe knew much about Japan’s samurai era — if anything, they associated its warrior ethos with the hostile mindset that had led the country into its big mistake in World War II. The unarmed combat skills of judo and karate had been popularized during the Sixties, but little was known about the martial arts of the samurai that had preceded them until Shogun, James Clavell’s blockbuster…

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