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Random Reviews: “Arthur Sternbach Brings the Curveball to Mars” by Kim Stanley Robinson

Random Reviews: “Arthur Sternbach Brings the Curveball to Mars” by Kim Stanley Robinson

The Martians, Cover by Peter Elson
The Martians, Cover by Peter Elson

Back in the days of Usenet, I started to put together a bibliography of science fiction that were built around baseball. One of the stories on that list is Kim Stanley Robinson’s “Arthur Sternbach Brings the Curveball to Mars.” Originally published in Robinson’s collection The Martians, a companion collection of short fiction to supplement his Mars trilogy that included Red Mars, Green Mars, and Blue Mars. Four months after “Arthur Sternback Brings the Curveball to Mars” was first published in the UK, it made its US debut in the August 1999 issue of Asimov’s Science Fiction, one month before the collection would be released in the U.S. by Bantam Spectra.

Since that time, the story has been reprinted in Robinson’s collections A Short, Sharp Shock, The Best of Kim Stanley Robinson, and Stan’s Kitchen and the anthologies Future Sports, The Hard SF Renaissance, New Skies, and Field of Fantasies (a collection of speculative fiction baseball stories). Demonstrating that interest in baseball is not limited to the US, the story has been translated into French, German, Spanish, and Romanian, in all but the last case as part of the original collection. The Romanian translation appeared in Sci-Fi Magazin.

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A Tale of ‘Possums and Pigs:The Last Coin by James P. Blaylock

A Tale of ‘Possums and Pigs:The Last Coin by James P. Blaylock

                                 “…One pig to rule them all,

                                    One pig to bind them, 

                                    One pig to bring them all

                                    and on the pier-end find them

                                   In Seal Beach, on the Coast.”

                                                                      William Ashbless

                                                                                                                                                     Myths of the Pacific Coast

How does one describe one of one’s favorite books? How does one describe a book that he and nearly everyone he knew who read it experienced tremendous joy and satisfaction from reading it? How does one describe a book he enjoyed so much he feared any future works by its author might detract something from that book’s perfection? Well, first, he needs to stop writing about himself in the third person, because that’s rarely good. Then he needs simply to write, “Read The Last Coin and you will have read one of the most charming and joyful books I’ve ever read.”

My friend Carl started me down the path of becoming a James P. Blaylock reader when he tossed me an already worn copy of The Digging Leviathan (1984 — his third book. His first two, The Elfin Ship and The Disappearing Dwarf I’ve reviewed here on Black Gate.) With its cabals of conspiracists, hollow Earth theorizing, and besuited axolotls, I was completely enchanted with the book’s story of two boys in California in the middle of the last century in search of a connection with their absent or missing fathers. It’s rougher than his later novels, but here Blaylock was already introducing many of the tropes, and even characters he would revisit throughout his career.

When his next book, Homunculus (1986) came out, I ordered a copy from the long-gone local book store, The Book Nook, something I rarely did. It’s one of the books K.W. Jeter was thinking of — the others being his own Morlock Night and Tim Powers’s The Anubis Gates — when he coined the portmanteau steampunk in a letter to Locus magazine. I enjoyed the book, which turned out to be the beginning of the ongoing adventures of Victorian inventor-cum-explorer Langdon St. Ives and the villainous hunchback, Dr. Ignacio Narbondo.

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Random Reviews: “The Modern Cyrano” by Stephen Baxter

Random Reviews: “The Modern Cyrano” by Stephen Baxter

The Hunters of Pangaea, Cover by Richard Hescox
The Hunters of Pangaea, Cover by Richard Hescox

Not only did Stephen Baxter win the first Sidewise Award for Best Short Story and the second Sidewise Award for Best Novel, but he went on to serve on the Sidewise Award jury for several years, so he has very strong alternate history credentials. His short story “The Modern Cyrano” is subtle alternate history set during the middle of the nineteenth century.

Written as a series of entries in Queen Victoria’s journal during the period from September 1849 through May 1851, Baxter details the deaths of two of Prince Albert’s close friends and Victoria’s political allies. In the pages of her diary, Victoria plays amateur sleuth, noting down the details of their deaths as well as an accusation raised in both cases that the unexpected death of George Anson and the accidental death of Lord Palmerston were both caused by Isambard Kingdom Brunel, who was nearby around the time of both deaths.

In the 1850s of Baxter’s tale, Brunel, in addition to the massive engineering projects he was undertaking in our world, including the Great Exhibition, Brunel is also experimenting with a form of rocket. His push to move England forward has stuck in the craw of Charles Sibthorp, an ultraconservative member of Parliament who wanted England to remain the way it was in his youth in the 1700s. An antagonist to Prince Albert, Sibthorp views anything to support the Great Exhibition as an evil to be fought against.

The story’s arc is pretty straight forward from the moment the characters are introduced, but the enjoyment of the story comes from the combination of reading Victoria’s diary and seeing her putting the clues together and a nineteenth century Nancy Drew and the side notes that Baxter includes to provide the reader with the context needed to fully understand the characters and motivations. He has managed to incorporate his “data dumps” into the story in a realistic and entertaining way.

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Return to the Middle Sea in All the Seas of the World by Guy Gavriel Kay

Return to the Middle Sea in All the Seas of the World by Guy Gavriel Kay

All the Seas of the World (Berkley, May 17, 2022)

What does it mean to be an exile? How does that meaning bend across lines of nationality, of gender, of religion? How many different ways can being exiled shape, define, ruin, or even save a life?

This is just one set of questions raised by All the Seas of the World, the newest novel from master fantasy author Guy Gavriel Kay. The novel, Kay’s fifteenth, comes from Berkley and will be released on May 17, 2022.

All the Seas of the World is the third in a sequence of novels set in the lands around the Middle Sea, Kay’s reimagining of the Mediterranean region of Europe and North Africa, in a time period akin to the early Renaissance. The first novel set in this time and place, Children of Earth and Sky, actually takes place after the second installment, A Brightness Long Ago. This third novel is placed chronologically between the two. Kay prefers not to refer to the books as a trilogy, and with reason. Though related, and featuring recurring characters, each book stands alone. Taken together, the stories here fit into a world history Kay began to build with The Lions of Al-Rassan (1995), and built upon in Sailing to Sarantium and Lord of Emperors (1998 and 2000), and The Last Light of the Sun (2004).

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Demons are Forever: Review of A Hybrid’s Tale. The Cambion Journals: Book One by Andrew P. Weston

Demons are Forever: Review of A Hybrid’s Tale. The Cambion Journals: Book One by Andrew P. Weston

A Hybrid’s Tale: The Cambion Journals, Book One, by Andrew P. Weston (Raven Tale Publishing. Kindle edition, 177 pages; released March 2022).

“Cambion: the half-human offspring of the union between a human male and a Succubus, or a human female and an Incubus.”

 A Hybrid’s Tale is the latest offering by Andrew P. Weston. It’s a short, fast-paced novel set in the realm of “demondim,” and is the first book in his new series, The Cambion Journals. It’s “billed” as Occult Horror, but it’s much more than that. Weston skillfully blends and cross-breeds genres: supernatural horror and science fiction, fantasy and mythology, and a modern-day, action-packed thriller. It’s also a story of love and devotion, and something of a dark and sexy detective story, as well. This is a twisted game of cat-and-mouse — a frantic hunt and chase spanning continents and other dimensions.

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Random Reviews: “The Food Farm” by Kit Reed

Random Reviews: “The Food Farm” by Kit Reed

Orbit 2, Edited by Damon Knight
Orbit 2, Edited by Damon Knight

Kit Reed’s “The Food Farm” first appeared in Damon Knight’s Orbit 2 in 1967. It has been reprinted in Judith Merril’s SF 12, Voyages: Scenarios for a Ship Called Earth, Fat, Women of Wonder, Alpha 6, The Science Fiction Weight-Loss Book, Weird Women, Wired Women, and The Story Until Now: A Great Big Book of Stories, as well as being translated into German, French, Spanish, Dutch, and Portuguese.

In this story, Reed offers up Nelly, a teenage girl who is obsessed with two things: the singer Tommy Fango and eating. While her parents do not have any problem with her musical tastes, they are concerned with her voracious appetite and do everything they can to control her caloric intake. Their concerns makes them take extreme steps to keep her from eating too much, including locking her in her room. Nothing they could do, including starving Nelly worked as Nelly would break out of her room in the middle of the night to find food, either in the refrigerator or outside the house if necessary.  Eventually, her parents sent her to the facility of the title, where food is not made available.

Seen through Nelly’s eyes, everything about the place is torture with the sole exception of her roommate, Ramona, who tries to help her get used to the idea of living on the massively reduced rations they are allowed. Ramona also has access to a recording of Tommy Fango, although the girls are only able to listen to it once a day. Although Ramona is able to come up with ways to make it through her days and tries to get Nelly to try her methods, Nelly refuses to give in, insisting in wallowing in the lack of food and focusing her energy on the matron who controlled her access to food.

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Random Reviews: “The Pilot and the Bushman” by Sylvia Jacobs

Random Reviews: “The Pilot and the Bushman” by Sylvia Jacobs

Galaxy, 8/51, Cover by Emsh
Galaxy, 8/51, Cover by Emsh

Sylvia Jacobs has a career in science fiction spanning eighteen years, from the publication of “A Stitch in Time” in the April 1951 issue of Astounding Science Fiction and running through the April 1969 issue of Galaxy Magazine, when her story “Slave to Man” appeared. Her body of work, however, is not entirely reflective of that longevity, consisting of eight short stories and two essays, all except one of which were published within a decade of her first appearance.

Her second story, “The Pilot and the Bushman,” appeared in the August 1951 issue of Galaxy Magazine and would eventually be reprinted in Galaxy Reader of Science Fiction the following year. It belongs to the same category of science fiction as Fred Pohl and C.M. Kornbluth’s The Space Merchants (originally published in Galaxy as Gravy Planet), using an advertising executive to look at consumerism and aliens, although Jacobs’ work has a very different feel than the more famous story.

Jacobs tells the tale of Jerry Jergens, a New York advertising executive, and the Ambassador from Outer Space.  Following an accidental statement by the Ambassador that aliens had a Matter Repositor which made trade and manufacturing unnecessary, Earth began to suffer from a buyer’s strike. The Ambassador admits that discussing the Repositor was a mistake, but he refuses to deny its existence and interstellar law forbids him from sharing the technology with humans. Jerry, however has an offer to help get the Ambassador out of the fix he’s in. In return for which, Jerry wants to be able to market Earth to aliens, a proposition that the Ambassador does not see as something that can be successful.

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Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

Galaxy, March 1969, containing “The Last Flight of Dr. Ain,” by James Tiptree, Jr. Cover by Chaffee

“. . . Take ‘The Last Flight of Dr. Ain.’ That whole damn story is told backward. . .. It’s a perfect example of Tiptree’s basic narrative instinct. Start from the end and preferably 5,000 feet underground on a dark day and then DON’T TELL THEM.”

This is James Tiptree, Jr., on his story “The Last Flight of Dr. Ain.” Or, this is Alice Sheldon, referring to “Tiptree” in the third person — and, still, NOT TELLING US.

“Tiptree”/Sheldon was a little dismissive of “The Last Flight of Dr. Ain” at times. I disagree. It was certainly the first of her stories to gain wide notice (and a Nebula nomination.) And it’s the earliest of her publications to really light me up. Thus I’d like to take a very close look at it here, in my latest piece trying to figure out how stories, particularly good stories, really work. (I note with some amusement that this essay is roughly the same length as the original story. I also add that of necessity I have “spoiled” the story, but I add that this story in particular is unspoilable, partly because it demands and rewards rereading. That said, if you haven’t read the story and you can find a copy, do go ahead and read it first!)

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Random Reviews: “Dead Men on TV” by Pat Murphy

Random Reviews: “Dead Men on TV” by Pat Murphy

Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard
Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard

Pat Murphy is best known for her 1986 Nebula Award winning novel The Falling Woman or her 1987 Nebula Award winning novelette “Rachel in Love.” The following year, she published the short story “Dead Men on TV” in the debut volume of Full Spectrum, edited by Lou Aronica and Shawna McCarthy.

The unnamed narrator of “Dead Men on TV” spends her nights watching old movies on television, specifically films in which her late father appeared. Through the story, she reveals that her family life had not been great. Her mother was not prepared for the lifestyle that being married to a Hollywood actor entailed and committed suicide when the narrator was young. Her father, who had ignored her mother before she killed herself, shifted his efforts to ignoring his daughter after he was widowed, focusing on his career and living the lifestyle of a star.

Watching television, therefore, is her way of attempting to reconnect with her father’s memory and build an ersatz relationship with him. Her need, however, to watch his films when they are on, no matter the time of day, is clearly unhealthy. Although she has videotaped many of his movies, she feels closer to him when watching them at a time that other people could be watching them as well, leading to many late nights in front of the screen.

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Richard L. Tierney’s Sorcery Against Caeser; Review and Tour Guide of Simon of Gitta’s Sica & Sorcery!

Richard L. Tierney’s Sorcery Against Caeser; Review and Tour Guide of Simon of Gitta’s Sica & Sorcery!

Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (cover art by Steven Gilberts) Pickman’s Press, 2020, 405pages.

Greg Mele recently paid tribute to Richard L. Tierney at Black Gate. That memorial post covers the author’s life and bibliography very well, so check that out; Tierney co-authored books with David C. Smith will be echoed here. The Goodreads S&S group is hosting a two-month group read of his work presently (March-April 2022), which spurred me to read Scroll of Thoth; Simon Magus and the Great Old Ones.

That book lingered way too long on my shelf. It was packaged as horror influenced by history, with a mage protagonist; however, having read it now, I argue that it is more Fantasy than Horror or Historical Fiction. If assigning genre categories floats your boat, then Sword & Sorcery is more accurate.

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