Running Networks in the World of Android: Shadow of the Beanstalk

Running Networks in the World of Android: Shadow of the Beanstalk

Android Shadow of The Beanstalk

Shadow of the Beanstalk is a near future campaign setting book released by Fantasy Flight Games in 2019. This book is intended to be used with Fantasy Flight Games’ Genesys role-playing rules. Shadow of the Beanstalk uses the Android setting as its background setting. Android was a board game originally published in 2008, having several such games released over the years. Perhaps more well known is that Android was used as the basis for a popular collectible card game, Android: Netrunner.

Android, and by extension, Shadow of the Beanstalk is a cyberpunk, science fiction universe, set primarily on Earth in a mega city called New Angeles, though extensive populations live on the Moon and Mars. Dark and gritty, Android features many of the tropes of cyberpunk literature and film: flying cars, extremes of poverty and wealth, barrages of consumer-focused media. As with any cyberpunk setting worth its salt, hacking, or running in Android lingo, is a common activity. While the Genesys core rules cover hacking, given the more complex and embedded nature of running in Android, supplementing the rules for the setting made sense. The result is one of this writer’s favorite ways of conducting computer hacking encounters in a tabletop role-playing game.

The principle is straightforward: the runner wants to get into a network for some reason — steal information, wreak havoc, whatever. The owner of the network wants to keep keep the runner out — the opposition to the runner is the sysop, short for systems operator. One of the challenges around running in RPGs has been that the encounter is either disassociated from the remainder of the party or it becomes a solo encounter occupying a lot of time as the other players lose interest, look at Facebook, or buy things off the Internet. Shadow of the Beanstalk aims to solve this by allowing the encounter to be embedded seamlessly with other social (rest of the party is at a night club attempting distract a group of corporate execs while the runner steals their money) or combat encounters (the party is attempting to infiltrate a building and the runner is turning off cameras and defenses).

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Black Gate Fiction: “The Case of the Murdered Silk Trader” (Casablanca Chronicles)

Black Gate Fiction: “The Case of the Murdered Silk Trader” (Casablanca Chronicles)

Casablanca_RenaultSeriousOkay. I had never seen a Humphrey Bogart movie until my early twenties. Then, I went to the Ohio Theater, an amazing place on the National  Register of Historic Places, to see Casablanca on a HUGE screen. There was even organ music during the intermission. I was hooked for life and I now own almost every movie Bogart appeared in. And from that very day, Casablanca has remained my all time favorite movie, through at least two dozen viewings. I’ve got two stories set around the events of the movie, and I’m running them here in my spot today, and next Monday. This one is my favorite of the pair, and if you picture the great Claude Rains, along with the other actors from the film, I think it works pretty well. Enjoy!

I

It was early and the heat of the desert city had not yet enveloped the occupants like a suffocating blanket. Some sellers were taking their wares to the market, but it was generally quiet in the dusty streets of Casablanca as Rick Blaine sat at a table in front of his café, drinking a cup of strong Moroccan coffee. He wasn’t thinking about much of anything as a dapper little Frenchman joined him. The man sat down with a weary sigh, looking slightly rumpled.

“Good morning, Louie. Coffee?”

Captain Louis Renault, Prefect of Police in Casablanca, declined with a wave of his hand. “No thank you, Rickie. I have already had my share this morning.”

Rick grinned at him. “So, what is the final word on the late Major Strasser, of the Third Reich?” Rick asked with an easy nonchalance, but there were a few new worry lines etched in his forehead. Two nights ago he had shot and killed the German at the airport when the major had tried to stop the Lisbon plane from taking off. But Ilsa Lund had been on the plane with Victor Laslo, and Rick would do anything to see her safely out of Casablanca. So he gunned down the German as the man had tried to radio the control tower. When two cars full of local police showed up, Louie had covered for him by telling them to “Round up the usual suspects.”

Rick hadn’t seen Louie since then. He had expected the authorities to take him away for some very unpleasant questioning at any moment during the past few days, but no one had come. Now, Louie was sitting here, looking not much worse for wear.

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Reading in Transit

Reading in Transit

Locus March 2020

I’m currently in Washington Dulles airport, waiting for my connecting flight back to Chicago. I flew to Tampa on Friday to help my parents, who snowbird in Florida every winter, to pack up and return to Canada a month early. They weren’t happy about it, but given the rate COVID-19 is upending things around the globe, they didn’t have much choice.

Mission Accomplished. But because of flight cancellations, I’m stuck in Dulles with an 11-hour layover before I can get home. Thank God for Locus magazine, which I grabbed on my way out the door on Friday. As usual, the March 2020 issue is packed with reviews, columns, photos and articles of keen interest to science fiction and fantasy readers. There’s even an excerpt from Kit Rocha’s upcoming Tor novel Deal With the Devil. But the feature that I found most fascinating was the interview with Nina Allen, author of The Rift and The Dollmaker. She talks about Doctor Who, Vladimir Nabokov, and Graham Joyce, and delivers perhaps the most on-point description of writing a novel I’ve ever read:

That’s what writing should entail — the fear and the terror and the joy of knowing that this problem is solvable, and there is only one person who can solve it, and it’s me…. I am in competition primarily with myself, because other writers’ talent should be nothing but a joy. When I see writers doing well and being better than me, that’s a joy and a goad and a challenge — not in any way negative. It’s wonderful. Nothing pleases me more than seeing people write brilliantly.

The March 2020 issue of Locus is still available at finer bookstores, and on the Locus website. Individual copies are $8.99. If you haven’t tried the magazine yet, you don’t know what you’re missing. Check it out.

Future Treasures: Eden by Tim Lebbon

Future Treasures: Eden by Tim Lebbon

Tim Lebbon Eden-small

The ivy-cover copy of Tim Lebbon’s Eden,
mailed to me by a creative publicist at Titan Books

Getting review copies never gets old. I get far too many to write about these days, and they pile up on my library floor. When it comes time to crank out a Future Treasures post about an upcoming title, I take the time to select what looks most interesting, or the one I think you lot would most like to hear about.

Unless I’m in a hurry, in which case I grab whatever catches my eye. Then you’re at the mercy of whatever publicist or cover designer is most clever this week, and able to cut through all the clutter and grab my attention.

Today there are more than three dozen review copies and advance proofs piled up in front of my big green chair, but I’m not writing about any of them. Today you’re hearing about Tim Lebbon’s new eco-thriller Eden. Not because Kirkus Reviews calls it “Jurassic Park meets catastrophic climate change in this creepy, cinema-ready story,” or because Publishers Weekly says it’s “wondrous and deeply unsettling.” No, I’m telling you about Eden because a very clever publicist took the time to wrap a copy in plastic ivy before mailing it to me, and it’s that little bit of extra effort that gets attention. (Plus, what the hell are you going to do with an ivy-wrapped book? You can’t just stick it in the pile; the ivy will get crushed.)

It reminds me of the time the Tor publicity team sent me K Arsenault Rivera’s The Tiger’s Daughter with a seed packet that doubled as a bookmark (complete with planting instructions). You better believe I wrote about that one.

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Rogue Blades author: Robert E. Howard, Conan and Me

Rogue Blades author: Robert E. Howard, Conan and Me

Howard changed my lifeBelow is an excerpt from author John C. Hocking’s essay for the upcoming book, Robert E. Howard Changed My Life, from publisher Rogue Blades Foundation.

I was a precocious reader.  By the time I was seven years old, guided by the taste of my father, I was reading Jules Verne, H.G. Wells, E.R. Burroughs, E.E. Smith, and Lester Dent’s Doc Savage stories.  Around this time my father, an art and history teacher, a martial artist and collector of swords, became a little frustrated that my mother was less than keen to accompany him to see a new, supposedly pretty hardboiled, Western movie called A Fistful of Dollars, so he took me.

In addition to thrusting upon my youthful eyes an unimagined example of cinematic style, the film presented a powerful vision of a highly qualified good and a frighteningly believable evil in stark conflict beyond anything I’d encountered before.  Every aspect of the movie resonated with me, but the depiction of fearsome, believably dangerous villains being faced down by a hero who was actually dangerous enough to confront and destroy them instantly made most of the reading, TV and movies I’d known seem somehow inadequate, even false.

Then, in the summer of 1967, my Dad brought me a copy of Lancer’s Conan the Adventurer.  The Frazetta cover promised much, but I read the first story in that collection, Robert E. Howard’s “The People of the Black Circle,” on a quiet sunny morning and it blew my little mind.

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A Masterclass in Dystopian Science Fiction: The Worlds Trilogy by Joe Haldeman

A Masterclass in Dystopian Science Fiction: The Worlds Trilogy by Joe Haldeman

Worlds Joe Haldeman-small Worlds Apart Joe Haldeman-small Worlds Enough and Time-small

Joe Haldeman’s Worlds trilogy, paperback editions from Avon/ AvoNova. Covers by Vincent Di Fate

Are you working from home? Quarantined? Hanging out with a doomsday cult and wondering if the end times have actually arrived? You’re not alone. (Especially if you’re in a doomsday cult — those guys are surprisingly chummy.) But here at Black Gate, our work continues. Classic SF and fantasy isn’t going to promote itself to an increasingly chaotic world. That’s our job.

Today I’m looking at a forgotten trilogy from an author who is very definitely not forgotten. Joe Haldeman became an SFWA Grand Master in 2010, the highest honor one can attain in our field. In 2012 he was inducted as a member of the Science Fiction Hall of Fame, and he’s won virtually every major science fiction award. His most famous novels include The Forever War (1974), The Hemingway Hoax (1991) and Forever Peace (1997).

In 1981 he wrote the opening novel in a trilogy about life in an orbital habitat, Worlds. It was followed by Worlds Apart (1983) and Worlds Enough and Time nearly a decade later (1992). All three were shortlisted for the Locus Award. The Portalist calls the trilogy “an epic sci-fi saga… a masterclass in dystopian science fiction,” and last July they published an excerpt from the first novel to help promote the release of digital versions of all three books from Open Road Media. Here’s an excerpt from Xavier Piedra’s helpful recap of the whole series.

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Goth Chick News: Universal Takes Up Its Dark Universe Again (insert facepalm here)

Goth Chick News: Universal Takes Up Its Dark Universe Again (insert facepalm here)

Dracua Tom Cruise Goth Chick-small

A few weeks ago I shared the news that Universal Studios was adding to its theme park property with a new attraction called Epic Universe. That park would be made up of four ‘lands’, one of which will be dedicated to Universal’s classic monster characters. In my euphoria, I completely overlooked the inevitable truth that there was no way Universal was going hope the classic monster fans would make this new investment successful. No, they would have to try to attract a new generation of monster movie fans. They would have to modernize. Forget they blew it a couple of times already. The time is now to breathe life back into…

The Dark Universe.

Crud.

If you haven’t been keeping score, this marketing idea was pretty much left for dead after the real-life horror that was the 2017 ‘modernization’ of The Mummy, starring (and I use that word in the absolute broadest sense) Tom Cruise.

This, of course, was the second death of Dark Universe, which quietly imploded the first time with the 2014 retelling of Dracula in Dracula Untold. Never heard of it? Of course not. But as Douglas Adams famously reminded us, it will be the marketing people who will be first against the wall when the revolution comes. Until then, they’re just banging away.

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Stories the Dogs Tell: Clifford D. Simak’s City

Stories the Dogs Tell: Clifford D. Simak’s City

SimakCityGnome

City by Clifford D. Simak. First Edition: Gnome Books, 1952.
Cover by Frank Kelly Freas (click to enlarge)

City
by Clifford D. Simak
Gnome Press (224 pages, $2.75 in hardcover, May 1952)

Clifford D. Simak was a Midwestern US newspaperman who wrote science fiction on the side, and published stories beginning in the 1930s in magazines like Wonder Stories until finding a home in John W. Campbell’s Astounding in the 1940s (and later Galaxy in the 1950s). City was his earliest significant work, published in 1952 but composed of stories published mostly in Astounding from 1944 onward. An enduring work, it won one of the very earliest awards for SF or fantasy, the International Fantasy Award, in 1953 (two years after Stewart’s Earth Abides, which I reviewed here in January, won the same award). It’s Simak’s most popular book along with his Way Station, published a decade later.

Gist

The book tells the future of humanity as it abandons cities for country estates and then moves off Earth to settle other planets, and in parallel the rise of an artificially created Dog civilization. By the end, humans have largely propagated outward to other planets, and Earth is left to the intelligent dog civilization, to whom these stories are myths.

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Sad and Weird and Funny: HBO’s The Plot Against America

Sad and Weird and Funny: HBO’s The Plot Against America

The Plot Against America HBO-small

I watched the first episode of this show on the day that my Republican governor suppressed a free election, which I’m sure is one of those funny coincidences that we’ll laugh about when we’re trying to explain to the rising generation what an election was.

My feelings about the show are mixed so far. The novel is brilliant, if problematic. People who read a lot of sf/f mocked Roth for claiming to invent a new genre in this book, as if Murray Leinster and Philip K. Dick had never walked the Earth. But Roth’s novel is really different from any other alternate history that I’ve read. It’s a personal memoir of a time which did not exist, yet somehow did. It’s all very particular, filtered through the eyes and ears of a pre-teen boy — the things he hears his father shout at the radio, the appalling particularities of having to share a bedroom with his cousin who lost a leg in the war, trying to run away from home under a goyische surname so that he won’t be deported to Kentucky, etc. It’s sad and weird and funny as the narrative persona reflects on and reacts to the things he “remembers” as a child, some of which the author may actually remember from his actual childhood. This is categorically different from Professor Minott riding off to find death or glory on the shifting sands of parallel histories.

This great virtue of the book doesn’t really transfer to the screen. They have a capable young actor playing young Philip, but it’s much more difficult for movies and TV to pull off that restricted 3rd-person POV that Roth creates so skillfully in prose. The story is bigger on screen, with more voices, but also shallower.

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New Treasures: Made To Order: Robots and Revolution edited by Jonathan Strahan

New Treasures: Made To Order: Robots and Revolution edited by Jonathan Strahan

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Cover by Blacksheep UK

A new anthology by Jonathan Strahan is always an event. He’s been editing Year’s Best volumes since 2003, for ibooks, the Science Fiction Book Club, Night Shade, and Solaris, and just announced the contents of the first volume of The Year’s Best Science Fiction from Saga Press (if that Facebook link doesn’t work for you, don’t worry about it; I’ll cover it in an upcoming Future Treasures post). He also edited the groundbreaking Infinity series for Solaris, seven volumes starting with Engineering Infinity (2010) and ending with Infinity’s End (2018), perhaps the most acclaimed original anthology series of the last decade.

His latest is Made To Order: Robots and Revolution, released yesterday by Solaris. Published on the 100th anniversary of the word “Robot” entering our modern lexicon, Made To Order contains brand new stories by Sofia Samatar, Peter Watts, Ken Liu, Sarah Pinsker, Alastair Reynolds, Peter F. Hamilton, Annalee Newitz, Suzanne Palmer, Ian R. MacLeod, Rich Larson, and others. (To get a sense of the spirit of this anthology, read the first story “A Guide for Working Breeds” by Vina Jie-Min Prasad, complete and completely free, at Tor.com. It’s a hilarious tale of two robot pals who couldn’t be more different, and it’s well worth your time.)

Here’s the complete Table of Contents.

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