A Tour of a Pop-Culture Phenomenon: Marvel: The First 80 Years

A Tour of a Pop-Culture Phenomenon: Marvel: The First 80 Years

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Marvel: The First 80 Years, magazine edition from Titan Comics. On sale November 2020

I was in Barnes & Noble yesterday, picking up some new releases, including a new Stellaris anthology and the latest Year’s Best anthology from John Joseph Adams (here’s the complete stack of titles I walked out with), and literally on my way out of the store my eye fell on a colorful cover in the magazine section. I reversed course to get a closer look, and three minutes later I was back in the checkout line, buying one more item.

The magazine was Marvel: The First 80 Years, a 160-page full color special release from Titan. It’s a little pricey, even with my B&N discount ($19.99 cover price), but according to the scant facts I can find on the internet, it’s a limited release magazine version of the upcoming book Marvel: The First 80 Years, scheduled for hardcover release in two weeks with a $29.99 price tag.

I didn’t know any of that yesterday, tho. I shelled out nearly 20 bucks for an oversize magazine because it looked more than worth the money. Have a look at the gorgeous interior photo spreads below and see if you agree.

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Adventure in the Final Days of Civilization in the British Isles: The Trials of Koli by M.R. Carey

Adventure in the Final Days of Civilization in the British Isles: The Trials of Koli by M.R. Carey

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The Rampart Trilogy by M.R. Carey, all published by Orbit: The Book of Koli (April 2020),
The Trials of Koli (September 2020), and the forthcoming The Fall of Koli (March 2021). Cover designs by Lisa Marie Pompilio

Post-apocalyptic reading doesn’t seem the best thing for these times of global pandemic and a presidential term that’s seen the US move backward on almost every progressive climate policy. And yet as I explained in my review of The Book of Koli, M. R. Carey has managed to create an enjoyable post-apocalyptic quest through the voice of his flawed, compelling, imminently likeable narrator, Koli. The Trials of Koli, released in September, picks up right where Book 1 left off, with Koli and his companions traveling across an ecologically transformed England in the wake of civilization to find the source of a signal that might mean a semblance of technology and government remaining in London.

Of course, a quest is only as good as those you travel with, and in this Koli is fortunate. Besides the traveling medicine woman Ursula, who carries some of the country’s last viable medical technology, and the sentient Dreamsleeve Mono, an advanced music player that has become Koli’s closest friend, the character who shines in this volume is Cup, a vagabond picked up as captive after a tussle with a cannibalistic cult at the end of the first volume. Cup becomes an ally and companion in this second volume, and with her character Carey is able to explore what life might be like for “crossed,” or transgendered, individuals in this new world.

Besides navigating the spectrum of hatred to acceptance that Cup elicits as they travel through various villages, Cup’s identity provides a point of conflict within the company. Ursula, with her access to medical technology, must decide if it’s ethical to give Cup the hormone-blocking treatment she wants to postpone the onset of puberty, even though the therapy for full gender transition is no longer available. This conflict isn’t a major plot point, but it’s integral to the heroes’ journey and a nuanced depiction of a transgendered character. Of course, at the same time our heroes are navigating this they’re also figuring out how to deal with the coming seed-fall of a forest full of carnivorous trees.

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Future Treasures: Nophek Gloss by Essa Hansen

Future Treasures: Nophek Gloss by Essa Hansen

Nophek Gloss-smallThere are times when you need to tune out all the chaos in the world. The week after a tumultuous US election is definitely one of them.

And you know what helps with that, don’t you? A brand new book from an exciting debut author. The one I’ve got in mind is Nophek Gloss, the tale of a young man who sets out on a single-minded quest for revenge across the galaxy when his planet is destroyed. It arrives from Orbit on Tuesday, and it’s preceded by a lot of great press.

What kind of press? Michael Mammay (Planetside) says it “reads like a Becky Chambers novel crossed with Firefly,” and The Quill to Live calls it “a bizarre journey through space and time with a lovable crew of rogues on a spaceship.”

Booklist says it’s packed with “fast-paced action, and stunning scientific concepts, with mercantile and political intrigues spanning manifold universes,” and Publishers Weekly calls it a “wonderfully inventive debut“:

A revenge plot leads mechanic Caiden across a multiverse populated by a colorful array of humanoid species in Hansen’s wonderfully inventive debut, the first of a space opera trilogy. Fourteen-year-old Caiden lives on a planet that raises vicious predators called nophek. When the planet is attacked by a new shipment of nophek, Caiden alone escapes, and uses his unique ability to manipulate technology to pilot an abandoned spaceship. Caiden soon joins a team of scavengers who guide him to Emporia, an interstellar marketplace where he learns more about the Casthens, who orchestrated the slaughter of his people, and undergoes genetic manipulation to accelerate the development of his body and mind. He emerges a 20-year-old determined to bring down the Casthen… Space opera fans will be eager for the next installment.

Nophek Gloss is the opening novel in The Graven series. It will be published by Orbit Books on November 17, 2020. It is 448 pages, priced at $16.99 in trade paperback and $9.99 in digital formats. The cover is by Mike Heath. Read the first two chapters here.

See all our recent coverage of the best upcoming SF and fantasy here.

Rogue Blades Presents: Sometimes a Good Hero is Hard to Find

Rogue Blades Presents: Sometimes a Good Hero is Hard to Find

Beyond the Black RiverRecently I’ve been reading Beyond the Black River, a collection of Robert E. Howard tales published by Wildside Press. Within those pages one can find a couple of horror tales but also a handful of Conan the Cimmerian yarns, including the short story which gives this book its title.

When reading Beyond the Black River, the book or the story, it is obvious not only who the protagonist happens to be, but also the hero. The two figures are not always the same individual within a tale. For instance, Conan features large in most of the stories here, and he is the hero in at least four of the tales, but he is not always the protagonist. Sometimes Howard would pen a Conan tale told from another point of view. But whatever the point of view, Howard was mainly a writer of action and adventure, thus he wanted there to be little question about his hero in any given story.

Also of late, like millions stuck at home, I’ve been watching my fair share of television, which is actually unusual for me. One show I’ve watched, again like millions, is The Mandalorian. Here, too, it is obvious who wears the title of hero and protagonist with the ever-helmeted “Mando” performing both roles. I also caught up on the show Justified, a modern Western of sorts featuring Timothy Olyphant as Deputy U.S. Marshall Raylan Givens in my home state of Kentucky (it was kind of fun to watch all the things the show got wrong about the Bluegrass State); once more it was not difficult to pick out the hero and protagonist, here the same individual in Raylan Givens.

However, earlier in the year I read novels and stories and watched shows in which it was not so easy to pick out a hero.

For instance, watching the super hero show The Boys on Amazon Prime, there are a whole lot of bad people but not a lot of real heroes. Even a regular protagonist is difficult to pinpoint as this show has more of an ensemble cast with the focus on characters shifting. Early on in the series, Hughie Campbell (portrayed by Jack Quaid) is the protagonist, but by the end of the first season Hughie has been taken in as part of the broader cast. Also, while Hughie occasionally does something that is heroic, he generally is too reticent to be a regular hero. Still, he usually tries to do what’s right, at least for the moment, and maybe that’s all we can ask for a modern television hero. And I don’t want to leave out other characters, for Starlight (Erin Moriarty) is usually the most heroic of the “supes” and she also tries to do what is right, but she’s not exactly the hero of the show. Karl Urban’s Billy Butcher character plays large on the screen whenever he appears, and he does sometimes do the right thing, even the heroic thing, but I don’t think anyone who has watched the show would consider Butcher a hero, especially as his motives usually come from pain, rage and sometimes even selfishness.

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Goth Chick News: Nope, We Definitely Don’t Need It. But We’re Getting It Anyway.

Goth Chick News: Nope, We Definitely Don’t Need It. But We’re Getting It Anyway.

Santa Jaws

Back in the “before time,” when we were able to go to trade shows in person, Black Gate photog Chris Z disappeared in the crowd at one of the largest events. When I backtracked, I found him mesmerized by a booth touting a new indie film. Normally I would be equally excited, as the passion of film makers on a micro-budget are not only an inspiration, but generally the source of highly innovative storylines. What, I wondered, had totally captured Chris Z’s attention?

Low and behold, a new horror-comedy entitled… Zombeavers.

Yes, you read that right. It was literally the tale of zombie beavers that terrorize a bunch of college kids staying at a remote cabin near a river, with enough double-entendres to choke an elephant.

With a face emanating a crazed mixture of hilarity and trouble-making, Chris Z turned to me saying, “We have GOT to cover this”

“Nope,” I said, walking away. “Literally nobody needs that.”

What I meant was, I’d never get that article passed John O. But even if I could, we still didn’t need it.

I relay this story because what I’m about to tell you is something else we absolutely do not need. We may even not-need it more than Zombeavers. But the difference is that this information isn’t likely to get censored, and its equally entertaining in that same train-wreck kind of way.

Get ready for Santa Jaws.

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Giant Spiders, Horrifying Plants, and Robots at the End of Time: The Best of James Van Pelt

Giant Spiders, Horrifying Plants, and Robots at the End of Time: The Best of James Van Pelt

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The Best of James van Pelt (Fairwood Press, November 2020). Cover by Gabriel Gajdoš

If you’re a regular Black Gate reader, James Van Pelt needs no introduction.

He’s been a prolific contributor to all the major science fiction magazines we’ve covered for the past two decades. He’s also a part-time BG columnist, covering the short fiction beat for us with his occasional Stories That Work column. His latest book is sure to be of interest to all our readers — The Best of James Van Pelt, just released by Fairwood Press, is an enormous 700-page survey of James’ entire career, collecting 62 stories and nearly 300,000 words of fiction. Here’s a snippet from the starred review at Publishers Weekly.

Van Pelt showcases his mastery of short-form fiction in these 62 stories, all published between 1993 and 2018 and ranging from apocalyptic fiction to subtle daylight horror, Lovecraftian riffs, and speculation about future social policy initiatives. . . .Van Pelt’s superior combination of imaginative concepts with recognizable human emotions makes him a talent deserving of a wide readership.

Here’s the publisher’s description.

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New Treasures: Black Sun by Rebecca Roanhorse

New Treasures: Black Sun by Rebecca Roanhorse

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Black Sun by Rebecca Roanhorse (Saga Press, October 2020). Cover by John Picacio

Rebecca Roanhorse burst on the scene in 2018 with her debut novel Trail of Lightning. I remember pretty vividly because my own debut The Robots of Gotham was released the same month, and I watched in awe as Trail of Lightning outsold it by a comfortable margin — and then went on to be nominated for the Hugo, Nebula, and World Fantasy Awards, and won the Locus Award for Best First Novel. It was certainly humbling, but I’m still proud we were both part of the same June 2018 graduation class, and I’ve followed her career enthusiastically every since.

Her latest is Black Sun, the first book in the Between Earth and Sky trilogy, an epic of forbidden magic and celestial prophecy, set in an imaginary Pre-Columbian North America as it was before European explorers invaded. Here’s an excerpt from the review at Kirkus.

The winter solstice is coming, and the elite members of the sacred Sky Made clans in the city of Tova are preparing for a great celebration, led by Naranpa, the newly appointed Sun Priest. But unrest is brewing in Carrion Crow, one of the clans…. Meanwhile, a young sailor named Xiala has been outcast from her home and spends much of her time drowning her sorrows in alcohol in the city of Cuecola. Xiala is Teek, a heritage that brings with it some mysterious magical abilities and deep knowledge of seafaring but often attracts suspicion and fear. A strange nobleman hires Xiala to sail a ship from Cuecola to Tova. Her cargo? A single passenger, Serapio, a strange young man with an affinity for crows and a score to settle with the Sun Priest. Roanhorse’s fantasy world based on pre-Columbian cultures is rich, detailed, and expertly constructed… A beautifully crafted setting with complex character dynamics and layers of political intrigue? Perfection. Mark your calendars, this is the next big thing.

Black Sun was published by Saga Press on October 13, 2020. It is 454 pages, priced at $27.99 in hardcover and $11.99 in digital versions. The cover is by John Picacio. Listen to an audio excerpt or read the complete first chapter at the Simon & Schuster website.

See all our recent New Treasures here.

Ellsworth’s Cinema of Swords: 3 Musketeers + 1 Long Nose

Ellsworth’s Cinema of Swords: 3 Musketeers + 1 Long Nose

The Three Musketeers 1948

The Three Musketeers (1948)

When you say “French swashbuckler,” two names leap instantly to mind: d’Artagnan and Cyrano. Both were actual historical figures, but it’s through their fictional incarnations that they’re known around the world. Both d’Artagnan and Cyrano de Bergerac have been fictionalized repeatedly dating back to the 17th century — zut alors, Cyrano even fictionalized himself! — but they’re overwhelmingly best known from two sources, d’Artagnan from Alexander Dumas’s The Three Musketeers and it sequels, and Cyrano de Bergerac from Edmond Rostand’s play of the same name. There have been several memorable screen versions of Rostand’s Cyrano, but none more so than the version reviewed below. The Three Musketeers, of course, is one of the greatest adventure novels ever written, and has been filmed for movies and TV dozens of times, with varying degrees of quality and fidelity to the source material. This week we’re looking at one of the best, and throwing in an oft-overlooked sequel as a bonus.

The Three Musketeers

Rating: *****
Origin: USA, 1948
Director: George Sidney
Source: Warner Bros. DVD

There were a lot of movie and TV adaptations of The Three Musketeers in the 20th century, but three of them tower above all the others: the Fairbanks film from 1921, Richard Lester’s 1973 version, and, falling almost exactly in between them, MGM’s star-studded entry from 1948.

This is an interesting adaptation: it starts out as a typical Hollywood vehicle for star Gene Kelly, bright, colorful, charming, and light-hearted, a musical without songs, as d’Artagnan (Kelly) finds camaraderie with the musketeers and romance with Constance (June Allyson). But the top-billed actor at the time was actually Lana Turner, then at the height of her fame, and based on her roles as a femme fatale in films noir, she was cast as the wicked Milady de Winter. Now Milady appears mostly in the second half of Dumas’s novel, so to give Turner enough screen time, the movie races through the Affair of the Diamond Studs in its first hour, enabling it to spend its second hour on the schemes of Milady.

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Vintage Treasures: The Trail of Cthulhu by August Derleth

Vintage Treasures: The Trail of Cthulhu by August Derleth

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The Trail of Cthulhu by August Derleth (Ballantine, 1976). Cover by Murray Tinkelman

August Derleth is revered among modern fans chiefly for his singular accomplishment: founding Arkham House to publish H.P. Lovecraft. The fact that Lovecraft, who remained obscure throughout his life and was published solely in low-circulation pulp magazines like Weird Tales, is remembered at all is arguably due to the tireless efforts of Derleth and his fellow editors, who reprinted Lovecraft in quality hardcover editions and brought his work to a wider audience.

Derleth was also a prolific writer, and here his reputation is less steller. He chiefly wrote what we’d call Lovecraft fan fiction today, and his adventure-themed tales were often very far removed from the cosmic horror tone of his idol. Perhaps his most popular story cycle was The Trail of Cthulhu, a series of interconnected stories that chronicle the heroic struggles of Laban Shrewsbury and his associates against the Great Old Ones, especially Cthulhu. Perry Lake at Goodreads has a fine (and very concise) review.

Derleth never really understood Lovecraft’s mythos, with a cold, unfeeling universe and humanity as an afterthought. But Derleth did understand a derring-do adventure with good guys versus bad guys, and that’s exactly what he wrote here. Laban Shrewsbury is probably the only real hero in the Mythos and in him we see the terrible costs of staring into the Void. This book is a treat for all fans of the Cthulhu Mythos.

Hugo Negron offers a counterpoint that’s a little harsher, but equally on target I think.

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Adding to My List of Obsessions: The Untamed

Adding to My List of Obsessions: The Untamed

The Untamed Banner

I have a new obsession. I seem to be switching obsessions a lot, but the truth is I’m not switching anything at all. I’m simply adding. This time around, I’m absolutely infatuated with a show on Netflix that I’m a little mad took me so long to check out. That show is The Untamed, a 2017 live-action adaptation of the Chinese fantasy novel Mo Dao Zu Shi (Grandmaster of Demonic Cultivation is the English title) by author Mo Xiang Tong Xiu. The novel is not yet officially translated into English, but I’m desperate for it to be. I want this thing on my shelf. Like, yesterday. Granted, since it’s a web novel, it’s not likely to be on anyone’s actual shelf, but lordy do I want this book as a real thing in my hands.

Anyway, the show is wonderful. I understand that, from my very basic research from this post, that the live-action adaptation is quite divergent from the novel, so I’m content to watch the show while waiting for that official English translation (there are unofficial online translations, but I would like to put money into the hands of the author, you know?), knowing that the two are different enough that my enjoyment of the novel won’t be impacted by having watched the adaptation first. Also, apparently this adaptation is only one of many, and so I might have to go and find other adaptations.

The story itself is a multi-layered fantasy epic drama with grand themes of belonging, family, clan rivalry, justice and love. Centering around Wei Wuxian, also known as Wei Ying or the Yiling Patriarch, an orphaned child who was adopted by his father’s master’s family and is considered a sibling of the master’s two children Jiang Cheng and Jiang Yanli, the story is often funny, and terribly sweet, and also very, very dark.

It doesn’t pull punches, killing many folks, straining and breaking relationships, and turning heroes into villains. Everything is difficult, and you can understand why people act the way they do, calling into question what you might do if you were caught in these positions. Essentially, it’s my favorite kind of story. Give me the darkness. Give me unsure characters and well-meaning people who unwittingly make bad choices. Give me consequence and heartache and despair. Those alone, however, do not make this one of my recent favorites. What really makes it for me is the thread of a deep abiding love that moves like gossamer throughout the whole piece; a glittering filament of hope that grabs a hold of the heart and doesn’t let go.

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