Weird Tales Deep Read: January 1945

Weird Tales Deep Read: January 1945

Weird Tales, January 1945. Cover by Margaret Brundage

This time we’re jumping ahead in our deep read of the Unique Magazine, to the January 1945 issue. The old guard has largely changed. Howard has been dead for almost six years, Lovecraft out-lived him less than a year. C. L. Moore hadn’t published in WT since 1939, Clark Ashton Smith longer. (Reprints not considered,) That doesn’t mean there were no familiar names. Seabury Quinn, August Derleth, Edmond Hamilton, and others continued to contribute. New writers, like Ray Bradbury, were coming on. Though the Golden Age was definitely over, that doesn’t mean the magazine didn’t publish quality material.

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Warrior Women Watch-a-thon Part 1: The Good

Warrior Women Watch-a-thon Part 1: The Good

I am currently in the first draft mire of a fantasy novel, bogged down by self-doubt and synonyms, but bravely wading on regardless. It’s the sort of sweeping epic that could get picked up and made into a second-rate show by a streaming service desperate for content, but my lofty aspirations aren’t the problem right now; rather, it is my need to educate myself as a writer. I generally avoid over-describing characters, but on two occasions I found myself writing about a pair of fighters and focusing less on their motivations and more on the amount of exposed thigh between their boots and Faulds. This had nothing to do with serving the story, and more to do with titillating 14-yr-old me and, after some revision, it got me thinking about the influences that led me here.

Born in the late sixties, my formative years were spent in 1970’s Britain, surrounded by page 3, Benny Hill, Carry On and Leela on Dr. Who. Linda Carter’s Wonder Woman was all the rage, and Caroline Munro was in everything I loved. Women could be warriors but, by thunder, they had to be sexy too.

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Ellsworth’s Cinema of Swords: More Hammer Historicals

Ellsworth’s Cinema of Swords: More Hammer Historicals

The Viking Queen (UK, 1967)

Though by 1967 the Hammer Films brand was thoroughly associated with Dracula and similar horrors, the studio stubbornly continued to turn out films in other genres, including historical swashbucklers. Our first film, The Viking Queen, definitely has that sensational Hammer touch, but A Challenge for Robin Hood could almost be a Disney film, which shows late-Sixties Hammer productions could still have a considerable tonal range.

Admittedly, our third movie, Alfred the Great, isn’t from Hammer Films, but hey, it’s British and from the same period, and it’s worth a look, so give me a break, okay?

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IMHO: A SECOND LOOK — The Silistra Quartet by Janet E. Morris

IMHO: A SECOND LOOK — The Silistra Quartet by Janet E. Morris


Cover art by Roy Mauritsen

Janet Morris is a prolific author and has published a library’s worth of fantastic novels, enough to keep a reader busy for years. She has written everything from science fiction and heroic fantasy, to historical fiction and modern-day thrillers, many of them in collaboration with her husband, Chris Morris. Among her many novels are Outpassage, The 40-Minute War, The Kerrion Empire Saga, The Beyond Sanctuary Trilogy, and The Sacred Band. In addition, Janet and Chris were among the original writers who contributed to Thieves’ World, the shared-world fantasy series first published by Baen Books in 1979. In 1986, the duo created, Heroes in Hell ™, their shared-universe series of anthologies and novels; they also edited and contributed stories to this Saga of the Damned. That series was first published by Baen Books, and ran from 1986 to 1989. In 2011, Perseid Press “resurrected” the series, and it has been going strong ever since. But I digress.

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New Writers Under Pressure

New Writers Under Pressure

Image by StartupStockPhotos from Pixabay

Good morning, Readers!

Floating around the Twitterverse yesterday was a long thread of new authors bemoaning all the extra stuff they’re expected to do — all of that extra work extraneous to their craft — that writers are expected to engage in if they have any hope of being successful with their publication.

It’s true. When I first started on this publishing quest oh, some [indistinct] years ago, my research revealed that I had a lot of things to do if I wanted to be successful. I had to be on several social media site. I had to belong to several writing groups. I had to blog. I had to do a book blog tour. I had to secure book reviews and interviews (but good luck getting either if you’re self-published or published by a small/micro press, and entirely unknown). I had to create a launch party. I had to create and maintain a newsletter. The list seemed endless and entirely overwhelming. I understand the dismay and frustration expressed on Twitter yesterday.

It’s valid. There is a lot of hidden work behind being a successful writer (unless you’re very, very lucky).

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Ya’at’eeh – AMC May Just do Tony Hillerman Justice!

Ya’at’eeh – AMC May Just do Tony Hillerman Justice!

There I was, writing along on a A (Black) Gat in the Hand post on a movie version of Jim Thompson’s After Dark, My Sweet, for this week’s column. I also re-read the book, and I was up to my elbows in bleakness and inevitable disaster. Because, you know: Jim Thompson. Then, an article came across my FB feed, and yet again – “Ooh. Bright, shiny object!”

Tony Hillerman is one of my all-time favorite writers. The Fly on the Wall is in my Top Ten Novels list. His tales of Joe Leaphorn and Jim Chee, members of the Navajo Tribal Police, earned him the honorific of Mystery Writers Association of America Grand Master. He wrote eighteen Leaphorn and Chee books between 1970 and 2006, before passing in 2008. I wrote a three-part series here at Black Gate about Hillerman and his duo. If you’ve not read the series, you’re missing out on one of the best police procedurals out there.

The Navajo Tribal Police books have been adapted to the screen four times, with some success, but also a feeling of ‘What if?’’ The product deserved more attention. And now, they’re about to get it!

Robert Redford was responsible for three movies which aired on PBS. He was also executive producer The Dark Wind, which went direct-to-DVD in America. He’s involved again, along with Graham Roland, George R.R. Martin, and AMC. And this looks promising. It appears that Dark Winds will be a multi-season effort if it is successful. Season one will be six-episodes, based on the third novel, Listening Woman.

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Vision Terrania: Perry Rhodan NEO, Volume One by Frank Borsch & Christian Montillon

Vision Terrania: Perry Rhodan NEO, Volume One by Frank Borsch & Christian Montillon

Perry Rhodan NEO (J-Novel Club)

As you might deduce from the title, Perry Rhodan NEO is a newer rebooted take on the original Perry Rhodan series. It’s not so new in its homeland of Germany, where this version has been running since 2011 — although printed in its native language, of course. Having this particular series available digitally in English however, is definitely a brand-new development.

Despite its status as the world’s longest-running serialized science fiction story, it’s relatively unknown to most members of the English-speaking public. That’s not what drew my own interest though, as I first discovered Perry Rhodan back in its original English-language version decades ago, when it was published in paperback by Ace Books (when I was still in grade six?!). So, one might say that it had a fairly formative effect on my interest in the whole genre, or that it held some reasonably large amount of interest for me, at least…!

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New Treasures: The Blacktongue Thief by Christopher Buehlman

New Treasures: The Blacktongue Thief by Christopher Buehlman

The Blacktongue Thief by Christopher Buehlman
(Tor Books, May 2021). Cover by Marie Bergeron

Christopher Buehlman has accumulated an impressive rep with some powerful horror novels over the past decade. Those Across the River was nominated for the World Fantasy Award, The Lesser Dead won the American Library Association’s award, and The Suicide Motor Club made The Best Horror Books of 2016 list at the B&N Sci-Fi & Fantasy Blog.

His latest is an interesting departure — the kick-off for an epic fantasy series. One thing it has in common with his previous books? The critics love it. Here’s an excerpt from Paul Di Filippo and Adrienne Martini’s joint review at Locus Online.

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Is Hellish Quart the most realistic swordfighting game ever?

Is Hellish Quart the most realistic swordfighting game ever?

In the half century or so that makes up most of video game history, there have been plenty of games which have featured swords and swordfighting. From fantasy games to ultra-realistic combat games, most have not gone for any realism except perhaps graphically, though there have been a handful of notable exceptions such as Bushido Blade and Kengo. Until fairly recently that has not been much of an issue. The average video game player, if there can be said to be such a person, has seemed to be more interested in flashy graphics and action than in realistic swordfighting, or at least that is what the gaming market has mostly provided. Yet the last couple of decades have brought about the popularity of Historical European Martial Arts (HEMA) with more and more practitioners and proponents joining the leagues every day, along with those who have interests in other martial arts. And these people, the folks who train and compete with swords, they know their swordfighting. Which means when they want to play a swordfighting video game, they want realism not only in how swords look but in how the bladed weapons perform on the screen.

Finally there is a video game for them.

The game’s title is Hellish Quart. Produced by Jakub and Kate Kisiel of the Polish studio Kubold, Hellish Quart is a 3D physics-based, one-on-one swordfighting game in which each fencing move of the characters on screen have been motion captured.

Hellish Quart is currently an Early Access game, which means there is more work yet to be done on it, and so far it is only available for play on a Windows platform. But don’t let any of that fool you. If you are interested in serious, historical fencing, this is a game you will want to look into.

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Such Stuff As Dreams Are Made On: The Tempest by William Shakespeare

Such Stuff As Dreams Are Made On: The Tempest by William Shakespeare

Title page from the First Folio

One of the problems with writing about great works is there’s so little for me to add to the volumes and volumes written by writers far and away more knowledgable than I. Still, maybe I can bring a newcomer’s eye to books that have nourished the roots of fantasy, and maybe encourage a few others to pick them up. So I shall ramble for a piece about William Shakespeare’s last solo play, The Tempest (ca. 1610).

The Tempest is believed to have been performed only a few times during Shakespeare’s lifetime, including once in 1611 for King James I at Whitehall Palace on Hallowmas night. It became part of the standard theatrical repertoire during the Restoration starting in 1660, but was edited to appeal more to upper-class audiences and support royalist policies. Finally, in 1838, when actor William Charles Macready staged an incredibly elaborate production using the unedited script, Shakespeare’s original became the preferred version.

Along with several other of Shakespeare’s final plays, including The Winter’s Tale and Cymbeline, The Tempest is categorized as a romance, fitting into none of the standard tragedy, comedy, or history categories. His later works, perhaps reflecting his own changing nature, changing tastes, and the growth of more elaborate productions, mix the comic and tragic, along with magic and mystical elements. The Tempest showcases this evolution brilliantly.

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