Random Reviews: “Final Report” by Richard Grey Sipes

Random Reviews: “Final Report” by Richard Grey Sipes

Analog, January 1965, Cover by John Schoenherr
Analog, January 1965, Cover by John Schoenherr

Throughout 2022, I’ll be reviewing short stories. Some of these may be classics, others forgotten. The two things that all will have in common is that they are part of my personal collection and they will be selected through a randomization process.  What works and authors I look at will be entirely selected by a roll of the dice.

“Final Report” by Richard Grey Sipes appeared in the January 1965 edition of Analog Science Fiction – Science Fact, an issues more noted for including the first part of Frank Herbert’s serial The Prophet of Dune, which would eventually be published as the second part of the novel Dune. The issue also included stories by Christopher Anvil, Harry Harrison, John T. Phillifent, and James H. Schmitz.

Sipes was born in Altoona, Pennsylvania and in 1928 and died in Missouri on June 12, 1989. He worked as aan Assistant Professor of Anthropology at Long Island University and was a cross-cultural correlation methodologist who wrote several papers on the topic, including “War Sports and Aggression: An Empirical Test of Two Rival Theories” and “War, Combative Sports, and Aggression: a Preliminary Causal Model of Cultural Patterning.”

“Final Report” really doesn’t qualify as a short story. There are no characters and it has no plot. Instead, the piece is a written as an army evaluation of new communications equipment. Sipes’ language and format follow a very proscribed and technical manner and he commits fully to the piece. Unfortunately, this has the effect of making the essay dry. The reader keeps expecting Sipes to deviate and throw in something humorous or off kilter as the testing of the equipment enters the science fictional realm, however the entire article is written almost straight faced.

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Ellsworth’s Cinema of Swords: Goofballs in Harem Pants, Part 2

Ellsworth’s Cinema of Swords: Goofballs in Harem Pants, Part 2

Son of Ali Baba (Universal, 1952)

Including Arabian Adventure (1979) in last week’s article reminded me that there was a slew of films from Hollywood’s postwar spate of Arabian Nights-inspired B-movies that we hadn’t covered here yet. There were a lot of these, quickies shot in about a week apiece, mostly on the same Hollywood backlot. Though tedium reigns over most of the running time of these faux-desert adventures, there are nuggets of good fun scattered among the dunes. If only somebody would compile a half-hour supercut of the best bits from the films that follow, they’d be doing the 21st century a favor. Any takers?

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Close to the Borders of Fairyland: Dark Breakers by C.S.E. Cooney

Close to the Borders of Fairyland: Dark Breakers by C.S.E. Cooney


Dark Breakers by CSE Cooney (Mythic Delirium, February 15, 2022). Cover by Brett Massé

It’s been a delight watching the meteoric career of C.S.E. Cooney, Black Gate‘s first Website Editor. Her short fiction has been reprinted in Jonathan Strahan’s The Best Science Fiction and Fantasy of the Year and Rich Horton’s Year’s Best Science Fiction and Fantasy (five times); her novella “The Bone Swans of Amandale” was nominated for a Nebula Award in 2015, and in 2016 she won a World Fantasy Award for her collection Bone Swans.

Somewhere in there she also found the time to release three albums (Alecto! Alecto!, The Headless Bride, and Corbeau Blanc, Corbeau Noir), and a poetry collection, How to Flirt in Faerieland and Other Wild Rhymes, containing her 2011 Rhysling Award-winning “The Sea King’s Second Bride.” More recently she published a Tor.com novella (Desdemona and the Deep, 2019), and in April of this year Solaris releases her long-awaited first novel, Saint Death’s Daughter.

Last week Mythic Delirium Books published her newest book Dark Breakers, a collection of five linked stories — including three never before published — all set in the same world as Desdemona and the Deep. ZZ Claybourne calls it “an art deco mural under the guidance of Galadriel, Zora Neale Hurston and the Brothers Grimm,” and Publishers Weekly proclaims it “Extravagant and gorgeous.”

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The Triumphant Return of Fantasy Magazine

The Triumphant Return of Fantasy Magazine


The September, December and January issues of Fantasy Magazine (Adamant Press).
Covers by Thana Wong, OopsPixel, and Warmtail

Fantasy Magazine has a long and storied history. It was founded as a print mag by Sean Wallace in 2005, and edited by Wallace and Paul Tremblay. In 2007 it shifted to digital format, and Tremblay was replaced by Cat Rambo. In 2011 the magazine was acquired by John Joseph Adams’ Adamant Press; Adams became the new editor, and in 2012 he merged it with Lightspeed.

In November 2020 we covered the news that Fantasy was returning as an independent magazine, with new editors Christie Yant and Arley Sorg at the helm. The new regime has now produced sixteen issues, every one on time, publishing popular writers like Dominica Phetteplace, Beth Cato, Marissa Lingen, Bogi Takács, and many others. I’ve been very impressed with the timeliness, top notch art direction, and overall contents of the new edition of Fantasy. It deserves your attention.

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Nero Wolfe’s Brownstone: Stay at Home – Day 37

Nero Wolfe’s Brownstone: Stay at Home – Day 37

So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-six. Here is thirty seven (April 27). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Thirty Seven – 2020 Stay at Home

I was looking through some old notebooks today and came across this gem from a case I never finished writing up. There have been times when I think Inspector Cramer really did want to lock me up forever, and this was one of them.

**********

The doorbell rang. More than once, I thought that some day Wolfe would put a button under his desk which would cause the doorbell to ring. He would push it in the middle of one of my eloquent speeches, and when I was at the door checking on our caller, he would hightail it to the elevator and escape. I suspect the reasons he hasn’t yet are because, one; it might work the first time, but I’d never answer the door again. And two; unless a woman is displaying her emotions, Wolfe doesn’t hurry from the office for anything.

I got up and went into the hall. I recognized the familiar silhouette through the one-way window. Normally, I would leave the chain on and test the weather when Inspector Cramer of Homicide West was on the stoop. But I figured Wolfe could use a little bothering by someone not named Archie Goodwin, so I opened up.

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Galactic Magic for Starfinder

Galactic Magic for Starfinder

Since its inception, Paizo’s Starfinder RPG has been a science fantasy game. The deep melding of magic, science, and technology is built into the setting from the foundation, and classes like Technomancer and Witchwarper really exploit a mystical connection with scientific and technological knowledge. One of the major deities, Triune, is deeply tied artificial intelligence and computer technology. Many of the rulebooks released for the series have included magical devices and new spells.

Despite all of the emphasis on magic, though, Starfinder has not previously had a supplement fully devoted to magic. They’ve had a variety of technology-focused supplements like Armory, Starship Operations Manual, and Tech Revolution.  (Tech Revolution, it is worth reminding people, introduces mechs into the game. Seriously, look into it.)

The drought of magical supplements finally ends with the recent release of Starfinder: Galactic Magic (Paizo, Amazon), which sets the stage to add mystical flavor to the game.

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Vintage Treasures: Dinner at Deviant’s Palace by Tim Powers

Vintage Treasures: Dinner at Deviant’s Palace by Tim Powers


Dinner at Deviant’s Palace (Ace, 1985). Cover by John Berkey

Tim Powers is a much beloved figure among American fantasy fans. As Gabe Dybing pointed out here in 2020:

He has a strange sort of fame. The most obvious cause for his celebrity is that twice he has won the World Fantasy Award for best novel (Last Call, 1992, and Declare, 2000). He also has been credited with inventing, with The Anubis Gates (1983), the steampunk genre… Finally, for whatever reasons, Disney Studios optioned his 1987 novel On Stranger Tides for its Pirates of the Caribbean movie.

In my own reading circle in the mid-80s however, it wasn’t The Anubis Gates that generated the most excited chatter about Powers, nor his (considerable) steampunk cred. No, it was his Mad Max-inspired novel of a scavenger culture in post-apocalyptic LA, Dinner at Deviant’s Palace, which was nominated for a Nebula and won the Philip K. Dick award for best original paperback in 1986.

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The Eclectic 1965 Ace Catalog: Avram Davidson, Philip K. Dick, Samuel R. Delany, and Andre Norton

The Eclectic 1965 Ace Catalog: Avram Davidson, Philip K. Dick, Samuel R. Delany, and Andre Norton


Rogue Dragon (Ace Books, 1965, cover by Jack Gaughan) and the back-page Ace paperback catalog

As ludicrous as it might sound, I have a few books I bought more than half a century ago and still haven’t got around to reading. This short Avram Davidson novel was one of them, until I dusted it off last night.

Looking at the ads in the back of the book — from a time when publishers could do direct mail-order sales — I was struck by how eclectic the Ace catalog was. A couple of great anthologies there, including Carr and Wollheim’s 1965 World’s Best; some recycled pulp-era stuff; ersatz Edgar Rice Burroughs from Lin Carter; two Andre Norton juveniles; the first publication of Delany’s The Ballad of Beta-2 (as half an Ace Double, paired with something by the now sadly forgotten Emil Petaja); an excellent collection of Avram Davidson’s short stories; Philip K. Dick’s Dr. Bloodmoney

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New Treasures: Shadow in the Empire of Light by Jane Routley

New Treasures: Shadow in the Empire of Light by Jane Routley


Shadow in the Empire of Light (Solaris, January 2021). Cover by Head Design

I’ve got a soft spot for Jane Routley. In the early days of my career — when I had nothing more than a 386 desktop, a dial up connection, and dreams of a vast blogging empire — I chased publishers relentlessly, sending countless review notices and badgering them with requests for review copies. Andy Heidel at AvonNova was the first publicist to take me seriously. Or maybe just the first to ship out a box of books to shut me up, I’ll never know sure.

Whatever the truth, tearing open that very first box of new releases in my living room in July, 1996, felt like Christmas. And the fist one I took out of the box, and the very first book to get a review assignment at my fledgling website SF Site, was Mage Heart by Jane Routley. I’ve followed her career with great interest ever since, and I was delighted to snap up a copy of her newest, Shadow in the Empire of Light, when it was released by Solaris last year.

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Goth Chick News: The Dead Travel Fast in Branko Tomovic’s Vampir

Goth Chick News: The Dead Travel Fast in Branko Tomovic’s Vampir

Color me old fashioned, but there is something intriguing about a vampire story which comes straight from the region around the Carpathian Mountains. Granted, Serbia isn’t the original Transylvania. But due to the many regional conflicts dating back to the Middle Ages and their eventual land-locked status, Serbia shares quite a lot of folklore and traditions with its neighbors Hungary, Bulgaria, Macedonia, Croatia, and of course Romania.

Maybe because unlike Seattle, Serbia looks like a place where vampires would hang out; or maybe it’s the accent. But when I had the pleasure of visiting Hungary and Croatia, it seemed supremely likely that every local cemetery had a resident undead. It’s therefore no surprise that a new independent film from Serbia did so well at the Sitges International Film Festival, followed by Trieste Science+Fiction, and Raindance that it got snagged by Alarm Pictures for distribution in the US and UK.

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