Looking Back on the first Sword and Sorceress
Sword and Sorceress I
Edited by Marion Zimmer Bradley (DAW, 1984)
The late author and editor Marion Zimmer Bradley probably could not have dared to guess in 1984 that her anthology series, Sword and Sorceress, would turn into a yearly and best-selling institution of fantasy short stories that would extend past her death. That the first volume in the series bears a Roman numeral shows that she did believe the anthology would see at least two volumes; that it now reaches into the mid-twenties (with the twenty-fifth due this year) shows just how much sword-and-sorcery has embraced inclusiveness during the last three decades. Strong female heroines are now a key part of the genre, completing what C. L. Moore started with her amazing — especially for the time — Jirel of Joiry stories of the 1930s. Bradley invokes Moore a few times in her introduction, and the book is dedicated to both Moore and Jirel.
Over a quarter of a century after publication, the first Sword and Sorceress holds up quite well, while still showing some of the growing pains of sword-and-sorcery in the 1980s. Reading through it makes it clear that the sword-and-sorcery revival still had a distance to go in 1984. About three quarters of the stories Sword and Sorceress I are good-to-excellent, but like all anthologies it has rough patches, some shaky editorial picks, and a few pieces that don’t hit at all. As the series had just started, Bradley did not have a large pool of submissions to pick from. Later volumes would improve the mix as the number of works submitted increased, but this is the start, and therefore worth reading for its historical importance, saggy spots and all.