The Road to The Heart of Darkness

The Road to The Heart of Darkness

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oath-of-sixIt took me years to complete the first draft of Oath of Six, the first volume in my fantasy series The Heart of Darkness.

I wrote the prologue pretty much straight through, but then lost steam. After muddling through chapter one, I skipped ahead to the epilogue because I was more sure of the ending than the beginning. I then returned to working on the second chapter, only to jump to the end again, and then back to the beginning. My productivity was even more inconsistent than it sounds since I would stop writing for weeks at a time.

After I did finish, the readers of my first draft kept saying the story started off too slowly. I had to admit there was a lot of backstory and world-building in the early chapters. However, isn’t that the norm in fantasy novels, I argued. An author spends almost as much time creating the world as he does fleshing out the characters and storyline.

Interestingly, my initial readers unanimously agreed that the early material bogging down my story didn’t include the earliest part — i.e. that prologue that I wrote so easily. They were referring to the first eight or so chapters where I was dithering my way through, stopping and starting, jumping around. No doubt my readers had sensed my original inability to immerse myself in my storyline.

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ChiZine Publications’ eBooks Now Available on iTunes Store

ChiZine Publications’ eBooks Now Available on iTunes Store

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isles_coverChiZine Publications, one of the best of the genre small press, has announced all of its titles are now available for the iPad, iPhone and iPod through Apple’s iTunes Store.

This is pretty cool, because I just bought an iPad to experiment with electronic versions of Black Gate, and I’ve been trying to find some good books to read. ChiZine Publications already has their titles — including The Door to Lost Pages by Claude Lalumière, and Isles of the Forsaken by Carolyn Ives Gilman — available for the Amazon Kindle, Kobo reader, Barnes & Noble Nook, and other e-formats.

But the iPad is where most of the action is, at least in terms of sales (nearly 4 million per month, and growing rapidly), and iPhone sales are even higher.  ChiZine co-Publisher Sandra Kasturi said this about their commitment to electronic readers:

You can really see the change from a year ago. Get on the bus or subway and you’ll find half the people are reading off a device rather than a physical book. We take pride in our physical books and ebooks. We want to reach both readers and for them to have great experiences because of the writing and the visual impact.

Makes sense to me. ChiZine’s eBooks can be purchased and downloaded via iTunes by searching for the author name or title, and the publisher promises to have direct links on their website in a few days. Other electronic formats are available today.

We profiled ChiZine Publications back in December of last year.

Supernatural Spotlight – Episode 7.4 “Defending Your Life”

Supernatural Spotlight – Episode 7.4 “Defending Your Life”

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This week begins with a car chasing a man through the streets of Dearborn, MI. He gets into his 10th floor apartment … only to find the car in the room waiting for him, slamming him into the wall.

Sam defends his brother, Dean, when put on trial for his life by the Egyptian god Osiris.
Sam defends his brother, Dean, when put on trial for his life.
Sam and Dean are happy to be working a more normal case. They briefly wonder if the case could be a Christine-style living car, but that doesn’t explain how it gets onto the 10th floor. The victim is a recovered alcoholic and makes monthly flower deliveries to a cemetery.

Seems the guy may have been a drunk driver who killed a girl a decade earlier. The boys dig up the girl’s body and burn the bones, which should take care of everything … but another guy goes through a similar situation, this time mauled by a dog.

Looks like there’s more going on here than just a ticked off spirit.

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A Pleasure to Read

A Pleasure to Read

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bradbury-burn1Ray Bradbury’s A Pleasure to Burn is a collection of short stories that served as the basis for one of his novels (and what few novels he has written are based on his short stories) Fahrenheit 451. This is repackaging, recycling, and rebranding old stuff (really old, as the novel appeared in 1953 and the stories date back to 1947) to make it appear fresh. Now in his ninth decade, Ray has more than earned the right to let his publishers generate some cash for him the same way the Beatles (as well as a multitude of musical groups from the era) and their heirs keep coming up with repackaged versions of the same old catalog. But, just like repeated listening to the Beatles over the decades, anything that makes you reconsider some “old” notions in a new context still has value.

If you’re not familiar with Fahrenheit 451 (and you really need to rectify that), the premise is that of a dystopia in which television is the ruling order’s opiate to keep the masses content and placid; to that end, reading is literally outlawed as disruptive to social conformity. Firemen no longer put out fires but set fires to surreptitious libraries of the banned books. The protagonist is a fireman who begins to question his purpose and eventually decides to take a look at what he’s supposed to be destroying. Needless to say, his experience in reading books proves the authorities right. Which, of course, Ray wants us to understand, is actually a good thing.

Remember, this was written in the 1950s, back before anyone could even begin to imagine something as stupefying today as The Situation and Snooki, or the anti-intellectualism of the Republican presidential field, or 150 channels and nothing much to watch. This was also the era of McCarthyism, though Bradbury always maintained his novel was not about censorship, easy as it would be to interpret it that way, but rather a critique of American culture.

It still is.

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Behind the Mask: The Abominable Dr. Phibes from Script to Screen

Behind the Mask: The Abominable Dr. Phibes from Script to Screen

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phibes1_bigthe-abominable-dr-phibes-originalThe Abominable Dr. Phibes (1971) starring Vincent Price has long been one of my favorite films. I re-visit it once or twice each year and it always retains a freshness and vitality that separates it from other movies that I love. When asked to explain why it resonates with me to such a degree, I would invariably state that it is the perfect mix of horror and comedy. It never descends into the level of a spoof, but it has a delightfully anachronistic and intentionally offbeat bent with its art deco sets, lurid murders, campy score, and over-the-top performances. The film is a valentine to the mystery fiction of Edwardian England that saw the transition from Sherlock Holmes to Dr. Fu Manchu, but filtered through modern sensibilities that delight in the sensationalistic villainy and the preposterousness of detectives matching wits with murderers as if they were schoolboys playing a game.

While all of the above is certainly true, my attraction to the material runs deeper. Viewing the film as a valentine to Edwardian thrillers sparked a thought about Halloween. For most, it is a time for children to play dress-up and collect candy from their neighbors, but there is another side to the holiday that is decidedly grim. Halloween also evokes sadness and tragedy, lost love, memories of happiness never to be reclaimed, it is fitting it is an Autumnal holiday for it is a celebration of the bittersweet and the tragic. I suspect that is the root of what leads some adults to still cling to the Classic Horror films of the last century before horror became synonymous with splatter films and torture porn. Horror used to be reflective of unfortunate lives, lamentations of those cursed or forsaken. That association is still strong for those who are out of step with the world around them and feel separated from the rest of the world by the weight of their pain. Halloween and Classic Horror are a remembrance of our painful pasts that we transfer to entertainments depicting others’ pain and torment.

Unsurprisingly since The Abominable Dr. Phibes marked the transition from Classic to Modern Horror, the character of Dr. Phibes is a tragic one despite his madness and the atrocities he commits. William Goldstein created the character in an unpublished story he called “The Finger of Dr. Pibe” (as the character’s name was originally rendered). Along with James Whiton, Goldstein adapted the story as a screenplay entitled The Curses of Dr. Pibe. The script was optioned and found its way to AIP, a regular distributor of drive-in exploitation fare then in its waning days. Along with the novel, Dr. Phibes that Goldstein would author as a movie tie-in for Award Books in the US and Tandem Books in the UK, there is a consistency in these seminal works that laid the foundation for the film and that is the fact that the material is completely lacking in the camp humor that director Robert Fuest and star Vincent Price would delight in bringing to the screen.

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Barbarism meets academia at College of St. Joseph in Vermont

Barbarism meets academia at College of St. Joseph in Vermont

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collegeCross posted with the permission of Rob Roehm of the Robert E. Howard Foundation website, I thought the following too interesting not to share with readers of Black Gate:

Enduring Barbarism: Heroic Fantasy from the Bronze Age to the Internet
College of St. Joseph Popular Culture Conference
Contact email:
Dr. Jonas Prida
jprida@csj.edu

The inaugural popular culture conference will be held at the College of St. Joseph, located in Rutland, Vermont, April 13th-14th, 2012.

Proposal deadline: Dec 15th, 2011.

We are looking for a wide range of topics, figures, panels and cultural studies methodologies to explore the enduring figure of the barbarian in Western popular culture. Graduate students, established faculty, and independent scholars are encouraged to submit ideas. Possible paper topics:

  • The multi-faceted use of the barbarian in popular culture
  • Rise and fall of heroic fantasy in the 1970s
  • Comic book barbarism
  • Heroic fantasy as a heavy metal trope
  • The gendered barbarian
  • Explorations of lesser-known sword and sorcery texts
  • Italian sword and sandal movies
  • The barbarian’s future

We are actively interested in innovative panel ideas as well.

Please send 250 word paper proposals, 400-500 word panel ideas, or general questions to Dr. Jonas Prida at jprida@csj.edu

If it only had Eric Adams as the keynote, this would be pitch-perfect.

But seriously, it does my heart good to see serious treatment of swords and sorcery. Now there’s a conference I’d love to attend. Get those proposals in!

Dark City Games Oracle’s Breath Now Available for iPhone

Dark City Games Oracle’s Breath Now Available for iPhone

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o-breathWe’re big fans of Dark City Games’ terrific line of solitaire fantasy games. We’ve wasted many hours with these little wonders on the Black Gate rooftop headquarters, when we should have been plotting the overthrow of the entire publishing world.

Instead, we searched for the buried archives of long-dead sorcerers on The Island of Lost Spells, stood alongside Roman Legionnaires at the border between Gaul and Germania in Wolves on the Rhine, and plumbed the depths of an ancient ruin for a powerful relic in The Oracle’s Breath. There are publishing barons in Manhattan who owe their Perrier to Dark City Games, and that’s a fact.

Subscribers may even remember that we published a complete solo adventure from Dark City Games in issue 12 of Black Gate: “Orcs of the High Mountains,” by Jerry Meyer, Jr. Don’t tell me we don’t share the love.

Now comes word that Questland Games has made one of Dark City’s best adventures available for the iPhone: Oracle’s Breath.

Yes, now you can journey to a rich world of fantasy while everyone else in the staff meeting thinks you’re checking stock prices.

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Goth Chick News: A Perfect Day

Goth Chick News: A Perfect Day

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image020“It’s a what?”

“A ‘celebrity show’.”

I’m chatting with my sometimes-Goth-Chick-News-photographer Chris and I’m afraid this is yet another attempt on his part to talk me into doing something questionable. Like the time we covered a Halloween celebration at a world-class amusement park and he convinced me to ride one of the US’s largest wooden roller coasters… backwards.

I’m wondering if this latest suggestion will also result in throwing up on myself.

As it turns out, he is proposing we attend an event at a hotel in downtown Chicago. Apparently, the premise is that movie and TV stars set up tables and for a fee you can have your picture taken with them and have a little chat.

They will also sign items you bring with you (also for a fee). If you ever wondered where those eBay sellers get Happy Days lunch boxes signed by ‘The Fonz,’ this is apparently the source.

Chris is pushing a flyer into my hands listing all the attending celebrities and assuring me I will, without a doubt, get material for Black Gate out of the venture.

At first perusal, I can’t identify a single “celebrity” on the list. But two of them self-identify as “adult film stars.”

Seriously…?

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Art of the Genre: Dark Tower and Bob Pepper

Art of the Genre: Dark Tower and Bob Pepper

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Goth Chick say 'bring it!'
Goth Chick say 'bring it!'

We’re a little less than three weeks from World Fantasy Con in San Diego and John O’Neill is at it again. This time he’s sent Goth Chick in from Chicago to prepare for his California arrival which wouldn’t be a problem except she and my receptionist Kandline don’t get along. Seriously, it’s was like watching Malibu Barbie and one of the Bratz go at it over the actual value of an immunity boost at Jamba Juice.

Meanwhile Ryan Harvey and I are watching the new Avengers trailer and debating which was a better hero, Ryan’s boy Captain America, or my personal favorite Iron Man. Yep, the offices were in an uproar and the only way to settle or satisfy the situation… Dark Tower grudge match!

Yeah, that’s how we roll here at Black Gate L.A.

Before you could say Strawberry’s Wild the game was out and sides declared. Ryan became the dapper-dressed troubadour king of Zenon, Goth Chick created the perfect persona as the necromantic queen of Brynthia, lovely Kandi decided on the enchanted and silver-charmed princess of Arisilon, and I of course took the unlucky and often lost in the wilds Baron of Durnin.

It was an epic contest, the tower spinning out brigands and dragons with equal delight, but in the end Ryan rethought his purpose in life, found religion, and joined the Sanctuary of Brynthia, Kandi finally allowed my baron to get ‘lucky’ in the ruins of Brynthia before we ran off together, and Goth Chick took the tower with the help of her undead hordes. All-in-all it was a solid days work, but as I played I couldn’t help stare at the art involved in the game with whimsical delight.

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Movie Review: TrollHunter Is the Found-Footage Film Norse Myth Nuts Having Been Waiting For!

Movie Review: TrollHunter Is the Found-Footage Film Norse Myth Nuts Having Been Waiting For!

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uk-troll-hunter-posterTrollHunter (2011)
Directed by André Øvredal. Starring Otto Jespersen, Glenn Erland Tosterud, Johanna Mørck, Hans Morten Hansen, Tomas Alf Larsen, Urmilla Berg Domaas.

I love any review that gives me an excuse to use “ø.” Next I will have to find an Icelandic movie so I can write a review using “þ” and “ð.”

In the recent glut of “found footage” films that followed the successes of Cloverfield and Paranormal Activity, the Norwegian film TrollHunter (Trolljegeren) is a true gleaming piece of uncovered dwarf’s gold. It ditches the gloom that hangs over the other movies in this subgenre and lets the audience have a good time along with its light scares. And while most found footage films are horror movies, this one is a fantasy. A fantasy with dark thrills, but nonetheless a fantasy.

TrollHunter first screened in the U.S. at Fantastic Fest 2010, where Magnet Distribution picked it up for release in Summer 2011. (Magnet has picked up some terrific small films and done simultaneous VOD and limited theatrical release patterns for them, including Hobo with a Shotgun and Centurion. Anything that Magnet picks up catches my interest now.) The film is currently available on DVD, Blu-ray, and Netflix streaming, and anyone who gets a high from fairy-tale fantasy or Norse myth should give this film a look despite the overused faux-documentary trappings.

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