Wrath of the Titans Trailer Gives Me a Chimera, But Little Hope
If you were talking about movie trailers yesterday or over the weekend, chances are the subject was The Dark Knight Rises. The most anticipated film of 2012 revealed its first full-length trailer (after a teaser during the summer) on selected theater screens with Sherlock Holmes: Game of Shadows. The IMAX six-minute prologue to the film also appeared before 70 mm screenings of Mission: Impossible—Ghost Protocol. I saw the prologue yesterday in the glorious IMAX presentation, and yes, The Dark Knight Rises is going to be something amazing. (By the way, Ghost Protocol is the best of the “Mission: Impossible” films, and delivers everything you want from a big-budget action movie. Here’s to Brad Bird having a great career in live-action films.)
In the middle of mad speculation and analysis from the new Bat-info Warner Bros. and Legendary Films poured on us, the studio and production company also sneake out the trailer for another of their 2012 releases: Wrath of the Titans, the sequel to the 2010 re-make of Ray Harryhusen’s Clash of the Titans.
From a domestic perspective, a sequel to Clash ’10 feels like a weird choice. The movie had only middling box-office success, and audience reaction was lukewarm to say the best. I reviewed the movie at Black Gate when it premiered and gave a cautiously positive take of it. I would like to retract most of that review now. One of the difficulties of doing reviews of new movies or books is that reviewers’ tastes frequently change on a second visit. Some movies I shrugged off when they first came out I now love. Other films that seemed enjoyable in the theaters end up as lifeless on repeat viewings. In the case of Clash of the Titans ’10, when I returned to the movie on home video, it seemed almost unwatchable. It’s a dead fish, an inert bore. There is no imagination or joy in this thing. I didn’t want a sequel, and I can’t imagine anyone else wanted one either.
But these days, international box office makes all the difference. Clash ’10 pulled in enormous coin outside of the U.S., doing 66% of its worldwide business in foreign markets for a total gross of just a Nemean Lion’s whisker under $500 million — the eleventh highest grossing movie of the year. And that equals “sequel.”
Here’s the trailer from iTunes. Even though star Sam Worthington stated in an interview that he thinks the new film is more “weighty,” this trailer does little to raise my hopes (The YouTube version of the trailer is imbeded below the jump.)
So it would seem that the death of the physical book and the physical bookstore is greatly exaggerated. 
I’ve been a bit under the weather the past couple of weeks, which has been annoying for a number of reasons. For one thing, I was unable to get my thoughts in enough order to respond adequately to three pieces of writing I came across several days ago. Each piece on its own seemed to pose interesting questions, and collectively they raised what seemed to me to be related issues about how one reads, and why; and how and why one reads fantasy in particular.