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Category: Vintage Treasures

The Fellowship of the Ring and the Palantir

The Fellowship of the Ring and the Palantir

I Palantir 1-small I Palantir 2-small I Palantir 3-small

Last week, I posted a few fanzines that I’d picked up in a SF collection a few weekends ago. These originated from the estate of a Chicago area fan who appears to have been pretty active in the 1960’s and 1970’s, even publishing his own fanzine. He apparently attended a number of SF conventions, including many Worldcons, during that period. Among the material are several program books and other ephemera from cons during that time, including the 1960 Worldcon, known as Pittcon. One of the more interesting items I picked up which has a convention tie-in is a copy of the Fantasy Press edition of E.E. “Doc” Smith’s The Vortex Blaster, which is inscribed by Doc to him, reading, “At the Pittcon 1960. Ain’t we having fun? With very best regards, Edward E. Smith, PhD.”

Among the events at that Pittcon was the organizational meeting of the first organized group of J.R.R. Tolkien fans, The Fellowship of the Ring. The FotR went on to publish the first Tolkien fanzine, I Palantir (the first issue of which contained the first piece of Tolkien fan fiction), edited by Ted Johnstone and Bruce Pelz. Among other contributors was Marion Zimmer Bradley, who had pieces in issues 2 and 3 (the latter under the name Elfride Rivers). I Palantir lasted four issues, from 1960 through 1966, before folding.

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London Wins Great Game

London Wins Great Game

1905-01-01 Pittsburgh Press 24 The Balky Pitcher

The Pittsburgh Pirates owned the National League at the start of the 20th century. They won the pennants in 1901, 1902, and 1903 by a total of 41½ games. Then came the disastrous, injury-filled season of 1904 when the club fell to fourth behind the Giants, Cubs, and Reds. John McGraw’s New York team ran away from the rest of  the league and refused to play the upstart American League after the season. Pittsburghers undoubtedly took that personally,  since the Boston Americans — the same Boston club that upset the Pirates in the one and only 1903 World Series — again won the AL pennant. “Wait until next year” was already the slogan of frustrated fans everywhere.

Baseball fans in Pittsburgh saw good reason to hope that better baseball lay in the offing. So did the press. On January 1, 1905 they looked ahead. Way ahead. The headline in the Pittsburg Press read “London Wins Great Game.”

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Christmas for the Paperback Collector

Christmas for the Paperback Collector

$18 eBay lot 65 novels Nov 14-small

Back in October I was doing an innocent eBay search on R.A. Lafferty, and I stumbled on the lot of vintage science fiction paperbacks above. 65 titles from the 60s, 70s, and 80s, in what looked like pretty good shape, for the Buy-It-Now price of $18.

Well, this was a pickle. The way the books were laid out I couldn’t even see them all, which was annoying. And the vast majority of the ones I could see, I had already.

On the other hand, 65 books, 18 bucks, that’s…. what, like a quarter per book? At that price, it’d be well worth it just to upgrade my existing copies with ones in better shape. And there were a handful of tantalizing titles I didn’t have, like The Rainbow Cadenza by J. Neil Schulman, The Crystal Memory by Stephen Leigh, Conscience Place by Joyce Thompson, and The Steps of the Sun by Walter Tevis. Plus that Lafferty paperback, The Devil is Dead. And y’know, it was true that I couldn’t see all the covers, so who knew what treasures were lurking in all that jumble?

In the end, it was just too tempting. I pulled the trigger on the auction, shelled out the $18 (plus shipping), and waited impatiently to find out exactly what I’d bought.

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Vintage Treasures: Thirteen Tales of Terror by Jack London

Vintage Treasures: Thirteen Tales of Terror by Jack London

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I haven’t read much Jack London. He’s most famous of course for his novels of the Klondike Gold Rush, The Call of the Wild and White Fang, which are outside my field of speciality. But he also dabbled a bit in the genre, both at novel length (with his dystopian science fiction novel The Iron Heel) and especially with his short stories, which were routinely reprinted in places like Famous Fantastic Mysteries and The Magazine of Fantasy & Science Fiction. He had one posthumous SF collection, The Science Fiction Stories of Jack London (1993), a 211-page volume from Citadel Twilight.

But I’m more interested in his tales of terror, which include stories of death ships, spectres, the mysterious arctic, enormous wolves, and stranger things. Most of London’s tales of adventure were gathered in collections like Son of the Wolf (1900) and Children of the Frost (1902), but his supernatural fiction remained largely uncollected until it was gathered in Curious Fragments: Jack London’s Tales of Fantasy Fiction, a small press hardcover from Kennikat Press in 1975.

Three years later some of his most popular supernatural stories, like “A Thousand Deaths” (from The Black Cat, May 1899), and “Even Unto Death” (San Francisco Evening Post Magazine, 1900) were published in paperback for the first time, with several of London’s tales of suspense, in Thirteen Tales of Terror (Popular Library), edited and with an introduction by John Perry. Here’s a photo of the intriguing story teasers from the inside front cover.

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From Ancient Opar to the Moon: An Interview with Author Christopher Paul Carey

From Ancient Opar to the Moon: An Interview with Author Christopher Paul Carey

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Christopher Paul Carey is a name well known to the readers of Philip José Farmer. In 2012, his collaboration with Farmer, The Song of Kwasin, was published by Subterranean Press in the omnibus Gods of Opar: Tales of Lost Khokarsa. Other installments in the Khokarsa series (also known as the Ancient Opar series) by Carey followed, including Exiles of Kho, Hadon, King of Opar, and Blood of Ancient Opar. As Farmer’s Khokarsa series was inspired by the lost city of Opar from Edgar Rice Burroughs’ Tarzan novels, it is fitting that Christopher Paul Carey now tries his hand at Swords Against the Moon Men, a new novel set in the world of Burroughs’ Moon trilogy (The Moon Maid, The Moon Men, and The Red Hawk). I took some time to ask Chris about Swords Against the Moon Men as well as other aspects of his writing career.

Your latest novel, Swords Against the Moon Men, is the sixth volume in the Wild Adventures of Edgar Rice Burroughs series. Could you tell us a little bit about the series, for the benefit of readers who are unfamiliar with it, and how your novel fits in?

The Wild Adventures of Edgar Rice Burroughs is a new line of books authorized and published by Edgar Rice Burroughs, Inc. The books are all set in Burroughs’ fantastical worlds but written by today’s authors. So far, the series includes four new Tarzan books (Tarzan: Return to Pal-ul-don by Will Murray, Tarzan on the Precipice by Michael A. Sanford, Tarzan Trilogy by Thomas Zachek, and Tarzan: The Greystoke Legacy Under Siege by Ralph N. Laughlin and Ann E. Johnson), a sequel to Burroughs’ Beyond the Farthest Star (A Soldier of Poloda by Lee Strong), and now my novel, Swords Against the Moon Men, which takes place in the world of Burroughs’ lunar trilogy.

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Modular: Resurrecting RuneQuest: An Investigation by the Tales of the Reaching Moon Editorial Staff

Modular: Resurrecting RuneQuest: An Investigation by the Tales of the Reaching Moon Editorial Staff

Runequest Deluxe Third Edition boxed set-small Runequest Deluxe Third Edition boxed set 2-back-small

[This article was originally published in Tales of the Reaching Moon #5 in Spring, 1991, after the RuneQuest trademark had been sold to Avalon Hill and the game re-released in Deluxe and Standard boxed sets. Its publication was a catalyst for Avalon Hill bringing Ken Rolston on board and kicking off what became known as the (short-lived) “RuneQuest Renaissance.”

This article was actually based on a report commissioned by Avalon Hill itself in 1990 (prior to the decision to publish Eldarad). The original report was written by an award-winning game designer.]

Introduction

RuneQuest is a great game. We all know that. Unfortunately, things haven’t been going so good for the game for some time. We all know that too. We, the Tales of the Reaching Moon staff present here our thoughts about the history of the game, the hole RuneQuest is currently in, and what action we think Avalon Hill should take to dig its way out again.

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Vintage Treasures: Blind Voices by Tom Reamy

Vintage Treasures: Blind Voices by Tom Reamy

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In a 2014 Vanity Fair interview, George R.R. Martin shared just how profoundly he was affected by the death of Tom Reamy in 1977.

Tom died of a heart attack just a few months after winning the award for best new writer in his field. He was found slumped over his typewriter, seven pages into a new story. Instant. Boom. Killed him… Tom’s death had a profound effect on me, because I was in my early thirties then. I’d been thinking, as I taught, well, I have all these stories that I want to write… and I have all the time in the world… and then Tom’s death happened, and I said, Boy. Maybe I don’t…

After Tom’s death, I said, “You know, I gotta try this. I don’t know if I can make a living as a full-time writer or not, but who knows how much time I have left?…” So I decided I would sell my house in Iowa and move to New Mexico. And I’ve never looked back.

In the same article George also commented on the relentless pace of production on Game of Thrones, saying “Long before they catch up with me, I’ll have published The Winds of Winter, which’ll give me another couple years. It might be tight on the last book, A Dream of Spring, as they juggernaut forward.” Might be tight indeed. Almost four years later The Winds of Winter remains unpublished, and GoT has long since passed the novels.

Who the heck was Tom Reamy? That’s a question the late Bud Webster attempted to answer in his inaugural column in Black Gate 15.

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Lost and Found Treasure

Lost and Found Treasure

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A few weeks ago, I was cruising Facebook when I stopped up short at a familiar image.

It was on our esteemed editor John O’Neill’s wall. And as is often the case with such things, I was struck by a wealth of memories. I received Sword and Sorceress VII as a gift for my 12th birthday. It was probably bought at the B. Dalton in College Mall in Bloomington, IN, one of two easily accessible bookstores on that side of town back in 1990. (Before anyone does the math too fast, yes, I’m celebrating a big birthday next year. It’s in May, if you want to send gift cards for more books.)

I couldn’t tell you exactly which stories were in this volume. I know it had one of Mercedes Lackey’s “Tarma and Kethry” tales in it, but beyond that none of them stand out alone. But as a whole, that volume changed my life as a reader. While I’d feasted on the The Chronicles of Narnia, Robin McKinley, and Susan Cooper, this book was my first exposure to fantasy for grown-ups. And it was full of women.

When I think casually, 1990 doesn’t feel that far away. But in terms of the way women were portrayed in fiction it was another era entirely, and in ways I can’t even begin to explain unless you were there.

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Vintage Treasures: Red Dust by Paul J. McAuley

Vintage Treasures: Red Dust by Paul J. McAuley

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Paul J. McAuley was the first book reviewer for Black Gate, way back in 2000-01. His first novel, the far-future space opera Four Hundred Billion Stars (Del Rey, 1988) won the Philip K. Dick Award, the sequels Of the Fall and Eternal Light appeared in 1989 and 1991.

His first standalone novel Red Dust, set on a far-future Mars colonized by the Chinese, was published by Gollancz in the UK in 1993 and AvoNova in the US in 1995. It was packed with big ideas and technologies that are still being explored in SF today, including personality downloads, biotech, virtual reality, nanotech, A.I, and a lot more. Kirkus Reviews raved, saying:

An extraordinary saga.. Seven hundred years hence, a depopulated Earth is ruled by the Consensus eco-fanatics who allow nothing to change; on Jupiter, a self-aware probe calling itself the King of the Cats broadcasts rock music and propaganda; various dwindling groups of dissenters inhabit the asteroid belt; and Mars, habitable but slowly reverting to dust and drought and populated mostly by Chinese, is ruled by a committee of ruthless old men called the Ten Thousand Years, who, in a secret pact with the Consensus, have agreed to let Mars die in return for personal immortality. Young technician Wei Lee, who believes himself beholden to his great-grandfather, one of the Ten Thousand Years, stumbles upon a spaceship crashed in the dust… McAuley’s Mars is at once satisfyingly familiar and disquietingly alien: cultural contrasts, persuasive inventions, and constant surprises are set forth with a weird yet compelling logic. Superb.

The novel has never been reprinted in the US, but copies are still fairly easy to find online. I bought the brand new copy above on eBay for $4 two months ago. It was published by AvoNova in November 1995; it is 392 pages, priced at $4.99 in paperback. The cover is by Tim Jacobus. A digital edition was published by Gollancz/Orion in 2010. Our previous coverage of Paul J. McAuley includes his recent Choice Series and his Confluence novels.

Don’t Mess with Mary: P.L Travers’ Mary Poppins

Don’t Mess with Mary: P.L Travers’ Mary Poppins

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Saving Mr. Banks (2013)

I don’t know what this year’s big Christmas movie will be, but a few years ago, the unavoidable holiday hit that was in every theater was Disney’s Saving Mr. Banks, which told the heartwarming story of how Walt Disney (Tom Hanks) pulled out all the stops in persuading Patricia L. Travers (Emma Thompson) to permit him to make a movie featuring her creation, Mary Poppins. I didn’t see the movie, though from everything I heard it was both a thoroughly professional entertainment and a disgraceful whitewash of the events it purports to dramatize. (If you haven’t seen Harlan Ellison’s hilarious takedown of the film, it’s ready and waiting on YouTube, anytime you can make sure that the children are safely out of the house.)

Travers always regretted the necessity of giving in to Disney, but necessity it was; she badly needed the money, and Walt knew it. Considering the circumstances, she drove as hard a bargain as she could, fighting tirelessly to preserve the essence of her creation, even as she knew that she was doomed to fail, as fail she did.

Nevertheless, the movie that resulted from Walt’s blandishments, 1964’s Mary Poppins, is reckoned one of Disney’s greatest accomplishments, both artistically and commercially, winning five Oscars (including a best actress statuette for Julie Andrews’ portrayal of Mary) and grossing close to one hundred million dollars on a six million dollar budget. When Walt was right, he was right.

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