Browsed by
Category: Vintage Treasures

Vintage Treasures: The Last Province Magazine, Issue #4

Vintage Treasures: The Last Province Magazine, Issue #4

The-Last-Province-Issue-4I recently stumbled across a copy of a gaming magazine I’d never encountered before: The Last Province, a bi-monthly British publication that apparently lasted five issues, from October 1992 to September 1993.

This doesn’t happen very often, so it was definitely worth investigating. And I’m glad I did, as it turned out to be a delight.

I think the cover — a Martin Lennon character study of three very different adventuring fellows striding confidently across a green and pleasant land — effectively communicates both the content and editorial attitude. If the art doesn’t do it, the tag words “Independent British Roleplaying” at the top should give you the idea.

Paz Newis’s page 4 editorial is a perfect mix of defensiveness towards gaming stereotypes, and contempt for what others consider ‘normal.’ Pretty much exactly how I remember gamers talking in the 90s.

To my mind ours is one pastime with a wealth to offer its participants. It is to those of you who wish to take roleplaying out of the ‘spotty adolescents’ stereotype that this magazine is aimed.

Recently… I thought it would be a good idea to sit in front of the television. I was appalled! It really was brain numbing. All of my higher brain functions seized up. If this is what the majority of ‘normal people’ spend their time doing I have no desire to be normal.

The news section is jammed with headlines on the big events of the day — including Steve Jackson’s quarter-million dollar judgment against the US Secret Service for seizing their computer equipment during an investigation of GURPS Cyberpunk, the report that a young employee at a Glasgow branch of a well known game store chain was apparently fired for being female, and the release of a major new RPG from FASA with the strange title Earthdawn.

Read More Read More

New Treasures: The Simon & Kirby Library: Science Fiction

New Treasures: The Simon & Kirby Library: Science Fiction

The-Simon-and-Kirby-Library-Science-FictionJoe Simon and Jack Kirby were perhaps the most important and successful comic team of the 1940s and 50s. Together they created Captain America (among many other popular creations) and produced an incredible body of work spanning numerous genres. Joe Simon was the first editor of Marvel Comics and the legendary Jack Kirby later partnered with Stan Lee to create some of the most enduring characters of the 20th Century, including Iron Man, The Fantastic Four, The Hulk, The Silver Surfer, Daredevil, Thor, the X-Men, and countless others.

The Simon & Kirby Library: Science Fiction is packed with dozens of stories, many of them photographed from the original artwork. This is essential pulp science fiction, with tales of brave spacemen, intrepid jungle explorers encountering lost civilizations, living shadows, crash landings on bizarre alien worlds, sinister robots, giant monsters battling desperate armies, beautiful barbarian princesses, impossible inventions, and much more.

The Simon and Kirby Library: Science Fiction spans more than 20 years, beginning with the first stories Joe Simon and Jack Kirby ever produced together (beginning in June 1940) — their ten-issue run of Blue Bolt adventures. Then the Cold War years will be represented by Race For the Moon, featuring pencils by Kirby and inked artwork by comic book legends Reed Crandall, Angelo Torres, and Al Williamson.

Other rarities from both decades are included, and as a bonus for readers, the volume features stories illustrated by Crandall, Torres, and Williamson — without Kirby.

The book also includes an introduction by Watchmen co-creator Dave Gibbons. This is the fourth volume in The Simon & Kirby Library, following SuperheroesCrime and the best-selling Horror.

The book is in full-color throughout, and most of the art has been restored and vibrantly re-colored by Harry Mendryk. My only complaint about this volume is that only a handful of covers are included, in a sparse 3-page cover gallery in the back.

The Simon & Kirby Library: Science Fiction was published by Titan Books on June 4. It is 352 pages in hardcover, priced at $49.95. There is no digital edition.

Robert E. Howard and Appendix N: Advanced Readings in D&D

Robert E. Howard and Appendix N: Advanced Readings in D&D

Weird Tales July 1936 Red NailsGary Gygax’s famous Appendix N, the list of titles he considered essential reading for Dungeon Masters hoping to create authentic adventures for their players, is perhaps the purest distillation of the literary recipe at the heart of modern adventure gaming.

Gygax put Appendix N in the back of his Dungeon Master’s Guide in 1979. Read all the writers on that list and you’ll understand the creative gestalt underlying 20th Century fantasy that eventually exploded into Dungeons & Dragons in 1974.

That’s the theory, anyway. Plenty of people have tried it. It’s sort of the gamer’s version of going walkabout. Immerse yourself in Appendix N and spiritual understanding will be yours. Plus, as a bonus, you end up with a rockin’ library.

Tim Callahan and Mordicai Knode are attempting this spiritual journey together, and they’re chronicling it at Tor.com. They begin with a look at Robert E. Howard’s Conan story “Red Nails,” originally published in the July 1936 issue of Weird Tales:

There is a giant mega-dungeon; it hardly gets more D&D than that. The two elements that really strike home here in terms of inspiration are the populated dungeons as its own character of rivalry and strife, and black magic. The city as one massive labyrinth is great, as is the characterization of its architecture & embellishment — gleaming corridors of jade set with luminescent jewels, friezes of Babylonianesque or Aztecish builders — but it is the logic of the city that shines brightest to me. “Why don’t the people leave?” There are dragons in the forest. “What do the people eat?” They have fruit that grows just off the air. “Where do all these monsters come from?” There are crypts of forgotten wizard-kings. There is a meaningful cohesion to the place; Howard manages to stitch dinosaurs, radioactive skulls, Hatfields and McCoys, and ageless princesses into something cogent.

Read More Read More

Vintage Treasures: The Radio Planet by Ralph Milne Farley

Vintage Treasures: The Radio Planet by Ralph Milne Farley

The Radio Planet AceAnd so we come to the third volume of Ralph Milne Farley’s Radio Men series, The Radio Planet.

Like the first two, The Radio Man (aka An Earth Man on Venus, which I discussed here) and The Radio Beasts (here), The Radio Planet was originally published in Argosy All-Story Weekly, in six installments starting in June 26, 1926, following the previous novel by some fifteen months.

Farley wrote several more Radio novels, including The Radio Menace, The Radio War, The Radio Pirates, and The Radio Flyers, between 1930 and 1955. Only a few were even loosely connected to the first three; most of them were futuristic pulp adventures set on Earth, and Ace didn’t bother to reprint them.

Yes, that’s right. After three popular Radio Men novels, Ralph Milne Farley continued to merrily put Radio in every one of his titles, even though most had nothing to do with Myles Cabot, Venus, or Mars. Apparently, the man had only a rudimentary concept of brand marketing. And liked radio.

In any event, The Radio Planet was the last novel to feature Myles Cabot. Two other short adventures followed: “The Radio Man Returns,” a short story from Amazing Stories (June 1939), and “The Radio Minds of Mars,” originally published in the January 1955 issue of Spaceway magazine.

Fortunately for young teenage fans in the 1970s, such as yours truly, there were two inexpensive paperback editions of The Radio Planet, which kept it in print for roughly a decade. Both were from Ace Books.

Read More Read More

Vintage Treasures: The Radio Beasts by Ralph Milne Farley

Vintage Treasures: The Radio Beasts by Ralph Milne Farley

The Radio Beasts brightLast month I wrote a brief piece on Ralph Milne Farley’s pulp novel An Earth Man on Venus, originally published as The Radio Man in Argosy magazine in 1924.

As part of the research I dug a little into Farley, and discovered his real identity was Roger Sherman Hoar, state senator and assistant Attorney General for the state of Massachusetts.

I also discovered he produced seven (!) sequels over the next three decades: The Radio Beasts (1925), The Radio Planet (1926), The Radio Flyers (1929), The Radio Menace (1930), The Radio Gun-Runners (1930), The Radio War (1932) and The Radio Minds of Mars (1955).

That’s a lot of radio action.

A lot of things have changed since the 1920s. But one aspect of pop culture remains consistent: when a property has seven sequels, someone somewhere made a lot of money.

We can safely assume that by the time The Radio Minds of Mars (great title) appeared in 1955, America had had its fill of radio adventure. But in the intervening years, the Radio novels were a hot property.

The Radio Beasts affirms that. It had multiple editions, beginning with its 1925 four-part serialization in Argosy All-Story Weekly. It was reprinted (in one installment) in Fantastic Novels Magazine in January 1941 — with a Frank R. Paul cover, no less.

Read More Read More

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories October 1964I continue my peregrinations through the Cele Goldsmith Lalli years at Amazing/Fantastic.

This issue features a George Schelling cover. I don’t know if there are Schelling fans out here – but I have to say I found it quite poor, with absurdly stiff human characters, a particularly strange looking female character, a quite inaccurate representation (as to size) of the Tharn antagonist, and also not representing the scene it apparently depicts very well. Other than that… it’s kind of colorful.

(Click on the image at left to get a full-size version).

Curiously, the cover features no author’s name – only the title of the serial, “Seed of Eloraspon,” and the description: “Magnanthropus returns in a new novel.”

The interiors are by Arndt, Schelling (rather better than the cover), Finlay, and Andragna.

The ads are mostly Ziff-Davis house ads, with one full page ad for the Rosicrucians. The editorial, as usual by editorial director Norman M. Lobsenz, is about progress towards a real life version of Donovan’s Brain (and many other stories). The only other feature is a single column on what’s “Coming Next Month.”

The fiction:

Novelet:

“Beyond the Ebon Wall,” by C. C. MacApp (18,700 words)

Read More Read More

Adventures in Bookselling: The Paperback Harry Dresden

Adventures in Bookselling: The Paperback Harry Dresden

Summer Knight first edition (2002, Roc Books). Cover by Lee MacLeod
Summer Knight first edition (2002, Roc Books). Cover by Lee MacLeod

Paperback collecting is an odd hobby. For one thing, unlike stamps or coins, virtually no paperback is out of reach for the determined collector.

Want examples? As I mentioned in Jack Vance’s obituary last week, the first edition of The Dying Earth is one of the rarest and most sought-after genre paperbacks — it had a tiny print run, and no one knew who Jack Vance was when it first appeared in 1950.

What does that mean to your pocketbook? I paid just under $20 for a copy in mint condition a few years ago. As of today, around half a dozen are available at Amazon.com, with Very Good copies starting at $10.

Think about that. A first edition of one of the rarest science fiction books, by one of the top authors in the field, a full six decades after it went out of print, will set you back… around the same price as a brand new paperback today.

Perhaps that’s just our genre, you think. Let’s face it, half of the folks who read science fiction and fantasy are anal-retentive fanboys. Probably 50% of the print run of The Dying Earth ended up in protective mylar bags by 1955.

Maybe that’s an exaggeration. Still, the situation for mystery and western fans is pretty much the same. If you’re a paperback collector, it’s a buyer’s market. Walk into the Dealer’s Room at the Windy City Pulp and Paper show (or virtually any paperback show in America) with a crisp $20 bill, and you can walk out with a heavy bag of paperbacks published before you were born.

Hard to believe? Just have a look at the gorgeous assortment of 103 vintage titles I bought for around $50 at Windy City just last year.

Perhaps it’s different if we look outside genre fiction entirely. What’s the rarest and most expensive paperback known?

Read More Read More

The Nightmare Men: “The Phantom Fighter”

The Nightmare Men: “The Phantom Fighter”

adventuresdegrandin‘He was…rather under medium height, but with military erectness of carriage that made him seem several inches taller than he actually was. His light blue eyes were small and exceedingly deep set and would have been humorous had it not been for the curiously cold directness of their gaze. With his blonde moustache waxed at the ends in two perfectly horizontal points and those twinkling, stock taking eyes, he reminded me of an alert tom-cat.’

Such is the stout Dr. Trowbridge’s description of Jules de Grandin, late of Paris, the Surete, and the Sorbonne, upon first meeting the irascible little French physician in the 1925 story, “Terror on the Links”.  Cat-eyed and ebullient, de Grandin is the epitome of the phrase ‘it’s not the size of the dog in the fight, but the size of the fight in the dog.’ He defends Harrisonville, New Jersey, and by extension, all of mankind, against the spawn of Satan, using forbidden knowledge and firearms alike.

Jules de Grandin and his ever-present companion, Dr. Trowbridge, were created in 1925 by Seabury Quinn for Weird Tales and went on to feature in close to a hundred stories, with the last, “The Ring of Bastet”, appearing in 1951. Quinn, in the introduction to the 1976 Popular Library collection, The Adventures of Jules de Grandin, says that de Grandin is ‘…a sort of literary combination of Topsy and Minerva, that is, he just growed.’

It’s hard to imagine it being otherwise, given the sheer vibrancy of de Grandin from the start. De Grandin, like his more passive predecessor Dr. Hesselius, is a physician, and approaches the supernatural as an illness to be confronted. Unlike the kindly Hesselius, however, de Grandin is no amiable general practitioner, but a surgeon — flamboyant, precise, and ruthless.

Read More Read More

Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Weird Tales, July 1938, featuring Elak of Atlantis in "Spawn of Dagon"
Weird Tales, July 1938, featuring Elak of Atlantis in “Spawn of Dagon”

Now, before I start actually looking at these two heroes, I should probably explain why I’m doing what I’m doing.

You see, when Robert E Howard — creator of the sword and sorcery sub-genre, bare-fisted boxer, and all-round amazing writer — killed himself at the age of thirty, he left a pretty substantial gap in the pulp fiction market, one that was very hard to fill, but one that had to be filled. So Henry Kuttner, a fellow writer more famous for his science fiction than his fantasy, was called in to take up the sword and sorcery mantle — and stumbled in doing so.

The blurb describes the Elak stories as “exciting tales that helped establish a genre,” and “a major step in the evolution of the genre.” (I read Gateways kindle collection.)

Yeah that’s… an overstatement, not much more than a writer’s hyperbole. To be frank, the Elak tales are most easily comparable to a Saturday morning cartoon or a SyFy B-movie, what with all the hackneyed prose and clichéd characters.

Kuttner makes no attempt to advance the formula that Howard established, no attempt to evolve the genre as the over-enthusiastic blurb suggests. What you get instead is a readable adventure, entertaining, but not much more; it’s plot and prose, its action and characters merging with all the other yarns you’ve read and books you’ve consumed.

But then perhaps that’s the point. Pulp is meant to entertain; it’s not The Lord of the Rings or The Game of Thrones, it’s not supposed to make you think or take sides, not intended to evolve anything. Just to entertain.

Read More Read More

Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy February 1951The February, 1951 issue of Galaxy Science Fiction is groundbreaking. The first story is a novella by Ray Bradbury titled “The Fireman.”

My heart skipped a beat when I saw this, and I quickly discovered that Bradbury later expanded this tale into the classic novel Fahrenheit 451.

In “The Fireman,” Mr. Montag works as a fireman – not one who douses flames, but one who starts them in order to destroy books. Books, after all, are upsetting and challenge the brain-numbing entertainment of the day. People who are well-read might unbalance a society of non-thinkers.

I read Fahrenheit 451 in school, and I didn’t understand all of the warnings Bradbury issues throughout the novel. When I read “The Fireman,” there were parts that really concerned me as I considered our own society. Replace references to “television” with “Internet” or “Facebook,” and suddenly Bradbury’s dystopia doesn’t seem so distant anymore. This is a story I wish everyone would read – and think about while reading it. It really is quite chilling.

“…And it comes out here” by Lester del Rey – A man travels back in time to prepare his younger self for an expedition. The mission is to retrieve a device from the future and claim it as his own invention.

I love the second-person narrative of this tale, and I equally enjoyed the way that everything circuitously ties together. It was interesting how del Rey used the protagonist both as a character and as a narrator, and because time travel was involved, these were essentially two different people.

Oh, and in case you’re wondering — yes, this is the same man who started Del Rey Books.

Read More Read More