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Appendix N: Carrying on the Flame

Appendix N: Carrying on the Flame

Runequest Sixth Edition-smallAs recently posted here at Black Gate by James Maliszewski in his article “The Other Appendix N,” the very first Appendix N bibliography of inspirational reading ever printed in a roleplaying game was actually in the 1978 edition of Chaosium’s RuneQuest; a year before Gygax released his own homage in the AD&D Dungeon Masters Guide. Whilst it merely followed the time honored convention of academic publications, few remember nowadays that it was RuneQuest which started an institution in roleplaying that still continues to this day.

Surprisingly, the differences between the two bibliographies are quite stark. RuneQuest’s list, rather scholarly, incorporated a lot of ancient history texts, books of military warfare, and Nordic sagas; whereas AD&D’s was more devoted to fantastical fiction, especially the less well-known authors of the genre. Central to both bibliographies, however, are some familiar names: Robert E. Howard, Fritz Leiber, Michael Moorcock, Clark Ashton Smith, and JRR Tolkien. Other than that, there was little overlap between the two.

Whilst these recommended reading lists reveal each game’s designers’ interests and objectives, it also highlighted that every writer is heavily influenced by the literature they read, and by implication, those stories available to them at the time.

For Gary Gygax, a man turned forty by the time he wrote the Dungeon Masters Guide, the early works of fantasy authors such as Poul Anderson, Leigh Brackett, Fox Gardner, Andre Norton, Jack Vance, and Roger Zelazny were readily available in bookshops, hot off the press. Indeed, almost all of the books on his inspirational reading list would have been as easy to pick up as purchasing a copy of A Game of Thrones is today.

Although the combined authors of RuneQuest were less than a decade younger, their drier bibliography somehow never matched the mystique of Gygax’s subsequent list, despite the fact that the game itself gripped my imagination with a far tighter hold. This fascination was more due to the Classical style of its illustrations combined with Greg Stafford’s wondrously magical world of Glorantha, with its roots firmly grounded in diverse mythologies – alas, unlisted in the first Appendix N.

When Lawrence Whitaker and I set about refining and re-launching RuneQuest as a quality roleplaying game, we too were influenced by our own youthful reading.

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The Series Series: Naomi Novik’s Latest Novel of Temeraire

The Series Series: Naomi Novik’s Latest Novel of Temeraire

Blood of Tyrants-small“Series fantasy,” said John O’Neill when I asked him what he’d like my new blog column here to focus on. “It’s the most popular form of fantasy, and we virtually ignore it — especially the early stuff.”

What do you call a series about series? Series is a word with no plural, or, depending on how you look at it, a plural word with no singular form. If I can talk about the peoples of the earth, I should be able to talk about the serieses of fantasy novels, but I can’t quite bring myself to do it. No wonder the publishing industry is so fond of words like trilogy, tetralogy, saga, and so forth. Maybe you have a brilliant idea that solves this problem, a genre equivalent of the invention of the word “y’all.” My comment thread awaits.

Meanwhile, welcome to the Series Series.

You know people who won’t start reading a series until the last volume is published, because they don’t want to invest their hearts in a story that might never reach its end. You may be one of those readers.

Me, I used to say I’d try anything once. It turned out not to be quite true, but I’m still willing to try almost any book for a few pages. If it keeps me reading, I don’t worry about whether the author’s going to live long enough to complete all the plot arcs, or whether the market will allow the series to go on.

I also don’t mind putting a book or a series aside if it stops hitting the sweet spot for me. A wildly successful and highly skilled author I will not name has a few series out. I read the first volumes of each, recognized their excellences and the reasons most of my friends loved them, and I never picked up any more volumes. Not my sweet spot. Sorry.

At some point, a stream of review copies of debut novels and first volumes of fantasy series will start flowing from BG to my mailbox. I wanted to start, though, with the two series I can’t put down, the ones that have driven me to break my no-buying-new-books-until-I’m-done-moving rule. For my last post, I wrote about James Enge’s new novel of Morlock the Maker, Wrath-Bearing Tree. This week, it’s Naomi Novik’s Blood of Tyrants, the eighth novel about the naive but brilliant dragon Temeraire and his human, Captain William Laurence.

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My Favorite Fantasy Movies

My Favorite Fantasy Movies

conan-the-barbarian-poster2-smallI love a good fantasy movie, and love to goof on bad ones, too. Fantasy is a genre that didn’t always translate well to the big screen, until the recent advances in CGI technology allowed studios to capture creatures such as dragons and Balrogs in all their glory.

Conan the Barbarian (1982)

Classic Schwarzenegger. Although this adaptation departs from the style (and story) of Robert E. Howard’s books, it retains the grit and raw muscular power of Conan in a way that the newer incarnation (sorry, Jason Momoa) couldn’t begin to match.

James Earl Jones was a masterstroke of casting as the villainous wizard Thulsa Doom. This film contains some unforgettable scenes: Conan growing up pushing that big mill wheel, the witch who had sex with Conan and then tried to kill him, breaking into the Temple of Set, the Tree of Woe, and of course the awesomely bloody climax where Conan cuts his way through legions of fanatics to eventually take the head of his enemy.

Conan, you taught us the riddle of steel, and for that we thank you.

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The Series Series: The Unexpected Enlightenment of Rachel Griffin by L. Jagi Lamplighter

The Series Series: The Unexpected Enlightenment of Rachel Griffin by L. Jagi Lamplighter

Don’t start with the cover, or the blurb, or the elevator pitch. Don’t start with which other books The Unexpected Enlightenment of Rachel Griffin resembles.

To get into the right mood for the story and its intriguing implications, consider Pollepel Island, a ruined fantasy landscape in the Hudson River. Many times I’ve taken the train north from New York City and looked forward to the few minutes’ glimpse of the Bannerman Castle. It’s a story magnet.

L. Jagi Lamplighter is not the first fantasy author to use the island as a setting, but she may be the first one to capture how much it feels like a misplaced island, like a chunk of dream-Scotland lifted by giants from another continent–if not another universe entirely–and deposited randomly in America. Lamplighter’s version of Pollepel Island is an illusion that hides in plain sight the floating island of Roanoke. Yes, the Lost Colony’s Roanoke, navigated around the world by sorcerers who built there a sanctuary and a school.

All roads lead to wizard school. Don’t let it get you down. Lamplighter is doing several unexpected things with the wizard school trope.

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September Short Story Roundup

September Short Story Roundup

Each month, there is enough new fantasy short fiction published to fill a small anthology and it’s right out there on the Internet, just waiting to be read for free. For the past year and a half, I’ve been turning to the pages of Heroic Fantasy Quarterly, Beneath Ceaseless Skies, and Swords and Sorcery Magazine for a steady dose of new stories. I’m always on the lookout for new sources so if you have any suggestions please, let me know.

Swords and Sorcery MagazineI don’t know anything about Curtis Ellett, editor of Swords and Sorcery Magazine, but for nearly two years now he’s been publishing two stories every month. His is a bare-bones e-zine that pays very little, yet has manages to publish fun and worthwhile stories. This month, both stories are good, though only one can be called heroic fantasy.

September’s issue opens with “Carnival Man” written by Alexandra Seidel. Every generation or so, the Carnival Man appears in a random city and calls all, humans and undead alike, to participate in his great revel. Some, like the wandering bard Lykaris, are chosen to serve as members of his personal entourage. With little plot, it reads more like notes from a dream than a story. A good dream, yet a little vague for my taste.

Jeffery A. Sergent‘s “The Young God’s Tears” is more in keeping with the magazine’s title than Seidel’s story. Jade, a young thief and mixed-race daughter of “a robust crusader from the Northern Realms” and a “tiny, porcelain princess from the Eastern Empire,” takes a bet to see if a fabled set of gems really exists. The wager leads her to infiltrate a temple and complications ensue. It’s middling S&S, straight up no chaser. It’s got a nice bit of world-building and some solid action. Nothing extraordinary, but a fun way to spend fifteen minutes.

Beneath Ceaseless Skies publishes every two weeks. They’re not tethered to heroic fantasy and for the past few months they had been letting me down by publishing lots of sci-fi and modern fantastic stories. Not that there’s anything wrong with that, but when you’re looking for an S&S fix, it does not satisfy. This month, BCS is back on track as far as I’m concerned.

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Adventure in a Place of Unholy Shadows: A Review of Crypts and Things

Adventure in a Place of Unholy Shadows: A Review of Crypts and Things

Screen Shot 2013-09-25 at 10.39.17 Back in the 70s, when I first started playing Dungeons and Dragons (D&D), I spent a long time wanting a ruleset that would let me recreate the sort of sword and sorcery that I was reading back then.

I wanted to play a game that caught the atmosphere of Robert E Howard’s Conan, Karl Edward Wagner’s Kane, or Fritz Leiber’s Fafhrd and Grey Mouser stories. I wanted to adventure in a place of unholy shadows, where magic was scary and thrilling and men with swords sought lost treasures in glittering towers where old gods and dark secrets waited.

Clearly, D&D was not quite what I was looking for. The white box contained an unholy mishmash of Tolkien, bits of medieval history, and a weird variation of Vancian magic from the Dying Earth which, while awesomely powerful, was not very scary or, well, magical. Magic items were as common as if they came in cereal boxes. And what was with it with those cleric guys and the undead?

The setting of D&D did not look like any fantasy world I had read about, but it was clearly influenced by a number of them. There were thieves that might have been Fafhrd and the Grey Mouser. There was a barbarian character class in an issue of White Dwarf that might, if you squinted, have resembled something like Conan.

But D&D did not quite hit the mark. There were also elves and halflings and dwarves and all manner of other things that did not exist in the S&S universes of my particular dreams. There were echoes of Howard and Leiber and Clark Ashton Smith, but they were smudged over with bits of Tolkien and a kind of high fantasy.

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The Devil in the Details: A Review of Lawyers in Hell

The Devil in the Details: A Review of Lawyers in Hell

Lawyers in Hell-smallLawyers in Hell (Heroes in Hell, Volume 12)
Created by Janet Morris, edited by Janet and Chris Morris, and written “with the diabolical assistance of the damnedest writers in perdition.”
Perseid Press (456 pages, June 8, 2011, $19.95 in trade paperback)

This is volume twelve in the most clever and interesting shared-universe series I’ve ever had the pleasure to read. Lawyers in Hell actually precedes Rogues in Hell and Dreamers in Hell, both of which I previously reviewed here. And like those other volumes, this one is also outstanding.  So let me start off with a bit of info on what’s going on this time around in Hell, among the characters drawn from the pages of history, legend, folklore, and mythology.

Hell is a twisted, ironic echo of life on Earth. Here the mighty have fallen, though they retain some delusion of grandeur. Here the lowly have risen in rank, though they are no more than toys for Satan to play with. Everyone in Hell is HSM’s (His Satanic Majesty’s) pawn, his puppet.

Erra is the Babylonian god of mayhem and plague, and rumors of Erra and his 7 Sibitti enforcers running amok in Hell are spreading like hellfire. They have been sent by Heaven to audit Hell, to enforce punishment equally. They are there to make damned sure that every damned soul in Hell “receives injustice justly. Or something like that,” to quote author Nancy Asire. “Lawyers are shaking in their boots or salivating over their opportunities.”

As the title of this volume suggests, each story/chapter revolves around legal battles being fought, court cases being heard, and lawsuits being drawn up. Everyone in Hell wants out of Hell and the damned are going through whatever legal system there can be said to exist in Hell. Where’s Perry Mason when you need him? I don’t think he’s in Hell. Not yet, at any rate.

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Gateway Drug: Excalibur

Gateway Drug: Excalibur

Excalibur poster-smallFirst, I should say how delighted I am to be blogging here at Black Gate. Not only are the companions first-rate, but I’m thrilled to be able to talk about some of my favorite things: heroic fantasy, sword and sorcery, and mythology.

I came into fantasy the way a lot of people did: via Star Wars. Prior to that, I read almost exclusively hard science fiction, where the aliens and the spaceships were the point of the story, not window-dressing. But among the many other things Star Wars did for me in 1977 was nudging me into those realms of magic where not everything was concrete (or metal or plastic).

Once inspired, I read The Lord of the Rings like everyone did, although I confess that the microscopic font in the paperbacks almost scared me off, as well as the textbook-like appendices. Marvel’s Savage Sword of Conan comic led me to the original Howard stories, which I loved. But the thing that finally turned me into a bona fide, full-bore fantasy fan was Excalibur.

It came out the Summer after I graduated from high school. Much like music before Elvis, unless you know what fantasy movies were like before this, you can’t appreciate what an eye-opener this film was. Up until then, the only fantasy films around were family-friendly knock-offs of Star Wars, all aiming for that same market and all telling essentially the same story of a simple young man who sets off on a great, mostly chaste and bloodless, adventure.

Excalibur didn’t just boast sexy girls, it featured real sex. The battles were were filled with impaled knights and severed, blood-spurting limbs. The mysticism had the dark, heavy quality of church liturgy, nothing like the breezy simplicity of the Force. And in place of the serene Obi-Wan Kenobi or Gandalf, you had a Merlin who was half sage, half clown, and never as smart as he thought he was.

But the visual depiction of King Arthur was probably the single thing that changed my whole idea of fantasy.

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Monster Island

Monster Island

Monster Island Runequest-smallI’ve been spending a lot of time on Monster Island for the last few weeks, wandering its haunted beaches, exploring its lovely hidden grottoes, and fleeing from its carnivorous apes.

This is hands down one of the finest sandbox gaming products I’ve ever had the pleasure to read. From what writer Pete Nash tells me, there may be other sandbox products coming from Design Mechanism and I will definitely be at the front of the line when they’re released.

But what, you ask, is a sandbox gaming product? Well, a lot of adventures are site-based. Take the most famous (and one of my least favorite) dungeons of all time, Tomb of Horrors. It doesn’t matter where you put Tomb of Horrors, really, because the entire product is about the dungeon and its contents.

Monster Island is a very different animal. First, it isn’t out to arbitrarily kill the players. Second, it isn’t just one adventure, it’s a campaign book – but not one that’s a linked set of adventures or dungeons. Instead, it describes an entire setting. It provides a host of adventure sites, setting specific monsters, random encounter charts, thumbnail adventures, background details, and the like.

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Jack Williamson, Lin Carter and Appendix N: Advanced Readings in D&D

Jack Williamson, Lin Carter and Appendix N: Advanced Readings in D&D

The Humanoids-smallMordicai Knode and Tim Callahan are making me look bad.

I know, what else is new. But seriously, these two have taken on the project of a lifetime — reading every author in Gary Gygax’s famous Appendix N (all 29) and reporting back in great detail every week at Tor.com.

I took on the project of a lazy Saturday afternoon: read their posts whenever I got around to it and report back here every two weeks or so. Sounded easy at the time. But Knode and Callahan still somehow managed to get way ahead of me. They’re relentless — since I last checked, they’ve covered Jack Williamson, Lin Carter, and John Bellairs, and meanwhile I’m still trying to figure out where the hell I left my copy of The Face in the Frost.

Okay, time to play a little catch-up. Let’s start with post 14 in the ongoing series, in which they tackle Jack Williamson’s classic SF novel, The Humanoids:

Mordicai: I’m just unclear on how it relates to Dungeons and Dragons. I mean, you could have a whole campaign about golems or Inevitables or Modrons and co-opt the plot from this book, but I think that is a stretch. Maybe the lesson you could learn from this book is that making hugely flawed characters is more interesting than making banal superhuman heroes who laugh in the face of danger and never give into the temptation to pry the ruby eyes out of the idol of Fraz-Urb’luu?

Tim: Yeah, I don’t see the Dungeons and Dragons link at all, and I am pretty darn sure Gary Gygax didn’t have any Modrons in mind when he generated his list of fave books. The Modrons are wonderful and all — who doesn’t like Rubik the Amazing Cube mashed up with Mr. Spock — but they aren’t central to early D&D. Or any D&D. Ever.

But, to be fair, Appendix N doesn’t specifically name The Humanoids as an influence, but mentions Jack Williamson in general. Probably his pulpier early stuff was what Gygax had had in mind. In retrospect, we should have read the Legion of Musketeers in Space with Falstaff and Friends book. But something called The Humanoids sounds like D&D from a distance. If you squint. And don’t read the back of the book.

Yeah, The Humanoids has nothing to do with D&D. Could have told you that. Guys, guys. You should have read our Jack Williamson feature last month. This is why we do this stuff.

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