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In 500 Words or Less: Red Country by Joe Abercrombie

In 500 Words or Less: Red Country by Joe Abercrombie

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Red Country by Joe Abercrombie-smallRed Country
By Joe Abercrombie
Orbit (480 pages, $16.00 paperback, $9.99 eBook, October 2013)

One of my earlier reviews here focused on Best Served Cold, the first standalone novel in Joe Abercrombie’s First Law world (but the fourth overall, for anyone playing the home game). You might remember that I was a little disappointed, but I still gave Abercrombie’s second standalone, The Heroes, a chance and was pleasantly surprised. Recently I cracked open the third (and most recent) of these standalone novels, Red Country – and though I was a little nervous at the beginning of the novel, I’ve decided this might be the best First Law of them all.

Since it was stated in a lot of promos for the book, I don’t think it’s a spoiler to say that Red Country presents the return of Logen Ninefingers, the conflicted and half-mad barbarian who was among the First Law trilogy’s stars. Presumed dead, the “Bloody-Nine” is living under an assumed name, though if you’re reading closely enough (and didn’t read the back cover) you’ll figure out in the first chapter who the cowardly “Lamb” really is. This was where I started to get worried, and decided that if Abercrombie was going to play some game at trying to be subtle with Lamb’s true identity, my review here would be very different.

But Abercrombie isn’t that kind of writer. Instead, Logen’s attempts to keep his past and his worse nature at bay becomes a key focus of the book, elegantly constructed in his interactions with the novel’s other characters, as the reader wonders when his loved ones will get the full story. The brief mentions of characters and events in previous books, and the moments when other characters admit that they know exactly who Logen is, are woven in expertly without certain names ever being mentioned.

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A Kick-ass Female Perspective on Comics That’s Disturbingly Close to Real-Life: The Refrigerator Monologues by Catherynne M. Valente

A Kick-ass Female Perspective on Comics That’s Disturbingly Close to Real-Life: The Refrigerator Monologues by Catherynne M. Valente

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the-refrigerator-monologues-smallThe Wonder Woman movie has received considerable buzz for depicting an interesting lead female character who actually has a personality, is not dependent on some guy to come to her rescue and truly is the star attraction; it even has a female director. It’s enough to make you forgive the silly and at this point yawn inducing CGI pyrotechnics between good and evil ending that is apparently sacrosanct in these sort of flicks. Look, I enjoyed the movie, but for all its merits it’s still a sad commentary of our times that Wonder Woman is considered somehow ground breaking. Problem is, compared to the latest crop of superhero movies (maybe even movies in general) the bar isn’t set very high.

You want some real kick-ass female perspective on the comic book world that’s disturbingly close to real-life? Check out The Refrigerator Monologues by Catherynne M. Valente. This is a series of short stories set in shared alternate comic book universe (with characters such as Grimdark and Kid Mercury and Doctor Nocturne evoking various Marvel and DC Comics personages) linked by a sort of AA session in which deceased women (with one exception who for her own reasons hangs out among the unliving) take turns explaining how they ended up in Deadtown, i.e., thanks to some male superhero or supervillian exploit.

The title of the collection is a take-off of The Vagina Monologues — the Eve Ensler play about sex and body image told from the perspectives of a variety of women representing different ethnic, sexual and class identities — and comic book writer Gail Simone’s observation that comic book women are typically hypersexualized for a male audience and often end up “refrigerated” — killed, disabled, or otherwise rendered marginalized or powerless in order to advance a male character’s storyline. Indeed, in “Happy Birthday, Samantha Dane” the title character literally ends up in a refrigerator. (And, by the way, is just one of many great comic book kind of names that Valente invents for her cast of characters. Also by the way, it’s worth noting that in Wonder Woman a male character dies to advance our heroine’s story — perhaps an intentional inversion of the refrigerator motif?)

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Classic SF from One of the Twentieth Century’s Great Masters: The Best of John W. Campbell

Classic SF from One of the Twentieth Century’s Great Masters: The Best of John W. Campbell

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The-Best-of-John-W-Campbell-mid The-Best-of-John-W-Campbell-back-small

The Best of John W. Campbell (1976) was the seventh installment in Del Rey’s Classic Science Fiction Series. Lester Del Rey (1915–1993) is again the editor; he also provides the introduction. H. R. Van Dongen (1920–2010) did the attractive cover art, and it seems in line with the artistic feel set by Dean Ellis, Darrell Sweet, and The Brothers Hildebrandt on the previous volumes. For those books, unless the author was deceased, the afterword was usually written by the author being celebrated. Since Campbell had passed a few years before this publication, his widow (also now deceased) provided an interesting afterword.

John W. Campbell (1910–1971) was more than just one of the greatest science fiction writers of the twentieth century. Probably more importantly, as editor of Astounding Science Fiction (later renamed Analog) from 1937 until his death, he is generally credited with being the primary shaper of the Golden Age of science fiction. He tutored such giants in the field as A. E. van Vogt, Theodore Sturgeon, and the great Robert A. Heinlein. And everyone from Isaac Asimov to Robert Silverberg credited him with being a major influence on their writing.

As I’ve said before, I’m not generally a big fan of science fiction; I tend to lean more towards horror and fantasy. And thus I know I tend to caricature classic sci-fi as being sometimes tedious and outmoded. But as with some previous writers in Del Rey’s Classic Science Fiction Series, I continue to be pleasantly surprised by some of these Golden Age (and later) science fiction writers. Since we’ve covered this volume once before (back in 2013), this time, rather than simply giving an overview of selected stories, I will primarily focus on some recurring themes and give some overall thoughts.

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Disasterville U.S.A. :The Shockwave Rider by John Brunner

Disasterville U.S.A. :The Shockwave Rider by John Brunner

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If there is such a phenomenon as absolute evil, it consists in treating another human being as a thing.

Nick Halflinger in The Shockwave Rider

 

oie_1023133dHcFYNm5Cyberpunk appeared as a description of a sub-genre in the early eighties. The word first appeared in print in 1983 as the title of a story by Bruce Bethke and it was quickly adopted to cover the works of near-future science fiction by William Gibson, Bruce Sterling, Pat Cadigan, and others. The general connection between books like Gibson’s Neuromancer (1984) and Neal Stephenson’s Snowcrash (1992) was the depiction of high technology mixed into a crumbling, corrupt society.

Cyberpunk as a named thing might date to only 1983 or so, but as a movement in science fiction its roots are deeper. For years prior to the appearance of Neuromancer, usually thought of as the first cyberpunk novel, sci-fi authors had been writing about the dangerous effects — on society and individuals — of computers, communications, cybernetics, and related fields. In the UK, J.G.Ballard, and in the US, Philip K. Dick, laid a lot of the groundwork for the genre in books featuring rebels, man-machine interfaces, often lots of psychoactive drugs, and a general dystopian atmosphere. It’s little wonder that Dick’s 1968 novel, Do Androids Dream of Electric Sheep?, should become the basis for the film Blade Runner, easily one of the first cyberpunk movies.

English author John Brunner (discussed at great length here at Black Gate) started his writing career creating fairly standard space opera. In the mid-sixties he began writing stories in more contemporary settings, such as the 1965 novel, The Squares of the City. In it, a traffic engineer is hired to work in the newly-built capital of a South American nation (echoes of Brasilia). While there he becomes a piece, quite literally, in game of chess being played between two of the country’s power brokers.

This move to contemporary and near-future sci-fi culminated in the appearance of Stand on Zanzibar in 1968. Its portrayal of a wildly over-populated Earth, conveyed in the snapshot style of Dos Passos’ USA Trilogy, won Brunner the Hugo award for best novel. It also marks the start of what’s been called his Catastrophe Quartet.

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Self-published Book Review: The Ghost Box by Mike Duran

Self-published Book Review: The Ghost Box by Mike Duran

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Ghost_box_coverI’d like to keep the monthly schedule going, so please keep sending me books to review — see the instructions here.

Reagan Moon is a paranormal reporter working for the Blue Crescent, an LA tabloid. He’s good at his job, and one of the things that makes him so good is he doesn’t believe. Oh sure, there are strange things out there: cults and designer drugs and brain hacks, but nothing supernatural. Nothing that can’t be explained. He hasn’t believed in much since his dad died, and his girlfriend’s, Ellie’s, death less than a year ago only made him more of a cynic.

But tabloids don’t pay a whole lot, and if a rich eccentric wants to pay him to talk to a medium, he’s game. The problem is that Klammer wants him to make contact with Ellie, hinting that she wasn’t incinerated in a freak accident but rather harvested for some grotesque purpose. In grand noir tradition, Reagan is soon dodging the police on suspicion of being involved in the death of said medium. Whether holed up with the Mad Spaniard and his daughters, Kanya and Cricket, in their Asylum for strange artifacts, or following a lead to the Spiraplex, a grand building/science experiment centered around a giant statue of Anubis, and built by Klammer’s old business partner and rival, Soren Volden, Reagan is constantly in over his head.

The Ghost Box is the first book in Mike Duran’s Reagan Moon series. I reviewed the second book, Saint Death, last year, but I figured I should go back and cover the first one. Mike Duran started publishing in the Christian market, writing novels such as The Resurrection and The Telling, both of which contained supernatural elements that don’t neatly fit Christian theology, for which he received blow back from many readers of Christian fiction. The Ghost Box is an effort to get outside the narrow restrictions that limit what he can do in Christian publishing. Mike Duran doesn’t hide his Christian worldview, but neither is he pushy about it.

In fact, it’s clear that Reagan Moon is not a believer in pretty much anything. And there’s no conversion experience in this book. Or rather, it’s not a conversion to Christianity so much as a conversion to hope, an acknowledgment that there’s more to this world than the physical, that our spirits do survive after death.

Of course, to get there, Reagan Moon first has to see it with his own eyes. Enter Rival’s Curtain.

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A Novel You’ve Been Waiting For Your Whole Life, and Then Some: The Strange Case of the Alchemist’s Daughter by Theodora Goss

A Novel You’ve Been Waiting For Your Whole Life, and Then Some: The Strange Case of the Alchemist’s Daughter by Theodora Goss

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The-Strange-Case-of-the-Alchemists-Daughter-Theodora-Goss-smallWhat if a genius decided to combine a fantastical feminist romp with a classic whodunnit of the mackintosh-wearing era… and tossed in some madcap Dickensian adventure?

You’d have yourself The Strange Case of the Alchemist’s Daughter by Theodora Goss, a 400-page extravaganza featuring five women you have dreamed of in your heart of hearts but have never seen on paper. Better yet, they’re the daughters of legendary characters from classic fantasy and science fiction.

When Mary Jekyll’s mother dies, the young inheritor of her meager estate discovers her father — Henry Jekyll himself — associated with a troubling league of gentlemen endowed with brilliant scientific ambition. With the help of Diana Hyde, a feral and headstrong spitfire (and daughter of Mr. Hyde), and a miraculous and unwilling scientific marvel named Beatrice, whom her revered father has tainted with poison from noxious plants, Mary embarks on a quest to discover just what her father’s band of brothers sought to accomplish.

Along the way, they enlist the help of an exemplary detective named Sherlock Holmes, his cherished assistant, Watson, and Catherine Moreau, daughter of the most barbaric and daring scientist of them all. Unless you factor Doctor Victor Frankenstein into the equation… whom, now that we mention him, happens to be the father of the last partner in crime, a kindhearted giantess named Justine who harbors a tale potent enough to warrant a novel of its own.

I appreciate Goss’s innumerable acts of kindness toward readers who have not yet read the classic works of literature to which she has paid tribute. (I confess, I am guilty as charged. Dear friends have told me in the past that I need to read Frankenstein, and I agree. It must happen). By doing so, Goss has eschewed the How Much Do You Know About This Facet of Nerddom? quiz routinely thrust upon so many innocent fans, allowing her readers to bask in the wisdom and whimsy of her characters instead.

Additionally, Goss honors the infamous gentlemen who have carried their stories through the years with the fierce compassion of an author reckoning with the staggering contradictions of the human species. And these men have to contend with their fair share of reckoning. That is, the ones who survive.

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Literary Wonder & Adventure Show: EPISODE 5: The Strand (Full Audio Drama)

Literary Wonder & Adventure Show: EPISODE 5: The Strand (Full Audio Drama)

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Literary Wonder & Adventure Show EPISODE 5 The Strand-small

I was three years old when Star Wars scorched movie screens with the force of a Death Star Superlaser. 2001: A Space Odyssey had already been out for almost a decade, Captain Kirk and Mr. Spock syndicated for twice the duration of their original mission. Sci-Fi, in other words, had already conquered both the big and small screens. Radio shows had been long superseded by new technology. Yet here I am in 2017, thoroughly enjoying the Literary Wonder & Adventure Show, a retro audio show streamed to me via a wireless router, via a cell phone tower shaped like a palm tree, and ultimately from the workstation of the talented Robert Zoltan.

His latest offering, “The Strand,” is short, compressed tale, which may have gone without a single commercial break back in the old days. Nonetheless, it contains all the ingredients of compelling drama — passionate characters, a setting bursting with possibilities, high stakes, and a very clever literary device which underpins it all.

The milieu of The Strand is only quickly sketched in, but it suggests a multiverse of planets, their populations going about their workaday existences ignorant of shadowy organizations doing battle to control the fate of them all. Agents of these organizations can travel between the dimensions. Yet agent Guy, the protagonist, is preoccupied with a more personal concern: in his travels, he met and fell in love with local girl Hope, and soon thereafter, they were forced apart into different planes. Now, Guy can only speak to Hope using a jury-rigged machine via a Strand — a wispy, elusive thread of electricity or astral energy or whatnot.

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An Original and Unpredictable Interstellar Romp: Defy the Stars by Claudia Gray

An Original and Unpredictable Interstellar Romp: Defy the Stars by Claudia Gray

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Defy the Stars Claudia Gray-smallThe action starts right away in New York Times bestselling author Claudia Gray’s latest novel, Defy the Stars. Teenage fighter pilot Noemi Vidal only has twenty days to live, since she has volunteered for a suicide mission to protect her world. But time runs out when evil mechs – robot warriors from Earth – burst through the intergalactic Gate and start shooting at Noemi’s squadron while they’re still training.

One of the deadly machines attacks her best friend, Esther, who was never supposed to see combat. Noemi rushes to defend her and successfully beats off the mech. Still, Esther will die if Noemi doesn’t get her medical care fast. The only prospect of first aid is an enemy starship drifting nearby, abandoned during a previous assault.

What Noemi doesn’t know is that Earth’s most advanced mech, Abel, has been trapped in that mothballed hulk, all alone, for thirty years. Docking her fighter in the ship from Earth, Noemi reactivates its systems and frees Abel, whose first priority is to kill her.

A Young Adult novel, Defy the Stars will please both young and old science fiction fans with an original, engaging, and unpredictable interstellar romp. In the universe Gray has created, Earth has degenerated into a dystopian, post-apocalyptic husk, and its citizens are desperate to immigrate to Noemi’s lush colony world, Genesis. Fearing that humanity will only repeat its past mistakes and ruin Genesis’s environment just like Earth’s, the authorities on Genesis have long sent warriors like Noemi to prevent such an influx. Accordingly, when Noemi learns it’s possible to destroy the Gate between the two star systems, she seizes the chance to do so. Acquiring the necessary tools, however, requires her not just to partner with Abel, but also to become the first Genesis citizen in generations to pass through the Gate and visit other star systems, where she witnesses the plight of others.

In addition to Noemi’s mission to destroy the Genesis Gate, her relationship with Abel drives the book forward. Love stories often take two people who are supposed to hate each other, throw them together, and turn the screws until love blooms. Gray’s version goes beyond this, taking two sworn enemies in an interstellar war and adding an even more unlikely twist: What if the protagonist’s love interest isn’t recognized as a person? What if he’s only supposed to be a machine?

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The Man of Legends by Kenneth Johnson: Q&A with the Author, Part 1

The Man of Legends by Kenneth Johnson: Q&A with the Author, Part 1

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Man-of-Legends-Cover-Kenneth-Johnson-Q-and-AThe Man of Legends is now available at Amazon in paperback, Kindle, and audiobook.

The title of the novel The Man of Legends refers to its central character and one of its numerous narrators: an enigmatic figure with a history stretching back to the ancient world. But the title can also apply to the book’s author, Kenneth Johnson. Although not as much a household word as Gene Roddenberry or Rod Serling, Johnson has left an indelible mark on a generation who grew up watching the shows he produced, developed, wrote, and directed: The Six Million Dollar Man, The Bionic Woman, The Incredible Hulk, V: The Original Miniseries, Alien Nation…

Basically, for people of my generation, Kenneth Johnson was our secret Gene Roddenberry, our hidden-in-plain-sight Rod Serling.

The Man of Legends feels like a declaration that Johnson’s legacy is no longer secret or hiding. Although he’s published novels before (most recently V: The Second Generation, a 2008 continuation of the 1983 miniseries), The Man of Legends is an original story that reads as a collation of the humanism in Johnson’s television and movie work. If a story about a cursed man forced to wander the world, helping people along the way even if it backfires on him, instantly calls up Bill Bixby as David Banner in The Incredible Hulk television show, it’s no coincidence. Johnson even tucks in a few direct references to the TV series. (“Don’t make me angry. You wouldn’t like me when I’m angry.”)

But The Man of Legends isn’t a retread. It’s a summation and expansion. This is unmistakably the work of the author who brought emotional power to David Banner’s lonely quest to be the best person he could while coping with an unconquerable rage and a relentless pursuer. But it’s also unmistakably the work of the author who crafted an anti-fascist epic about a panorama of people struggling against an abusive power (who also happened to be zoophagous alien reptiles). If you recall Kenneth’s Johnson’s brand of humanism and science-fiction excitement from his television work, The Man of Legends may be the best new novel you read in 2017.

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In 500 Words or Less: Revenger by Alastair Reynolds

In 500 Words or Less: Revenger by Alastair Reynolds

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oie_3005748uG2KzsYG (1)Revenger
Alastair Reynolds
Orbit (544 pages, $15.99 paperback, $9.99 eBook, September 2016)

Alastair Reynolds is one of the few authors I’ve read who manages to draw me into a standalone novel, immerse me with compelling characters and a complex world, and leave me begging for a sequel by the time I read the last page. He accomplished it with Terminal World. Then he did it again with House of Suns. And with my latest Reynolds read, Revenger, I sat back again and demanded out loud, “But wait – what happens next?!”

No one should be surprised when I say that Reynolds is a masterful storyteller. If you’re a fan of science fiction, you’ve probably at least heard his name – and if you haven’t, go pick up one of his books right now. Probably the best part about his writing is that it’s very much hard science fiction, but isn’t overly detailed or cumbersome the way I find a lot of hard SF writers to be (I lean way more toward soft SF and fantasy).

Reynolds’ work is always fast-paced and interesting, weaving the detailed science with just enough of the fantastic to add that sense of wonder and a perfect balance of action and character work. Revenger, for example, has the pacing of Firefly or Star Wars, so that even as he’s explaining the steampunkiness (is that a word?) of the starships and personal technology in the novel, you’re never mired in an info-dump or bored by too much scientific description, just to understand how everything works.

Revenger is particularly good because it’s a very human story: it focuses on two sisters who want to escape their homeworld and sign on with a starship crew not for pure escapism like Luke Skywalker, but specifically to earn money to help their father’s struggling business. What begins as a story of adventure and wild-eyed wonder as these sisters get to know their very first crew becomes a dark and harrowing tale almost immediately, as Reynolds takes his protagonists through multiple twists and unexpected locales.

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