Sometime in the mid-90’s I was headed into one of my favorite shops for contraband Cuban cigars, located on the edge of the French Quarter in New Orleans, when who holds the door for me but Nicolas Cage. I had literally loved him in everything he had done up to that point including Fast Times at Ridgemont High, Cotton Club and Racing with the Moon. This wasn’t too long after Cage had appeared in Wild at Heart which was intensely sexy in the weird David Lynch kind of way. And though I desperately wanted to stop Cage (was he single at that time? I don’t remember), if you don’t want to look like an obnoxious tourist in NOLA, you let people go about their business. So, I said “thanks” while looking at him as long as I dared, and went on in the shop.
By the mid-Eighties, fantasy films for adults had become a legit commercial genre releasing around a dozen medium to high-budget titles a year. For fantasy fans who’d lived through the slim pickings of the Sixties and Seventies, this was an embarrassment of riches. The fact that about half of these movies were embarrassments in other ways was something one could overlook, because if this week’s fantasy film was disappointing, next week’s might show you things you’d never before seen on the big screen. Which brings us to our current decidedly mixed bag of flicks of the fantastic, offering equal amounts of thrills and cringes. Wizardry ahead!
We all have our end-of-year rituals, those small ceremonies that prepare us to ring out the old year and ring in the new. For me, one of the most important is watching the current TCM Remembers, the annual short film with which Turner Classic Movies bids farewell to the film people that we’ve lost throughout the year. It’s always beautifully done, and it always makes me tear up, usually no more the thirty seconds in.
Some of its subjects — the more famous ones — come as no surprise, as I heard about their deaths when they occurred during the year. There will always be many people, though, that I only find out about when I watch the video, late in December. This year one of the people that I didn’t know was gone was William Smith, who died July 5th at the age of eighty-eight.
William Smith? Who was William Smith? Oh, you know him — I guarantee it. To say that he was a prolific actor is to greatly understate the case. He has two hundred and seventy-five movie and television credits listed on IMDB, the first a miniscule part in 1942’s The Ghost of Frankenstein when he was nine years old and the last in 2020, in the Steve Carell comedy Irresistible.
The Last Wolf (Knight Visions/Yellow Rose, December 12, 2020)
Documentaries seem to be sort of a thing right now. And they can be absolutely fascinating when the subject is something you’re into. The ones I most enjoy tend to be about my favorite bands, albums, or movies. But I especially like documentaries about my favorite authors, particularly when those authors are on the verge of being forgotten.
At Black Gate we often bemoan the neglect, or approaching neglect, of authors and works in the “speculative” field (broadly conceived). But that lament should be doubled when it comes to the late writer Karl Edward Wagner (1945–1994). Wagner was one of the greatest writers of horror and weird fantasy, in my humble opinion. And though he disavowed the term, I think he was also one of the greatest exemplar writers of sword and sorcery. (Wagner preferred the term “Gothic fantasy” to describe his own work.)
Trust the Brits to create nightmares from nursery rhymes. You’re probably familiar with “Ring Around the Rosie” and its reference to the Black Death of the mid-seventeenth century. When children on the playground fall down laughing at the end of this rhyme, they are reenacting the plague in which a quarter of London’s population dropped dead. The “ring-a-rosie” referred to the circular rash appearing on the infected, and the pocket full of posies were the floral sachets people carried with them to mask the ever-present smell of death.
Charming.
However, I recently became acquainted with one I children’s rhyme I hadn’t heard previously. “One for Sorrow” is a well-known, traditional children’s nursery rhyme that relates to magpies. It describes a superstition regarding the number of birds seen at a single time and whether that number means good or ill.
In adventure movies throughout the twentieth century, swords had been losing ground to guns as the hero’s weapon of choice. Though films of knights, pirates, and cavaliers had a strong start in the silent era, they were gradually sidelined over the decades as Western, gangster, and war movies came to the fore. By 1971, Dirty Harry and his ultra-macho Smith & Wesson .44 Magnum seemed to have put the nail in the coffin.
Then came Star Wars. And suddenly, out of the left field of Japanese samurai movies via the imagination of George Lucas, swords resumed their prominence. In the decade that followed, they even dominated for a while, falling back again during the Nineties to second place before Peter Jackson brought them back, seemingly for good, with The Lord of the Rings trilogy. So, from those of us who are sword fanciers, a hearty thank you to George Lucas, Peter Jackson — and Akira Kurosawa.
I really didn’t start streaming series’ until 2020. So, there were a lot of shows already completed; or with multiple seasons out there. Now, I mix them in with watching network shows on demand (I just finished first watch of Suits, was fantastic), and movies. Today, I’m going to talk about some streaming shows I think you should check out.
COBRA KAI
I’m going to start with the single-best streaming show I’ve watched yet. I just completed the recently dropped season four of this continuation of the original Karate Kid franchise. Every season has been excellent, and I think that four is the best; but I can’t say definitively one of the earlier ones wasn’t the best.
It was developed for YouTube, but when YouTube dropped original programming after season two, Netflix picked it up. Thank goodness!
The show starts 34 years after the events in the first Karate Kid movie. Johnny Lawrence’s (William Zabka) life fell apart that day he lost the All Valley Karate Championship because of The Kick. Episode one shows us what a mess he is. Meanwhile, Daniel LaRusso went on to running an expensive automobile empire, living the high life with his lovely wife. They are total contrasts.
Filmmakers jump on a hot new genre with alacrity if it looks like it can be reduced to an easily replicated formula. That was certainly the case with Eighties sword-and-sorcery films, which were happily adopted as a replacement for the dying genre of Westerns. Producers of formulaic genre and exploitation movies, such as the notorious Roger Corman, practically started an assembly line to produce quickie barbarian pictures. Following the heroic fantasy formula probably reached its qualitative peak with 1984’s Conan the Destroyer, which has a story by Marvel comics writers who had already worked out every variation of standard sword and sorcery plots and characters, so they knew what worked best. Following that film, the best fantasy movies of the later Eighties would be those that broke formula to a greater or lesser extent.
If you follow me on Facebook, you know that I enjoy posting in an ongoing series I call I Know that Actor. It started a year or two ago, as I was re-watching Columbo periodically. I love that show – and one of my favorite things about it is the wide-ranging guest stars. I’d see Robert Stack in this episode. And then, Leonard Nimoy in the next. Hey, that’s Jose Ferrer! And isn’t that Jane Greer? Man, Martin Sheen was young in that one! And I would snap a screen shot on my phone, or find a pic on the internet, from that episode.
I’d say a bit about them: mostly other roles I liked them in. Columbo was a Who’s Who of stars. And various FB friends would leave comments – often some other show or movie that person had been in. The posts and the discussion are always positive, and information is shared. I like adding something that isn’t negative to FB.
I watch/re-watch a lot of shows with guest stars, which feeds this game: Monk, Psych, Suits, House, Leverage, Burn Notice, In Plain Sight, Royal Pains (USA shows shared a lot of folks), Star Trek: Discovery -I’ve probably done a couple hundred posts.
Although the 1998 romantic comedy Sliding Doorsstarring Gwyneth Paltrow, John Hannah, John Lynch, and Jeanne Tripplehorn may not immediately spring to mind as a science fiction film, it is one of the two micro-alternate history films that can be used to really explore the concept of alternate history on the personal level, the other being the 1946 Christmas Classic It’s a Wonderful Life.
Both films focus their attention on how things would have been different if things had worked out differently. In George Bailey’s case, Clarence shows him what Bedford Falls would have been like if he had never been born. Sliding Doors explores two alternatives for Paltrow’s Helen.
The film opens with Helen (Paltrow) heading into her public relations office for a normal day. When she arrives and learns that she has been fired on trumped up charges, she heads back home. The film shows her both catching her train and missing the train by moments, setting into motion the branching timelines for Helen’s life.
In the world in which she catches her train, she meets James (Hannah) who tries to jolly her out of her funk. He fails and she returns to her apartment to discover that her boyfriend, Gerry (Lynch) is having an affair with Lydia (Tripplehorn). Fleeing the apartment, she eventually finds herself staying with her friend Anna (Zara Turner) and bumping into James again in a local restaurant. Over the next several weeks, she and James become friends, and possibly more, and he encourages her to open her own public relations firm.
In the world in which she misses her train, Helen decides to take a cab home and finds herself on the wrong end of a mugging. Stopping off at the hospital, by the time she gets him, all evidence of Gerry’s affair is long gone. While Gerry continues to struggle with his novel, Helen begins working two jobs to try to make ends meet. Gerry continues his affair and also gaslights Helen whenever she begins to question him about things.
