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Entertainment Weekly Gives Us Our First Look at Benedict Cumberbatch as Dr Strange

Entertainment Weekly Gives Us Our First Look at Benedict Cumberbatch as Dr Strange

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Entertainment Weekly Dr Strange-smallThe new issue of Entertainment Weekly, on sale tomorrow, offers us our first peek at Benedict Cumberbatch as sorcerer supreme Dr. Strange — and they’ve really nailed the look. As James Whitbrook at io9 puts it:

I am genuinely shocked at how close this adheres to Strange’s classic costume from the comics — it’s all there, the color scheme, the cloak, the eye of Agamotto dangling from his neck, It’s all there — right down to Strange’s greying hair. It really has leapt off the page of a Doctor Strange comic into real life, and it looks great.

Click the image at right for a bigger version.

Doctor Strange is one of two films in the Marvel Cinematic Universe scheduled to be released next year; the other is Captain America: Civil War (May 6). Principal photography on Dr Strange began last month, and it is scheduled to be released November 4. It also stars Tilda Swinton, Rachel McAdams, Chiwetel Ejiofor, and Mads Mikkelsen, and is directed by Scott Derrickson (The Messengers, Sinister).

The article reportedly will reveal the roles played by Cumberbatch’s co-stars for the first time. Read more details at the EW website, or read the complete article in the print issue. We last covered Entertainment Weekly with the February 2013 issue, which coincidentally featured Benedict Cumberbatch as Khan in Star Trek Into Darkness.

Star Trek Movie Rewatch: Star Trek II: The Wrath of Khan (1982)

Star Trek Movie Rewatch: Star Trek II: The Wrath of Khan (1982)

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Star Trek II The Wrath of Khan-small

You could say many things about William Shatner but you probably wouldn’t say he’s a subtle actor. Unless you compare his acting style to the delicate and restrained thespian stylings of Ricardo Montalban, who appears here as genetically enhanced super-overactor, Khan Noonien Singh. Two heavy hitters of the overacting community square off and naturally Kirk triumphs, but his win comes at a price.

The consensus regarding Star Trek films is that The Motion Picture was a lackluster effort and The Wrath of Khan was among the best — if not the best — of all of them. I’d agree that The Motion Picture had its fair share of issues but it also had a decent science fictional concept at its heart, and did a passable job at creating the sense of wonder that good science fiction often manages.

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Things Your Writing Teacher Never Told You: Season’s Greetings: Some Recommendations To Warm Your Cold Cockles

Things Your Writing Teacher Never Told You: Season’s Greetings: Some Recommendations To Warm Your Cold Cockles

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xmas carol 1-small

Regardless of whether you’re more a Scrooge or a Tiny Tim, I’ve got two recommendations that make perfect reading for the season (and a viewing and listening recommendation, if you haven’t got time to read both books).

The first is Hogfather, by Terry Pratchett (available in HC, ppb & ebook), set in the popular Discworld series. If there are still F/SF readers who haven’t encountered this quirky world before, it is a place much like our own. Magic may be real, but the wizards and witches and guards on the City Watch are as human, and eccentric, as any neighbor you’d want to meet. Pratchett’s novels defy fantasy conventions and rise above any preconceptions you might have about that sort of novel. They’re funny, and filled with wry social commentary and compassion for human weakness.

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Filling in the Gaps in my Education: Watching Buffy the Vampire Slayer for the First Time

Filling in the Gaps in my Education: Watching Buffy the Vampire Slayer for the First Time

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Whatchu talkin’ ’bout, Willis?

In nerd-world, my credibility is pretty good. Star Wars was the first movie I’d ever seen in theaters, I can name all the Super-Friends, read comics, I’ve sold a bunch of science fiction and fantasy stories, and I blog here.

However, my nerdish education and vocabulary has, until now, had a few embarrassing gaps.

Hi. My name is Derek and I have a problem. I never watched Buffy the Vampire Slayer, nor Firefly.

I have other nerd-world-related problems, like thinking Dr. Who is a bit dumb, never having cottoned to Lost, and not being that particularly drawn to zombies in any of their incarnations.

But, at least with Buffy, there’s no reason I can’t fix this. So, I’ve set out to correct this deficiency.

In the last 3 weeks, I’ve watched two and a half seasons. I have two sets of reactions: the frivolous ones and my reactions as a writer.

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The Halt And The Lame

The Halt And The Lame

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Heinlein WaldoOne of the details that made Richard Lester’s The Three Musketeers so unusual at the time of its filming (1973) was a level of realism previously unseen in the historical adventure movie, (think Errol Flynn’s The Adventures of Robin Hood). Lester showed us illness, filth, and poverty in  ways we hadn’t really seen in a movie that wasn’t about illness, filth, or poverty.

Aside: Oddly enough, there’s more realism of this kind in comedy than in any other genre, as though it’s okay to present disease and disfigurement in a way that make us laugh. (Disclaimer: the psychological basis of laughter is not the focus of this post)

Blade Runner did a similar kind of thing for SF movies. Maybe it wasn’t the first time we’d been shown a dark future, but it certainly was the first time we’d been shown one that wasn’t clean.  We may argue that George Lucas did it first, in the original Star Wars movie, where Luke was driving what was obviously a used flying car. (And that’s my Star Wars reference for today.)

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Goth Chick News: Universal Studios Goes Back to Its Roots and I Should Be Excited, But…

Goth Chick News: Universal Studios Goes Back to Its Roots and I Should Be Excited, But…

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Sofia Boutella as the Mummy of Cleopatra
Sofia Boutella as the Mummy of Cleopatra, perhaps?

This is the sort of news that should actually make me smile… a bit.

Instead, I’m pouring myself an adult beverage and doodling the word “why” all over the back of my 2015 Edward Gory calendar.

Before I explain cause of all the sadness, let’s peer into the black depths of Hollywood history…

As a fledgling movie studio in the early 1920’s Universal began to gain real public attention with its first two horror films The Hunchback of Notre Dame (1923) and Phantom of the Opera (1925).

But it wasn’t until 1928, when studio founder Carl Laemmle made his son, Carl Jr. head of Universal Pictures as a 21st birthday present, that the studio found what became its most popular genre. Carl Jr. took his childhood taste for the “penny dreadfuls,” mixed it with Daddy’s money and created a niche for the studio, beginning a series of horror films which extended into the 1950s, affectionately dubbed Universal Horror.

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Yesterday a Wizard Entered New York With a Case: The First Trailer for Fantastic Beasts and Where to Find Them

Yesterday a Wizard Entered New York With a Case: The First Trailer for Fantastic Beasts and Where to Find Them

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This appears to be the week for trailers. Perhaps the Friday before a new Star Wars film is a fertile time to announce new fantasy films? Whatever the case, hot on the heels of yesterday’s trailer for Star Trek Beyond, we have the first trailer for Fantastic Beasts And Where To Find Them, the long-anticipated cinematic return to the world of Harry Potter.

Set in New York in the 1920s, Fantastic Beasts And Where To Find Them follows the adventures of Newt Scamander (Eddie Redmayne) the famed magizoologist, as he mingles with New York City’s secret community of witches and wizards while compiling notes for his soon-to-be-famous book, Fantastic Beasts And Where To Find Them, the textbook Harry Potter and his friends still use 70 years later at Hogwarts.

Fantastic Beasts and Where to Find Them is based on the slender 42-page book of the same name by J. K. Rowling, first published in 2001. It is directed by David Yates, who directed the last four Harry Potter films, from a screenplay by Rowling. It stars Katherine Waterston, Alison Sudol, Samantha Morton, Colin Farrell, Jon Voight and Ron Perlman, and is scheduled to be released in November 2016.

“Let’s Never Do That Again”: Check Out The First Trailer For Star Trek Beyond

“Let’s Never Do That Again”: Check Out The First Trailer For Star Trek Beyond

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Now that J.J. Abrams, who directed the last two Star Trek movies, is off doing Star Wars, Paramount Pictures has brought in Justin Lin, the director of Fast & Furious, to helm the latest installment. This one sees the crew — at long last — starting their five-year mission to explore the frontier, which certainly piques my interest.

I’ve come to accept that this new generation of Star Trek is far removed from the cerebral TV show I remember. Abrams and his Fringe writing partners Roberto Orci and Alex Kurtzman have instead turned the property into an action-movie franchise, with fist fights, explosions, and a pounding rock soundtrack. On the other hand, the script this time was co-authored by Simon Pegg, who plays Scotty and who previously wrote Shaun of the Dead, Hot Fuzz, and The World’s End, so that a least promises a fresh perspective. Have a look at the first trailer, just released this morning, and let me know what you think.

Star Trek Beyond is being produced by Skydance and Bad Robot Productions, and will arrive in theaters on July 22, 2016.

Things Your Writing Teacher Never Told You: It Was Only A Dream…

Things Your Writing Teacher Never Told You: It Was Only A Dream…

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Dallas JR EwingJust as there are certain guitar licks, walkdowns, turnarounds, and other patterns that can help with the flow and structure of a song, writing and storytelling have some generic techniques that can be used to great effect, or great failure, depending on how, when, and why they’re applied.

The most universal and familiar in fiction is probably the framing device that starts many children’s stories: “Once upon a time…” and ends them with, “And they lived happily ever after.” Those phrases are an emotional touchstone for most readers, taking them back to a magical time when stories were a centerpiece to our lives.

But most of these shortcut techniques aren’t used as often, and aren’t guaranteed to evoke a specific emotional response. Let’s look at a risky writing technique: The “It Was Only A Dream…” ending.

I generally hate this kind of ending, because it feels like a trick. It feels like the writer is chanting “Neener neener!” and laughing at the audience who fell for this prank.

However, as Eric Cherry (my frequent writing-neepery partner) and I explored specific instances of it being used, I realized that I didn’t always hate it. I just have such a strong emotional reaction when it’s used badly that it overshadows my appreciation of the times when it’s used well.

To use it in a way that respects the audience, it should shine the light of what we know about the story through a prism that reveals new facets to the story, rather than negating all that came before. It should make us embrace what we’ve already experienced within the story, and then view all of that in a new way.

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Thinking About What Makes The Shining and The Exorcist Work

Thinking About What Makes The Shining and The Exorcist Work

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Linda-Blair-in-The-Exorcist-1973
Aw, man. This just ain’t right.

Sometimes in the course of growing as a writer, you fluke into a success before you grow the skills to consistently hit that success. My second-ever fiction sale was to Asimov’s Science Fiction in 2008 and over the following two-and-a-half years, I collected nothing but rejections from them.

My 2008 story had accidentally included enough good elements that it made it into the magazine, but I didn’t understand what those science fictional elements were or how to use them properly until about 2011.

I think the same thing happened to me with a story called “Dog’s Paw.” I thought I’d been writing a lit story when in fact, I had included horror elements that eventually got it published in a horror anthology, Ellen Datlow’s Best Horror of the Year, and a superb audio version at Pseudopod.org (British people make everything sound extra-good). After my experience with my 2008 Asimov’s story, I was under no illusions that I was a competent horror writer, just a lucky one.

This spring, I decided to try to write a horror story. Knowing my weakness, I deliberately tried to figure out what goes into a good horror story. And when I want to analyze story structure, I go first to movies, because I find it easier to see the moving parts.

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