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Leigh Brackett, J.R.R. Tolkien, and Appendix N: Advanced Readings in D&D

Leigh Brackett, J.R.R. Tolkien, and Appendix N: Advanced Readings in D&D

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The Galactic Breed-smallAnd so we come to the end of our extended journey through Gygax’s Appendix N, at the hands of our intrepid guides Tim Callahan and Mordicai Knode at Tor.com.

We haven’t always agreed with the opinions of Messieurs Callahan and Knode. But that’s okay. More than okay, really… what’s the point of following along with a literary survey if we don’t get to pound the table occasionally and shout “You lunkheads!” Really, the primary pleasure we old-timers get these days is disagreeing with self-proclaimed experts. Loudly, and at length.

But overall I think Callahan and Knode, the Lewis and Clark of Appendix N, have done a fine job. They’ve surveyed every entry in Gary Gygax’s original list of authors who influenced Dungeons and Dragons, just as they promised when they set out nine months ago. Along the way, they’ve shared their opinions — sometimes as informed experts, sometimes as newbies coming to the work of the masters for the first time.

And at every stop, they’ve been honest with us on whether or not the books spoke to them as modern readers. I don’t think we can ask for anything more than that.

I’m going to miss following along with Tim and Mordicai. Whether I agreed with them or not — nodding along with “Yup, yer darn tootin’,” or banging my head on the table and cursing every reader born after 1990 — they were always entertaining, enlightening, and frequently very funny.

But we still have two last articles to examine: Mordicai’s appreciation of the grand old lady of science fantasy, Leigh Brackett, and Mordicai and Tim’s wrap-up of the entire series, their salute to J.R.R. Tolkien. Let’s see if these last two pieces bring more nodding, or table-banging.

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Vintage Treasures: The Spell of Seven, edited by L. Sprague de Camp

Vintage Treasures: The Spell of Seven, edited by L. Sprague de Camp

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The Spell of Seven-smallIt takes real effort to keep on top of even a fraction of the exciting new work in the fantasy genre every week. Between the print magazines, online outlets like Subterranean and Beneath Ceaseless Skies, paperbacks, hardcovers, and self-published and independent work from talented folks just outside mainstream publishing, it’s exhausting. Luckily, it’s also extremely rewarding, and I feel fortunate indeed to be part of such a lively and vibrant branch of literature.

Of course, there are also weeks when I say, “The hell with it,” and settle in with a great vintage paperback.

This was one of those weeks. And the book that lured me away from the latest crop of promising new writers clamoring for my attention was L. Sprague de Camp’s The Spell of Seven, a slender sword & sorcery anthology from 1965.

I’ll admit up front that I thought that The Spell of Seven was a standalone title. I’m a child of the late 20th Century; when a book is part of a series, I expect the publisher to sell me on that up front. (It’s easier to mug me for more money that way.)

Fortunately, I have the collective hive-mind of Black Gate to call upon. One of the great lobes of that mind is Brian Murphy, who pointed out that the book was a follow-up to De Camp’s seminal S&S anthology Swords and Sorcery, and part of a successful series that would eventually evolve into a four volume survey from Pyramid Books covering the most important heroic fantasy of the time.

Here are Brian’s comments, taken from his 2011 review of The Fantastic Swordsmen.

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Vintage Treasures: The Last Planet by Andre Norton

Vintage Treasures: The Last Planet by Andre Norton

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The Last Planet-smallAndre Norton’s The Last Planet may have been the first Ace Double I ever saw.

Memory is a tricky thing, so I can’t really be sure. It may have been Daybreak — 2250, which sat enticingly in the spinner racks of the St. Francis Junior High School library in Halifax, Nova Scotia. But The Last Planet was almost certainly the first Ace Double I laid eyes on which I was aware was an Ace Double, with a sister book on the flip side and everything (in this case, Alan E. Nourse’s futuristic thriller A Man Obsessed.)

By then, I had begun to build my own collection of SF paperbacks and this fascinating relic of early SF adventure helped pull me towards the entire Ace Double line, like a shipwrecked sailor drawn towards a desert island. A big, lush desert island with a gorgeous library.

It’s Harry Barton’s classic cover for the 1955 paperback that really did it for me. I’ve never read The Last Planet — it took me years just to track down a copy — but nonetheless it has loomed large in my imagination for decades. Three stalwart space explorers, walking through the ruins of an alien city as their crashed spacecraft cools in the foothills behind them, about to stumble upon a metal robot, hiding in the rubble and clutching a rudimentary weapon.

How could it not? For me, at least, it’s one of the signature works of 20th Century SF artwork.

In the years that I searched for a copy, I imagined the story of those three explorers. Would they shoot the robot? Was it friendly? Could be friendly, with those big google-eyes and curious gaze. Those red-shirted explorers looked awfully trigger happy though, with their steely gazes and twitchy hands on their futuristic sidearms. Lords knows, you can’t blame a redshirt for being trigger-happy on an away mission.

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Two-Fisted Justice in an Abandoned Cemetery: Will Esiner’s The Spirit

Two-Fisted Justice in an Abandoned Cemetery: Will Esiner’s The Spirit

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The Spirit 23-smallWill Eisner is one of the most revered comic creators of the 20th Century, and for good reason. I’m continually astounded at the skill and command of the medium he exhibited, even at an early age.

He was inducted into the Academy of Comic Book Arts Hall of Fame in 1971 and he virtually created the graphic novel with his 1978 masterwork A Contract with God. Comic’s most prestigious awards, the Eisner Awards, were created in his honor in 1988.

So I’m a little disappointed that his most famous creation, the good humored crime-fighter The Spirit, isn’t more well known today.

The Spirit is flat-out one of my favorite early comics. Beginning his career as detective Denny Colt, shot and left for dead in the first three pages of his premiere appearance, the Spirit awakens in the abandoned and overgrown Wildwood Cemetery. From this new base of operations, and with his past virtually obliterated, The Spirit throws himself into life as a crime fighter, disguising his identity with a small domino mask (which he wears even while sleeping), an amazingly resilient business suit, fedora hat, and gloves.

With his sidekick Ebony White, an uneducated but resourceful black orphan (who sleeps in a sock drawer), the Spirit traveled the world, bringing justice to criminals and con men all over the world.

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Lust, Women, and the Devil: Seven Decades of Fritz Leiber’s Conjure Wife

Lust, Women, and the Devil: Seven Decades of Fritz Leiber’s Conjure Wife

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Conjure Wife-small There are a lot of fascinating things you can learn about 20th Century America — and America today — by being a compulsive paperback collector. Seriously. It’s like being a Cultural Anthropologist.

Let’s take a look at Fritz Leiber’s first novel, Conjure Wife. In fact, it’s a near perfect example. The book has been reprinted around a dozen times by roughly as many publishers over the last 70 years, and each time the cover art and marketing copy tell you as much about society as they do about the book. More, even.

First, it helps to know a little about the novel. Conjure Wife was written in 1943; it’s a supernatural horror novel that imagines that witchcraft is an ancient secret shared by most women. Our protagonist Norman Saylor, a professor at a small town college, accidentally discovers that his wife Tansy is a witch. When he convinces her to abandon the mysterious art, the couple rapidly find their luck changing for the worse. Turns out that Tansy’s various charms were the only thing protecting them from an intricate web of curses and counter-spells cast by the women around them.

I always thought that was a fascinating premise. If it seems familiar, it’s because the story has filtered into public consciousness since 1943 — it’s been filmed at least three times: the Lon Chaney, Jr. feature Weird Woman (1944), the Charles Beaumont and Richard Matheson collaboration Burn, Witch, Burn! (1962), and Lana Turner’s final film, Witches’ Brew (1980). Of course, the concept of a community of witches and warlocks living secretly among us has gradually become a popular fantasy trope — used in Jimmy Stewart’s 1958 fantasy Bell, Book and Candle, just for example, as well as the 1964 to 1972 TV series Bewitched, and even the Harry Potter novels.

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Vintage Treasures: The Man Who Awoke by Laurence Manning

Vintage Treasures: The Man Who Awoke by Laurence Manning

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The Man Who Awoke-smallI love dollar bins. If you’ve ever been in the Dealer’s Room at a convention, or any decent bookstore, you know what I’m talking about. The jumbled box at the foot of the booth, virtually ignored, with a hand-scrawled note on the lid: “All books — $1.”

I was at Capricon 34 this weekend here in Chicago and dropped by Greg Ketter’s booth in the Dealer’s Room. Greg is a great guy, owner of DreamHaven Books in Minneapolis, one of the last great science fiction bookstores. I’m pretty sure I was in the middle of a conversation with someone when I saw three boxes peeking under from under his booth with a hand-written “$1” sign. Next thing I know, I’m sitting on the floor, surrounded by neat little stacks of books on the carpet.

There’s nothing like finding a book you’ve always wanted in a dollar bin. Except maybe finding a treasure you didn’t even know existed. And that’s what happened when I pulled out a pristine copy of Laurence Manning’s 1975 paperback The Man Who Awoke from the bottom of the box.

The Man Who Awoke is a collection of five novelettes originally published in Wonder Stories in 1933. It follows the adventures of Norman Winters, a scientist who finds a way to put himself into suspended animation and wake up every 5,000 years. He encounters vastly changed human civilizations at every stop, until he awakens one last time in the year 25,000 A.D.

I read the first story in the pages of that pinnacle of Western Modern Literature, Isaac Asimov’s pulp anthology Before the Golden Age, and really enjoyed it. Winters awakens in 5,000 A.D. to find the city of New York gone, and in its place a thick forest — and humanity struggling to survive.

It was a rip-snortin’ slice of pulp escapism… or was it?

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As Tartary Burns

As Tartary Burns

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As-Tartary-Burns-smalltumblr_makahwr3RL1rs6hqwo1_500-smallAs Tartary Burns is the debut novel by Riley Hogan and is newly published by Airship 27. Calling the novel pulp fiction isn’t completely accurate. Hogan finds himself in the same position as the standout talents of the pulp world of the 1920s and 1930s who were published in the pulps, but whose prose was more polished and literate than most of their peers to the degree that it seems an oversight they were passed up by the slicks. Many of those talents today are recognized as having lasting literary value. So it is with As Tartary Burns, an ambitious fast-paced historical adventure that presents an alternate history of the Cossacks, Ottomans, and Crimeans.

Hogan’s book has been likened to Robert E. Howard and Harold Lamb. One reviewer suggests comparison to the film Braveheart. I felt it read like a stream-lined Game of Thrones with the explicit sex and language excised. Hogan is possessed not only of an obvious passion for history, but a pride in the culture, folklore, and religion of these people to the degree that one wonders if it is his own heritage. His reshaping of world events makes one curious if he plans not so much a conventional follow-up, but rather an expanding alternate history of the world set in different epochs.

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Vintage Treasures: The Legion of Space by Jack Williamson

Vintage Treasures: The Legion of Space by Jack Williamson

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The Legion of Space-smallA few months ago I wrote about The Best of Jack Williamson, a fun refresher course for me in one of the great science fiction writers of the pulp era. It also reminded me that I wanted to read his Legion of Space novels, one of the most popular pre-Campbell space operas.

Time is running out, too. Isaac Asimov, a huge fan of The Legion of Space when he first read it in Astounding Stories in 1934, sadly found it virtually unreadable when he returned to it as an adult. It’s not unusual for these early pulp novels to be a tough read as you get a little older — if you want to really enjoy them, you pretty much have to experience them first in your youth. And since I turn 50 this year, I figured I better get cracking.

The story goes that Jack Williamson was in a Great Books course when he heard that Henryk Sienkiewicz, the Nobel Prize-winning writer of Quo Vadis, had written at least one of his novels by mashing The Three Musketeers with Shakespeare’s John Falstaff. Recognizing a brilliant idea when he heard it, the young Williamson took Falstaff and the Musketeers and shot them into space, and went looking for a market for his new masterpiece.

Williamson’s Legion, the military and police arm of the newly-liberated Solar System, was led by Jay Kalam and the brilliant warrior Hal Samdu. The part of Falstaff is played by Giles Habibula (frequently described on the jacket copy as “the incomparable Giles Habibula!”, with an exclamation mark). The setting is the 30th Century, where the solar system is colonized but mankind dares venture no further, since the first team of interstellar explorers to Barnard’s Star returned as barely-alive madmen, babbling about a massive planet filled with deadly aliens — and a city inhabited by evil “Medusae,” floating jellyfish with terrible powers.

Astounding turned out to be the right market at the right time. Editor F. Orlin Tremaine published The Legion of Space as a five-part serial, beginning in April 1934. It was a success and Williamson followed with The Cometeers, a four-part serial in Astounding starting  in May 1936, and then One Against the Legion, a three-parter starting in April 1939. All three were collected in 1980 as Three from the Legion; one of the first books I ever purchased from the Science Fiction Book Club. Williamson re-visited the Legion a final time, nearly 50 years after he penned their first adventure, with The Queen of the Legion, an epic set after the disbanding of the Legion. It was published in 1983.

I’ve been reading a lot of pulp fiction recently, and mostly enjoying it — especially the short work of Clark Ashton Smith (“The Vaults of Yoh-Vombis“), Murray Leinster (“Proxima Centauri“), and the fanzines that cover the pulps, like Fantasy Review. I have high hopes that The Legion of Space will add to that list.

Galaxy Science Fiction, August 1951: A Retro-Review

Galaxy Science Fiction, August 1951: A Retro-Review

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Galaxy Science Fiction August 1951-smallSometimes when I look at the table of contents for Galaxy, I can almost hear Horace Gold chuckling. In the August, 1951 issue, for example, there are stories from both Lester del Rey and Ray Bradbury. But every issue is full of talented authors, though some became more famous with the passage of time. I think it would be a struggle to compete against such a formidable magazine.

“Beyond Bedlam” by Wyman Guin — Everyone in society has Multiple Personality Disorder with two strong personalities. The treatment is to allow each personality to live on its own for five days at a time, and the rules of society forbid interacting with the worlds of one’s own alternate personality. Each personality has its own name, its own job, its own spouse. Yet in the case of Bill and Conrad, who share a single body, their wives are within the same physical body. Bill’s curiosity leads him into an interaction with Conrad’s wife, and over time, it develops into an affair — something that the Medicorps would deal with severely if they found out.

Guin mistakenly uses the term schizophrenia throughout the piece, but there has been confusion between that and Multiple Personality Disorder for decades, so it’s easily ignored. This is really an amazing story — highly imaginative and suspenseful. It pulled me along quickly and I couldn’t tell where it would go; I just knew I wanted to find out. This was my favorite piece in the issue.

“Operation Distress” by Lester del Rey — During his return trip from Mars, Bill Adams notices a rash on his hands. It quickly spreads, and he’s denied clearance to land on Earth. Instead, he’s ordered to land on the moon, where a dedicated, risk-taking physician will assess his health. If Bill’s carrying a new disease, it will likely kill both men.

One curiosity beyond the story: the byline had a typo of Lester del Ray. Oops. The logistics within the story felt very realistic. It’s well-written with a nice pace. And it’s interesting that a story with such a dire plot can have a genuine, light-hearted ending.

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Sgt. Janus Returns

Sgt. Janus Returns

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Sgt._Janus_ReturnssgtjanusJim Beard made quite a splash in the New Pulp community when he introduced an original occult detective character in Sgt. Janus, Spirit-Breaker in 2012. There has been a rich history of Holmesian occult detectives, but Beard appeared to have been the first to hit upon the brilliant concept of having each short story in the volume narrated by a different client of the detective. It was a simple, but highly effective means of giving eight different perspectives on the character.

Beard also took the unexpected decision to kill off his character at the end of the last story in the collection. Imagine if A Study in Scarlet had concluded with Holmes plunging to his death at the Reichenbach Falls and you have a clear notion of what a bold and unexpected move it was to make for an author who had already managed to raise the bar in a genre that many believed had been exhausted of fresh ideas.

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