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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read The Hour of the Dragon

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read The Hour of the Dragon

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The Hour of the Dragon Berkley fold out-smallHoward Andrew Jones and Bill Ward continue their re-read of The Bloody Crown of Conan by Robert E. Howard, the second of three omnibus volumes collecting the complete tales of Conan, with the full-fledged novel The Hour of the Dragon. It was originally published in five parts in Weird Tales, from December 1935 to April 1936.

Howard: Robert E. Howard was at the top of his game when he wrote it. For decades there was nothing with which to compare this novel on an apple to apple basis because it was so far ahead of what anyone else had done…

Bill: The novel… was the result of a solicitation from a British publisher for a full-length pulp adventure from REH… After an abortive stab at the planetary romance novel Almuric, left unfinished by REH and possibly later completed by his agent, Otis Aldebert Kline, REH turned again to the Cimmerian and his Hyborian landscapes. And it is to King Conan, whom we have not seen since “The Scarlet Citadel,” that REH returns to for his epic… King Conan is betrayed and captured by conspirators aided by a powerful wizard, and his throne usurped by an Aquilonian nobleman… the quick set-up of Conan’s betrayal and capture on the battlefield in “Citadel” becomes the far more memorable and exciting chapter in Dragon that sees Conan, about to lead his forces in battle, paralyzed by sorcery and his place on the field taken by another…

Next up, Bill and Howard dive into the third Rel Rey Conan collection, The Conquering Sword of Conan. Stay tuned.

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Robert E. Howard: Peering Behind the Veil of Life

Robert E. Howard: Peering Behind the Veil of Life

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NOTE: The following article was first published on May 9, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

delrey-kullsubterranean-kull-limited“The Mirrors of Tuzun Thune” is Robert E. Howard at his most poetic.

His writing had taken a quantum leap forward in quality compared with his earlier Kull stories as he transitioned from working in familiar genres to blazing a trail none had attempted before him. More than his gift for well-turned phrases and evoking imagery so powerful, it literally sears itself in the reader’s mind; Howard reaches for a depth of character and achieves a work that is both psychologically and philosophically rewarding.

Sadly, as the author would later tell his friend, Clyde Smith he was disappointed in the result and resolved to never attempt anything so deep again.

The tale starts off with Kull, plagued with ennui and yearning for something more substantive than riches, power, and transient beauty. The brooding king rejects the company of loyal Brule, the Pict who won his respect and friendship in “The Shadow Kingdom,” but foolishly takes the advice of an alluring Eastern female.

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Celebrating the 220th Anniversary of the Wold Newton Event

Celebrating the 220th Anniversary of the Wold Newton Event

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Tarzan_bigdshal_cvr_finalI have never disguised the fact that my fiction as well as much of my reading selections have been influenced by Wold Newton scholars. Whether one enjoys delving into the deeper world of holistic literary theories or not, there is so much information to be mined and speculation to consider that one could spend a lifetime devouring all of it. One of the foremost Wold Newton scholars active today, Win Scott Eckert today launches a new website on this, the 220th anniversary of the Wold Newton Event. woldnewtonfamily.com was created to provide “accurate and factual information on the canonical works by Philip José Farmer and on deuterocanonical works authorized by Mr. Farmer or his Literary Estate.” The following article defining what exactly is a Wold Newton tale was co-authored by Mr. Eckert with his fellow distinguished scholar and continuation author, Christopher Paul Carey. Thank you to John O’Neill for kindly allowing me to reprint their work here in commemoration of this important day for Wold Newtonians.

A Wold Newton tale must involve a character whom Philip José Farmer identified as a member of the Wold Newton Family, and/or it must add to our knowledge of the secret history that Farmer uncovered, which has come to be known as the “Wold Newton Universe.” It can also be a crossover story, but that is not required.

In recent years, generic crossover stories have come to be mistakenly referred to as “Wold Newton” tales. A mere crossover is not enough. With this in mind, a primer on Farmer’s discoveries regarding the Wold Newton Family is in order.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The People of the Black Circle”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The People of the Black Circle”

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people-of-the-black-circleHoward Andrew Jones and Bill Ward kick off their re-read of The Bloody Crown of Conan by Robert E. Howard, the second of three omnibus volumes collecting the complete tales of Conan, with perhaps my favorite Conan tale, the 80-page novella “The People of the Black Circle.” It was originally published in three parts in the September, October and November 1934 issues of Weird Tales.

Bill: It’s easy to see why “The People of the Black Circle” is a Conan fan-favorite: plot-twists and action galore, great supporting characters, an exotic but plausibly constructed setting, and fabulous villains using a host of inventive magic. Conan is the adventurer and rogue we’ve come to know over the last dozen or so stories, this time commanding a tribe of Afghuli raiders on the borders of Vedhya, the Hyborian Age equivalent of India. There are a few elements in the story that may recall others in the Conan saga, but this time around there is nothing that feels recycled or borrowed, indeed the whole story feels fresh and something of a departure from what has come before.

Howard: It was a grand adventure and a very different feel from the last little parcel of tales. I’m glad REH decided to vary his theme, and I’m scratching my head wondering why this story didn’t serve more often as a sword-and-sorcery template. Probably because its unique character made it far more difficult to imitate.

Next up, Bill and Howard dive into the first Conan novel, The Hour of the Dragon. Stay tuned.

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Kull and the Quest for Identity

Kull and the Quest for Identity

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Baen Kull Robert E Howard-smallkull-the-fabulous-warrior-king-198NOTE: The following article was first published on April 18, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Robert E. Howard’s “The Shadow Kingdom” is a remarkable advancement upon “Exile of Atlantis” and the “Am-ra of the Ta’an” fragments. Howard’s first published story of what will later be known as the Pre-Cataclysmic Age leaves behind the derivative world of Edgar Rice Burroughs pastiches to mine new territory in terms of character and setting as well as genre.

Kull, the barbarian who has recently seized the crown and now must struggle to keep it, marks a significant break from both Howard and the fantasy genre’s past while continuing to build upon the age-old theme of the outsider as noble savage. Howard was hardly the first young man who felt a sense of kinship with such characters. It is not hard to imagine the aspiring young writer, alienated in Cross Plains, pouring his feelings into the exiled Atlantean who remains an outcast even after rising to the throne of Valusia.

The story opens with Kull making a proper royal entrance. Unsurprisingly, the barbarian king’s empathy rests not with Valusia’s finest archers and trumpeters, but with the mercenaries paid to act as foot soldiers – men who show the king little respect, but who demonstrate integrity for all their brash honesty. This sets the stage for the introduction of Brule, the noble Pict destined to become Kull’s loyal companion. While Brule enters the series as a figure of suspicion, Kull soon modifies his opinion of the man’s character. Brule, like Kull, is a man of integrity.

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The Other Sax Rohmer

The Other Sax Rohmer

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bianca HCbianca italiaI recently penned an article examining the possibility that four privately-printed titles by The Theosophical Society of London might have been the work of a young Sax Rohmer since he and the author of the four theosophical works were both born in the UK as Arthur Henry Ward in 1883. Rohmer shared a lifelong interest in theosophy and occasionally wrote non-fiction pieces on the topic and other occult interests. The current article is concerned with a second mystery writer with the name Sax Rohmer or, more correctly stated, Elizabeth Sax Rohmer.

Credited on the back of her lone novel as the daughter of Sax Rohmer, Elizabeth was in fact his wife. Born Rose Elizabeth Knox into a family of Music Hall entertainers, her brother Teddy was one of The Crazy Gang whose influence in British comedy ranged from The Goon Show to Monty Python. While never as prolific as her husband, Elizabeth penned at least two short stories, “Spikey” and ” ‘arker” under the name Lisbeth Knox in 1924 and 1932, respectively. Under the name Elizabeth Sax Rohmer, she scripted a number of radio and television scripts with her husband. Sadly, no copies of the programs survive and her short fiction remains obscure.

Elizabeth Sax Rohmer’s lone novel, Bianca in Black was published in 1958. At the time, her husband was battling poor health and involved in a protracted court case over his literary rights. Strapped for cash, Elizabeth went to work on a novel herself for Thomas Bouregy’s Mystery House imprint in the US and for Ryerson Press in Canada. A paperback edition by Airmont would follow four years later. Elizabeth acknowledged that her husband helped her with the story and writing of the book. While it is clearly his wife’s work primarily, Sax Rohmer’s hand is evident in certain aspects. The story itself has some slight echoes of his 1954 mystery, The Moon is Red.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Devil in Iron”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Devil in Iron”

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Weird Tales August 1934-smallHoward Andrew Jones and Bill Ward wrap up their re-read of The Coming of Conan by Robert E. Howard, the first of the three Del Rey volumes, with “The Devil in Iron,” the last story in the collection, first published in the August 1934 issue of Weird Tales. Here’s Bill:

After an opening in which the supernatural juggernaut of the title is teased, we are treated to an outline of the plot to catch Conan on the very same island where we’ve just seen an ancient evil reborn. “The Devil in Iron” is heavily reminiscent of “Iron Shadows in the Moon” and “Xuthal of the Dusk,” but most especially the former… The story is a fitting capstone to this collection of the first Conan tales, being one more of the ‘formula’ stories, but also one of the best of those…

Overall “The Devil In Iron” feels in some ways like the remix of a favorite song, it’s old familiar territory that’s well worth traipsing through again, and a welcome return to form after last week’s “The Vale of Lost Women.” From this point on the stories get much longer, the plots more involved, and REH’s inspirations shift in new directions. It’s a fitting place to end the first of Del Rey’s Conan collections, The Coming of Conan.

Next up, Bill and Howard dive into the second Del Rey Robert E. Howard collection, The Bloody Crown of Conan, starting with the classic “The People of the Black Circle.” Stay tuned.

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New Treasures: The Unique Legacy of Weird Tales edited by Justin Everett and Jeffrey H. Shanks

New Treasures: The Unique Legacy of Weird Tales edited by Justin Everett and Jeffrey H. Shanks

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The Unique Legacy of Weird Tales-back-small The Unique Legacy of Weird Tales-small

I was extremely pleased to receive a review copy of Justin Everett and Jeffrey H. Shanks’ The Unique Legacy of Weird Tales, a fascinating collection of essays exploring the history and enormous impact of the most important fantasy magazine of all time.

While it’s primarily an academic volume (the first essay, by Jason Ray Carney, is titled “‘Something That Swayed as If in Unison’: The Artistic Authenticity of Weird Tales in the Interwar Periodical Culture of Modernism”) the book has plenty to offer casual fans. I’ve spent a few days with it now, dipping into various articles, and found it both educational and highly entertaining. This is a great volume for anyone who wants to understand why Weird Tales was so crucially important to the development of American fantasy, and the fan who’s just looking for recommendations on the best fantasy from the early Twentieth Century.

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Vintage Treasures: Beyond the Curtain of Dark edited by Peter Haining

Vintage Treasures: Beyond the Curtain of Dark edited by Peter Haining

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Beyond the Curtain of Dark Four Square Beyond the Curtain of Dark UK-small Beyond the Curtain of Dark-small

Peter Haining was a prolific editor, producing over 100 anthologies between 1965 and his death in 2007. Black Gate readers are probably most familiar with his Sherlock Holmes books (which Bob Byrne has mentioned more than once), his 1976 Weird Tales facsimile anthology, and his various volumes on the pulps, including The Fantastic Pulps (1976), Terror!: A History of Horror Illustrations from the Pulp Magazines (1977), Supernatural Sleuths (1986), and The Classic Era of American Pulp Magazines (2001).

I stumbled across a very rewarding anthology of horror stories in a $1 bin at Windy City Pulp and paper earlier this year. Beyond the Curtain of Dark was originally published in October 1966 in the UK by Four Square Books, with a delightful cover by Josh Kirby (above left). It was reissued in November 1972 by New English Library in the UK with a cover by the fabulous Bruce Pennington (middle), and in the US by Pinnacle Books (right, cover artist unknown). It contains 23 stories, a nice mix of pre-1910 fiction (nine stories by Ambrose Bierce, Edgar Allan Poe, Mary Shelley, Nathaniel Hawthorne, F. Marion Crawford and others) and pulp horror stories published between 1938-1965 (14 stories by Robert Bloch, Harry Harrison, Ray Bradbury, Theodore Sturgeon, Fredric Brown, H. P. Lovecraft and August Derleth, Henry Kuttner, Isaac Asimov, and others).

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Galaxy Science Fiction, January 1953: A Retro-Review

Galaxy Science Fiction, January 1953: A Retro-Review

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Galaxy Science Fiction January 1953-smallGalaxy rolled along into a new calendar year. Elsewhere in the United States, Dwight D. Eisenhower was about to begin his first term in office, succeeding Harry S. Truman. It’s amazing to sit back for a moment and realize how long ago all of this great fiction was published.

“The Defenders” by Philip K. Dick – Humanity has been underground for years while the United States and Russia fight a nuclear war. On the surface, robots called leadys fight for humans, detonating bombs that destroy and irradiate the earth. It’s a harsh life for humans, drudging out their years without sunlight, struggling to survive while producing weapons to win the war. Taylor gets called from his rest period to go with a team to the surface to investigate some inconsistent reports from the leadys. It’s a dangerous assignment, given the amount of destruction and radiation awaiting them, but it’s not one he can refuse.

I didn’t want to give more of a description in fear that I might spoil the story. It has a couple of surprising points – the first of which is somewhat easy to guess. It has a classic, Cold War feel to it, which adds to its charm. Philip K. Dick used the story as a basis for the novel The Penultimate Truth, published in 1964.

“Teething Ring” by James Causey – An alien visits Melinda at her home, though she doesn’t realize he isn’t human. The strange man asks to survey her in exchange for one of his devices. Although she selects something for herself, her toddler son takes interest in a neural distorter and won’t be dissuaded. Melinda offers the man a dollar for it and gives it to her son; after all, it keeps him quiet.

It’s a lighthearted tale, but I didn’t find it that interesting. It does, however, make for a good relief between “The Defenders” and “Life Sentence.”

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