Covers by Will Staehle, Amazing15, and Kieryn Tyler

Rod Duncan’s debut was the supernatural mystery trilogy The Fall of the Gas-Lit Empire, a series I found fascinating in part due to the main character, Elizabeth Barnabus, a woman who lives a double life as herself and as her brother, a private detective.

His next project, The Map of Unknown Things, is set in the same world. It opened with Queen of all Crows (2018), in which Elizabeth investigates the disappearance of an airship that went down in the Atlantic. Sydney Shields at The British Fantasy Society said “Duncan’s Gas-lit Empire reads and feels like the world of a Victorian detective adventure (think Sherlock Holmes, the Blake & Avery Mysteries, Charles Dickens) but the twist is that the year is actually 2012… Definitely recommend.” The Outlaw and the Upstart King was published last year, and the third volume, The Fugitive & the Vanishing Man, arrived in January of this year. Here’s an excerpt from the PW review:

Illusionist spy Elizabeth Barnabus has barely returned from her pirate voyage in The Outlaw and the Upstart King when she is forced to venture back to the fringes of the Gas-Lit Empire in the exhilarating third installment of Duncan’s The Map of Unknown Things series. Upon returning to London, Elizabeth must recount her adventures to the hostile Patent Office, a clever bit of exposition that will ease new readers into the steam punk world of this alternate history. When the Patent Office brands Elizabeth a traitor, she flees to America and the untamed wilds of the Oregon territory to track down her long-lost twin, Edwin, and prove her patriotism… But trouble’s brewing in Oregon, and Elizabeth is torn between loyalty to her twin or her beloved Empire. The charismatic duo at the heart of this adventure are sure to please.

The Fugitive & the Vanishing Man was published by Angry Robot on January 14, 2020. It is 401 pages, priced at $14.99 in trade paperback and $6.99 in digital formats. The cover is by Kieryn Tyler. Read the first three chapters at Issuu.com.

See all our recent coverage of the best new series fantasy here.

The Last Smile in Sunder City and Dead Man in a Ditch by Luke Arnold (Orbit, 2020). Covers by Emily Courdelle

Luke Arnold is an Australian actor and star of the pirate saga Black Sails. He played Silver John, a younger version of Long John Silver, the antagonist of Robert Louis Stevenson’s Treasure Island and one of the greatest characters in English literature.

Arnold is also an author, and earlier this year his fantasy debut The Last Smile in Sunder City (Orbit, February 2020) was selected by io9 as one of the SF & fantasy titles You Need to Know About. Kirkus gave it a warm review, saying:

The debut novel from Australian actor Arnold is a fusion of paranormal fantasy and mystery set in a world where magic has been effectively destroyed by humans, forcing the supernatural population to live a radically diminished existence. Fetch Phillips is a “Man for Hire,” which is another way of saying the down-on-his-luck, hard-drinking former Soldier–turned-detective will do just about anything to pay the bills. When a principal from a cross-species school enlists him to find a missing professor — a 300-year-old Vampire named Edmund Rye — Phillips quickly agrees. Without magic, the Vampires — and all other supernatural beings — are slowly dying. So how difficult could it be to find a withered bloodsucker who is so weak he can hardly move around?… The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and Dashiell Hammett.

Orbit promised the second volume would arrive in the Fall, and low and behold Dead Man in a Ditch arrived right on time last month. Here’s an excerpt from Annie Deo’s enthusiastic review at Nerd Daily.

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Read More Read More

Winds of Marque 2019 first edition (left, cover by Damonza) and 2020 re-release (middle, artist uncredited),
and the sequel Dark Star Rising (2020, uncredited). Published by Harper Voyager

Winds of Marque, the first volume in Bennett R. Coles’ Blackwood & Virtue space fantasy series, got my attention last year. Maybe it was the dynamite cover by Damonza, with the gorgeous orbital imagery — the four-masted deep space schooner and crossed swords — but I don’t know. I think I just have a soft spot for space pirate tales.

The book got fine notices. Publishers Weekly called it a “mix of retro and future naval adventures… Science fiction fans of the Hornblower or Aubrey/Maturin sailing sagas will likely thrill,” and Kirkus raved:

With solar sails hoisted and war with the Sectoids imminent, Imperial Navy Subcmdr. Liam Blackwood, enigmatic quartermaster Amelia Virtue, and the crew of the HMSS Daring must stop space pirates from disrupting human supply lines in the outer sectors in the first book in a new series…. the jaunty pace is unwavering and enjoyable… Traditional science fiction lovers may get distracted looking for more space tech, but lovers of classic high-seas adventures and those who enjoy genre-bending SF will find this swashbuckling space adventure a worthy read.

But a funny thing happened before the arrival of the second volume. Harper Voyager jettisoned the original cover for the June mass market reissue of Winds of Marque, replacing it with a much more staid portrait of second-in-command Liam Blackwood, looking pensive and square-jawed on deck. Dark Star Rising, when it arrived in September, featured a matching rendition of plucky quartermaster Amelia Virtue (the second half of “Blackwood & Virtue”) in an action pose. Now the books look a lot more like seafaring romances, and not space opera adventures.

Well, perhaps that’s the intention. I’m still deciding if I’ll pick up the second volume. Let me know what you think in the comments.

Covers by Sam Weber (Empire of Silence) and Kieran Yanner (Howling Dark and Demon in White)

Christopher Ruocchio’s debut novel Empire of Silence (DAW 2018) was the opening volume in the epic Sun Eater space opera. Library Journal called it a “wow book… stretched across a vast array of planets,” and my buddy Eric Flint labeled it “epic-scale space opera in the tradition of Iain M. Banks and Frank Herbert’s Dune.” Howling Dark, the second in the series, was published last July, and won Ruocchio an even wider audience.

The third novel, Demon in White, was easily one of the most anticipated novels of the summer. It was published in July and, with some 300 reviews at Goodreads, boasts an amazing 4.70 ranking — a rare accomplishment. Here’s an excerpt from my favorite Amazon review, from Dave Wilde.

The third novel in this science fiction series begins with palace intrigue so deadly and dangerous that even Hadrian the Half-Mortal thinks he might just be safer in the heat of battle.

Much of the story has Hadrian and Valka and the rest of Red Company digging through ruins or ensconced in study in an ancient library. Nevertheless, for those looking for breathtaking ferocious battle, it’s all here, nastier, dirtier, bloodier, and more terrifying. On the way, the legend of Hadrian grows as the royals fear he is on his way to becoming so powerful that even the throne will fall to him.

Balanced against fierce battles against mankind’s greatest enemies — the kind that views humans as cattle to be slaughtered for dinner — are mystical questions about fate and coincidence and free will and what forces are out there beyond history. Whose tool is Hadrian and who does he serve? And whose tools are the enemies? The fate of the universe just may hang in balance.

Demon in White was published by DAW Books on July 28, 2020. It is 784 pages, priced at $27 in hardcover and $14.99 in digital formats. The cover is by Kieran Yanner. See all our recent coverage of the best in new SF & Fantasy series here.