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Category: New Treasures

Embrace the Odd: The Fantasy Catalog of ChiZine Publications

Embrace the Odd: The Fantasy Catalog of ChiZine Publications

They Do the Same Things Different There-small We Will All Go Down Together-small Year's Best Weird Fiction-small

Last month, I attended the World Fantasy Convention in Washington D.C. (my first trip to the city) and had a marvelous time. I attended readings by over a dozen writers, sat in on terrific panels, and reconnected with close friends I haven’t seen in far too long.

But I probably spent the most time in the Dealers Room, where publishers and collectors laid out their wares on closely packed tables. We talk about a lot of new books here at Black Gate, and I’m proud of our coverage of the industry, but let me tell you — there’s nothing like wandering past stacks of newly-published fantasy titles from dozens of publishers to make you realize how woefully you’ve underrepresented the cavalcade of new books that have arrived in just the last few months.

I vowed that when I returned to our rooftop headquarters here in Chicago, I’d showcase those publishers that most impressed me — and not just with a book or two, but by trying to show you what it was like to stand in front of their tables in that room, with the full range of their current books on display. I’ve done that once already, with Valancourt Books; today I’d like to focus on one of the most innovative small press publishers in the field, the brilliant ChiZine Publications.

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The Return of Horror on the Orient Express

The Return of Horror on the Orient Express

Horror on the Orient Express-smallIn 1991, more than 23 years ago now, Chaosium published the most ambitious Call of Cthulhu adventure ever created: Horror on the Orient Express.

It was a huge undertaking — a complete campaign that  spanned the European continent, crammed into a box containing four lengthy books, numerous player handouts, a European route map; cardstock plans of the train that could be laid end-to-end; scrolls, and even luggage stickers. It wasn’t merely a high water mark for CoC; it was a template for how mega-adventures could be created.

The box retailed for $39.99, a lot for a role playing supplement in those days, and it didn’t really sell that well. It wasn’t long before it went out of print, and Chaosium — which invested heavily in the failed Mythos card game in the mid-90s — ran into financial difficulties and broke apart a few years later.

As a result, Horror on the Orient Express got lost in the shuffle. It was never reprinted and it rapidly became almost impossible to find. It was still talked about for many years by dedicated fans, however, and the combination of scarcity and its status as the pinnacle of CoC adventures meant it gradually acquired a legendary status.

Well, you know what happens to those rare game supplements (or books — or anything, really) that even determined fans can’t get their hands on. They become a holy grail for collectors. And that’s exactly what happened to Horror on the Orient Express. I started to see copies selling for $200-$300 and up, on those rare occasions I saw one at all.

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New Treasures: Lagoon by Nnedi Okorafor

New Treasures: Lagoon by Nnedi Okorafor

Lagoon Nnedi Okorafor-smallWhen Nnedi Okorafor’s first novel for adults, Who Fears Death, won the 2011 World Fantasy Award, a lot of people sat up and took notice.

It was also a 2011 Tiptree Honor Book, and a Nebula nominee. She followed it up the same year with her third YA title, Akata Witch, a Junior Library Guild Selection and an Andre Norton Award nominee. Her first collection, Kabu Kabu, appeared from Prime Books in 2013 — with a foreword by Whoopi Goldberg.

But it’s her second novel for adults that looks like it will really put her on the map. A tale of a strange alien invasion just offshore of the Nigerian city of Lagos, Lagoon has been getting a lot of the right kind of attention. It’s not yet for sale in the US, but it’s worth the effort to track drown a copy of the British edition.

Three strangers, each isolated by his or her own problems: Adaora, the marine biologist. Anthony, the rapper famous throughout Africa. Agu, the troubled soldier. Wandering Bar Beach in Lagos, Nigeria’s legendary mega-city, they’re more alone than they’ve ever been before.

But when something like a meteorite plunges into the ocean and a tidal wave overcomes them, these three people will find themselves bound together in ways they could never imagine. Together with Ayodele, a visitor from beyond the stars, they must race through Lagos and against time itself in order to save the city, the world… and themselves.

Lagoon was published in the UK by Hodder Paperbacks on Sept 25, 2014. It is 301 pages, priced at £8.99 in trade paperback, and £3.99 for the digital edition. The cover is by Joey Hi-fi.

Sample the Best of the Pulps with Wildside Pulp Classics

Sample the Best of the Pulps with Wildside Pulp Classics

Black Amazon of Mars-small Far Below and Other Horrors-small Hellhounds of the Cosmos-small

Back in September, I wrote a Vintage Treasures article about Clifford D. Simak’s Cemetery World. Simak is one of my favorite authors and much of his work — especially his early pulp fiction from the 30s and 40s — is tragically long out of print.

While I was researching the article, I discovered to my delight that Wildside Press had produced several slender volumes reprinting some of Simak’s pulp short stories, as part of the Wildside Pulp Classics line. I mentioned two: Hellhounds of the Cosmos and Other Tales From the Fourth Dimension and Impossible Things: 4 Classic Tales. As soon as I was done with the article, I ordered a copy of the former. The paperback edition was just $6.99 and it was hard to resist. It’s hardly the comprehensive Complete Short Stories I might wish for, but it did include the title story, a novelette from the June 1932 Astounding Stories that had been uncollected and out of print for nearly 80 years. And that was pretty cool.

When the book arrived, I was very pleased with it. It’s an oversized trade paperback with a glossy cover and quality paper. As I expected, it’s quite short — 142 pages — but it includes four complete tales, and the price is right.  It also includes an (uncredited) introduction, as well as a nice review of Simak’s career and the themes common in his work.

Naturally, I went back on the hunt to see what else Wildside had produced in a similar vein. It wasn’t long before I found collections for Leigh Brackett (Black Amazon of Mars and Other Tales from the Pulps), Fredric Brown (Daymare and Other Tales from the Pulps), E. Hoffmann Price (Satan’s Daughter and Other Tales from the Pulps), H. Bedford-Jones (The House of Skulls and Other Tales from the Pulps), Ray Cummings (The Fire People: Classic Science Fiction from the Pulps), Murray Leinster (The Runaway Skyscraper and Other Tales from the Pulps), and many others. Most were priced from $10-$15 or less (much less, for the digital editions).

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New Treasures: Gifts for the One Who Comes After by Helen Marshall

New Treasures: Gifts for the One Who Comes After by Helen Marshall

Gifts for the One Who Comes After-smallRecently I’ve talked at length (or “droned on and on,” as a few friendly readers have commented) about wandering through the Dealer’s Room at the World Fantasy Convention and discovering the splendid books produced by many of the most dynamic and exciting small press publishers in the industry, including  ValancourtHippocampus Press, Chizine, Prime Books, Taychon Press, and many more.

Of course, the Dealer’s Room isn’t the only way to discover fabulous new titles. Another is to talk to your fellow attendees and see what they recommend. Or you can attend the marvelous reading series put on by the convention. Or if you’re very lucky — as I was with Helen Marshall — you can do both. After hearing multiple rave review of her second collection, Gifts for the One Who Comes After, from panelists, authors, and fellow attendees, I was able to change my schedule at the last minute and slip into Helen’s reading — where I was thoroughly delighted. I dashed down to the Dealer’s Room and bought her book immediately. She is a major new talent, and you should investigate her work as soon as possible. I know I am.

Ghost thumbs. Microscopic dogs. One very sad can of tomato soup.

Helen Marshall’s second fiction collection offers a series of twisted surrealities that explore the legacies we pass on to our children. A son seeks to reconnect with his father through a telescope that sees into the past. A young girl discovers what lies on the other side of her mother’s bellybutton. Death’s wife prepares herself for a very special funeral.

In Gifts for the One Who Comes After, Marshall delivers seventeen tales of love and loss shot through with a profound sense of wonder. Dazzling, disturbing, and deeply moving.

Gifts for the One Who Comes After was published by ChiZine Publications on September 16, 2014. It is 268 pages, priced at $16.99 in trade paperback, and $9.99 for the digital version. The cover art is by Erik Mohr.

Keep Your Blaster Close: The Many Horrors of Outbreak: Deep Space

Keep Your Blaster Close: The Many Horrors of Outbreak: Deep Space

Outbreak Deep Space-smallBeing at the Games Plus Fall Auction can be an exhilarating experience. Take my discovery of Outbreak: Deep Space, just as an example.

There I am, sitting in the second row of the auction on October 4th, ninety minutes into the auction, wondering if I’ve blown my budget already. I’ve just made the decision to add up my purchases when the auctioneer holds up a brand new copy of Outbreak: Deep Space and starts the bidding at $5.

What the heck is that?, I think. And then, I have no idea, but it looks fantastic.

I immediately hold up my bidding card. Unfortunately, I’m not the only one to be intrigued by this strange gaming artifact. About a dozen bidders have their cards in the air, and the auctioneer quickly runs the price up to ten bucks. This is how you get in trouble, I remind myself. Bidding like mad on a book when you have absolutely no idea what it is. 

But my card stays in the air. The bidding hits 15 bucks, then blows past it. The cards around me are starting to waver and drop.

This thing could be on sale at Amazon for $10. Just because you’ve never seen a copy doesn’t mean it’s hard to find.

But I keep my card in the air. It’s a sharp-looking and professional bound hardcover — my instincts tell me it’s going to cost a lot more than 10 bucks to track down a copy if I miss out on this one. And besides… there’s more going on now than just bargain hunting. It looks like a science fiction horror RPG, and a very professional one. I’m deeply curious and willing to pay more than $15 for the opportunity to find out what it is.

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Celebrate the 25th Anniversary of Best New Horror

Celebrate the 25th Anniversary of Best New Horror

25th-anniversay-edition-best-new-horror-1-small 25th-anniversay-edition-best-new-horror-2-small

Stephen Jones has been editing an annual Best New Horror collection since 1990. The first five volumes were co-edited with Ramsey Campbell; since 1995 Jones has edited them solo. The 25th volume, now retitled The Mammoth Book of Best New Horror 25, was published by Robinson back in October.

Now PS Publishing is celebrating 25 years of Best New Horror by re-releasing the first two volumes in this groundbreaking series, with brand new comic-inspired covers by Lee Elias and Ken Bald. The first volume won both the 1991 British Fantasy Award and the 1991 World Fantasy Award for Best Anthology. They contain short fiction by Robert R. McCammon, Ramsey Campbell, Thomas Ligotti, Karl Edward Wagner, Peter Straub, K.W. Jetter, Jonathan Carroll, Ian R. MacLeod, Kim Newman, Gene Wolfe, and dozens of others.

The 25th Anniversary Edition of Best New Horror volumes 1 and 2 were edited by Stephen Jones and Ramsey Campbell and published in trade paperback in September and October of this year. They are priced at £11.99 and £12.99 respectively. Get more information, including the complete table of contents and snaps of the gorgeous wraparound covers, at the PS Publishing website here and here.

New Treasures: The Shotgun Arcana by R. S. Belcher

New Treasures: The Shotgun Arcana by R. S. Belcher

The Shotgun Arcana-smallWe covered R.S. Belcher’s first Golgotha novel, The Six-Gun Tarot, in April, as part of my review of the current crop of Weird Westerns. Now Belcher returns to the bustling frontier town of Golgotha, Nevada, a place that hides more than its fair share of unnatural secrets, in The Shotgun Arcana.

Don’t know much about this R. S. Belcher fellow. He doesn’t have a website, and his only other publications are two short stories that appeared in Star Trek: Strange New Worlds 9 and Deep Cuts.  A background check on the Black Gate supercomputer reveals that he runs Cosmic Castle, a comic book shop in Roanoke, Virginia, and that Tor.com interviewed him in October. That’s enough to make him alright in our book.

1870. A haven for the blessed and the damned, including a fallen angel, a mad scientist, a pirate queen, and a deputy who is kin to coyotes, Golgotha has come through many nightmarish trials, but now an army of thirty-two outlaws, lunatics, serial killers, and cannibals are converging on the town, drawn by a grisly relic that dates back to the Donner Party… and the dawn of humanity.

Sheriff Jon Highfather and his deputies already have their hands full dealing with train robbers, a mysterious series of brutal murders, and the usual outbreaks of weirdness. But with thirty-two of the most vicious killers on Earth riding into Golgotha in just a few day’s time, the town and its people will be tested as never before — and some of them will never be the same.

The Shotgun Arcana was published by Tor Books on October 7, 2014. It is 400 pages, priced at $25.99 in hardcover and $12.99 for the digital version. The deliciously creepy cover is by Raymond Swanland.

New Treasures: Suspicion by Alexandra Monir

New Treasures: Suspicion by Alexandra Monir

Alexandra Monir Suspicion-smallEvery reader has a guilty pleasure. I know people who secretly read Warhammer 40K novels on their lunch hours. Not me — those books are great, and I read them proudly. (Except for Graham McNeill’s A Thousand Sons, which made me cry. I read that stupid thing three times, and I hate it every time. Magnus the Red, you’re a big doofus.)

No, my guilty pleasure is supernatural romances. It used to be easier to get away with the occasional peek, until my daughter caught me stealing her books and gave me that Dad, you’re being weird look. But honey, I just read them for the articles.

I knew Suspicion was going to be hard to resist the moment Taylor brought it home. I love books with creepy mazes. Plus Jessica Brody described the book as “If Alfred Hitchcock had directed Downton Abbey,” which, let’s face it, doesn’t make matters any easier. The killing blow was Amy Plum’s blurb on the back cover: “Take The Princess Diaries and add magic, murder, and mystery and you’ve got Suspicion.” Aaargh. I love all those things. Now I’m secretly reading it late at night, and I hope no one sees me.

“There’s something hidden in the maze.”

Seventeen-year-old Imogen Rockford has never forgotten the last words her father said to her, before the blazing fire that consumed him, her mother, and the gardens of her family’s English country manor.

For seven years, images of her parents’ death have haunted Imogen’s dreams. In an effort to escape the past, she leaves Rockford Manor and moves to New York City with her new guardians. But some attachments prove impossible to shake — including her love for her handsome neighbor Sebastian Stanhope. Then a life-altering letter arrives that forces Imogen to return to the manor in England, where she quickly learns that dark secrets lurk behind Rockford’s aristocratic exterior. At their center is Imogen herself — and Sebastian, the boy she never stopped loving.

Combining spine-tingling mystery, romance, and unforgettable characters, Suspicion is an action-packed thrill ride.

Suspicion was published on December 9 by Delacorte Press. It is 295 pages, priced at $17.99 in hardcover and $11.99 for the digital version. The cover was designed by Alison Impey.

A Preliminary Look at Dragon Age: Inquisition

A Preliminary Look at Dragon Age: Inquisition

daI-coverIf you or anyone you know are into video gaming at all, you’ve been hearing a lot about Dragon Age: Inquisition lately (Official Bioware trailer here). Bioware’s latest installment in the Dragon Age series was released November 18th, and some of us have vanished down the rabbit hole after it. Well, more than a few of us: it premiered to strong sales and consistently solid reviews across the board. And having played it, it’s not hard to see why.

A little background first. When I was ten, my brother got a Nintendo. Dating myself, aren’t I? The original grey brick. My brother loved that thing. And I loved watching him play. But when I sat down to play Super Mario Bros., I couldn’t get past the first few levels. I tried for a while, then gave up in absolute frustration. I was convinced I was terrible at video games.

Then Final Fantasy VII came out. By then, I was in college and lived with three other friends. My then-fiance brought home a Playstation and we all took turns playing obsessively. I discovered that I COULD play. In fact, I was pretty good at it. I just had to find the right kind of game.

Flash forward another :cough: years, and Dragon Age: Origins. My eldest daughter was a newborn nurseling, and I played through four times. So it was with great excitement (and many warnings to my husband about his upcoming increase in child-related duties) that I anticipated November 18th, 2014.

And I have not been disappointed.

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