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Its [It’s] Q: The Winged Serpent on Blu-ray!

Its [It’s] Q: The Winged Serpent on Blu-ray!

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Q Winged Serpent Blu-ray CoverQ (1982)
Written, Produced, and Directed by Larry Cohen. Starring Michael Moriarty, David Carradine, Candy Clark, Richard Roundtree.

You want to know something that rocks? Actually, two things that rock, at least in my little world:

1. The Chrysler Building

2. Giant Monsters

So when you have a movie about a giant flying monster nesting in the Chrysler Building, you have something that rocks so hard it makes Van Halen sound like One Direction. Again, at least in my little world.

Video distributor Shout! Factory continued its stellar series of classic B-movie releases on Blu-ray in September with the HD debut of Q. This 1982 sleeper hit, concerning the Aztec god Quetzalcoatl (or a non-god of the same name) appearing in New York City as a humungous flying snake that likes to snap the heads off window washers and topless sunbathers, was always crying out for Shout! Factory to pluck it up.

The company has packaged the film with its alternate marketing title, Q: The Winged Serpent, and repeated the original tagline over the Boris Vallejo artwork: “It’s name is Quetzalcoatl… Just call it ‘Q’… that’s all you’ll have time to say before it tears you apart!” However, Shout! Factory fixed the original poster’s grammatical error, correcting It’s to Its. That is one of the few disappointments I have with their presentation of this nifty low budget flick; I know Shout! Factory doesn’t want to seem careless on the cover for their product, but that grammatical glitch adds charm to the story of a clueless low-life criminal/jazz pianist who holds New York hostage with a winged snake.

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My Favorite Fantasy Movies

My Favorite Fantasy Movies

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conan-the-barbarian-poster2-smallI love a good fantasy movie, and love to goof on bad ones, too. Fantasy is a genre that didn’t always translate well to the big screen, until the recent advances in CGI technology allowed studios to capture creatures such as dragons and Balrogs in all their glory.

Conan the Barbarian (1982)

Classic Schwarzenegger. Although this adaptation departs from the style (and story) of Robert E. Howard’s books, it retains the grit and raw muscular power of Conan in a way that the newer incarnation (sorry, Jason Momoa) couldn’t begin to match.

James Earl Jones was a masterstroke of casting as the villainous wizard Thulsa Doom. This film contains some unforgettable scenes: Conan growing up pushing that big mill wheel, the witch who had sex with Conan and then tried to kill him, breaking into the Temple of Set, the Tree of Woe, and of course the awesomely bloody climax where Conan cuts his way through legions of fanatics to eventually take the head of his enemy.

Conan, you taught us the riddle of steel, and for that we thank you.

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Gateway Drug: Excalibur

Gateway Drug: Excalibur

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Excalibur poster-smallFirst, I should say how delighted I am to be blogging here at Black Gate. Not only are the companions first-rate, but I’m thrilled to be able to talk about some of my favorite things: heroic fantasy, sword and sorcery, and mythology.

I came into fantasy the way a lot of people did: via Star Wars. Prior to that, I read almost exclusively hard science fiction, where the aliens and the spaceships were the point of the story, not window-dressing. But among the many other things Star Wars did for me in 1977 was nudging me into those realms of magic where not everything was concrete (or metal or plastic).

Once inspired, I read The Lord of the Rings like everyone did, although I confess that the microscopic font in the paperbacks almost scared me off, as well as the textbook-like appendices. Marvel’s Savage Sword of Conan comic led me to the original Howard stories, which I loved. But the thing that finally turned me into a bona fide, full-bore fantasy fan was Excalibur.

It came out the Summer after I graduated from high school. Much like music before Elvis, unless you know what fantasy movies were like before this, you can’t appreciate what an eye-opener this film was. Up until then, the only fantasy films around were family-friendly knock-offs of Star Wars, all aiming for that same market and all telling essentially the same story of a simple young man who sets off on a great, mostly chaste and bloodless, adventure.

Excalibur didn’t just boast sexy girls, it featured real sex. The battles were were filled with impaled knights and severed, blood-spurting limbs. The mysticism had the dark, heavy quality of church liturgy, nothing like the breezy simplicity of the Force. And in place of the serene Obi-Wan Kenobi or Gandalf, you had a Merlin who was half sage, half clown, and never as smart as he thought he was.

But the visual depiction of King Arthur was probably the single thing that changed my whole idea of fantasy.

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Goth Chick News: New Indy Horror — Skinwalker Ranch

Goth Chick News: New Indy Horror — Skinwalker Ranch

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image002I’m not saying the world is over the whole handheld camera, first person horror thing.

I mean, as long as Paranormal Activity 4 can take a $5M production budget and turn it into $54M in box office receipts, we will continue to be treated to a format that was once a novelty, but now needs to be really impressive to get serious audience attention.

Or attention at least.

Skinwalker Ranch may or may not fit the bill.

The premise is solid enough. Skinwalker Ranch, also known as Sherman Ranch, is a property located on approximately 480 acres southeast of Ballard, Utah, that is allegedly the site of paranormal and UFO-related activities. Its name is taken from the “skin-walker” of Native American legend.

And yes, it is a real place.

Claims about the ranch first appeared in the Salt Lake City, Utah Desret News back in 2006 and later in the alternative weekly Las Vegas Mercury as a series of articles by journalist George Knapp. Knapp and co-author Colm Kelleher subsequently authored a book, Hunt for the Skinwalker, in which they describe the ranch being acquired by the National Institute for Discovery Science (NIDSci) to study anecdotal sightings of UFOs, bigfoot-like creatures, crop circles, glowing orbs, and poltergeist activity reported by the former owners of Sherman Ranch.

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Adventures On Film: Pan’s Labyrinth

Adventures On Film: Pan’s Labyrinth

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Heart of Summer Having panned Merlin some weeks back, it’s time to dive headlong into one of the best fantasy films of this century, and possibly one of the best, period.

Yes, Pan’s Labyrinth (2006) is that good. Director Guillermo del Toro, he of Hellboy fame, was clearly out to prove that given solid material, sufficient devotion, and a lack of Hollywood oversight, he could deliver a contender.

True, Pan does invite several divisive questions, such as why must contemporary filmed violence be so jarringly graphic? Del Toro loves jets of blood almost as much as that eternal child-man, Quentin Tarantino, and he indulges himself more than once along his tale’s labyrinthine path. But is it necessary?  Does the vivid bloodletting aid the narrative? Pan is a hybrid, true, a film about war and revolution, and such chronicles cannot easily avoid bloodshed. But as anyone who has ever seen Pan’s sewing and stitching scene can attest, this movie achieves prime “I can’t look!” status. It’s visceral; it hurts.

Pan’s Labyrinth (El Laberinto del Fauno) also begs a second question, perhaps even more sinister: is it allowable to put a child (or child character) into such peril? Pan doesn’t pull its punches. Our heroine, young Ofelia (played with no affectation whatsoever by Ivana Baquero), is in mortal danger throughout this film, and unlike, say, Harry Potter or Buffy (Slayer of the Dentally Challenged Undead), there is no guarantee she will survive.

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J.K. Rowling Green Lights New Films in Harry Potter Universe

J.K. Rowling Green Lights New Films in Harry Potter Universe

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Fantastic Beasts and Where to Find Them-smallWord is bouncing around literary and media circles that the most popular franchise of the 21st Century — indeed, perhaps the most popular book series of all time — will be extended with new films.

Warner Bros. announced Thursday that the Harry Potter media franchise will expand with a series of spin-off films, inspired by Fantastic Beasts and Where to Find Them. Written by (fictional) author Newt Scamander, Fantastic Beasts was the textbook  introduced by Hagrid in his Care of Magical Creatures class in Harry Potter and the Prisoner of Azkaban — and later written and published by Rowling in a slender 42-page edition in 2001, shortly after Prisoner of Azkaban was released.

CEO of Warner Bros. Entertainment  Kevin Tsujihara elaborated in a statement:

Fantastic Beasts and Where to Find Them will be an original story. It is planned as the first picture in a new film series. Set in the wizarding world, the story will feature magical creatures and characters, some of which will be familiar to devoted Harry Potter fans.

I have to be honest and admit that I didn’t even know Rowling had written a real version of Fantastic Beasts and Where to Find Them and I had to look it up to make sure it was real (it is). It’s available in a combo-pack with Quidditch Through the Ages from Scholastic Books.

The movie is unusual in another respect — it will be the first one with a screenplay written by Rowling. The films will focus on the adventures of Newt Scamander and be set long before Harry’s birth. Here’s part of Rowling’s statement:

I already knew a lot about Newt. As hard-core Harry Potter fans will know, I liked him so much that I even married his grandson, Rolf, to one of my favourite characters from the Harry Potter series, Luna Lovegood… Fantastic Beasts and Where to Find Them is neither a prequel nor a sequel to the Harry Potter series, but an extension of the wizarding world… Newt’s story will start in New York, 70 years before Harry’s gets underway.

The release date for the first film has not been announced.

The 2013 ENnie Award Winners Announced at Gen Con

The 2013 ENnie Award Winners Announced at Gen Con

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Rise of the Runelords-smallThe Gen Con EN World RPG Awards were announced today.

The ENnies have proven very reliable at showcasing the best in innovation and excellence in role playing design and execution, and a fine predictor of long-term success — last year’s winners included some of the biggest products of the year, including Pelgrane Press’s Ashen Stars, Lords of Waterdeep from Wizards of the Coast, Savage Worlds Deluxe from Pinnacle, and the Pathfinder Roleplaying Game Beginner Box from Paizo.

This year, the winner’s circle is just as impressive, and includes Sarah Newton’s Achtung! Cthulhu, Shadows of Esteren from Agate Editions, the NPC Codex from Paizo Publishing, Night’s Black Agents from Pelgrane Press, Dungeon World from Sage Kobold Productions, Night’s Watch from Green Ronin — and the adventure I found most impressive this year, Paizo’s Rise of the Runelords, a massive 420-page compilation of the 6-part Pathfinder adventure.

Here’s the complete list of winners.

Best Adventure

  • Achtung! Cthulhu – Three Kings (Chronicle City/Modiphius Entertainment) *Silver Winner*
  • Pathfinder: Rise of the Runelords Anniversary Edition (Paizo Publishing) *Gold Winner*

Best Aid/Accessory

  • Night’s Watch (Green Ronin) *Gold Winner*
  • The Unspeakable Oath (Arc Dream Publishing) *Silver Winner*

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Gatchaman

Gatchaman

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GatchamanA couple weeks ago, I discussed one of the movies I saw at this year’s Fantasia film festival, OXV: The Manual (which has since won the festival award for Most Innovative Feature Film). The last film I saw at the festival this year was one of the ones I was most looking forward to: the international premiere of Gatchaman, an adaptation of the Japanese cartoon series Science Ninja Team Gatchaman (which you might know as Battle of the Planets or G-Force, depending on your age and place of residence in the 70s and 80s). My reaction to it was a bit complicated. As an adaptation, it’s mediocre at best; as a film it has serious issues. But I enjoyed it quite a bit. A hell of a lot, in fact. And yet … I can’t help but be aware it could have been better.

Some basic information first: the film was directed by Tôya Satô from a screenplay by Yûsuke Watanabe. It’s scheduled to go into wide release on August 24 in Japan. The original cartoon show ran for 105 episodes from late 1972 to late 1974, and in 1978 was repackaged for North American audiences (with significant edits and some new bits of animation) as Battle of the Planets. It got a second translation in the 80s as G-Force. In Japan, the series has spawned a number of sequel series, with a new series set to begin airing later this year.

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The Game is Afoot: Watch the Sherlock Season 3 Trailer

The Game is Afoot: Watch the Sherlock Season 3 Trailer

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When I was a young blogger, I swore I wouldn’t write predictable headlines like “The Game is Afoot: Watch the Sherlock Season 3 Trailer!” Now I’m a middle-aged blogger with deadline pressures and nothing is as satisfying and as reassuring as a predictable headline. Thank you for your indulgence.

Do you watch Sherlock? Of course you do. The BBC One crime drama starring Benedict Cumberbatch and Martin Freeman, which places Sir Arthur Conan Doyle’s famous detective and his trusted companion Watson in contemporary London and is one of the best things on television. It’s one of the very few shows on television my entire family watches together (the other was Firefly). Famously conceived by Doctor Who writers Mark Gatiss and Steven Moffat while they were commuting back and forth from Cardiff by train, Sherlock has had only two brief seasons so far, in 2010 and 2012, with one episode each season being written by Gatiss, Moffat, and Stephen Thompson.

The worst thing about Sherlock has been that there’s so very little of it, with only three 90-minute episodes per season, and a long drought between seasons. First time I watched Season One on Blu-ray, in fact, I kept checking the box to make sure I hadn’t missed a disk.

Season Two ended — naturally — on a killer cliffhanger, with Sherlock faking his suicide while Watson looked on. American fans in particular have been waiting impatiently for Season Three, which is slowly wrapping production in the UK. Two of the three episodes have been completed and on August 2 the brief Season Three teaser below was finally released by the BBC. No air date has been given, so for now it’s all we have. Enjoy.

Weird of Oz Conjures Up Some Other Horrors

Weird of Oz Conjures Up Some Other Horrors

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the-conjuring-poster-1This week, I’m going to take a break from the summer heat and my blogging of Arak, Son of Thunder to get all spooky on you. This is a topic I’d normally tackle in the autumn, closer to Hallowe’en, but it turns out that one of the surprise summer hits is a supernatural horror film called The Conjuring. If you enjoyed that film and are looking for some home-viewing follow-ups, here are a few to consider…

The Messengers (2007)

As the movie poster for The Messengers tells us, “There is evidence to suggest that children are highly susceptible to paranormal phenomena.”

One thing’s for certain: the children in this film certainly are.

A few years ago, I saw a subtitled edition of The Eye, the movie that put Hong Kong co-directors (and twin brothers) Danny and Oxide Pang on the American map, and it did induce chills. Here, as in that earlier film, the Pangs demonstrate their skill at evoking the dread of The Thing You Must Not See: you know something is behind you, but you can’t turn and look because what you’d see might make your heart freeze.

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