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Mage: The Hero Denied #9

Mage: The Hero Denied #9

Mage-9-smallSo there’s a weird thing that happens in superhero comics after they’ve been running for a while. No matter what sort of superhero we’re dealing with, how weak or powerful, eventually we start to see stories that begin with someone attacking them out of the blue, followed by the hero trying to figure out what’s happening. This happens even more often with superhero teams, since they tend to have publicly known headquarters. While these are sometimes set up as stories of revenge for some past defeat, more often it’s something along the lines of, “The hero is going to stop my evil plan, so before I even start the evil plan, I’m going to take out the hero.” Strangely, after the villain fails to take out the hero, they’ll just go ahead with the plan anyway. But in almost all of those stories, the hero wouldn’t even have KNOWN there was an evil plan if they hadn’t been attacked.

Kevin Matchstick is semi-retired at the start of Hero Denied. He has no idea that the Umbra Sprite has set up a new operation. He’s raising his kids and doing nothing that will cross his path with the Umbra Sprite. He’s not even looking for the Fisher King. Really, he doesn’t start moving until he’s attacked. And even then, he’s basically flailing about with no real focus until his wife and son are kidnapped.

So if the Umbra Sprite had just left Kevin Matchstick alone, he wouldn’t be coming after her. He wouldn’t even have known that anything was going on. Which I suppose is a lesson in how we often make bigger problems for ourselves by overthinking situations.

The issue opens with Kevin and Miranda driving through Fairy Land. Kevin’s got a dozen baseball bats in the backseat, ready to get charged up. I’m not sure how we’re meant to take that fact. On the one hand, it could mean that Kevin’s just getting ready for a lot of fighting. But since he can basically charge any object with magic energy, there is the question of why he’s chosen only to pack baseball bats instead of an assortment of weapons. Or why he doesn’t continue the habit he’s developed in the first half of this series of using improvisation to charge up whatever’s around. It might just be that he’s grasping for something familiar and comfortable as his world is torn apart.

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Derek Runs the Slowest of All Possible Give-aways: Announcing the Winner of Les Klinger’s Annotated Watchmen!

Derek Runs the Slowest of All Possible Give-aways: Announcing the Winner of Les Klinger’s Annotated Watchmen!

The Annotated Watchmen cover-small

I think I earned a new crown, folks! It took a lot of effort and waiting, but I think my patience has finally paid off: I am now officially the slowest book-give-away-runner at Black Gate!  *And the crowd cheers!* I would love to say that a trip to Egypt and two to China were the cause, but honestly, I was one hundred percent channelling Tree-Beard. Let’s not be hasty! Ho-hummmmm.

All that being said, when ents decide to act, they can also be downright precipitous, so I’d better do something!  More than a few weeks ago, I reviewed Les Klinger’s excellent new Annotated Watchmen edition, a giant coffee-table book. We had a slew of great entries, but alas, only one could win!

The entries consisted of one-line explanations of what the entrant thought the most influential element of Alan Moore and Dave Gibbon’s Watchmen. We present here the seven runners-up and the winner!

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Mage: The Hero Denied #8

Mage: The Hero Denied #8

Mage The Hero Denied 8-smallSo I’m starting work on my review for Mage: The Hero Denied #9, when I realize that, while I wrote a rather lengthy review of issue #8, I never got around to posting it. Expect the next review in the next week or so.

See the previous reviews in this series here.

Being a fifteen-issue series, issue #8 is obviously the halfway point for the story and as such we expect it to be something of a turning point. And while some parts of the story are very predictable for a mid-point chapter, this issue did manage to surprise me a few times. The two starting points are Magda waking up in the villains’ lair and Kevin facing the ogre that trashed his house. Magda gets the stereotypical James Bond treatment, where her enemy sets her up in a luxury suite and promises to provide her with every comfort before killing her. And Kevin gets pummeled by a monster. But then both story threads go in unexpected directions.

It starts with the way that Kevin handles the ogre. His focus here is on finding his family and since killing the ogre won’t help him in that goal, he refuses to fight back. The result is that the ogre starts tossing him around while Kevin just keeps asking where his family’s been taken. This isn’t the strike-first and ask-questions-later approach that we expect from Kevin. It’s the tactic of a more responsible hero who is controlling his rage so that he can achieve a more important goal than just defeating the monster.

The scene switches to Magda demanding to see her children. And here we see another parallel between Magda and the Umbra Sprite. She’s told that the Umbra Sprite values her daughters as much as Magda values her children. She’s then reunited with Hugo. And we’re left to wonder what’s happened to Miranda.

Back to Kevin, who continues to get pummeled by the monster, refusing to fight back until his questions are answered. But then he discovers that only Hugo and Magda were captured. Miranda is hiding in the rubble. Once he realizes that his daughter is there and could be harmed, he makes very quick work of the ogre, revealing that he could have easily killed the monster at any time.

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Two, Count ‘Em, Two Nazi Robot T-Rexes

Two, Count ‘Em, Two Nazi Robot T-Rexes

Hangman-Comics-4-Fall-1942-p1-small

We’re back in the wild, ineffable chaos of the comic book in its infancy. Superman had debuted in 1938, an instant smash. The audience clearly wanted more Supermen, but what did that mean? The 1938 Superman barely resembles today’s omnipotent cosmic hero. He couldn’t fly, couldn’t see through objects, couldn’t move at super-speed, couldn’t freeze objects with his breath, couldn’t emit beams from his eyes, couldn’t survive in space. These gaping holes in his resume gave competitors openings to try to beat Superman at his own game.

Maurice Coyne, Louis Silberkleit, and John L. Goldwater, all veterans of the pulp magazine world though none was yet 40, yoked their first initials together to form MLJ Comics in 1939, launching four titles in four months: Blue Ribbon Comics, Top Notch Comics, Pep Comics, and Zip Comics, which would introduce Steel Sterling, the literal man of steel – a cyborg, though, not a robot. MLJ floundered at first. Blue Ribbon #1 started with Rang-A-Tang, the wonder dog, Dan Hastings, fighting the Mexidians on Mars, and Buck Stacey, young range detective.

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Goth Chick News: A New Horror Comic to Chill Your Summer

Goth Chick News: A New Horror Comic to Chill Your Summer

Cold Spots issue 1-smallWhen I wasn’t sneaking in front of the TV in the wee hours to watch B&W horror classics on the local public station, I was hiding Tales from the Crypt between my mattresses. Much to my parents’ dismay, I was never much into Barbie or the myriad fan-girl magazines of the time, but spent my allowance doing my best to scare the snot out of myself.

Horror comics were easy-to-manage contraband and I became a fan for life, which is why it was particularly exciting when my friends over at Image Comics sent an early notice about their new offering launching later this summer.

Cullen Bunn (RegressionHarrow County) and Mark Torres (Zombies vs. Robots: Undercity) unleash psychological terror, the undead, and a supernaturally bitter cold in a spine-tingling new series, Cold Spots.

Ten years ago, Dan Kerr turned his back on his wife and unborn daughter. Now, both mother and child have gone missing, and Dan must face cosmic terrors to find them again. He soon finds that ghosts stir when his estranged daughter is near. And as the dead grow restless, the cold deepens in… Cold Spots.

“The idea of a sudden drop in temperature accompanying the manifestation of spirits has always fascinated me,” said Bunn. “With Cold Spots, I couple that idea with a tale of very personal loss and dread. As the dead surround Dan and his missing child, the cold takes on a deadly, terrifying ‘life’ of its own.”

Cold Spots #1 (Diamond Code JUN180044) hits stores on Wednesday, August 22nd.

Are you a horror comic fan? What’s your favorite? Post a comment or drop a line to sue@blackgate.com.

A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

XMEN Grand Design-small Classic X-Men 8-small

When I started collecting X-Men comics in 1981, there was one universe. There had never been a Marvel reboot, and DC had only had one — the 1956-1958 transition from the Golden Age to the Silver Age. By the time I left comics in the early 1990s, DC had brought us through the second major reboot in history, the classic and brilliant Crisis on Infinite Earths.

However, Marvel still hadn’t really messed up its continuity, although the reprint title X-Men Classics was retconning a number of elements into the early Claremont-Cockrum-Byrne stories.

By the time I came back to comics almost 15 years later, I was bewildered by the X-Men and didn’t know where to pick up. The Age of Apocalypse had happened in an alternate universe as far as I could tell, and while the Onslaught event had apparently killed everyone, they were somehow back in time for there to be not just a few dozen or a few hundred mutants, but over a million.

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Who Is Mysterio? The Early Days of the Spider-Man Villain with the Fishbowl on His Head

Who Is Mysterio? The Early Days of the Spider-Man Villain with the Fishbowl on His Head

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News dropped on Monday that actor Jake Gyllenhaal will likely play the part of Mysterio in the sequel to Spider-Man: Homecoming, whatever it’s called. (Spider-Man: Back from the Ashes would work.) Gyllenhaal is an excellent choice to play a whole range of Spidey villains — the actor’s earned trust on that front thanks to his performance in Nightcrawler. But the real news for me is Mysterio, regardless of who’s putting on the mesh green outfit with eye-brooch accessories. He’s a Spider-Man villain overdue for the big screen treatment.

(Oh, and we now know for certain that Michael Keaton will return as the Vulture, probably to stoke the fires about the Sinister Six getting together. Bokeem Woodbine’s Shocker is still alive, and it looks like Scorpion is in play as well. Only two more slots to fill! Maybe Kraven the Hunter and … The Kangaroo? I hope it’s the Kangaroo.)

So who is this Mysterio bloke? Short version: he’s a special effects wizard who decided to go into a life of crime and put a fishbowl on his head. Because comic books. He doesn’t have superpowers, but he can put on a helluva light and illusion show and he specializes in reality-bending tricks and mind games, making him an ideal movie bad guy.

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The Poison Apple: What do The Watchmen, Sandman, Frankenstein, Dracula, H.P. Lovecraft and Sherlock Holmes have in Common?

The Poison Apple: What do The Watchmen, Sandman, Frankenstein, Dracula, H.P. Lovecraft and Sherlock Holmes have in Common?

Leslie Klinger in Sherlock mode

Leslie Klinger in Sherlock mode

An Interview with Leslie S. Klinger

Crowens: What drew you to the Victorian era? That seems to be the common thread for most of your books except for your annotated graphic novels.

Klinger: When I was young, I was a big science fiction reader. In my second year of law school, my girlfriend bought me a copy of the William S. Baring-Gould Annotated Sherlock Holmes. I was hooked. Like most people, I probably read one or two stories as a kid, paid little attention to them, and wasn’t really interested in mysteries. Then I started reading this, and I enjoyed the footnotes — the idea that there was this scholarship. One of my responses to the Baring-Gould edition was a weird one: Some day when I’m old and retired, maybe I’ll be the person who will update it. I became immersed and decided I was going to become a Sherlockian.

In 1976, there was a classified ad in the Baker Street Journal placed by somebody selling his collection of 300 books, a real collection, not like the junk I’d been buying. It was very expensive… like thirty-five hundred dollars. I talked it over with my wife. For that time that was a lot of money. She said, “You’re the kind of person who should be a collector. Go for it.”

Suddenly I had the core of a really good collection and became known in some small circles as a nut about Sherlock Holmes. I started giving talks about Sherlock Holmes, and I got invited to a dinner at the BSI back in 70s. It was one of those bucket list things where I never thought about it again. In 1995 a friend arranged for another invitation. I went to the dinner, and I haven’t missed one since then.

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Birthday Reviews: Gregory Frost’s “Farewell, My Rocketeer”

Birthday Reviews: Gregory Frost’s “Farewell, My Rocketeer”

Cover by Jay Bone
Cover by Jay Bone

Gregory Frost was born on May 13, 1951.

Gregory Frost’s novelette “Madonna of the Maquiladora” was nominated for the Hugo Award, the Nebula Award, the James Tiptree, Jr. Memorial Award, and the Theodore Sturgeon Memorial Award. Frost has also been nominated for the International Horror Guild Award and World Fantasy Award for his novel Fitcher’s Brides. His Shadowbridge and Lord Tophet jointly were nominated for the Tiptree, and “How Meersh the Bedeviler Lost His Toes” was nominated for the Sturgeon. He also received a Bram Stoker nomination for the story “No Others Are Genuine.” Several of his stories have been collected in Attack of the Jazz Giants and Other Stories, published by Golden Gryphon in 2011.

Cliff Secord’s career as the Rocketeer, a 1930s style pulp hero who is a pilot in his daily life, but secretly has access to a jet pack, has been chronicled in a series of comics and one film. In 2014 several authors were invited to add to his legend with prose stories, one of whom, Gregory Frost, contributed “Farewell, My Rocketeer,” a lost treasure story set in the American Southwest. The shared world anthology The Rocketeer Jet-Pack Adventures was edited by Jeff Conner and Tom Waltz. “Farewell, My Rocketeer” story has not been reprinted.

Secord gets involved in the treasure hunt when he lands at a small airstrip and diner which has been taken over by a disparate group of villains who are seeking gold based on an old treasure map. To save himself and the staff of the diner, who have been taken hostage, Secord agrees to pilot the group’s plane to help them find the treasure after their pilot dies, even though he realizes his own usefulness to the villains will end as soon as he lands them back at the diner, theoretically with the gold.

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Tripping on the Void: An Interview with Plaid Klaus of Image’s Void Trip

Tripping on the Void: An Interview with Plaid Klaus of Image’s Void Trip

Void Trip 1 alternate-small

This May, Image Comics will be collecting the five issues of Void Trip, by Ryan O’Sullivan and Plaid Klaus. I took advantage of the chance to interview Plaid. Here’s the description for Void Trip:

Meet Ana and Gabe — the last two humans left alive in the galaxy. They’re low on fuel, they’re low on food, and they’re low on psychedelic space froot, but they’re still determined to make it to the promised land: hippy-paradise super-planet Euphoria. VOID TRIP is the story of their journey, the friends and enemies they made along the way, and how the universe responded to those who dared to live freely within it. “VOID TRIP aims to answer the question: ‘how can we be free in a universe that will always course-correct to limit us?’” said O’Sullivan. “This isn’t your typical adventure comic, with violence as the solution to every conflict. It’s a road trip story. Its main concern is exploring the human condition. It’s Jack Kerouac and Hunter S. Thompson meets Herman Melville and Cormac McCarthy. Expect laughter, tears, and existential dread in equal measure.”

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