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A Fine Addition to any SF Library: Isaac Asimov’s Wonderful Worlds of Science Fiction, edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

A Fine Addition to any SF Library: Isaac Asimov’s Wonderful Worlds of Science Fiction, edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

Tin Stars (Signet, 1986), volume 5 of Isaac Asimov’s Wonderful Worlds of Science Fiction. Cover by JAV

Isaac Asimov published more than 500 books in his lifetime. Now Asimov was amazingly productive — averaging around 1,700 words published per day over the last two decades of his life — but no one is that prolific. In later years he became a proficient book packager, working with editors like Charles G. Waugh and especially Martin H. Greenberg to churn out dozens and dozens of science fiction anthologies in which he contributed little more than an introduction and perhaps some editorial guidance.

If this sounds dismissive, oh my friends, it is not meant to be. Asimov was interested in a great many things, but one of his earliest and most enduring passions was short fiction. It was his love for early science fiction pulps that set him firmly on the path towards being a successful SF writer by his later teens, and in his later years he became one of the staunchest champions of the science fiction short story — and in particular those stories and authors that, by the 70s and 80s, were in growing danger of being forgotten. Between 1979 and his death in 1992 he put his name (and the considerable selling power behind it) on numerous SF anthologies and long-running anthology series edited with Greenberg and Waugh, including The Great SF Stories (25 volumes, 1979-92), The Mammoth Book series (6 books, 1988-93), Isaac Asimov’s Magical Worlds of Fantasy (12 books, 1983-91), and others. I don’t know if it was ever made explicit, but it seemed pretty clear that Waugh made the selections, Greenberg handled the rights paperwork, and Asimov was sort of a godfather over the whole process. In any case, the success of these books helped inspire other reprint anthologies, and for many decades life was good for classic science fiction lovers.

Those days, of course, are long over, and mass market reprint genre anthologies are scare as hens teeth today. But when times are tough, the tough get creative, and so I’ve been on the hunt for older science fiction anthologies I may have overlooked all those years ago. That’s how I rediscovered Isaac Asimov’s Wonderful Worlds of Science Fiction — and it is a delight.

Like many of his other popular series it was edited with Greenberg and Waugh, and included 10 volumes published between 1983-90. Each had a different theme: Intergalactic Empires, Space Shuttles, Monsters, Invasions, and so forth. They were generously sized (300-400 pages) and came packed with wonderful stories selected by an editor with a keen eye. These books have never been reprinted, but they’re not hard to find. In fact I recently bought a set of five in nearly brand new condition for significantly less than original cover price.

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New Treasures: It Will Just Be Us by Jo Kaplan

New Treasures: It Will Just Be Us by Jo Kaplan

Jo Kaplan is a fast-rising writer who’s worth keeping an eye on. Under the name Joanna Parypinski she’s published stories in Black Static, Nightmare Magazine, and Vastarien, and in prestigious anthologies like Haunted Nights and Miscreations.

Her debut novel It Will Just Be Us appeared in September to wide praise. Publishers Weekly called it “A rich, dense supernatural thriller,” Manhattan Book Review hailed it as “A fantastic ghost story,” and Bram Stoker Award-winner John Palisano proclaimed it “A chilling, poetic, modern Gothic masterpiece.”

When nights are long and the wind blows chill through the snow drifts in my back yard, that’s when I long to burrow into blankets with a chilling book. This looks like it will do the trick nicely. Here’s the publisher’s description.

A terrifying new gothic horror novel about two sisters and a haunted house that never sleeps, perfect for fans of Shirley Jackson’s We Have Always Lived in the Castle.

They say there’s a door in Wakefield that never opens… Sam Wakefield’s ancestral home, a decaying mansion built on the edge of a swamp, isn’t a place for children. Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it’s all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts — threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom… As Elizabeth’s due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed — and some secrets are safer locked away forever.

It Will Just Be Us was published by Crooked Lane Books on September 8, 2020. It is 272 pages, priced at $26.99 in hardcover and just $1.99 in digital formats. Get all the details at Jo Kaplan’s website here.

See all our recent coverage of the best new SF and fantasy releases here.

A Tale of Wonder: The Last Unicorn by Peter Beagle

A Tale of Wonder: The Last Unicorn by Peter Beagle

When Molly Grue yells at the unicorn, it expresses a little how I felt on reading Peter Beagle’s The Last Unicorn (1968) this past month for the very first time:

First edition

But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. “Where have you been?” Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn’s old dark eyes that looked down.

“I am here now,” she said at last.

Molly laughed with her lips flat. “And what good is it to me that you’re here now? Where were you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?” With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. “I wish you had never come, why do you come now?” The tears began to slide down the sides of her nose.

Of course, what Molly learns is that she needn’t have waited for wonder and transcendence to find her, but should instead have sought them. Taking her lesson to heart for myself, I felt betrayed and angry for only a moment before yielding to chagrin that I hadn’t sooner sought this perfectly-cut gem of a story. The book sat on a shelf for twenty years, gathering dust and losing to the sun the richness of color of its wonderful Gervasio Gallardo artwork.

If The Last Unicorn was a lesser book, I could offhandedly describe it as an illustration of the universal need to undertake a quest, to find wonder — whether from beauty or love or something more ineffable. But Beagle has given us so much more. He’s tucked treasures inside prose that echoes with the sounds of hidden woodland glens and that is painted in the colors of lost and recovered dreams; he’s elucidated the value that can be gleaned from loss, sacrifice, regret. And further, he’s told a story about stories, and how they don’t reflect reality, except when they do. He’s played with the various elements of fantasy — the quest, the wizard, the princess, etc. — in a way that loves them as much as it punctures them.

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Future Treasures: Remote Control by Nnedi Okorafor

Future Treasures: Remote Control by Nnedi Okorafor

Nnedi Okorafor has won every major award our small field has to offer. She won a Hugo and Nebula Award for her Tor.com novella Binti, a World Fantasy Award for Who Fears Death, a Locus Award for Akata Warrior, an Eisner Award and another Hugo Award for the comic LaGuardia — and a great many more, including a Black Excellence Award, Kindred Award, Lodestar Award, and awards I’ve never even heard of. I hear that when she steps outside to pick her up dry cleaning, strangers throw awards at her.

Her latest is another intriguing Tor.com novella, Remote Control, the tale of an alien artifact that turns a young girl into Death’s adopted daughter. Publishers Weekly calls it “electrifying,” and Library Journal praises its “stunning landscape of futuristic technology and African culture.” Here’s the description.

She’s the adopted daughter of the Angel of Death. Beware of her. Mind her. Death guards her like one of its own.

The day Fatima forgot her name, Death paid a visit. From hereon in she would be known as Sankofa ­­― a name that meant nothing to anyone but her, the only tie to her family and her past.

Her touch is death, and with a glance a town can fall. And she walks ― alone, except for her fox companion ― searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.

But is there a greater purpose for Sankofa, now that Death is her constant companion?

Remote Control will be published by Tor.com on January 19, 2021. It is 160 pages, priced at $19.99 in hardcover and $10.99 in digital formats. Read Chapter 1 at i09.

See all of our coverage of the best upcoming SF and fantasy here.

Vintage Treasures: The Guardsman by P. J. Beese and Todd Cameron Hamilton

Vintage Treasures: The Guardsman by P. J. Beese and Todd Cameron Hamilton

The Guardsman (Pageant Books, 1988). Cover by Thomas Kidd

The Guardsman is an interesting piece of science fiction history. Well it’s interesting to me, anyway.

It’s the only novel by either of its two co-authors, P. J. Beese and Todd Cameron Hamilton. Beese had a handful of short stories in mid-90s SF anthologies, Hamilton is much better known as an artist, and quite a good one — he painted about two dozen covers in the late 80s and early 90s, including six for John Varley novels and half a dozen very fine Analog covers — such as this splendid piece for the November 1987 issue.

The Guardian would probably be forgotten today (in fact, probably is forgotten), if not for the fact that it was nominated for a Hugo Award for Best novel — a nomination that was quickly withdrawn due to accusations of bloc voting. The controversy that swirled around it as a result tainted both authors and, while I have no direct knowledge, I don’t think it’s a stretch to assume that it may be why we saw no additional novels from Beese or Hamilton.

And that’s a shame — especially since, with the benefit of hindsight, it appears that the public shaming that resulted was largely (or perhaps wholly) undeserved. Mike Glyer at File 770 did some fine investigative journalism into what he called the 1989 Hugo Controversy in 2017; here’s a summary of his findings.

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The Heroes Gather at Last: The Maradaine Elite Trilogy by Marshall Ryan Maresca

The Heroes Gather at Last: The Maradaine Elite Trilogy by Marshall Ryan Maresca

The Maradaine Elite trilogy by Marshall Ryan Maresca (DAW Books). Covers by Paul Young

Marshall Ryan Maresca is one of the most ambitious fantasy authors to burst on he scene in the last decade. His masterwork is the Maradaine Saga: four parallel trilogies, each with a separate cast and very different tone, all set amid the bustling streets and crime-ridden districts of the exotic port city of Maradaine. It kicked off in 2015 with his debut novel The Thorn of Dentonhill, which introduced Veranix Calbert, diligent college student by day and crime-fighting vigilante by night in the crime-ridden districts of the Maradaine. The book was nominated for the Compton Crook award, and Library Journal said “Veranix is Batman, if Batman were a teenager and magically talented.”

The Barnes & Noble Sci-fi and Fantasy Blog called the shared setting:

One of the most richly detailed settings in fantasy… In one fast-paced, funny, highly readable novel after another, Maresca continues to build out every nook and alleyway of Maradaine.

Each trilogy has a different focus and cast. The Maradaine books follow Veranix Calbert, struggling magic university student by day and armed vigilante by night; the Maradaine Constabulary volumes are gritty fantasy mysteries focused on Inspectors Satrine Rainey and Minox Welling in the city constabulary; The Streets of Maradaine are caper novels featuring Asti and Verci Rynax, former thieves attempting to go straight but dragged back into their old lives; and finally Maradaine Elite blends fantasy and political intrigue as it follows Dayne Heldrin and Jerinne Fendall, hopeful members of the Tarian Order.

With People of the City, published in paperback by DAW in October, Maresca brings his fourth (and final?) Maradaine trilogy to a close. In a suitably climatic fashion, he closes out the cycle by bringing the heroes from all 12 novels together at last.

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Traveling the Imperium: Agent of the Imperium by Marc Miller

Traveling the Imperium: Agent of the Imperium by Marc Miller

Agent of the Imperium (Baen Books, November 3, 2020). Cover by Alan Pollack

For having been created and played since 1977, the Traveller roleplaying game (RPG) has very little in the way of official fiction. Nothing like the Dragonlance or Drizzt series for Dungeons & Dragons or the Warhammer 40,000 line of novels. Those series have spent decades fleshing out stories and setting, acted as entry points into their respective RPGs, or stood alone for those not interested in the gaming stuff.

Traveller, on the other hand, with its rich setting and incredible scope has only seen a few (compared to the other cited series) official fiction releases. A few novels in the 1990s supporting the Traveller: New Era edition, one supporting the Marc Miller’s Traveller (the fourth edition), and few others (for example, Fate of the Kinunir and Shadow of the Storm) were published. Recently, Mongoose Publishing published as series of Traveller short stories, mostly set in the Trojan Reach that they mined and developed so excellently in the Pirates of Drinax campaign.

Perhaps the relative lack of fiction (again, compared to the hundreds of novels in the D&D and Warhammer settings) is because so many excellent science fiction novels already exist and function as surrogates for Traveller fiction. Though Traveller’s setting is unique to that RPG, it is a universe that has its roots in the science fiction of the 60s and early 70s.

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The Odyssey of Guy Davenport

The Odyssey of Guy Davenport

Inside cover of The Odyssey of Homer by TE Shaw (1945),
showing the wanderings of Odysseus

I bought a book last week from a bookseller on Instagram, the first time I’ve ever done that.  It was a copy of T. E. Shaw’s translation of Homer’s Odyssey.  Yes, that T. E. Shaw, Lawrence of Arabia.

The book is old, beat, and tired. It’s probably a twelfth printing, depending on how you count such things, but what caught my attention was that the seller had included a photo of the previous owner’s signature, Guy Davenport, Jr., and the signature was dated 1945.

Did this copy of the book belong to Guy Davenport, a minor but very interesting science fiction writer who won a MacArthur fellowship in 1990? I bought the book and then started to research.

I’ve found nothing conclusive, but everything points in that direction. Davenport was named after his father Guy Mattison Davenport and was, in fact, a Junior. Davenport would have been 18 years old in 1945, just the right age to read the book in either his first year of college or his last in high school. He taught for 27 years at the University of Kentucky and lived in Kentucky for another 15 years until his death in 2005, so the book turned up in the correct geographical location.

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New Treasures: The Big Book of Modern Fantasy edited by Ann and Jeff VanderMeer

New Treasures: The Big Book of Modern Fantasy edited by Ann and Jeff VanderMeer

Cover art by Leonora Carrington

Here we are at the end of the year, that time when book bloggers create Best of the Year lists. I’m not sure I have the ambition to create a Top Ten list, but at the very least I have a favorite anthology for 2020: The Big Book of Modern Fantasy, edited by Ann and Jeff VanderMeer, the follow-up to the magnificent Big Book of Classic Fantasy. That volume included selections up the end of World War II; this one contains 91 stories published between 1946 and 2010.

And what a rich assortment of old favorites and new discoveries it is. Here’s an excerpt from Paul Di Filippo’s delightfully detailed review at Locus Online.

Over 800 pages of bliss-inducing non-mimetic goodness which attempts the impossible: to limn the full dimensions of the unreal in today’s literature… Rounding out the first decade is Borges’s “The Zahir”, with its cursed coin that preempts all other thoughts… Moving into the 1950s… we enjoy Gabriel García Márquez’s “A Very Old Man with Enormous Wings.” Its portrait of an anomalous derelict who hovers between mortal and angel is touching. And we note that even when the editors select a famous name, they dip into the less-well-known stuff.

As the editors say in their intro, they like to break down barriers between “high” art and popular art, so seeing Fritz Leiber consorting with Márquez and Borges is a delight. His “Lean Times in Lankhmar” is a great choice since it shows us his famous companionable heroes, Fafhrd and the Gray Mouser, separate and at odds.

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Vintage Treasures: The Trackers Series by David Gerrold

Vintage Treasures: The Trackers Series by David Gerrold

Covers by Michael Herring

David Gerrold began his career as a screenwriter for Star Trek (the famous episode “The Trouble With Tribbles”), Land of the Lost, Babylon 5, Sliders, and others, but today he’s chiefly known as an author and novelist, with such works as the Hugo Award winning “The Martian Child” (made into a 2007 John Cusack film), The War Against the Chtorr series, Star Wolf, and most recently Hella, a 2020 adventure thriller set on a world where everything is monstrously huge (“hella big”).

Anyone with a career that rich has a few interesting tales, and one of the more intriguing is the saga of Trackers, the story of a colony planet of human, androids and reptilian hunters that bands together to “strike back against their vampire overlords and bring revolution to the stars.” In 1987, while he was serving as a story editor for Star Trek: The Next Generation, Gerrold left to develop a Trackers mini-series for CBS.

In April I was offered the opportunity [to] write and produce a four-hour science-fiction mini-series for CBS and Columbia Television. The series is called Trackers and the Executive Producer is Daron J. Thomas. If the mini-series is a hit, then a regular weekly SF TV series would be developed from it. This was a very difficult decision for me to make. Star Trek has always been a home to me… [but] now, it was obvious to me that it was time to leave home. Or as my agent put it: “You can’t turn down the chance to be the Great Bird of your own galaxy.”

Trackers was never produced, and instead Gerrold turned it into a two-volume series for Bantam Spectra, Under the Eye of God (1993) and A Covenant of Justice (1994).

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