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The Controversy over Nebula Awards Showcase 55, edited by Catherynne M. Valente

The Controversy over Nebula Awards Showcase 55, edited by Catherynne M. Valente

Nebula Awards Showcase 55 (SFWA, August 2021). Cover by Lauren Raye Snow

I’m hearing some grousing about the latest Nebula Awards Showcase, edited by the distinguished Catherynne M. Valente.

This is the 55th volume in the long-running series, and the second to be published directly by SFWA, the Science Fiction Writers of America. As is customary, it contains the complete Nebula award-winning stories, as selected by that august body, as well as a tasty selection of the other nominees, as selected at the whim of the editor.

Well — not exactly. And that seems to be the crux of the problem. For the first time I can remember, the Nebula Awards Showcase contains only one of the winners from last year, A. T. Greenblatt’s short story “Give the Family My Love,” originally published in Clarkesworld. All the others — including the winners in novelette, novella, and novel category — are represented only by brief excerpts.

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Future Treasures: Sword & Planet edited by Christopher Ruocchio

Future Treasures: Sword & Planet edited by Christopher Ruocchio

Sword & Planet (Baen Books, December 21, 2021). Cover by Kieran Yanner

Sword & Planet is experiencing a bit of a renaissance. Jason M Waltz and Fletcher Vredenburgh edited the fine The Lost Empire of Sol just this year, and even George R.R. Martin and Gardner Dozois dabbled recently with the genre in the acclaimed S&P anthologies Old Mars and Old Venus. Inspired by all this love for classic space fantasy, Howard Andrew Jones and I (under my ‘Todd McAulty’ moniker) chatted happily about Five Classic Sword-and-Planet Sagas over at Tor.com a while back.

Christopher Ruocchio, co-editor of Star Destroyers and Space Pioneers, presents his latest big anthology this month, and it looks like a treat. Sword & Planet has stories by Tim Akers, Susan R. Matthews, D.J. Butler, Jody Lynn Nye, Simon R. Green, Christopher Ruocchio, and many others. Weighing in at a generous 352 pages, it lands in less than two weeks — just in time for your last-minute holiday shopping.

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Indecent Exposure: The Driver’s Seat by Muriel Spark

Indecent Exposure: The Driver’s Seat by Muriel Spark

Muriel Spark

Everyone is looking for something, and the things that most people are seeking are the easily identified, common currency of life, everyday ambitions like love, security, peace, wealth, happiness. But a certain select few are looking for… something else. That something else is the subject of the Scottish writer Muriel Spark’s 1970 novella The Driver’s Seat.

Someone once described being guillotined as experiencing “a short, sharp shock.” Leaving aside the question of how anyone could possibly know, that phrase is a perfect description of Spark’s novels and stories, each of which is as brief and cold and merciless as the nip of what the French once called the National Razor.

To name just a few examples, in Memento Mori an aging group of silly, self-obsessed men and women receive a series of mysterious phone calls in which an unfamiliar voice says one simple thing before hanging up: “Remember you must die.” Eventually some of them come to believe that their caller is not a prankster or a blackmailer, but is in fact Death himself.

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Vintage Treasures: High Tension by Dean Ing

Vintage Treasures: High Tension by Dean Ing


High Tension (Ace Books, 1982). Cover by Walter Velez

Dean Ing was a staple in James Baen’s paperback magazines of the late seventies, Destinies (eleven volumes from Ace Books, 1978-1981) and the copycat series Baen kicked off after he left Ace to found Baen Books, Far Frontiers (seven issues, 1985-86). I also saw Ing’s name semi-regularly in Analog and OMNI around the same time. He produced four collections: Anasazi (1980), a set of three connected tales of first contact with a group of surprisingly violent aliens stranded in west Texas in near future 1996; High Tension (1982); Firefight 2000 (1987), later re-released in 2000 as Firefight Y2K, in an attempt to stay cool; and the linked story cycle The Rackham Files (2004).

Ing was an academic with a military background, and that was definitely reflected in his fiction. He served as an interceptor crew chief in the United States Air Force, and he became an aerospace engineer, and eventually a university professor with a doctorate in communications theory. His fiction captured a lot of the public anxieties towards rapidly-advancing technology, especially weapons tech, including his 1989 New York Times bestseller, The Ransom of Black Stealth One.

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Deep in Wildest Britain: Mythago Wood by Robert Holdstock

Deep in Wildest Britain: Mythago Wood by Robert Holdstock

I had the sense of recognition…here was something which I had known all my life, only I didn’t know it…

English composer, Ralph Vaughan Williams on discovering English folklore and folk music

The late Robert Holdstock prefaced his 1984 novel, Mythago Wood with that quote, and that’s sort of how I feel about the book myself. Holdstock dug deeply into the idea of myth, how it might arise from a culture, and how, in turn, it might affect individuals.

I have no memory of when I first learned of Mythago Wood. I must have seen it on the Forbidden Planet’s shelves when it was released; I didn’t read it, though, until 2001. I read it again while traveling in England eight years later, and just now. At times it seems like I must have read it so much longer ago and more times than that. Much of it reads like a dream of some true past, equally joyful and nightmarish, and elements of it have rattled about my brain ever since. Rereading it now, I realize that over the years, my memories of the novel, like the mythic figures born of the forest around which the story revolves, have faded and changed with each passing season, but the underlying haunting design remains; a mesmerizing tale of father-and-son and brother-and-brother struggles, Freudian and Jungian elements, woven together with a wholly original mythopoeic retelling of the history of Britain from Paleolithic times to the present (or at least 1948, the present of the book). I will more than likely read it again before I’m through.

The central conceit of Mythago Wood is that archetypes and legends spring from the collective unconscious when needed.

The mythagos grow from the power of hate, and fear, and form in the natural woodlands from which they can either emerge — such as the Arthur, or Artorius form, the bearlike man with his charismatic leadership — or remain in the natural landscape, establishing a hidden focus of hope — the Robin Hood form….

Ryhope Wood, a three-mile square ancient woodland in Herefordshire, is capable of interacting with the minds of people near it and giving physical reality to these figures. Characters like Cernunnos, King Arthur, and Jack-in-the-Green can be summoned up from the deepest recesses of people’s minds. More importantly, it can also conjure up the legends that lie behind the legends. Perhaps the story of Robin Hood arose from even older stories of green-clad forest bandits, and behind those, yet older and darker ones. The more intimately a person becomes involved with Ryhope Wood the deeper and deeper ancient memories it can draw upon and summon forth. Ryhope Wood also exists beyond normal time and space, expanding, almost without limit, the further one ventures into it, and time speeds by much faster within the forest than without. Deep inside, whole settlements and tribes called out in long past days carry on telling and retelling their stories through their daily lives and routines.

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New Treasures: The Best American Science Fiction and Fantasy 2021 edited by Veronica Roth and John Joseph Adams

New Treasures: The Best American Science Fiction and Fantasy 2021 edited by Veronica Roth and John Joseph Adams

The Best American Science Fiction and Fantasy 2021 (Mariner Books, October 2021). Cover uncredited

John Joseph Adams was my editor on my first novel, The Robots of Gotham, so naturally I assume he is the leading editor in the field (you should too.) For the past seven years he has been editing The Best American Science Fiction and Fantasy with a strong line-up of annual co-editors, including Karen Joy Fowler, N.K. Jemisin, and Carmen Maria Machado. This year Veronica Roth joins him at the podium, the bestselling author of The Divergent series and Chosen Ones.

The 10 fantasy tales in this year’s volume are by Kate Elliott, Ken Liu, Yohanca Delgado (with two stories), and others; the ten SF stories are from Daryl Gregory, Ted Kosmatka, Karen Lord, Tochi Onyebuchi, Yoon Ha Lee, and others. Also within are Celeste Rita Baker’s World Fantasy Award Winner “Glass Bottle Dancer,” Meg Elison’s Locus Award winner “The Pill,” and Sarah Pinsker’s Nebula winner “Two Truths and a Lie.” Here’s a look at some recent reviews.

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Wise in the Ways of Procrastination: James Davis Nicoll on the Science Fiction Book Club, and Five Great Books He Never Meant to Read

Wise in the Ways of Procrastination: James Davis Nicoll on the Science Fiction Book Club, and Five Great Books He Never Meant to Read

Ursula K. Le Guin’s Three Hainish Novels (SFBC, 1978), John Brunner’s The Sheep Look Up (Del Rey, 1981),
and Triplicity (SFBC, 1980) by Thomas M. Disch. Covers: Jack Woolhiser, Murray Tinkelman, and Ron Logan

Over at Tor.com, occasional Black Gate contributor James Davis Nicoll has penned a charming look back at the way the Science Fiction Book Club introduced him to some terrific science fiction.

While but a callow youth, I subscribed to the Science Fiction Book Club. The club, wise in the ways of procrastination, would send each month’s selection of books to subscribers UNLESS the subscribers had sent the club a card informing the SFBC that one did not want the books in question. All too often I planned to send the card off, only to realize (once again), when a box of books arrived, that intent is not at all the same thing as action.

Thus, I received books that I would not have chosen but, once in possession, I read and enjoyed them. All praise to the SFBC and the power of procrastination! Here are five of my favorite unintended reading experiences…

Anyone who was a member of the SFBC knows of what James speaks — this is exactly how I discovered Zelazny’s Chronicles of Amber. Check out the complete article here.

Vintage Treasures: Other Days, Other Eyes by Bob Shaw

Vintage Treasures: Other Days, Other Eyes by Bob Shaw

Other Days, Other Eyes (Ace, 1972). Cover by J. H. Breslow

Bob Shaw was a prolific science fiction writer from Northern Ireland who wrote over two dozen novels, including The Orbitsville trilogy, about the discovery of an intact Dyson sphere orbiting a far star, Medusa’s Children (1977), Who Goes Here? (1977), and perhaps his most popular book, the Hugo-nominated The Ragged Astronauts (1986), the tale of a technologically advanced civilization that builds spaceships out of wood. It wasn’t something you forgot in a hurry.

Shaw produced several highly-regarded collections, including Ship of Strangers (a fix-up novel, 1978) and Cosmic Kaleidoscope (1979). His most famous short story is still fondly remembered today: the Hugo and Nebula nominee “Light of Other Days,” originally published in John W. Campbell’s Analog Science Fiction and Fact in August 1966. The central concept of ‘slow glass’ — which slows down light so that it takes years or decades to pass through — was simple and enormously compelling, and Shaw returned to the idea several times, most notably in his 1972 fix-up novel of slow glass stories, Other Days, Other Eyes.

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Witches, Curses, and Wagner’s Kane: DAW’s The Year’s Best Horror Stories: Series V (1977), Edited by Gerald W. Page

Witches, Curses, and Wagner’s Kane: DAW’s The Year’s Best Horror Stories: Series V (1977), Edited by Gerald W. Page

The Year’s Best Horror Stories: Series V (DAW, 1977). Cover by Michael Whelan

The Year’s Best Horror Stories: Series V was the fifth volume in DAW’s Year’s Best Horror Stories, copyright and printed in 1977. It was the second edited by Gerald W. Page (1939–), who was also a successful horror author and editor at the time.

Michael Whelan (1950–) appears for the third time as the cover artist. Whelan is a classic genre artist and I really liked his previous two covers, but this is the best yet. Though it has something of a sci-fi landscape in the background, it is by far his most horror-themed piece in the series up to this point.

Gerald Page’s selections for The Year’s Best Horror Stories: Series V includes several authors from the last volume, such as Joseph Payne Brennan, H. Warner Munn, and Fritz Leiber. Of the fourteen stories, eight come from magazines, two from books, and four are original to this volume. (As I stated in the last two posts, I am very puzzled by how editor include new stories in a “Year’s Best” anthology.) All the authors are American men, the only exception being the female British author Tanith Lee.

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Meanwhile, in a Universe with Space Ninjas and Sentient Insectoids: Neodymium Exodus by Jen Finelli MD

Meanwhile, in a Universe with Space Ninjas and Sentient Insectoids: Neodymium Exodus by Jen Finelli MD

Neodymium Exodus (WordFire Press, October 2021)). Cover design by Janet McDonald

Kevin J. Anderson’s Wordfire Press has published plenty of SF the last few years, including exciting books by Cat Rambo, Paul Di Filippo, D.J. Butler, Bill Ransom, R.M. Meluch, Mike Resnick, Lou Antonelli, Robert Asprin, Alan Dean Foster, Frank Herbert, Brenda Cooper — and even the first Nexus novel by Mike Baron.

Of course, any publisher worth its salt really proves itself by discovering and promoting new authors. So I was intrigued to see Neodymium Exodus cross my desk, the first novel in a “fun, frenetic space opera” (Publishers Weekly) featuring “sentient insectoids, purple jungles, and insane electromagnetic fields.” I don’t much about the author, Jen Finelli MD, except that she likes to put ‘MD’ after her name, which tells me that at some point in our relationship she’s likely to remind me I’m overdue for a colonoscopy.

Anyway, you lot know how I feel about space opera. I think I’ll settle down with this one in my big green chair.

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