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Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

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Swords Against Darkness (Zebra Books, February 1977). Cover  by Frank Frazetta

Sword Against Darkness was a seminal five-volume sword & sorcery anthology series edited by Andrew J. Offutt in the late seventies (1977-79). It published original fantasy by some of the biggest names of the era, including Andre Norton, Tanith Lee, Keith Taylor, Charles de Lint, Charles R. Saunders, Orson Scott Card, Simon R. Green, David C. Smith, Robert E. Vardeman, Darrell Schweitzer, Diana L. Paxson, and many others.

The first volume appeared in early 1977, and it was one of the strongest original fantasy anthologies of the decade, packed full of tales of the haunted Roman frontier, a plague of giants, the wily goddess of Chance, the last survivor of Atlantis, Lovecraftian horrors, scheming demons, resourceful rogues facing evil spirits, and much more. It included a Simon of Gitta novelette by Richard L. Tierney, a powerful Robert E. Howard fragment completed by Andrew J. Offutt, plus Poul Anderson, Manly Wade Wellman, David Drake, Ramsey Campbell, and many others.

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Goth Chick News: The World (and Me) Never Tire of Agatha Christie

Goth Chick News: The World (and Me) Never Tire of Agatha Christie

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The Christie Affair by Nina de Gramont (St. Martin’s Press, February 1, 2022)

Back in grade school, in an attempt to put some “normal” into my interests, my parents had me taking piano lessons. I believe the goal was to get my nose out of books as I spent every available moment in the most secluded spots I could find, tucked in with reading material considered wholly unsuitable for a fourth-grade girl (i.e., Logan’s Run, Childhood’s End, and a large variety of horror comics). Though the elderly teacher who came to the house every Thursday failed to instill in me very much in the way of talent on the keyboard, she couldn’t help but notice that I first had to put down my book before sitting down at the piano. In an attempt to engage me one Thursday, Mrs. Wall brought me her paperback copy of Death on the Nile by Agatha Christie.

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New Treasures: Far from the Light of Heaven by Tade Thompson

New Treasures: Far from the Light of Heaven by Tade Thompson

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Far from the Light of Heaven (Orbit, October 26, 2021). Cover design by Lauren Panepinto

Tade Thompson is a fast-rising star. Rosewater, the opening novel in his Wormwood trilogy, was “a groundbreaking future noir” (B&N Sci-fi & Fantasy blog) that won the 2019 Arthur C. Clarke Award for Best Science Fiction Novel. The Rosewater Insurrection was nominated for the BSFA and Locus Awards, and closing novel The Rosewater Redemption was nominated for both the Locus and Philip K. Dick Award.

That’s a lot of attention so early in his career– and a whole lot of eyes on his newest project. Writers have been known to curl up under the bed for a lot less. But his follow up Far from the Light of Earth, the story of a series of mysterious deaths on an interstellar colony ship, has already been called “probably the best science fiction novel of the year… like the Tardis, larger inside than out, with a range of ideas, characters, and fascinating future settings” (The Guardian). Kirkus Reviews sums it up as “a thriller/horror-aboard-a-spaceship in the vein of Greg Bear’s Hull Zero Three [and] the classic film Alien… Gripping and bloody as a beating heart.” And Tor.com says it “marries shades of gothic horror with a sleuthing mystery and hard sci-fi.”

Sounds like a must-read in my book. Looks like Thompson’s ascent to the pinnacle of SF stardom continues on schedule.

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A Master With a Keen Eye: Robert Silverberg’s Original Anthologies of the 1970s

A Master With a Keen Eye: Robert Silverberg’s Original Anthologies of the 1970s

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Paperback editions of Silverberg 70s original anthologies. Published by (left to right, from top left):
Dell, Manor Books, Dell, Manor Books, Dell, Dell, Fontana, Warner Books, Pinnacle

In 1966 Robert Silverberg published his first anthology, an unassuming volume titled Earthmen and Strangers from staid New York press Duell, Sloan and Pearce, known mostly for the infamous U.S. Camera 1941 annual that was banned in Boston for daring to include nudes. Earthmen and Strangers was hugely successful, remaining in print for an astonishing two decades, with paperback reprints from Dell, Manor Books, and Bart Books, and Silverberg was off to the races as an editor. Over the next five decades he published dozens of science fiction anthologies, including a handful of bestsellers like the seminal Legends (1998) and its science-fictional sequel Far Horizons (1999).

Beginning in the late 60s and all through the 70s Silverberg produced a steady stream of original anthologies, most of which had a signature format: each contained three novellas from the biggest names in the industry, including major award nominees by James Blish, Gordon R. Dickson, Jack Vance, Clifford D. Simak, Norman Spinrad, Gene Wolfe, Ursula K. Le Guin, and James Tiptree, Jr. — plus novellas by Roger Zelazny, R. A. Lafferty, Harry Harrison, Alexei Panshin, Poul Anderson, Larry Niven, John Brunner, George Alec Effinger, Gardner Dozois, Gregory Benford, Joan D. Vinge, Vonda N. McIntyre, Keith Roberts, James Gunn, Phyllis Gotlieb, and many others.

Like Terry Carr’s Universe, Damon Knight’s Orbit, and Silverberg’s own New Dimensions, these anthologies were prestige fiction markets, appearing in hardcover and distributed to libraries, and getting a lot of attention when awards season rolled around. As a result they attracted a lot of talent. Silverberg was a master with a keen eye for emerging talent, and an uncanny ability to coax top-notch work of out his contributors. The books still make entertaining reading today.

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A Poisoned Bouquet: Fancies and Goodnights by John Collier

A Poisoned Bouquet: Fancies and Goodnights by John Collier

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Fancies and Goodnights (Bantam Giant, 1953). Cover by Charles Binger

Fantasy, this genre that we love so much, is in reality not one genre but many; that’s one reason we love it. Any form that can accommodate the cynicism of Glen Cook and the lyricism of Patricia McKillip, that can hold the clarity of Robert E. Howard and the ambiguity of John Crowley, that can contain the brutality of George R.R. Martin and the hilarity of Terry Pratchett… well, there’s nothing it can’t do. Fantasy contains multitudes.

There’s a problem with being a member of a multitude, however — it’s easy to get lost, easy to be pushed to the back of the line by the ever-swelling mob of new books, new writers, new modes, easy to be misplaced or forgotten. It’s happened to many worthwhile writers. It’s happened to John Collier.

John Henry Noyes Collier, who died in 1980 at the age of seventy-eight, specialized in “slick” fantasy stories, “slick” because they generally appeared in “slick-paper magazines” as opposed to the cheap-paper pulps, upscale publications like The New Yorker, The Atlantic Monthly, or Esquire. Characterized by modern, urban settings, a sophisticated, often satirical tone, and the irony-laced employment of traditional figures such as witches, genies, angels, devils, magicians, and ghosts, slick fantasy flourished during the twenties, thirties, and forties, and manifested itself in many different media. The humorous supernatural novels of Thorne Smith such as Topper (1926) and The Night Life of the Gods (1931), plays like Noel Coward’s breezy mix of marriage farce and spiritualism, Blithe Spirit (1941), and films like René Clair’s screwball comedy, I Married a Witch (1942, and itself the progenitor of one of the most popular television series of the 60’s, Bewitched), are all examples of this effervescent mode. John Collier may have been its greatest prose practitioner. …

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Take Me Home! A Princess of Mars by Edgar Rice Burroughs

Take Me Home! A Princess of Mars by Edgar Rice Burroughs

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I opened my eyes upon a strange and weird landscape. I knew that I was on Mars; not once did I question either my sanity or my wakefulness. I was not asleep, no need for pinching here; my inner consciousness told me as plainly that I was upon Mars as your conscious mind tells you that you are upon Earth. You do not question the fact; neither did I.

So reacts John Carter, ex-cavalryman of the Army of Northern Virginia, when he transmigrates to the red planet in A Princess of Mars (1917). Chased by torture-minded Apaches, Carter secrets himself in a cave. By unknown means, he finds his spirit severed from his body and transported to Mars.

On Mars, a dying, barren world littered with the ruins of millennia-gone civilizations, he finds his great love and becomes the greatest hero that Barsoom, as its inhabitants call Mars, has ever known. Along that path to glory, thousands of miles are traveled and thousands of foes slain. A Princess of Mars is pure escapist fantasy, where the protagonist, standing in for the increasingly civilized American man Burroughs was writing for, fights and defeats all foes, outwits every enemy, and wins the hand of the most beautiful woman in the world. To some, that might sound juvenile, but they are wrong. A Princess of Mars is absolutely deserving of the mind-blowingly pulpy cover illustrations of Frank Frazetta.

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Goth Chick News: If I Could Buy One, I Too Would Be a (Sort Of) 2021 Bram Stoker Award Nominee

Goth Chick News: If I Could Buy One, I Too Would Be a (Sort Of) 2021 Bram Stoker Award Nominee

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Well, you can’t blame me for trying.

Every year around this time, The Horror Writers Association announces the nominees for the annual Bram Stoker Awards, which recognize superior achievement in horror and dark fiction. Also, every year, I go on an Internet search for one of these amazing awards for sale somewhere.

I mean come on, people have sold their Oscars, which admittedly are not this cool and are probably not this difficult to get. A general search got my heart racing a couple of times, only to discover the link sent me to a page where I could buy a Stoker award-winning book. eBay? Nope. Etsy? Someone has to have duplicated it on Etsy right? No joy, though I did find quite a lot of cool Dracula-related art, such as a bracelet with a quote from the book which reads, “I have crossed oceans of time to find you…”

Nice.

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Random Reviews: “BAXBR/DAXBR” by Evelyn E. Smith

Random Reviews: “BAXBR/DAXBR” by Evelyn E. Smith

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Time to Come, Edited by August Derleth
Time to Come, Edited by August Derleth, Cover artist unknown

Evelyn E. Smith was born in 1922 and in addition to her career as a science fiction author, which spanned from approximately 1952 until 1985, she also wrote romance novels using the name Delphine C. Lyons and also worked as a crossword puzzle writer. This latter job is very much evidenced in her 1954 story “BAXBR/DAXBR” (also “DAXBR/BAXBR,” its title should appear as two words that cross at the X).

The basic gist of the story is that George, Smith’s main character, often finds himself commuting in proximity to a man he doesn’t know, but things of as “the little man from the Planetarium,” since that is where their pathways often converge.  On rare occasions they greet each other and the man has a strange accent that George can’t place, but that is generally the extent of their interaction.

On the day the story takes place, fate and a crowded subway car throw the two men together. While the little man reads some letters, George tries to ignore him, playing mental games with words in which he ideates a crossword puzzle based on the words he sees. During this time, his eyes happen to fall on one of the man’s letters and he sees a word he is unfamiliar with, “BAXBR.” Rather than assume the word was gibberish, a private joke, or something in code, George obsesses over it.

As it happens, both men find their way to the main branch of the New York Public Library, where their paths diverge. George finds himself searching for the word in the dictionary and, when he can’t find it there, tries to find it in dictionaries for several foreign languages, trying to get a clue for the word’s origin from the man’s incomprehensible accent. Even the reference librarian who tried to help George was unable to find the word.

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New Treasures: The Best Science Fiction of the Year: Volume Six edited by Neil Clarke

New Treasures: The Best Science Fiction of the Year: Volume Six edited by Neil Clarke

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The Best Science Fiction of the Year: Volume Six (Night Shade, January 25, 2022). Cover by Pascal Blanché

It’s here at last! The sixth volume of Neil Clarke’s Best Science Fiction of the Year, long-delayed by supply chain disruptions, pandemic publishing panic, and maybe Pacific pirates — I honestly have no idea. But it’s here. And packed full of stories from the long-ago era of 2020, when the pandemic was fresh and new, everyone was ordering their first masks, and looking forward to returning to work in two weeks. Ah, the good old days.

I’m glad to finally have this book in my hot little hands, anyway. Even if it did take so long to arrive that I ended up accidently ordering a second copy from the Science Fiction Book Club six months after I ordered the first one. If anyone out there is in the market for a copy, we should talk.

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One From the Bucket List: The Year’s Top Robot and AI Stories: Second Annual Collection edited by Allan Kaster

One From the Bucket List: The Year’s Top Robot and AI Stories: Second Annual Collection edited by Allan Kaster

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The Year’s Top Robot and AI Stories: Second Annual Collection (Infinivox, November 21, 2021). Cover by Maurizio Manzieri

I’ve been reading and writing about Year’s Best volumes for decades, and I’ve covered a lot of them, including anthologies by Terry Carr, Don Wollheim, Harry Harrison and Brian Aldiss, Gardner Dozois, Jonathan Strahan, Rich Horton, Neil Clarke, and many others.

So I hope you can appreciate what a pleasure it was to receive a copy of Allan Kaster’s The Year’s Top Robot and AI Stories: Second Annual Collection in the mail in December, a book that fulfilled a long-held dream. It’s the first Year’s Best to include a story of mine: “The Ambient Intelligence,” originally published in the October 2020 issue of John Joseph Adams’ Lightspeed magazine.

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