Browsed by
Category: Books

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Three – “The Avenue Mystery”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Three – “The Avenue Mystery”

lyonsfu1“The Avenue Mystery” was the third installment of Sax Rohmer’s Fu-Manchu and Company. The story was first published in Collier’s on February 6, 1915 and was later expanded to comprise Chapters 7-10 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

mysteriousfu2While I hold political correctness in contempt recognizing it to be censorship under a different guise, it is inevitable that in revisiting books or films of the past one encounters racial or sexist stereotypes that are now offensive. I do not support banning a work or editing for content anymore than I support minimalizing the issues raised by their inclusion. A simple disclaimer noting offensive content is contained that reflects acceptable attitudes at the time of the work’s creation should suffice to address the matter.

Readers of pulp adventure or mystery fiction of the late nineteenth and early twentieth century are accustomed to offensive stereotypes of Asian, African, Italian, Greek, and Jewish characters among others. While Rohmer’s early Fu-Manchu stories contain a good deal less racial stereotyping of Asians than film adaptations or illustrations of the character would suggest; a lamentable streak of anti-Semitism runs through “The Avenue Mystery.” This fact is all the more regrettable because the Jewish character in question, Mr. Abel Slattin ranks among Rohmer’s finest bit players.
 

Read More Read More

Goth Chick News: Get That Raven an Agent

Goth Chick News: Get That Raven an Agent

image002Here is definitive proof there is life after death.

Over the last couple years, the lovely Ms. Betty White has been blogged, tweeted and Facebooked back into the Hollywood limelight at the age of 89. She is “cute” and “sweet” and now apparently even “hot” by the standards of an entertainment industry which generally saves its highest praise and adoration for the youthful (or at least the youthful appearing).

Betty White’s resurgence of popularity is nothing short of miraculous when taken in this context.

However, relatively speaking, Ms. White is jail bait beside Mr. Edgar Allen Poe, who last month turned 202 and seems to be enjoying a second public life of his own.

And the one thing he is which Betty White definitely is not (as far as we know) is dead; a state Poe has been in for 162 years but which is not stopping him from recently getting his name in the press, or starring in several upcoming Hollywood projects.

Of course it doesn’t hurt to be terminally interesting as well.

Read More Read More

New Treasures: Engineering Infinity, edited by Jonathan Strahan

New Treasures: Engineering Infinity, edited by Jonathan Strahan

engineerOriginal science fiction and fantasy anthologies have had a tough time of it over the past few years, with some of the most promising and rewarding series — including Lou Ander’s excellent Fast Foward, and George Mann’s ambitious and highly readable Solaris Book of New Science Fiction and Solaris Book of New Fantasy — being discontinued.

One of the best of the new anthologists is Jonathan Strahan, whose acclaimed Eclipse series returns this May with Volume 4.  While we wait, Strahan treats us to a terrific standalone volume of original short stories:

The universe shifts and changes: suddenly you understand, you get it, and are filled with a sense of wonder. That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it’s coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you’d ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it’s hard science-fiction where sense of wonder is most often found and where science-fiction’s true heart lies.

This exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross and Greg Bear.

Engineering Infinity was published in paperback by Solaris for just $7.99; my copy arrived in early January.

As a raging blizzard  turns St. Charles, Illinois into a winter wonderland around me, this is the book I choose to cuddle down with for the evening.  Check it out when you get a chance.

Mythpunk

Mythpunk

inthenightgarden1Back at around the turn of the century when I first started writing reviews for various SF/F on line publications, there was a lot of heated discussion about something called “The New Weird.”  Some of it got a little silly, but, recovering English majors tend to like to categorize things as some kind of shorthand for what you might expect from a literary work.  In the academy, that means things like gothic,  romance and  post-modernism, among other designations. In genre, riffing off the rock music punk rebellion — a reaction to pretentious art-rock and boring corporate rock (see, you can’t get away from categorizing) — came a series of “punk” movements, starting with cyberpunk and then steampunk and splatterpunk and whatever you could stick “punk” onto similar to the way political scandals have become a “gate” ever since  Watergate.

The latest such entry appears to by “mythpunk,” more about which you can read in this interview with Catherynne M. Valente, who is credited with coining the term in 2006 (which goes to show how clueless I am, as this is the first I’ve heard of it).  For further discussion, visit the Strange Horizons blog.

Graphic Noir: A Random Sample

Graphic Noir: A Random Sample

peter-gunn-dell-4colorNoir comics have bubbled under the surface for decades. Even the mainstream success of the Dick Tracy newspaper strip failed to bring hardboiled detectives to the forefront of the medium. Batman started off as a noir title before quickly eschewing dark corners for brightly-colored superhero theatrics for decades. TV and movie tie-in’s, usually one-off’s from publishers like Dell popped up here and there but failed to be anything more than curios.

playback1A quick look at Dell’s Peter Gunn one-shot from 1959 is a perfect example. The television series was strictly adult fare in its day with a 9:30 PM time slot so it’s strange to see a kid-friendly comic with Pete tracking down a maker of counterfeit postage stamps as the lead story.

Dell fared much better with the simultaneous publication of a TV tie-in novel by the author of the Peter Chambers series, Henry Kane. That book managed to aim for a more sophisticated audience than late fifties network television standards would allow making Dell’s dime comic all the more strange in comparison.

The advent of the graphic novel was really the medium that allowed noir titles to flourish. Darker, more adult and frequently self-contained, the graphic novel was the perfect vehicle to bring hardboiled detectives into the graphic medium. Jim Steranko may have been the first to exploit the combination with Red Tide (1976) featuring the adventures of a gumshoe named Chandler in an appreciative nod to the creator of Philip Marlowe. That seminal work was the first graphic noir in the United States, Europe having got the drop on us first.

Read More Read More

Happy 100th Birthday, C. L. Moore!

Happy 100th Birthday, C. L. Moore!

shambleau1Catherine Lucille (C.L.) Moore, one of the great pulps writers of the 20th Century and author of Judgment Night, Shambleau and Others, Northwest of Earth, and Jirel of Joiry, was born 100 years ago today, on January 24, 1911.

Moore’s first story, “Shambleau,” the tale of a beautiful alien vampire, introduced interplanetary adventurer and pulp hero Northwest Smith  in the November 1933 issue of Weird Tales. The next year she published “Black God’s Kiss,” the first tale of Jirel of Joiry. They remain two of the most famous stories Weird Tales ever published.

Much of Moore’s early science fiction and fantasy stories were collected by Gnome Press in handsome volumes that are still highly collectible today, including Judgment Night (1952), Shambleau and Others (1953), and Northwest of Earth (1954).

Moore married fellow science fiction author Henry Kuttner in 1940, and they collaborated on many classic tales for the pulps, including “Mimsy Were the Borogroves,” (filmed in 2007 as The Last Mimzy), “The Twonky,” and “Vintage Season.” Much of their work together appeared in Astounding Science-Fiction,  usually under the name Lewis Padgett or Laurence O’Donnell.

judgment-nightMoore published three novels before her death in 1987: Doomsday Morning(1957), and two with Kuttner: Earth’s Last Citadel (1943) and The Mask of Circe (1948).

Unlike most pulp authors, C.L. Moore’s fame continued to grow after her death, and the past decade alone has seen several major collections of her work including two Planet Stories editions from Paizo: Black God’s Kiss (2007) and Northwest of Earth (2008); as well as Volume 31 in the Fantasy Masterworks series from Gollancz, Black Gods and Scarlet Dreams (2002); and two huge retrospectives: Two-Handed Engine (Centipede Press, 2006) and Detour to Otherness (Haffner Press, 2010).

Over the years we’ve done our own tributes to C.L. Moore, including Ryan Harvey’s Jirel of Joiry: The Mother of Us All, Paul Di Filippo’s review of Judgment Night, and C.S.E. Cooney’s recent Jirel, Ma Joie!

Celebrate the life of one of our finest writers this week — pick up and enjoy a C.L. Moore story. You’ll thank us later.

[Thanks to Stephen Haffner of Haffner Press for the tip.]

A Review of The Time Ships by Stephen Baxter

A Review of The Time Ships by Stephen Baxter

time-shipsI’m not entirely sure how to review a sequel that’s written by a different author. I’m even less sure how to proceed if that sequel happens to be for a classic.

It’s not enough that it be a good book on its own. It also has to carry over themes from the original, and ideally, it should measure up to the original — which is almost impossible, because classics tend to become classics because the ideas in them are unique, cutting edge, or at least presented in a fascinating new way.

The Time Ships, by Stephen Baxter, is a sequel to H. G. Wells’ The Time Machine, and that’s one of the most impossible legacies in science fiction.

It’s a very good book, but it isn’t revolutionary in the way the original is — in part because it really can’t be. To top The Time Machine, you’d pretty much have to invent a new genre.

When The Time Machine ends, the nameless Time Traveller promises to be right back, departs for the future, and vanishes forever. The Time Ships repeats this scene from his perspective (in the original, we see it from the Writer’s point of view) and explains what happened to him.

Read More Read More

Rogue Blades Entertainment Announces eSsassins Electronic Anthologies

Rogue Blades Entertainment Announces eSsassins Electronic Anthologies

assassins1Jason M. Waltz at Rogue Blades Entertainment tells us the distinguished heroic fantasy publishing house has added a series of electronic anthologies to its already-crammed slate of planned publications for the year:

RBE is proud to introduce not only four additional titles under the Clash of Steel series, but its first four e-only anthologies as well! Better yet, these four e-anthologies deliver even more of the eagerly desired Assassins: A Clash of Steel print anthology to be released later in 2011! These 4 eSsassins titles carry over the same steel-bearing protagonists in dangerous, powerful prose, and the same eye-catching cover art from Didier Normand that the print anthology pledges.

Each volume in the eSsassins line will contain four stories, totalling 15,000 – 18,000 words in length.  They will be sold in multiple electronic formats for $3.00 each.

The volumes will be released monthly, starting in February.  The RBE website lists the complete contents of each upcoming volume, including stories from Laura J. Underwood, Yeoryios Pantazis, Amy Sanderson, Charles Kyffhausen, and G.K. Hayes.

RBE’s previous Clash of Steel anthology was last summer’s Demons, which I’m currently reading and quite enjoying. Cover art for each of the upcoming volumes will be unveiled soon, so keep your eye on their website for updates.

Philip K. Dick Award Nominees Announced

Philip K. Dick Award Nominees Announced

yarnThe nominees for the Philip K. Dick Award were announced by the Philadelphia SF Society and the Philip K. Dick Trust on Tuersday, January 18.

The Philip K. Dick Award is presented “for distinguished science fiction published in paperback original form in the United States.” It honors the legendary science fiction author Philip K. Dick, many of whose classic early novels, including Eye in the Sky, Solar Lottery, Martian Time-Slip and The Game-Players of Titan, appeared originally in paperback.

This is a juried award, so don’t bother hunting online for a way to vote. The judges for 2010 are Andy Duncan (chair), William Barton, Bruce McAllister, Melinda Snodgrass, and David Walton. The award is administered by David G. Hartwell and Gordon Van Gelder. Previous winners include William Gibson’s Neuromancer, Richard Paul Russo’s Ship of Fools, Carol Emshwiller’s The Mount, and C. L. Anderson’s Bitter Angels.

Wikipedia has a complete list of the nominees and winners for each year. Nominees this year are:

Yarn by Jon Armstrong (Night Shade Books)
Chill by Elizabeth Bear (Ballantine Books/Spectra)
The Reapers Are the Angels by Alden Bell (Henry Holt & Co.)
Song of Scarabaeus by Sara Creasy (Eos)
The Strange Affair of Spring Heeled Jack by Mark Hodder (Pyr)
Harmony by Project Itoh, translated by Alexander O. Smith (Haikasoru)
State of Decay James Knapp (Roc)

Congratulations to all the nominees! The winner will be announced on Friday, April 22, 2010.

Robert E. Howard Birthday Celebration

Robert E. Howard Birthday Celebration

solomon-kane3Here’s to Robert E. Howard, creator of my favorite genre, sword-and-sorcery, on the anniversary of his birth. Raise high your goblets and drink deep.

What is best about Robert E. Howard’s writing? The driving headlong pace, the seemingly inexhaustible imagination, the splendid cinematic prose poetry, the never-say-die protagonists? It is hard to pick one thing, so it may be simpler to state that Robert E. Howard possessed profound and often astonishing storytelling gifts. Without drowning his readers in adjectives (he had the knack of using just enough adjectives or adverbs, and knew to let the verbs do the heavy lifting) or slowing pace, he brought his scenes to life. Vividly.

Writer Eric Knight may have most succinctly described this particular aspect of Howard’s power in an article on Solomon Kane:

“’Wings of the Night’ features a marathon running fight through ruin, countryside, and even air that only a team of computer animators with a sixty-million dollar budget and the latest rendering technology (or a single Texan from Cross Plains hammering the story out with worn typewriter ribbon) could bring properly to life.”

Read More Read More