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New Treasures: Probably Monsters by Ray Cluley

New Treasures: Probably Monsters by Ray Cluley

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Probably Monsters-smallToronto press Chizine Publications is one of the hottest publishers in the business. I was so impressed with their recent output that, after returning from the World Fantasy Convention in November of last year, I sat down to compose a survey of their catalog.

But it wasn’t just their 2014 releases that grabbed me. I was also highly intrigued by Probably Monsters, the debut collection from British Fantasy Award-winning author Ray Cluley, author of Water for Drowning (August 22, 2014). It was released in April, and I finally had a chance to get my hands on a copy yesterday, at the Nebula Awards weekend here in Chicago. I love a good monster story, and these look very promising indeed.

From British Fantasy Award-winning author Ray Cluley comes Probably Monsters — a collection of dark, weird, literary horror stories. Sometimes the monsters are bloodsucking fiends with fleshy wings. Sometimes they’re shambling dead things that won’t rest, or simply creatures red in tooth and claw. But often they’re worse than any of these. They’re the things that make us howl in the darkness, hoping no one hears. These are the monsters we make ourselves, and they can find us anywhere…

Probably Monsters was published by ChiZine Publications on April 14, 2015. It is 352 pages, priced at $16.99 in trade paperback, and $7.99 for the digital version. The cover art is by Erik Mohr, with design by Samantha Beiko.

See all of our recent New Treasures articles here.

Science Fiction Seeking Legitimacy: Connoisseur’s Science Fiction, edited by Tom Boardman

Science Fiction Seeking Legitimacy: Connoisseur’s Science Fiction, edited by Tom Boardman

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Connoisseur's Science Fiction-smallConnoisseur’s Science Fiction
Edited by Tom Boardman
Penguin Books (234 pages, $0.95, 1966)

It’s a small world. The last story in the last anthology I read (Other Dimensions, edited by Robert Silverberg) was “Disappearing Act,” by Alfred Bester. The next book I read was this one, and the first story therein was “Disappearing Act,” by Alfred Bester. How do you like that? In any event, I didn’t read it again, but copied my remarks from the review at my site to this one.

In Connoisseur’s Science Fiction, Boardman, a pioneering SF reviewer in Britain who went on to edit four more anthologies, attempted to put together a collection of science fiction stories that had literary merit — or something like that. And you thought this business about science fiction seeking legitimacy was a new thing. Half of the stories worked for me and half did not.

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“Disappearing Act,” by Alfred Bester

The military is trying to determine why shell-shocked patients in a secret ward are disappearing. The answer is a fairly simple one having to do with other dimensions. But it’s made more interesting by the portrayal of the General in charge, who’s way over the top and who’s constantly demanding experts to sort out whatever he needs to know. Comparisons to a certain Kubrick movie wouldn’t be too far off the mark.

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Vintage Treasures: Jamie the Red by Gordon R. Dickson with Roland Green

Vintage Treasures: Jamie the Red by Gordon R. Dickson with Roland Green

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Jamie the Red-smallThieves World is one of the most endlessly creative concepts in the history of fantasy. Nearly four decades after it was first conceived, it’s still surprising me.

This time the surprise came in the shape of Jamie the Red, a 1984 fantasy novel written by Gordon R. Dickson and Roland Green and published by Ace Books, with a cover by Thieves World artist Walter Velez. It’s a surprise because, up until last week, I never knew it existed, despite the fact that I’ve been collecting Thieves World books for 37 years. And also because a little investigation revealed that it’s one of the most important books in the storied history of Thieves World — and for a fascinating reason.

But let’s back up. Who the heck is Jamie the Red, and just what does he have to do with Thieves World?

For our first clue, let’s turn to Paul Shackley’s Poul Anderson Appreciation blog. In August 2013, Paul wrote an entry titled Jamie the Red, where he said, in part:

Maybe everyone else out there already knew this but I certainly did not. When, in “The Gate of the Flying Knives” (Poul Anderson, Fantasy, New York, 1981), Anderson’s character, Cappen Varra, receives help from his friend, Jamie the Red, that friend is a Thieves’ World character in his own right and is even the title character of a novel by two other authors.

Paul was the first to tip me off about Jamie the Red. Yes, Jamie is a Thieves World character, and he does appear rather prominently in a Poul Anderson’s TW story. But Gordon R. Dickson was not even a Thieves World writer… so how the heck did he end up writing a Jamie the Red novel? And why isn’t there a Thieves World banner on the cover?

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R.A. MacAvoy’s The Book of Kells

R.A. MacAvoy’s The Book of Kells

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MacAvoy KellsLately I’ve been exploring portal fantasies, and last time I talked about Charles de Lint’s The Little Country. This week I’d like to take a look at R.A. MacAvoy’s The Book of Kells.

John Thornburn is a Canadian artist living and teaching in Dublin. He’s a bit of a klutz socially and emotionally, and has a tendency to focus on his work to the exclusion of everything else. His friend and sometime lover Derval O’Keane is an academic historian. The story begins when a young, injured girl suddenly appears in  John’s bathroom, having come through a portal  he inadvertently opened while working on the tracing of an old Gaelic pattern. It takes a bit of doing, but John and Derval finally figure out that Ailesh is the survivor of a Viking attack on her village in the Ireland of 985, saved by her father’s throwing her through the portal.

John and Derval take Ailesh back to her own time, and find the injured poet Labres MacCullen among the dead. John doesn’t know how to open the portal from this side, or even if it can be opened, so they accompany Ailesh and Labres to Dublin, where they hope to get help and justice from the King. Though the King in Dublin is himself a Dane at this point in history, they also want to warn him that the Vikings seem to have come as invaders, not as mere raiders who, having struck, will now go away.

Unknown to them, however, these same Vikings offered the lives of all the villagers to Odin, and the fact that Ailesh and Labres escaped puts them in a bit of a quandary. The leader decides that they must find and kill those who escaped, or forfeit their own lives – and the success of their expedition – to Odin’s displeasure.

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Future Treasures: Queen of Fire by Anthony Ryan

Future Treasures: Queen of Fire by Anthony Ryan

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Queen of Fire Anthony Ryan-smallI first took notice of Anthony Ryan with the publication of Tower Lord (2014), the second volume in the New York Times bestselling Raven’s Shadow trilogy (why do I always discover series with the second volume?) The series began with Blood Song (2013); by the second book, Ryan was being called “David Gemmell’s natural successor.” In the final volume, Vaelin Al Sorna must help his Queen reclaim her Realm — despite the fact that his enemy has found a dangerous new collaborator, one with powers darker than Vaelin has ever encountered…

“The Ally is there, but only ever as a shadow, unexplained catastrophe or murder committed at the behest of a dark vengeful spirit. Sorting truth from myth is often a fruitless task.”

After fighting back from the brink of death, Queen Lyrna is determined to repel the invading Volarian army and regain the independence of the Unified Realm. Except, to accomplish her goals, she must do more than rally her loyal supporters. She must align herself with forces she once found repugnant — those who possess the strange and varied gifts of the Dark — and take the war to her enemy’s doorstep.

Victory rests on the shoulders of Vaelin Al Sorna, now named Battle Lord of the Realm. However, his path is riddled with difficulties. For the Volarian enemy has a new weapon on their side, one that Vaelin must destroy if the Realm is to prevail — a mysterious Ally with the ability to grant unnaturally long life to her servants. And defeating one who cannot be killed is a nearly impossible feat, especially when Vaelin’s blood-song, the mystical power which has made him the epic fighter he is, has gone ominously silent…

Queen of Fire will be published by Ace Books on July 7, 2015. It is 642 pages, priced at $28.95 in hardcover, and $14.99 for the digital edition.

New Treasures: Mermaids and Other Mysteries of the Deep, edited by Paula Guran

New Treasures: Mermaids and Other Mysteries of the Deep, edited by Paula Guran

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Mermaids and Other Mysteries of the Deep-smallPaula Guran edits The Year’s Best Dark Fantasy & Horror every year, and her most recent anthology was Blood Sisters, packed full of vampire stories by women. So it’s good to see her deliver something outside the horror genre… or, perhaps, it’s good to see her keen eye for dark fantasy brought to bear on a subgenre that’s usually associated with The Little Mermaid. 

In Mermaids and Other Mysteries of the Deep, Paula has assembled a wide range of fiction by Tanith Lee, Peter S. Beagle, Samuel R. Delany, Neil Gaiman, Delia Sherman, Gene Wolfe, and others. Here’s a brief snippet from her introduction:

Powerful and incomprehensible, the oceans were thought to be the home of many monstrous creatures — sea serpents and dragons; the Norse Kraken, Greek Charybdis, Japanese Isonade, Biblical Leviathan. Rivers have monsters, too, like the Yacumama of the Amazon River or the malevolent zin, who live in the Niger River. As for lakes, even if you’ve never heard of the Welsh afanc, you know the Scottish Loch Ness monster.

The waters of the world were also believed to contain mythological creatures whose behaviors were as inconstant as our feelings about the mysteries of the deep. As Jane Yolen has said, “It is the allure of the beautiful, unattainable, mysterious Other. In every culture in every clime, there are stories of such creatures in the oceans, rivers, ponds, wells. Water is such a mutable, magical substance itself, the human imagination simply cannot believe it’s not peopled as the earth is. We want there to be such underwater civilizations and — not finding them — we invent them and then turn around and believe in our own invention.”

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Vintage Treasures: The Black Corridor by Michael Moorcock

Vintage Treasures: The Black Corridor by Michael Moorcock

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The Black Corridor Michael Moorcock-smallLast week I purchased a small collection of vintage paperbacks (something I do a lot). I bought it chiefly because it was inexpensive, all the books were in terrific shape… and it had a Michael Moorcock paperback I’d never seen before.

The Moorcock was The Black Corridor, an Ace Science Fiction Special, written in collaboration with Moorcock’s then-wife, Hilary Bailey (author of Frankenstein’s Bride and Fifty-First State.) The Ace Science Fiction Specials are highly prized by readers and collectors alike. They were edited by Terry Carr, and included first editions of Ursula K. Le Guin’s The Left Hand of Darkness, Alexei Panshin’s Rite of Passage, John Brunner’s The Jagged Orbit and The Traveler in Black, and William Gibson’s Neuromancer, among many others.

The Black Corridor is something of an odd bird. It wasn’t as successful or acclaimed as many of the other Ace Specials, and in fact it has never been reprinted in paperback in the US. But it does have its admirers. It was cited by Karl Edward Wagner as one of the thirteen best science-fiction horror novels, and Harlan Ellison said “Saying I enjoyed this book would be damning with faint praise… I was surprised by this book, at least eleven times.” Although it was never reprinted in paperback in the US, it was included as part of the omnibus collection Sailing to Utopia, The Tale of the Eternal Champion #5, published by Millennium (UK) and White Wolf (US), alongside The Ice Schooner, The Distant Suns, and the novelette “Flux.”

The Black Corridor is based on an incomplete fragment of a thriller written by Bailey, which Moorcock called “a straight future disaster story – collapse of society stuff.” Moorcock substantially re-drafted it, setting the bulk of the book in interstellar space, to tell a tale of an Earth collapsing into anarchy and war, and the starship and crew that flee into space. The book is fairly experimental, even for Moorcock. It contains sequences of typographical art where, as Moorcock put it, “words create a pattern of other letters forming other words,” and the narrative is enhanced with entries for the spaceship’s log, dream sequences, and computer printouts straight out of the 1960s.

The Black Corridor was published by Ace Books in 1969. It is 187 pages, priced at 75 cents. The cover is by Leo Dillon and Diane Dillon. There is no digital edition.

Sarah Avery Nominated for 2015 Mythopoeic Award for Tales from Rugosa Coven

Sarah Avery Nominated for 2015 Mythopoeic Award for Tales from Rugosa Coven

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tales-from-rugosa-coven-Avery-smallBlack Gate blogger Sarah Avery has been nominated for the 2015 Mythopoeic Award for her novel Tales from Rugosa Coven, published in 2013 by Dark Quest.

The Mythopoeic Fantasy Award for Adult Literature is given to the fantasy novel, series, or collection for adults published during the previous year that best exemplifies “the spirit of the Inklings,” the Oxford literary discussion group that included J. R. R. Tolkien and C. S. Lewis. The winners will be announced during Mythcon 46, held July 31 – August 3, 2015, in Colorado Springs, Colorado. Congratulations to Sarah, and all the nominees!

Sarah’s short story “The War of the Wheat Berry Year,” a slender and deceptively simple fantasy featuring The Traitor of Imlen, was published in Black Gate 15. The complete list of nominees for the 2015 Mythopoeic Awards follows.

Mythopoeic Fantasy Award for Adult Literature

  • Sarah Avery, Tales from Rugosa Coven (Dark Quest)
  • Stephanie Feldman, The Angel of Losses (Ecco)
  • Theodora Goss, Songs for Ophelia (Papaveria Press)
  • Joanne M. Harris, The Gospel of Loki (Gollancz)
  • Joe Hill and Gabriel Rodriguez, Locke & Key series (IDW Publishing)

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Future Treasures: The Great Bazaar & Brayan’s Gold by Peter V. Brett

Future Treasures: The Great Bazaar & Brayan’s Gold by Peter V. Brett

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The Great Bazaar and Brayan's Gold-smallPeter V. Brett’s second novel in the Demon Cycle, The Desert Spear, became an international bestseller, and the next two books in the series made him one of the top-selling authors on the market. So it’s no surprise that The Great Bazaar and Brayan’s Gold, two limited edition novellas from P.S. Publishing, set in the world of the Demon Cycle, and detailing Arlen’s early adventures, have been sold out for years.

Now Tachyon Publications is releasing an omnibus collection of both novellas in a handsome and affordable trade paperback edition. It something no fan of Peter V. Brett will want to miss.

From the dangerous world of the Demon Cycle comes the early adventures of Arlen, Peter V. Brett’s quintessential fantasy hero. These exciting origin tales follow Arlen as he learns to navigate a world where the elemental forces of evil conjure themselves from the earth each night.

Humanity has barely survived a demonic onslaught by using magical wards that protect their cities and homes. Only a handful of mercenaries and explorers risk traveling after the sun sets. Arlen, seeking adventure and fortune, is barely protected by the warded armor upon which he has inscribed intricate defensive runes. From a journey ferrying a wagonload of dynamite to a mountain stronghold, to a dangerous mission to recover desert treasures, Arlen faces friends and enemies with a strong arm and a cunning wit.

We’ve previously covered Peter’s novels The Daylight War and The Skull Throne.

The Great Bazaar & Brayan’s Gold will be published by Tachyon Publications on July 14, 2015. It is 186 pages, priced at $14.95 in trade paperback. There is no digital edition. Cover by Elizabeth Story.