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John DeNardo’s The Best of the Best of 2015’s Science-Fiction and Fantasy Books

John DeNardo’s The Best of the Best of 2015’s Science-Fiction and Fantasy Books

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Three Moments of an Explosion China Miéville-smallAh, the end of the year. It comes with all those fascinating Best-of-the-Year lists, written by people who read waaaay more than I do. I always tell myself I’ll at least mention them all here at Black Gate, because damn it would be cool if I were that on top of things. But then there’s all those Christmas parties, and my kids want me to watch Big Hero 6 with them (again), and really, that’s such an awesome movie. So, uh, yeah. Didn’t get to it. Maybe next year.

Fortunately, the tireless John DeNardo works much harder than me. He doesn’t go to Christmas parties, or watch movies. Ever. Or sleep, apparently. No, he read every single one of those Best SF & Fantasy of the Year lists. The ones that matter anyway:

Amazon
Barnes and Noble
Los Angeles Times
NPR
Publishers Weekly
The Guardian
The Washington Post
Kirkus Reviews

But then — because he has to show off — he did, like, math and stuff on those lists. (Well, addition, which counts as math.) He added up how many times each book appeared. And then he constructed a SUPER LIST, of the Best of the Best of 2015’s Science-Fiction and Fantasy Books. Just like those scientist guys who built Robocop.

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R. J. Myers and the Crucifixion of Mary Shelley

R. J. Myers and the Crucifixion of Mary Shelley

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NOTE: The following article was first published on May 16, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Myers Cross 2Myers Cross 1Robert J. Myers is a study in contradictions. A veteran CIA operative, he became the publisher of The New Republic. In the mid-1970s, Myers authored two sequels to Mary Shelley’s classic, Frankenstein or: The Modern Prometheus (1818). Having a longstanding interest in literary pastiches, I tracked down these two long out-of-print titles and read the first, The Cross of Frankenstein (1975). The prolific nature of the Universal and Hammer Frankenstein movies was understandable, but the original novel has always seemed more challenging to extend – even more so than Bram Stoker’s Dracula (1897). Neither story demands literary sequels, nor did their authors choose to pursue them – a fact that makes the ambitions of prospective continuation authors all the more difficult to realize with any degree of success.

Mary Shelley’s original reads like a modern fable. The scientist who transgresses nature’s laws is destroyed by the abomination he brought into existence with his own hand. It is the same fable Michael Crichton fashioned nearly 200 years later into Jurassic Park. Shelley’s alternate title for the book, The Modern Prometheus is frequently forgotten, but it is critical to an understanding of how the novel differs from the 1931 Universal horror classic that imbued itself in the public consciousness. The monster of Shelley’s novel may be lacking a flat head and neck bolts, but he makes up for it in spades with his philosophical yearning for his own place in the universe and with the father/creator who abandoned him.

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New Treasures: The Angel of Highgate by Vaughn Entwistle

New Treasures: The Angel of Highgate by Vaughn Entwistle

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The Angel of Highgate-smallVaughn Entwistle is the author of two volumes in The Paranormal Casebooks of Sir Arthur Conan Doyle: The Revenant of Thraxton Hall and The Dead Assassin, atmospheric mysteries featuring the detecting duo of Arthur Conan Doyle and Oscar Wilde.

The Angel of Highgate is a prequel to those books, but to reveal exactly how would be telling. It was published in trade paperback this month by Titan.

People die… but love endures immortal.

Lord Geoffrey Thraxton is notorious in Victorian society — a Byronesque rakehell with a reputation as the “wickedest man in London.” But on a fog-shrouded morning in Highgate Cemetery, Thraxton encounters a spectral wraith that stirs his morbid fascination with death and the supernatural. After surviving a pistol duel, Thraxton boasts his contempt for death and insults the attending physician. It is a mistake he will regret, for Silas Garrette is a deranged sociopath and chloroform-addict whose mind was broken on the battlefields of Crimea. When Thraxton falls in love with a mysterious woman who haunts Highgate Cemetery by night, he unwittingly provides the murderous doctor with the perfect means to punish a man with no fear of death.

The Angel of Highgate was published by Titan Books on December 1, 2015. It is 377 pages, priced at $12.95 in trade paperback and $7.99 for the digital edition. The cover was designed by Julia Lloyd.

See all our recent New Treasures here.

Sax Rohmer Goes Ape

Sax Rohmer Goes Ape

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Sax Rohmer The Moon is Red-smallThe Moon Is Red_2The Moon is Red was first published in the UK in hardcover by Herbert Jenkins in February 1954. A paperback edition from Digit Books followed in 1964. The first US edition was published by Bookfinger as a limited edition hardcover in January 1977. It was the last non-series Rohmer novel. While far from his best work in my view (the author was already 70 years old at the time of its writing), it is certainly of interest as a curio to devotees.

The late Rohmer scholar, Dr. Robert E. Briney (editor and publisher of The Rohmer Review) considered it the best of Rohmer’s last dozen books. In my view it is far inferior to Virgin in Flames (1952) and even less successful an effort than Bianca in Black (1958) which was written by (or at least credited to) the author’s wife. The authorship of those late period works has always been a matter of contention by fans. While Rohmer certainly never employed professional ghost writers, both his wife and his protégé and secretary, Cay Van Ash were indispensable to him in later years. Their names appear with his on a number of radio and television scripts he authored during this period. When questioned on the matter in the 1970s, Van Ash maintained he only served as a typist and did minor editing of manuscripts while the author’s widow stated her input was limited to discussing plot points and occasionally suggesting story ideas (she claimed the first Sumuru story was her original concept). Regardless, Rohmer’s best fiction of the 1950s was largely confined to the short story market as his full-length novels more evidently display the frailties of age and the passage of time to their overall detriment.

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The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011 Compiled by the Editors of HFQ

The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011 Compiled by the Editors of HFQ

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oie_28203924eCuQXbPYRegular readers of my monthly short story roundup know how great I think Heroic Fantasy Quarterly is, ranking it the most consistent forum for the best in contemporary swords & sorcery. Some may think I’m laying it on a little thick, but The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011, a distillation of the mag’s first three years, should prove that I’m not.

While we are living in a time when some magnificent S&S short stories are being written, most are confined to the ephemeral pages of the web. So I consider it important that Adrian Simmons, David Farney, and the rest of the HFQ crew have endeavored to preserve some of their very best in book form.

Before diving into the stories (and poems — never let it be forgotten that HFQ is one of the few places publishing heroic poetry), let me start with the cover. By the very existence of that “Volume 1” in the title you know to expect more. It implies that the editors know there’s an audience hungering for S&S right now, and that they have faith it will still be there in the future, waiting for “Volume 2.”

Then there’s the art by Justin Sweet. Eschewing either the violent moment of battle or the smoldering embers of its aftermath, we see the warrior and his companions as their adventure is about to begin. From a mountainous vantage they can survey the tower below ready to be plundered, or the prisoner within its walls rescued. Maybe it’s the squadron of ships in which they’re interested. Of course, the fact that all three seem to be looking at something just out of the frame to the left could mean the bounty hunters looking for them, or a pack of ghouls, has just broken from the forest. Whatever the specifics of the painting, for me it’s a picture from just before the events of the story. It promises there’s something coming that will get my blood pumping and transport me, if only for a dozen pages, out of the humdrum and into the extraordinary.

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New Treasures: Barsk: The Elephants’ Graveyard by Lawrence M. Schoen

New Treasures: Barsk: The Elephants’ Graveyard by Lawrence M. Schoen

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Barsk The Elephants Graveyard-smallI’ve been looking forward to Lawrence M. Schoen’s Barsk since I first glimpsed the cover over the summer. It will be released this week, and the pre-release buzz has been impressive. Nancy Hightower at The Washington Post ranked it as one of the Best SF and Fantasy titles of December, saying:

Barsk is set 62,000 years into a human-less future, where anthropomorphic animals rule the galaxy. There is no record of human existence, and while the different species get along relatively well, the Fant, an elephant-like hybrid, are completely shunned and exiled to live on a rainy planet called Barsk. While labeled less intelligent and “dirty,” the Fant nonetheless are the only species to produce a drug that allows clairvoyants known as Speakers to commune with the dead. When the planet is threatened with invasion and annihilation by the galaxy Senate, Jorl, a Fant Speaker, must race to save it by communing with ancient beings who hold even darker truths. Suspenseful and emotionally engaging, Barsk brings readers into a fascinating speculative world.

Lawrence has been nominated for the Nebula Award three times, and the Hugo Award once. The early reviews for Barsk have been glowing, with Karl Schroeder calling it “A compulsive page-turner and immensely enjoyable,” and James L. Cambias proclaiming it “Captivating… [a] heartwarming story in a unique and fantastic world… as rich and mysterious as Dune.” We first covered the book last month.

Barsk: The Elephants’ Graveyard will be published by Tor Books on December 29, 2015. It is 384 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The marvelous cover is by Victo Ngai.

Hypnojewels, Smugglers, and Ancient Alien Races: Rich Horton on The Plot Against Earth/Recruit for Andromeda

Hypnojewels, Smugglers, and Ancient Alien Races: Rich Horton on The Plot Against Earth/Recruit for Andromeda

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The Plot Against Earth-small Recruit for Andromeda-small

“Calvin M. Knox” is one of Robert Silverberg’s most well-known pseudonyms. He used it extensively to write reviews, over two dozen short stories (frequently in magazines where he also had a story under his own name), and three novels: Lest We Forget Thee, Earth (1958), The Plot Against Earth (1959), and One of Our Asteroids is Missing (1964), all Ace Doubles.

Milton Lesser was born in Brooklyn in 1928, and changed his name to Stephen Marlowe in 1956. Under that name he wrote 40 crime novels and fictional autobiographies. He began publishing SF under his original name while still a teenager, and he continued to to do so through the 50s and 60s, producing seven novels and nearly 100 short stories between 1950 and 1965.

Silverberg and Lesser were published back-to-back in Ace Double D-358 in 1959, with the novels The Plot Against Earth and Recruit for Andromeda. The latter has never been reprinted, and has now been out of print for over 55 years.

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Vintage Treasures: The Midwich Cuckoos by John Wyndham

Vintage Treasures: The Midwich Cuckoos by John Wyndham

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The Midwich Cuckoos Dean Ellis-smallJohn Wyndham’s first SF story, “Worlds to Barter,” was published in the May 1931 issue of Wonder Stories, one of the very first pulp magazines I ever bought (which still brings back fond memories every time I see the cover). It appeared under his pulp pseudonym, John Beynon Harris, and alongside “Through the Purple Cloud” by Jack Williamson, and stories by Fletcher Pratt, Ed Earl Repp, and an editorial by Hugo Gernsback. Wyndham was just 27 years old.

His real fame, of course, came with his novels. The first to appear under his own name was the international bestseller The Day of the Triffids (1951), followed by The Kraken Wakes (1953), The Chrysalids (1955), The Outward Urge (1959), Trouble with Lichen (1960), and Chocky (1968).

The Midwich Cuckoos was first published in hardcover in the UK by Michael Joseph in 1957, and made into the classic SF film Village of the Damned in 1960 (and remade by John Carpenter in 1995).

A nightmare tale of a quiet English village where nothing ever happened until late one September night, when every woman in town became inexplicably pregnant…

Nine months later, sixty beautiful children were born… sixty unbelievable threats to the human race!

Today The Midwich Cuckoos is something of a neglected classic. It has been out of print in the US since the Del Rey paperback edition shown at right was released in May 1980. It is 189 pages, priced at $1.50. The cover is by Dean Ellis. An ebook was published in July 2010 by RosettaBooks, and that’s probably your best bet if you’re trying to track down a copy.

John DeNardo’s 2015 Science-Fiction, Fantasy, and Horror Holiday Gift Guide

John DeNardo’s 2015 Science-Fiction, Fantasy, and Horror Holiday Gift Guide

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Spectrum 22-smallWell, Christmas is over, the gifts are (mostly) unwrapped and, barring that one uncle who always seems to be traveling on Christmas, all the presents have been exchanged. Which means it’s finally safe to look at gift-giving guides again (I don’t know about you, but all the best ones seem to pop up just as I finish my shopping.) After all, you need some suggestions on what to spend those gift certificates on, right?

Perhaps the best guide I found this year was John DeNardo’s 2015 Science-Fiction, Fantasy, and Horror Holiday Gift Guide, published in two parts over at Kirkus Reviews. What makes it so cool? It’s packed with deluxe comics, Star Trek and Stars Wars books, cool merchandise, and lots more. Here’s his suggestions for how to spend on the art lover in your life.

The go-to gift for your visually oriented loved ones is an art book. Science fiction and fantasy fans would adore Spectrum 22: The Best in Contemporary Fantastic Art edited by John Fleskes. Its 300 pages are jam-packed with an amazingly diverse selection of art, especially considering that they are all spectacular. It’s is a book you’ll pick up again and again. Or maybe your giftee leans toward the creepy? The Art of Horror: An Illustrated History by Stephen Jones is a visual feast aimed at lovers of horror. It contains an endlessly impressive selection of horror art since the late 19th century. Every page deserves multiple visits.

John has so many ideas, he had to split his list into two parts.

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Future Treasures: Midnight Taxi Tango by Daniel José Older

Future Treasures: Midnight Taxi Tango by Daniel José Older

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Midnight Taxi Tango-smallDaniel José Older’s first Bone Street Rumba novel, Half-Resurrection Blues, was one of the most acclaimed novels of the year, selected as one of the Best Fantasy Books of 2015 by BuzzFeed, Barnes & Noble, and other fine establishments.

The second in the series, Midnight Taxi Tango, will be released in paperback next month. If you’re a regular reader at Tor.com, you’ve probably already sampled it, as portions were originally published there as three original short stories: “Anyway: Angie,” “Kia and Gio,” and “Ginga.”

The streets of New York are hungry tonight…

Carlos Delacruz straddles the line between the living and the not-so alive. As an agent for the Council of the Dead, he eliminates New York’s ghostlier problems. This time it’s a string of gruesome paranormal accidents in Brooklyn’s Von King Park that has already taken the lives of several locals — and is bound to take more.

The incidents in the park have put Kia on edge. When she first met Carlos, he was the weird guy who came to Baba Eddie’s botánica, where she worked. But the closer they’ve gotten, the more she’s seeing the world from Carlos’s point of view. In fact, she’s starting to see ghosts. And the situation is far more sinister than that — because whatever is bringing out the dead, it’s only just getting started.

Midnight Taxi Tango will be published by Roc on January 5, 2016. It is 322 pages, priced at $7.99 for both the paperback and digital versions. Sadly, the gorgeous cover art is uncredited.

Read the first chapter at Tor.com.