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The Best of the Dark: Fall Releases from Penguin Classics

The Best of the Dark: Fall Releases from Penguin Classics

The Best of Richard Matheson-small Dark Tales Shirley Jackson-small

October is over, but that doesn’t mean that all the good creepy reading is behind us. Penguin Classics released two fine collections on October 10th that should keep you busy at least through early December.

The first is The Best of Richard Matheson, a long-overdue collection from one of the greatest horror writers of the 20th Century. It’s a 432-page treasure trove from the man whom Stephen King said called “the author who influenced me most as a writer.” The author of I Am Legend and sixteen Twilight Zone episodes modernized horror by taking it out of Gothic castles and setting it in darkened streets and suburbs much closer to home. This volume gathers his greatest stories as chosen by Victor LaValle. It’s $17 in paperback ($11.99 digital).

Dark Tales collects classic and newly reprinted stories from the author of “The Lottery,” including the “The Possibility of Evil,” “The Summer People,” and “The Sorcerer’s Apprentice,” first published in 2014. Collecting 17 pieces published between 1950 and 2015, Dark Tales features stories in which a daily commute turns into a nightmarish game of hide and seek, and a concerned citizen might just be an infamous serial killer. It’s 208 pages, priced at $16 in trade paperback ($11.99 digital).

New Treasures: Deadlands: Boneyard by Seanan McGuire

New Treasures: Deadlands: Boneyard by Seanan McGuire

Deadlands Boneyard-small Deadlands Boneyard-back-small

I must admit that my first thought on laying eyes on Deadlands: Boneyard was, “What the heck is Seanan McGuire doing writing a gaming tie-in?”

After all (as the cover of Boneyard proudly boasts) McGuire is a New York Times bestselling author all on her own, for her zombie Newflesh series (published under the name Mira Grant). It’s not often you see bestselling writers dabbling with game books. But who knows? Maybe she’s always wanted to write a Weird Western. Maybe she loves the Deadlands setting. Or maybe she promised Jay Lake she’d do it. (The dedicated to Boneyard reads, “For Jay Lake. Didn’t I always promise you a midway?”, whatever that means.)

But whatever the reason, I’m glad to have it. It went right to the top of my Halloween reading pile this year.

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Thick As Thieves by Ken Lizzi

Thick As Thieves by Ken Lizzi

CaptureSwords & sorcery and hard-boiled crime stories share significant crossover in themes, characterization, and worldview. Both tend to have solitary heroes possessed of highly personal codes of behavior, flourish on the margins of civilization (be it the steppes of Turan or Poisonville), and over all, equal parts world-weariness and cynicism is de rigueur. Ken Lizzi’s newest novel, Thick As Thieves, amps up the comparison by being a hard-boiled swords & sorcery heist story.

Thick As Thieves’ opening echoes one of roleplaying’s hoariest tropes, by introducing all its primary characters during a fight, if not in a tavern, just outside one in the frontier city of Kalapo. Brick is a giant slab of a man, a veteran of the Merchant’s War, and given to bouts of berserk fury in battle. In dire need of work, he took up the post of bouncer at The Chipped Mug, a less-than-reputable tavern noted for its vinegary wine and its owner, Shib. Shib is Haptha, a non-human race derisively called Sharks for the dorsal ridge that runs atop their skulls. The Haptha are a race of capitalist empiricists who launched and won the war against the human Clackmat Confederacy and Leyvan Hierocracy to force them to give up their mercantilist ways. Glum Arent, an ever-present fixture in the bar, is by trade a poet, but makes most of his living writing letters for the illiterate, penning panegyrics for priests and politicians, and acting as general informant for those same clients.

A wagon wheel on one of Haptha Trader Vawn’s wagons breaks outside The Chipped Mug. While repairs commence, Vawn and one of his bodyguards, Dahlia, a relatively rare Leyvan swordswoman, enter the tavern. Outside, members of Kalapo’s Cartage and Drayage Guild take offense at the trader’s team fixing the wagon themselves. A fight ensues. When the guildsmen attempt to attack Vawn inside the tavern, Brick makes it clear he will brook no trouble, then proves it when his warning is rejected.

“Get the f–k out of the way, freak.” The leading red tunic reached out and prodded Brick — rather scornfully, Brick thought — in the midsection with the tip of his cudgel.

“Don’t,” said Brick. He felt the advance hints of the Fury, a faint haze of red specks at the edge of his vision. The jab with the club was insulting. And the tavern, and the safety of the people within was his responsibility. His job. He tried to keep the anger at bay, though not in great earnest. He recognized the dangers of surrendering to rage, but he liked the Fury. It was what made him a good soldier. It was what had allowed him to ignore fear — not dismiss it, not conquer it, but ignore it. It was what let him tear gaps in enemy positions, be the tip of a human wedge driving into a shield wall. He recognized the disadvantages in civilian life. Slipping the leash from impulse control could be a problem outside a war zone. So, he kept the Fury tightly reined in. But he missed it. And if this punk ass guildsman jabbed him again…

The punk ass guildsman jabbed him again.

The Fury descended like a curtain of crimson sparks. Pent up frustration spewed from Brick like wine from a punctured goatskin bag. He batted aside the cudgel and grabbed the wrist, yanking the man towards him. Brick squeezed and twisted, hearing tendons pop and little bones grind together. At the same time, his other hand shot forward and gripped the guildsman below the armpit of his red tunic. Brick lifted the man, continuing to twist and pull on the wrist. The guildsman screamed as first elbow then shoulder dislocated.

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Future Treasures: The Wrong Stars by Tim Pratt

Future Treasures: The Wrong Stars by Tim Pratt

The Wrong Stars Tim Pratt-smallI’ve been reading a bit more space opera recently, and I welcome the recent resurgence of the sub-genre. Alien races, hardened crews, derelict spacecraft, ancient mysteries in space… how can you go wrong with a mix like that? Tim Pratt kicks off a new series next month with The Wrong Stars; it sounds like it has all the right ingredients.

A ragtag crew of humans and posthumans discover alien technology that could change the fate of humanity… or awaken an ancient evil and destroy all life in the galaxy.

The shady crew of the White Raven run freight and salvage at the fringes of our solar system. They discover the wreck of a centuries-old exploration vessel floating light years away from its intended destination and revive its sole occupant, who wakes with news of First Alien Contact. When the crew break it to her that humanity has alien allies already, she reveals that these are very different extra-terrestrials… and the gifts they bestowed on her could kill all humanity, or take it out to the most distant stars.

Tim Pratt has been nominated for the Nebula, World Fantasy, Sturgeon, Stoker, and Mythopoeic Awards, and won the Hugo Award for his short story “Impossible Dreams” (Asimov’s SF, July 2006). His novels include The Strange Adventures of Rangergirl, and the Pathfinder Tales novels Liar’s Island and Liar’s Bargain. Several of his short stories have been adapted at Podcastle; C.S.E. Cooney reviewed two of them for us here (“HECK YEAH TIM PRATT!”). As T. A. Pratt, he’s also the author of the 10-volume Marla Mason fantasy series (Blood Engines, Poison Sleep, etc.), the first four of which were published by Bantam Spectra; the remainder were self-published.

Of his new series, Angry Robot says:

We’ve signed Tim up for books two and three in the Axiom series! He’ll never get away from us now; the chips are implanted too deeply in his cerebral cortex.

The Wrong Stars, Book One of the Axiom series, will be published by Angry Robot on November 7, 2017. It is 400 pages, priced at $7.99 in mass market paperback and $6.99 for the digital edition. The cover is by Paul Scott Canavan. Read the first chapter at SFF World.

A Tale of Two Covers: More Human Than Human by Neil Clarke

A Tale of Two Covers: More Human Than Human by Neil Clarke

More Human Than Human Donato-small More Human Than Human Neil Clarke

Neil Clarke has produced some standout anthologies in the last few years, including Galactic Empires, two volumes of The Best Science Fiction of the Year, and of course his annual Clarkesworld collections. His upcoming book More Human Than Human: Stories of Androids, Robots, and Manufactured Humanity, with original tales from Rachel Swirsky, Robert Reed, Ian McDonald, Lavie Tidhar, Alastair Reynolds, Ken Liu, Charles Stross, Cory Doctorow, Catherynne M. Valente, Genevieve Valentine, Jeff VanderMeer, and many others, looks like one of his best.

I’m rather taken with the cover, as well. It’s by Donato Giancola, one of my favorite artists, who did the cover of Black Gate 15 for us. You can see the original artwork at left above, and how it appears on the cover of More Human Than Human, above right. Donato is a master of small details, and is marvelously skilled at integrating those details into a visually striking whole. His covers frequently tell a story, as this one does, although the key to the story is often hidden in the details… just as it is here.

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New Treasures: Necessary Monsters by Richard A. Kirk

New Treasures: Necessary Monsters by Richard A. Kirk

Necessary Monsters Richard A. Kirk-smallRichard A. Kirk (not to be confused with Richard Kirk, which was the pseudonym Robert Holdstock used to write sword & sorcery novels in the Raven series) is an artist with a number of covers to his credit. His short novel The Lost Machine, a tale of “deadly plagues, witches, and artificial intelligence in a dark fantastical setting,” was serialized at Weird Fiction Review (check out their interview with him here).

In his first latest book, Necessary Monsters, he delivers a caper novel set in a dark and wondrous world. It’s available now in trade paperback from Arche Press.

Lumsden Moss is an escaped thief and an unrepentant bibliophile with a long-suffering desire to foist some karmic retribution on those who have wronged him. But when the opportunity to steal a rare book from the man who sentenced him to prison puts him on the wrong side of the wrong people, Moss finds himself on the run. And it’s not just the book he stole that these people want, it’s also the secrets of a long-forgotten location on Nightjar Island, a place cursed and abandoned since the Purge.

When Moss falls in with Imogen, a nimble-fingered thief who has taken a traveling bookcase filled with many secrets, he starts to realize how much of his unsavory past is indelibly tied to a frightening witch-child and her nightmarish pet monster.

In a fantastic world, still recovering from a war where magic and technology were fused together, Moss and Imogen must decipher the mystery of their mutual pasts in order to illuminate the dark heart that still lurks on Nightjar Island.

Necessary Monsters was published by Arche Press on June 6, 2017. It is 384 pages, priced at $18 in trade paperback and $7.99 for the digital edition. The cover is by Richard A. Kirk. Buy copies right from the website.

See all of our recent New Treasures here.

Future Treasures: Valiant Dust by Richard Baker

Future Treasures: Valiant Dust by Richard Baker

Valiant Dust-smallRichard Baker began his career at TSR where, with Colin McComb, he designed the Birthright campaign setting in 1994, the first D&D campaign setting to support PCs as rulers, creating a hybrid game based on “diplomacy, politics, trade, construction and (of course) war” (Pyramid magazine). His next major release was the fondly remembered Alternity SF RPG in 1998, with Bill Slavicsek.

His first novel was Forgotten Realms: The Adventures: The Shadow Stone (1997); it was followed quickly by nearly a dozen others for TSR, including two novels in the Star*Drive setting (1999), the New York Times bestselling War of the Spider Queen: Condemnation (2003), and the Blades of the Moonsea trilogy (2008-2010).

Valiant Dust marks his first non-licensed project, and I’m glad to see it. It’s the opening volume of the military science fiction series Breaker of Empires, set in an era of great interstellar colonial powers. It arrives in hardcover from Tor in two weeks.

Sikander Singh North has always had it easy ― until he joined the crew of the Aquilan Commonwealth starship CSS Hector. As the ship’s new gunnery officer and only Kashmiri, he must constantly prove himself better than his Aquilan crewmates, even if he has to use his fists. When the Hector is called to help with a planetary uprising, he’ll have to earn his unit’s respect, find who’s arming the rebels, and deal with the headstrong daughter of the colonial ruler―all while dodging bullets.

Sikander’s military career is off to an explosive start ― but only if he and CSS Hector can survive his first mission.

Our previous coverage of Richard Baker’s game books includes:

Lost Empires of Faerûn
Cormyr: The Tearing of the Weave
Shadowdale: The Scouring of the Land

Valiant Dust will be published by Tor Books on November 7, 2017. It is 349 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover is by Larry Rostant. Read the complete first chapter here. Read all of our recent coverage of the best upcoming SF and fantasy here.

New Treasures: Swords Against Darkness edited by Paula Guran

New Treasures: Swords Against Darkness edited by Paula Guran

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I’ve been anticipating Paula Guran’s monumental Swords Against Darkness anthology for over a year, ever since word started to leak out about the massive amount of research she was doing to make her selections (including reading every issue of Black Gate). The book was finally released this summer, but it wasn’t until last weekend that I was able to settle in with it.

And so far, it’s been a delight. It’s divided into three sections: Forging and Shaping, covering the canonical works that first defined the genre in the pulps (Howard, Vance, Leiber, Moorcock, and others); Normalizing and Annealing, those writers who followed in their footsteps (Tanith Lee, C. J. Cherryh, Karl Edward Wagner, James Enge, etc.); and Tempering and Sharpening, the modern writers who’ve brought something brand new (Joanna Russ, Samuel R. Delany, Saladin Ahmed, Scott Lynch). Paula offers a paragraph or two to introduce the authors and put each story in context.

As you’d expect, the pages contain tales of Conan, Jirel of Joiry, Eric John Stark, the Dying Earth, Zothique, Fafhrd and the Gray Mouser, Elric, Kane, and Nifft the Lean. But there’s also stories of Katherine Kurtz’s Deryni, Mercedes Lackey’s Valdemar, Samuel R. Delany’s Nevèrÿon, Elizabeth Moon’s Paksenarrion, James Enge’s Morlock, and Elizabeth Bear’s Eternal Sky. There’s even one original tale, by John Balestra, a name I’m unfamiliar with.

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Keep Up With the Latest Releases from Black Gate Authors — October Edition

Keep Up With the Latest Releases from Black Gate Authors — October Edition

The Harbors of the Sun-small After the End of the World Jonathan L. Howard-small The Robots of Gotham-small

As we head into fall, the list of upcoming novels, stories and features from Black Gate‘s authors and bloggers continues to expand — and grow more and more impressive. Here’s a partial list of the current and upcoming releases from some of your favorite BG writers.

The Harbors of the Sun by Martha Wells, the last in the Books of the Raksura series, came out in July from Night Shade Books
After the End of the World by Jonathan L. Howard, Volume 2 in the Carter & Lovecraft series, will be published in hardcover by Thomas Dunne on November 14
Todd McAulty’s debut novel The Robots of Gotham arrives in hardcover from Houghton Mifflin Harcourt on June 19
Howard Andrew Jones’ For the Killing of Kings, the opening novel in a brand new epic fantasy series, arrives in hardcover from Thomas Dunne in July 2018
Derek Kunsken’s debut novel The Quantum Magician will be published by Solaris in 2018, and serialized in Analog starting with the January/February issue

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A Tale of Three Covers: The Mammoth Book of Dracula / In the Footsteps of Dracula, edited by Stephen Jones

A Tale of Three Covers: The Mammoth Book of Dracula / In the Footsteps of Dracula, edited by Stephen Jones

The Mammoth Book of Dracula 1977-small The Mamoth Book of Dracula-small In the Footsteps of Dracula-small

One of the most interesting books I received in the mail the last few months was In the Footsteps of Dracula: Tales of the Un-dead Count, edited by Stephen Jones, a fat 679-page hardcover from Pegasus Books that contains 33 stories and a poem, all building on the legend of Dracula, whom Stephen King calls “still literature’s greatest villain.” It’s a true feast for vampire lovers of all kinds, with stories by Thomas Ligotti, Manly Wade Wellman, Ramsey Campbell, Paul J. McAuley, Charlaine Harris, Brian Stableford, Michael Marshall Smith, R. Chetwynd-Hayes, Basil Copper, Nancy Kilpatrick, and many others.

As I was researching the book for this article, I discovered a brief Facebook post from Stephen Jones that noted that it was a “revised and updated edition of [an] older Mammoth book,” The Mammoth Book of Dracula, originally published in the UK by Robinson in 1997 with a cover by Paul Aston (above left). The book appeared in a revised edition in 2011 with a more modern cover (above middle, uncredited) and containing one additional story, the Sookie Stackhouse tale “Dracula Night.” The new hardcover edition (above right, cover by Derek Thornton) adds a new title, an “About the Editor” page, and Acknowledgement and Credits, but otherwise looks identical to the 2011 edition. It arrived in bookstores on October 3.

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