Usually I use a Vintage Treasure post to celebrate a book I enjoyed decades ago, or a tough-to-find artifact that I’ve finally tracked down. But not always. Sometimes they’re just surprises.
The 1985 Tor paperback The Exile Waiting is a fine example. It showed up in a small collection of vintage paperbacks I bought on eBay last week for $5.95. Until then, I had no idea it even existed.
This is a surprise because Vonda N. McIntyre was one of my favorite SF writers of the 70s, and I thought I was paying more attention. Her marvelous novelette “Of Mist, and Grass, and Sand” won the 1973 Nebula Award, and the novel it formed a part of, Dreamsnake (1978), won both the Hugo and Nebula Awards. And in 1997 her novel The Moon and the Sun won the Nebula, beating George R. R. Martin’s A Game of Thrones. That’s not something you see every day.
The Best of C. M. Kornbluth (1977) was the eighth installment in Del Rey’sClassic Science Fiction Series. Kornbluth’s long time friend and collaborator Frederik Pohl (1919-2013) served as editor; he also provided an introduction and brief intros to each story. Dean Ellis (1920-2009), who did the cover art for the first four volumes, returns to the series to do the cover art for this one —a scene from “Marching Morons.” Unlike previous volumes, there is no afterword.
Cyril M. Kornbluth (1923–1958) was an original voice in American science fiction. His middle initial “M” apparently stood for a non-existent name, and was meant to include his wife Mary, whom he hoped would eventually collaborate with him, but this evidently never materialized. Though he died at a very young age, his fiction corpus was long, varied, and lasting. He is probably most remembered today for his very influential novel The Space Merchants (1953), co-authored with Pohl. It’s strange to me that Korbluth and Pohl collaborated together since their writing styles seem almost polar opposites. But they were lifelong friends, which perhaps explains Pohl’s presence as editor here.
I’ve listened to most of the audible book His Share of Glory: The Complete Short Fiction of C. M. Kornbluth. Though that collection is clearly larger, I think Pohl did an excellent job choosing tales for The Best of C. M. Kornbluth. The stories here are truly representative of Kornbluth’s best.
Eric Flint was born on February 6, 1947. His first story, “Entropy and the Strangler” appeared in L. Ron Hubbard’s Writers of the Future Volume IX. He has collaborated with numerous authors, both established and new over the course of his career, including David Drake, Mercedes Lackey, S.M. Stirling, Ryk E. Spoor, Dave Freer, Gorg Huff, Paula Goodlett, Charles E. Gannon, Mike Resnick, etc. The list goes on and on.
His time travel novel 1632 has not only led to sequels from Flint, but to a thriving fanbase which he encourages to write their own stories and articles, many of which have been workshopped online and published in online zines and hardcopy books. These include not only short stories, but also novels.
Flint has worked to bring back into print the works of several classic science fiction authors, including Murray Leinster, James Schmitz, Keith Laumer, Tom Godwin, Christopher Anvil, and A.E. van Vogt. With Jim Baen, he established the Baen Free Library and he also served as editor of Baen’s Universe. He has edited various anthologies, including The World Turned Upside Down and When Diplomacy Fails.
“Portraits” first appeared in The Grantville Gazette, an online magazine tied to Flint’s 1632series, which allows various authors to discuss the setting and try their hand at fiction. When Baen decided to publish hard copies of some of the articles and stories, “Portraits” was reprinted as the first story in Grantville Gazette Volume I (2004) and provided the volume with its cover art. It was subsequently reprinted in Flint’s collection Worlds.
“Portraits” tells the story of Anne Jefferson, an American nurse posing for the Flemish artist Pieter Paul Rubens. The story assumes knowledge of the 1632 situation and characters Flint introduced three years earlier. This is a story which relies on its published context to be fully appreciated.
In its few pages, however, Flint is able to demonstrate some of the differences between Anne Jefferson’s outlook as a twentieth century American trapped in 1635 and a native artist from that period. The scenes set between Jefferson and Rubens, or Rubens and his wife, can stand well on their own and hint at the larger world.
Well here’s an interesting superhero team up: The Tangled Lands, a collaboration between Paolo Bacigalupi, the Hugo Award-winning author of The Windup Girl and Ship Breaker, and Tobias S. Buckell, author of the Nebula nominee Ragamuffin and the best selling Halo: The Cole Protocol.
Bacigalupi and Buckell have collaborated before. They produced an audiobook anthology in 2011, The Alchemist and The Executioness, for Audible Frontiers. Subterranean Press eventually published their individual contributions as separate novellas. This is their first literary collaboration, and it looks very promising indeed.
From award-winning and New York Times bestselling authors Paolo Bacigalupi and Tobias Buckell comes a fantasy novel told in four parts about a land crippled by the use of magic, and a tyrant who is trying to rebuild an empire — unless the people find a way to resist.
Khaim, The Blue City, is the last remaining city in a crumbled empire that overly relied upon magic until it became toxic. It is run by a tyrant known as The Jolly Mayor and his devious right hand, the last archmage in the world. Together they try to collect all the magic for themselves so they can control the citizens of the city. But when their decadence reaches new heights and begins to destroy the environment, the people stage an uprising to stop them.
In four interrelated parts, The Tangled Lands is an evocative and epic story of resistance and heroic sacrifice in the twisted remains surrounding the last great city of Khaim. Paolo Bacigalupi and Tobias Buckell have created a fantasy for our times about a decadent and rotting empire facing environmental collapse from within — and yet hope emerges from unlikely places with women warriors and alchemical solutions.
The Tangled Lands will be published by Saga Press on February 27, 2018. It is 304 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The cover is by Krzysztof Domaradzki.
I love audiobooks. I’d go so far as to call them my favorite means of ingesting stories.
It’s partly because of a failing on my part: I am capable of reading incredibly fast, but much like speeding through the countryside in a jet, this causes me to miss a lot. I can read a standard length novel in a couple hours, but I can tell you very little about style, minor plot details, and descriptions. I can force myself to slow down and read carefully. But I usually won’t. Hearing a story forces me to slow down and really absorb all the details of setting and characterization that I would otherwise bolt past. Beyond that, there’s something about the simple joy of being read to that I love. Maybe it’s the happy memories associated with bedtime stories, or my restless mind’s ability to putter about while hearing a book.
Within that affection, it also must be confessed that some stories? Are made for audiobook. Just as not every story is suited to be read aloud (House of Leaves is not available on Audible for a reason), some stories are so fantastic as audiobooks that reading them on the page feels like a letdown.
Dolores Claiborne comes to mind. Produced by Simon and Schuster Audio, Stephen King’s tale of domestic violence, murder, and friendship is narrated by Frances Sternhagen.
Sternhagen has the kind of Broadway and Hollywood resume most actors would murder for: people of a certain age :cough: probably best remember her as Cliff mother, Esther, on Cheers.
Dolores Claiborne is written as a monologue. The entirety of the book is conceived as Delores’ statement to the police on the death of her elderly employer. The circumstances under which Vera Donovan and Dolores are found upon the former’s death raise suspicion that Dolores has killed her. In addition, her fellow townspeople have long suspected that Delores had murdered her own husband decades before. The book is her attempt to set the entire story straight, from the 1950s to the present day.
Tim Powers is certainly best known as a novelist. His novels include two World Fantasy Award Winners, Last Call (1992) and Declare (2001), as well as the Philip K. Dick Award winners The Anubis Gates (1983) and Dinner at Deviant’s Palace (1985). He’s also the author of six collections, most published in limited edition hardcovers through William Schafer’s Subterranean Press.
His newest collection, Down and Out in Purgatory: The Collected Stories of Tim Powers, is his first major short fiction retrospective and, at 488 pages, is more than twice the size of any of his previous collections. It contains twenty tales of science fiction and fantasy, including half a dozen previously uncollected novellas and stories originally published as limited edition hardcovers or chapbooks from places like Subterranean Press, Charnel House, Axolotl Press, and others. Most are now priced out of reach of any but the most determined collector, so finally having them in a mass market hardcover is a godsend to Powers fans.
Here’s the description.
Twenty pulse-pounding, mind-bending tales of science fiction, twisted metaphysics, and supernatural wonder from the two-time World Fantasy and Philip K. Dick Award winning author of The Anubis Gates and On Stranger Tides.
A complete palette of story-telling colors from Powers, including acclaimed tale “The Bible Repairman,” where a psychic handyman who supernaturally eliminates troublesome passages of the Bible for paying clients finds the remains of his own broken soul on the line when tasked with rescuing the kidnapped ghost of a rich man’s daughter. Time travel takes a savage twist in “Salvage and Demolition,” where the chance discovery of a long-lost manuscript throws a down-and-out book collector back in time to 1950s San Francisco where he must prevent an ancient Sumeric inscription from dooming millions in the future. Humor and horror mix in “Sufficient unto the Day,” when a raucous Thanksgiving feast takes a dark turn as the invited ghosts of relatives past accidentally draw soul-stealing demons into the family television set. And obsession and vengeance survive on the other side of death in “Down and Out in Purgatory,” where the soul of a man lusting for revenge attempts to eternally eliminate the killer who murdered the love of his life. Wide-ranging, wonder-inducing, mind-bending — these and other tales make up the complete shorter works of a modern-day master of science fiction and fantasy.
I’m still making my way through a collection of vintage paperbacks I bought a few weeks ago, which included several delightful finds, including Bruce Fergusson’s The Mace of Souls and John Deakins’s Barrow. But it was neither of those that caused me to pull the trigger on the online auction. It was the 1989 Ballantine paperback of Robert R. McCammon’s fifth novel, Mystery Walk.
I read McCammon’s 1991 novel Boy’s Life (which Bob Byrne reviewed for us here), and I loved it. It won both the Bram Stoker and World Fantasy Awards, and deservedly so. But I never went back and read any of McCammon’s earlier horror novels, including The Night Boat (1980), They Thirst (1981), or the Stoker and World Fantasy Award nominee Swan Song (1987). Or Mystery Walk, the first of McCammon’s novels to be published in hardcover.
Yeah, I know. That was an oversight. I’m trying to rectify it now. And in particular, I’m enjoying tracking down the 80s paperback editions, with their delightfully macabre covers. They’re not expensive, or particularly hard to find, and they also pack a fine dose of 80s nostalgia, especially for anyone who used to hang around the horror section at the supermarket rack.
Mystery Walk was published by Ballantine Books in October 1989. It is 419 pages, priced at $4.95. The cover is by J. Thiessen. It has been reprinted multiple times, most recently in trade paperback by Pocket Books in 2010. It is still in print.
Neal Asher was born on February 4, 1961. His first published story was “Another England” in 1989. He began his long-running Polityseries in 2001 with the appearance of the novel Gridlinked. His 2006 novel, Cowl was a finalist for the Philip K. Dick Award.
“Owner Space” was published in 2008 in Gardner Dozois’ anthology Galactic Empires. The story is the fourth Asher wrote about the Owner, following “Proctors,” “The Owner,” and “Tiger Tiger.” Three years later, he would publish the Ownertrilogy, beginning with The Departure, in which he explored the Owner’s origins. For the purposes of “Owner Space,” however, the details of who the Owner is and how he got to where he is are unimportant, making him something of a deus ex machina in the story.
Neal Asher introduces a complex world in “Owner Space,” offering readers three separate groups to follow. He opens the story with refugees fleeing about the spaceship Breznev and quickly introduces the crew of the spaceship Lenin, chasing after them. With these two assemblages, Asher provides the context of an doctrinaire culture which tries to control all aspects of its people.
Three years ago, as I was commuting three hours a day to a job I hated, I found a way to add a little joy to my tedious morning drive. I started listening to the Warhammer Audio Books produced by Heavy Entertainment for Black Library.
And man, what a delight they were. Not just readings, these were full-cast audio dramas, with wonderfully produced sound effects and professional voice actors like Toby Longworth, Gareth Armstrong, Jonathan Keeble, and many others. I’d pull into the parking lot with the sound of ricocheting bolter fire and space marine battle cries echoing in my ear, and it made getting out of the car and starting the long walk into work a little easier.
I enjoyed virtually all of those action-packed audio dramas, but I think my favorite was Dan Abnett’s Thorn and Talon: From the Case Files of Eisenhorn and Ravenor, an anthology of tales of the dedicated Imperial Inquisitor Eisenhorn and his apprentice Ravenor, as they came up again Chaos plots, strange warp artifacts, and more dangerous things.
That was my introduction to the tales of Inquisitor Eisenhorn. Although truthfully, if I’d just listened to my friends Howard Andrew Jones and John DeNardo, I could have saved myself a lot of time. Way back in 2009 Howard raved about Abnett’s Eisenhornomnibus, a fat volume collecting all three novels of the Eisenhorn trilogy and a handful of shorter works:
Dan Abnett wasn’t satisfied with creating a fabulous lead character in an action-packed space opera; he sent him to fantastic places and provides a series of detective/investigative stories full of logical turns, surprises, and plenty of action.
And in his 2016 article ‘In Defense of Media Tie-Ins,” John wrote:
One of the best set of books I’ve ever read — in any genre — was the Eisenhorntrilogy by Dan Abnett. The books are set in the richly-imagined Warhammer 40K universe… Abnett is a one of the most skilled master storytellers you’ve never heard of. This is the series that I point to when anyone is quick to dismiss tie-in fiction… I don’t play the game, but that didn’t stop me from losing sleep because I couldn’t stop turning page after action-packed page, or cheering when a bad guy finally got his comeuppance.
The long-awaited fourth book in the Eisenhornseries finally arrives next month. The Magos, a fat 720-page volume, collects a dozen Eisenhorn short stories and a brand new novel. Here’s the description.
Who doesn’t love Sword & Planet? No, don’t send me a bunch of declarative e-mail; it was a rhetorical question. Anyway, there’s only one kind of person who doesn’t love Sword & Planet: someone with no joy in their life.
But it’s perfectly okay to not know where to start. Despite celebrating its 100th birthday last year, Sword & Planet is not as popular as its sister genres (Sword & Sorcery, Sword & Six-Gun, Sword and Sandal, Sword & Sextant, Sword & Slupree….). And that’s okay, we love it just the same. But what is Sword & Planet? Matt Staggs does a fine job recapping the rich history of this venerable sub-genre at Unbound Worlds.
Mash together fantasy’s sword-swinging heroes, and the far-out alien civilizations of early science-fiction, and you’ve got Sword and Planet fiction. Arguably the brainchild of Tarzan creator Edgar Rice Burroughs, Sword and Planet tales usually features human protagonists adventuring on a planet teeming with life, intelligent or otherwise. Science takes a backseat to romance and derring-do… Where Sword and Planet can really be seen today is in the influence it has had on popular culture. The lightsabers, blasters, and planet-hopping heroics of Star Wars probably wouldn’t exist were it not for Sword and Planet. Neither would Avatar or Stargate.
Interested? Matt also recommends some classic titles by Edgar Rice Burroughs, Jack Vance, Leigh Brackett, Kenneth Bulmer, Chris Roberson, and others. Here’s a few of his recs.
