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Magical Tomes and Witch Hunting Manuals at the Ashmolean Museum

Magical Tomes and Witch Hunting Manuals at the Ashmolean Museum

Last week I looked at the new exhibition at the Ashmolean Museum in Oxford, Spellbound: Magic, Ritual & Witchcraft. It’s such a compelling collection of folk magic through the ages that I wanted to look a bit more in detail at a few of the magic books that were included in the exhibition, along with some of the art that belief in witchcraft inspired in pre-modern times.

Microcosmic man (c) Wellcome Library, London

The “microcosmic man” in a German manuscript, c. 1420. © Wellcome Library,
London. The idea that man is a smaller reflection of the greater universe
goes back to Plato and Aristotle, and in the Middle Ages was developed by
astrologers into a system in which certain parts of the body correspond
to signs of the Zodiac. Medical texts used these charts to know whether
or not to bleed a patient. If the moon was in the sign corresponding to
the body part, it was unhealthy to bleed them.

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The Origins of Zombies Need Brains

The Origins of Zombies Need Brains

Zombes Need Brains Portal

There’s one particular question that I get asked a lot once people find out I created a small press called Zombies Need Brains. Mainly, where the name Zombies Need Brains comes from.

It began in 2007, when the World Fantasy Convention was held in Saratoga Springs, NY. That’s basically a few hours drive from where I live. At the time, Patricia Bray was also living in Binghamton and I had just been published by DAW Books. (The Skewed Throne came out in hardcover in January 2006 and The Cracked Throne followed in November 2006.) I was, of course, looking for ways to promote the books and so with WFC so close, Patricia and I came up with a plan to throw a party on Thursday night at the con. We invited S.C. Butler, Barbara Campbell, C.E. Murphy, and Jennifer Dunne to join us (mostly so we could split the costs and make it affordable for all of the authors involved). We planned out the alcohol, the snacks, getting a room at the convention, getting invites printed up to hand out at the con, etc., etc., etc.

But we needed a name for the party.

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When Philip K. Dick Reports You to the FBI: Thomas M. Disch’s Camp Concentration

When Philip K. Dick Reports You to the FBI: Thomas M. Disch’s Camp Concentration

Camp Concentration-small Camp Concentration-back-small

Thomas M. Disch is a tragic figure. An enormously talented writer who won the enduring respect of his peers — with nine Nebula nominations and two Hugo nominations to his credit, plus a John W. Campbell Award and Rhysling Award, among many other accolades — his work was long ignored by the public. Success eluded him for virtually his entire career, and he gave up writing almost entirely near the end of his life. After the death of his partner in 2005 he lost his house, fought eviction from his apartment, and eventually killed himself in 2008. In the Science Fiction Encyclopedia John Clute wrote of Disch:

Because of his intellectual audacity, the chillingly distanced mannerism of his narrative art, the austerity of the pleasures he affords, and the fine cruelty of his wit, Disch was perhaps the most respected, least trusted, most envied and least read of all modern sf writers of the first rank.

Certainly his most commercially successful work was the novella “The Brave Little Toaster,” which appeared first in the August 1980 issue of The Magazine of Fantasy and Science Fiction and was nominated for both a Hugo and Nebula. Famed animation director John Lasseter (Toy Story, A Bug’s Life) recalls how he was fired from Disney ten minutes after making a pitch for a film version; Hyperion Pictures eventually produced animated versions of The Brave Little Toaster (1987) and Disch’s sequel, The Brave Little Toaster Goes to Mars (1998).

Perhaps his most successful adult novel was Camp Concentration, which has seen nearly a dozen editions in English since it first appeared in 1968. Alongside On Wings of Song (1979) it’s one of his most acclaimed novels, anyway, and I figure it makes a solid starting point to start reading Disch. It’s interesting for another reason as well — the novel figures prominently in one of the most infamous incidents involving Philip K. Dick, who was so alarmed by Camp Concentration that he wrote a letter to the FBI about it.

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VIVE LA COMPAGNIE! : In Conclusion, The Black Company Series by Glen Cook

VIVE LA COMPAGNIE! : In Conclusion, The Black Company Series by Glen Cook

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As soon as I opened The Black Company last May, I knew I was back home among a band of brothers I’d first met and come to love over thirty years ago.                                                                                                                                                                                                   

                                                                                                                                                                                                         – Fletcher Vredenburgh     

When my friend Carl lent me his copy of The Black Company back in 1984 I didn’t know what was about to hit me. I had read some gritty fantasy previously — Michael Moorcock and Karl Edward Wagner in particular had published some pretty dark stories in the 1960s and 70s — but it was all written in the old familiar fantasy style. Both Moorcock and Wagner were rooted in the foundations of swords & sorcery laid by Robert E. Howard, CL Moore, and Fritz Leiber. No matter how callous their heroes, they were ultimately still cut from recognizable heroic cloth.

Cook introduced something new. He set aside the archaic prose flourishes of all those authors, instead drawing on hardboiled fiction to give his stories a contemporary feel. There’s a rejection of the mythic, fairytale setting in the Black Company books, and a wholehearted embrace of a “realistic” world where the battlefield reeks of blood, excrement, and decay. Mercenaries pillage, rape, and slaughter, presented in some detail and matter-of-factly. Even seen through the primary narrator’s somewhat romantic eyes, there’s a businesslike miserableness in these books I hadn’t previously encountered in fantasy. As soon as I finished the book I passed it on to to my friend Jim, he passed it on to George, and on and on it went until all my fantasy-reading friends had read it.

For the uninitiated, the Black Company series tells the story of the Last Free Company of Khatovar. Led by the eponymous Captain and Lieutenant, the Company can fight with the best of them, but prefers to outwit its enemies and win its battles by means of subterfuge and sabotage. The narrator, Croaker, serves as company surgeon and Annalist. For four centuries the Company has taken one contract after another, slowly working its way north from long-forgotten Khatovar. As the first book opens, they are approached by a mysterious masked figure offering a new contract even further north, across the sea. Within the first chapter everything changes for the Company, and they are embroiled in a war like they’ve never fought before.

For readers unfamiliar with The Black Company, but up-to-date on Martin, Abercrombie, and Bakker, this might sound old hat. Trust me when I tell you that it wasn’t. At seventeen, that first book hit me like a hammer between the eyes. Here were characters who essentially went to work for Sauron’s ex-wife. Over the course of the first and second books they became the baddest, most-feared band of killers in her army. The ostensible good guys are as vicious and murdering as anybody on the bad guys’ side. There’s a bit of moral redemption in the third book, but what really drives the protagonists is a deep self-interest in survival. To paraphrase Raymond Chandler, Cook took heroic fantasy out of the realm of faerie and put it into the bleak world where it belonged.

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Uncanny as a Ventriloquist’s Doll: Nothing is Everything by Simon Strantzas

Uncanny as a Ventriloquist’s Doll: Nothing is Everything by Simon Strantzas

Nothing is Everything Simon Strantzas hc-small Nothing is Everything Simon Strantzas hc-back-small

Art by Aron Wiesenfeld

In 2014 I wasn’t familiar with the work of Simon Strantzas, but I bought his collection Burnt Black Suns mostly on the reputation of its lead story “On Ice,” a grim novella of arctic horror. By 2018, however, Simon is the one with the reputation, and it’s growing steadily with every story.

His new collection Nothing is Everything, on sale in hardcover and trade paperback from Michael Kelly’s Undertow Press next month, has already drawn a lot of attention. Kij Johnson says “Simon Strantzas is Shirley Jackson-grade eerie,” and Camilla Grudova, author of The Doll’s Alphabet, says:

Simon Strantzas captures the creepiness of small town Ontario; there is something of Seth, of Alice Munro in his work, wonderfully tangled with the likes of Aickman and Jackson. Uncanny as a ventriloquist’s doll, but with a real, beating heart.

Undertow is simultaneously releasing hardcover and trade paperback editions with different covers. Both are very fine, but the hardcover, with art by Aron Wiesenfeld (above), is particularly arresting. The trade paperback (below) features art by Tran Nguyen. Both were designed by Vince Haig.

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Birthday Reviews: Irene Radford’s “Little Red in the ‘Hood”

Birthday Reviews: Irene Radford’s “Little Red in the ‘Hood”

Little Red Riding Hood in the Big Bad City
Little Red Riding Hood in the Big Bad City

Irene Radford was born on September 17, 1950. She has published works under a variety of pseudonyms, including Phyllis Ames, C.F. Bentley, P.R. Frost, Phyllis Irene Radford, and Julia Verne St. John.

Radford has published numerous series, many of them through DAW Books, including the Dragon Nimbus, Stargods, Tess Noncoiré, and Merlin’s Descendants. She is one of the founders of Book View Café, a cooperative publisher. She has also collaborated with Bob Brown and as an editor with Deborah J. Ross, Laura Ann Gilman, Maya Kaathryn Bohnhoff, and Brenda Clough.

“Little Red in the ‘Hood” appeared in the anthology Little Red Riding Hood in the Big Bad City, edited by Martin H. Greenberg and John Helfers in 2004. M.H. Bonham reprinted the story in 2011 in WolfSongs: Volume 2. When Radford and Deborah J. Ross edited the anthology Beyond Grimm in 2012, they selected the story to be reprinted again.

Radford’s “Little Red in the ‘Hood” is much more substantial than Linda D. Addison’s vignette of practically the same name, reviewed on September 8. In Radford’s story, Little Red is the nickname for a woman who is “volunteering” to help deliver food for Mobile Meals, a service to provide food for shut-ins, although her volunteer work is ordered by the courts after she was caught shop-lifting. The assignment she pulls has her taking food to a notorious lecher who has often been banned from food delivery due to his treatment of the women bringing his food. Although the coordinator offers to postpone the delivery until they can send an escort with Little Red, she refuses.

There are hints early on that Little Red is more than she seems, as she accepts the task of bringing food to Jason Hanstable, who has the reputation of a wolf. With Radford focusing on the lengthening of Red’s fingernails as much as her decision to only wear red, it seems clear that she is a different kind of wolf than Jason, but a wolf all the same. Despite telegraphing Red’s transformation, Radford includes a twist which only becomes clear when she introduces it, allowing the non-reveal that Red is a wolf to take second place and still subvert the reader’s expectations.

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Future Treasures: Strange Ink by Gary Kemble

Future Treasures: Strange Ink by Gary Kemble

Strange Ink Gary Kemble-small

No surprise that as we slip into Fall, publisher schedules start to fill up with more horror volumes. What is surprising is the number of intriguing debuts I’m seeing, like Gary Kemble’s Strange Ink, arriving in trade paperback from Titan next month. Publishers Weekly thought very highly of the book; here’s a snippet from their review.

In Kemble’s taut, suspenseful debut set in Brisbane, Australia, local and international concerns combine with the supernatural. Small-time journalist Harry Hendrick wakes up after a stag party with a hangover and a new tattoo he has no memory of getting. When he starts having intense nightmares, he quickly realizes his new tattoo is far from ordinary. More inexplicable tattoos begin appearing, bringing more nightmares, which Harry suspects may actually be someone else’s disturbing memories. Those memories have strong political implications, and Harry must solve the mystery they present before a depraved villain becomes prime minister. The novel’s gritty realism viscerally and effectively conveys the discomfort of new ink, the oppressive heat of the Queensland summer, and the horrors of war and murder… This is a strong debut by a promising new voice.

Strange Ink will be published by Titan Books on October 9, 2018. It is 391 pages, priced at $14.95 in trade paperback and $7.99 for the digital edition. The cover art is by Studio London.

See all our recent coverage of the best in upcoming fantasy here.

One Story Is Worth 1000 Ideas; Or, How Dhulyn and Parno Could Come Through A Portal Near You

One Story Is Worth 1000 Ideas; Or, How Dhulyn and Parno Could Come Through A Portal Near You

Portals BGThose crazies over at Zombies Need Brains have launched another Kickstarter to fund their next set of anthologies. As many of you already know, ZNB has published 2 or 3 anthologies a year for the past several years, using Kickstarters as a way to encourage readers to pre-order the books – and, not incidentally, to receive some pretty nifty special bonus gifts. This year’s project includes Temporally Deactivated, Alternate Peace, and Portals, to which I’ve been asked to  contribute a story. There’s the artwork over on the right. Check out the descriptions and incentives here.

I’m particularly happy about this opportunity, because I’ve had an idea for a story that would fit the theme of portals for quite some time. I just haven’t had a compelling reason (like a deadline) to write it.

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Birthday Reviews: Steve Rasnic Tem’s “Cubs”

Birthday Reviews: Steve Rasnic Tem’s “Cubs”

Cover by Chris Nurse
Cover by Chris Nurse

Steve Rasnic Tem was born Steve Rasnic on September 14, 1950. He often collaborated with his wife, Melanie, and the two took on the joint surname Tem. Melanie Tem died in 2015.

The Tems jointly won the World Fantasy Award in 2001 for the novella The Man on the Ceiling, which also earned them a Bram Stoker Award and an International Horror Guild Award. They won a second joint Stoker Award for “Imagination Box” and Tem won solo Stokers for In These Final Days of Sales and Blood Kin. His Short Story “Leaks” won the 1988 British Fantasy Award. Tem also won an International Horror Guild Award for his collection City Fishing in 2001.

“Cubs” made its original appearance in the anthology Hideous Progeny, edited by Brian Willis in 2000. The stories in the book were all based on the Frankenstein story. Tem included the story in his 2013 collection Twember.

Prior to the beginning of “Cubs” Billy suffered a mortal accident, yet his parents were able to bring him back using an undiscussed technique that requires him to wear an energy pack that needs to retain a charge. One of the side effects of Billy’s mechanical resurrection is that occasionally he sees normal things break apart, which isn’t necessarily happening. His semi-undead state also means that he is treated differently by people, including his mother, although she tries to hide the fact from him.

Because these kids are seen as outcasts, there are group outings of scouts specifically for them, but Billy clearly understands that even among the scouts, there is a pecking order and he isn’t at the top. Nevertheless, there is a camaraderie among them based on their status as outcasts. Of course, someone had to be at the bottom of the pecking order and it was the boy they referred to as “the dead kid” because the process wasn’t completely successful with him and he didn’t appear even as lifelike as the rest of the boys.

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Birthday Reviews: Tom Holt’s “Touched by a Salesman”

Birthday Reviews: Tom Holt’s “Touched by a Salesman”

Cover by Julek Heller
Cover by Julek Heller

Tom Holt was born on September 13, 1961.

Holt received a nomination for the William L. Crawford IAFA Fantasy Award in 1991 for his humorous novel Expecting Someone Taller. His more recent, more series work under the name K.J. Parker has earned him additional award nominations for the Kitschies and the World Fantasy Awards. He has won back-to-back World Fantasy Awards for his novellas “A Small Price to Pay for Birdsong” in 2012 and “Let Maps to Others” in 2013. It wasn’t until after Holt won his second World Fantasy Award that he revealed his pseudonym in April 2015, seventeen years after he began using it with his novel Colours in the Steel in 1998.

“Touched by a Salesman” appeared in Mike Ashley’s anthology The Mammoth Book of Awesome Comic Fantasy in 2001. As with many of Holt’s humorous stories, it takes its title from pop culture, in this case the television show Touched by an Angel, and twists it to the purposes of the story. “Touched by a Salesman” has not been reprinted.

Paul was having the sort of day nobody should have. Car problems, a girlfriend breaking up with him, and sudden unemployment. As he walked home, having missed the bus, of course, he sees a meteorite fall into a nearby construction site and decides to see if he can retrieve it, bumping into another meteorite seeker in the dark. It is at this point that his luck begins to change. It isn’t another meteorite seeker he has bumped into, but rather 6340097/227/3, whom Paul first takes to be an angel.

It isn’t an angel, but rather an extraterrestrial salesman who knows just enough to figure out that he is on Earth sometime in the twentieth or twenty-first century, although his knowledge of Earth culture and technology is completely lacking. Paul befriends him and learns a little about the alien’s job while at the same time amazing the alien with human’s complete lack of technology, but the ability to create a mug with a handle. It is easy for Paul to convince himself after 6340097/227/3 that he’ll wake up from a dream to find his car is fine, his girlfriend wants him back, and he still has a job, none of which occur, although the alien does provide him with a thank you for their time together.

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