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L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

Imager-small Imager's Challenge-small Imager's Intrigue-small Scholar Imager-small
Princeps Imager Portfolio-small Imager's Battalion-small Antiagon Fire-small Rex Regis-small
Madness in Solidar-small Treachery's Tools-small Assassin's Price-small Endgames Modesitt-small

Cover art for all 12 volumes by Donato Giancola

Every time a trilogy wraps up, we bake a cake at the Black Gate rooftop headquarters. Strangely, we don’t have a protocol for when a 12-book cycle completes, but we’re working on it.

L. E. Modesitt Jr.’s Imager Portfolio series opened with Imager in 2009, and around about book 8, Rex Regis, Tor started referring to it as “The New York Times Bestselling Imager Portfolio.” Modesitt has hit those rarefied heights before — the 20 books in his Saga of Recluse have sold over three million copies — but it was good to see him with another major success.

The final volume in the series, Endgames, arrived in February. This time the publisher refers to it as “the third book in the story arc that began with Madness in Solidar through Treachery’s Tools and Assassin’s Price” and, despite having counted several times, I make Endgames the fourth book in that sequence, but hey, whatever. You count any way you want Tor, and don’t let ’em give you any grief.

However you count his books, L.E. Modesitt deserves some serious respect. He’s produced more than seventy novels, including two science fiction series, the Ghost Books and Ecolitan Matter, four fantasy series, the Imager Portfolio, the Saga of Recluce, the Spellsong Cycle and the Corean Chronicles, and many popular standalone titles such as Solar Express, which Arin Komins at Starfarer’s Despatch calls utterly wonderful. All 12 volumes in the Imager Portfolio series are still in print, which is no mean feat. Here’s the description for the first one.

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A Meditation on Futuristic Medicine: Stronger, Faster, and More Beautiful by Arwen Elys Dayton

A Meditation on Futuristic Medicine: Stronger, Faster, and More Beautiful by Arwen Elys Dayton

Stronger Faster and More Beautiful CoverEvan will die if his organs aren’t replaced. A perfect organ donor has been lined up – his twin sister. But she’s still alive.

Milla should be dead. Only by becoming a cyborg was she able to survive the car crash. She tries to keep her new nature secret at school. But when the boy she likes actually listens to her, she can’t help but divulge the whole story. Now everyone knows she’s not quite human.

When the riot broke out, Elsie thought she was about to die with her family. Waking up, she learns that only she and her father survived. Her father, a charismatic minister, has always agitated against medical technology, calling it blasphemy. But now he’s changed his mind. And while she was unconscious, he’s had her changed, too.

Arwen Elys Dayton’s Stronger, Faster, and More Beautiful advances in a series of episodes, each with a different narrator with a compelling original voice who confronts vastly different circumstances. Yet the book isn’t a collection of short stories. An extended meditation on the future of medicine, it explores the ethical and social ramifications of saving human life through recourse to machines, genome editing and cybernetics. The classic tension of science versus religion runs throughout the book. The human race itself is the protagonist, and there’s a clear narrative arc. Each excerpt takes us further into the future, and as the years pile up, humanity becomes increasingly unrecognizable to itself… Not to mention disloyal.

This book reminds us of science fiction’s highest calling – to provide readers with a way to think through the consequences and implications of nascent technology in order to move into the future more mindfully. Despite its heady content, however, Dayton knows how to bait a hook and keep readers turning pages. Over and over again, she presents characters that readers can’t help but connect with and feel for, no matter how strange their situation and bizarre the setting.

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In 500 Words or Less: The Kingdom of Copper by S.A. Chakraborty

In 500 Words or Less: The Kingdom of Copper by S.A. Chakraborty

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The Kingdom of Copper (Daevabad Trilogy #2)
By S.A. Chakraborty
HarperCollins (640 pages, $26.99 hardcover, January 2019)

No joke, I just wrote what would have been the opening two paragraphs for this post, and followed it immediately by typing the words, Wow, that sounds like a boring, stereotypical book review and I’m a hack. That’s a sign my brain is running low on capacity for anything other than novella and podcast revisions. Or, more likely, it’s run out of patience for reading anything that doesn’t immediately catch and hold my attention.

Luckily, the book I’m trying to extoll in this review is an easy sell. You might remember my review of S.A. Chakraborty’s debut novel The City of Brass, which I’ll admit I wasn’t totally enamored with because of the way the plot seemed to drag. Chakraborty’s follow-up novel The Kingdom of Copper, though, is exactly what you want from an author’s second book: even more of the elements you love, and an improvement in everything else.

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New Treasures: The Winter Road by Adrian Selby

New Treasures: The Winter Road by Adrian Selby

The Winter Road Selby-smallI’ve been intrigued by many of Orbit’s recent releases, including Splintered Suns by Michael Cobley, John Gwynne’s A Time of Blood, Jamie Sawyer’s Eternity War, and especially Tade Thompson’s Wormwood Trilogy. Orbit has more than exceeded the post-expansion success we predicted for them two years ago, and I’m very glad to see it.

Best of all, they’re still taking chances on new authors, and they appear to be paying off nicely. Adrian Selby is a fine example. His second novel The Winter Road was released in November, and it seems to be nicely positioned to attract Game of Thrones fans. In his review James Latimer at The Fantasy Hive says “Selby’s books… are different, dark, uncompromising, ambitious, but brilliant.” Here’s the description.

The brutally powerful story of a daring warrior traveling a path that might bring salvation to her people… or lead her to ruin. For fans of Mark Lawrence, Andrzej Sapkowski, and Joe Abercrombie.

The Circle — a thousand miles of perilous forests and warring clans. No one has ever tamed such treacherous territory before, but ex-soldier Teyr Amondsen, veteran of a hundred battles, is determined to try.

With a merchant caravan protected by a crew of skilled mercenaries, Teyr embarks on a dangerous mission to forge a road across the untamed wilderness that was once her home. But a warlord has risen in the wilds of the Circle, uniting its clans and terrorizing its people. Teyr’s battles are far from over…

Adrian has a fondness for tales of mercenary companies, and for that reason Black Gate readers have compared him to Glen Cook. His debut novel Snakewood (2017) was the story of a legendary band of mercenaries, now retired, who are being hunted down and killed one by one; The Winter Road is a loose prequel, set about a hundred years earlier.

The Winter Road was published by Orbit on November 13, 2018. It is 496 pages, priced at $16.99 in trade paperback and $11.99 in digital formats. The cover is by Jaime Jones, whose previous credits include Peter Newman’s Vagrant trilogy. Read the complete first chapter of The Winter Road at the Orbit website.

Support Songs of Giants: The Poetry of Pulp, Illustrated by Mark Wheatley

Support Songs of Giants: The Poetry of Pulp, Illustrated by Mark Wheatley

Giants The Poetry of Pulp banner

I spent this weekend at the Windy City Pulp & Paper Show and, as usual, I met a lot of great folks and discovered plenty of fabulous books and artwork. One of my most intriguing discoveries came when Christopher Paul Carey introduced me to Mark Wheatley, the renowned comic writer and artist behind Mars, Breathtaker, and Comico’s Jonny Quest. Mark had launched a Kickstarter for an ambitious project titled Songs of Giants: The Poetry of Pulp, an illustrated book featuring some of the greatest pulp writers of all time. Here’s what Mark told me about it.

It’s really gratifying to see how poetry in general is popular these days. When we launched Songs of Giants about a month ago on Kickstarter we had no expectation that the Poetry of Pulp would be so popular. But we are now at 200% of our goal. This means that everyone is getting great extras with stretch goals and we expect to add a few more before we’re done. My personal favorites are the audiobook and the signed limited-edition prints. And I’m very much looking forward to adding the three portrait set of our masters of Pulp poetry, Robert E. Howard, Edgar Rice Burroughs, and H. P. Lovecraft.

Having Jack McDevitt, one of our very best current writers of science fiction, write the introduction to Songs of Giants is a huge personal perk for me. I have loved Jack’s books for many years. And he actually evokes that sense of wonder that was so prevalent in the Pulps in his own writing today. Ultimately though it’s obvious from his introduction that he truly understands pulp and poetry and I think he gives us some good insights.

Songs of Giants is a terrific project, and the unlocked stretch goals already include a complete audio book, exclusive bookmark, a Robert E. Howard music video, multiple signed art prints, and much more. It wraps up in three days, but there’s still time to get on board. Here’s a closer look at that gorgeous cover art.

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Dragons and Gardeners in a Pan-Galactic Imperium: Abyss Surrounding by Eva L. Elasigue

Dragons and Gardeners in a Pan-Galactic Imperium: Abyss Surrounding by Eva L. Elasigue

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There are many stories in Abyss Surrounding, the sequel to Fire on All Sides (which I reviewed in 2016), and the second book in Eva L. Elasigue’s Bones Of Starlight series. Entirely as complex, multilayered, and compelling as the first, Abyss Surrounding offers daring new concepts along with enticing new situations holding familiar characters in their clutches.

We have the Princess Soleil, now a rebel living apart from the status her Imperium affords her, and instead mingling with intrepid voyagers of an unknown universe. We have Derringer, a spy in search of the Princess whom you will fondly recall from the first book as a splash of nostalgic hijinks. And we have our villain, Sturlusson, whose journey in the second installment needs to be experienced without the benefit of a critic’s retrospection. Read the book; you’ll get what I mean.

I was entranced by the inclusion of Dragons, mythical beings who play a vital role in the workings of Elasigue’s universe. Her deft use of distinctive neutral pronouns for each Dragon endeared me to their importance in her world; this is also a testament to her fluidity in addressing gender neutrality, worthy of a review all on its own.

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Shipwrecks, Labyrinths, and Sentient Islands: The Nightmare and Other Tales of Dark Fantasy by Francis Stevens

Shipwrecks, Labyrinths, and Sentient Islands: The Nightmare and Other Tales of Dark Fantasy by Francis Stevens

The Nightmare and Other Tales of Dark Fantasy-small The Nightmare and Other Tales of Dark Fantasy-back-small

The Bison Frontiers of Imagination line has reprinted dozens of books by Edgar Rice Burroughs, Jules Verne, H.G. Wells, Clark Ashton Smith, Philip Wylie, E.E. “Doc” Smith, A. Merritt, Jack London, Ray Cummings, Hugo Gernsback, Robert Silverberg, and many others, in handsome and affordable trade paperback editions. We’ve reviewed several of them here at Black Gate including:

The Circus of Dr. Lao by Charles G. Finney, reviewed by Thomas Parker
Perfect Murders by Horace L. Gold, reviewed by Bill Ward

I’ve been accumulating them for over ten years, starting with the Clark Ashton Smith volumes Lost World and Out of Space and Time, which are among my favorite Smith reprints. But recently I’ve been a little more experimental with my Bison purchases, and so far I haven’t been disappointed. Last week I bought a copy of The Nightmare and Other Tales of Dark Fantasy by Francis Stevens, a pseudonym for Gertrude Barrows Bennett (1883 – 1948), author of The Citadel of Fear and The Heads of Cerberus. Her work appeared in many horror anthologies I’ve enjoyed over the years, including Jonathan E. Lewis’s Strange Island Stories (2018), and Sam Moskowitz’s Horrors Unknown (1971) and Under the Moons of Mars (1970). Here’s a snippet from the back cover to demonstrate her range.

In a future where women rule the world, a sentient island becomes murderously jealous of a shipwrecked couple. Dire consequences await a human swept into the dark, magical world of elves. A deadly labyrinth coils around the dark heart of a picturesque landscape garden. Within an Egyptian sarcophagus lies the horrifying price of infidelity. Swirling unseen around us are loathsome creatures giving form to our basest desires and fears…

Sounds like just what I’m in the mood for. The Nightmare and Other Tales of Dark Fantasy was edited and introduced by Gary Hoppenstand, and published by Bison Books on October 1, 2004. It is 404 pages, priced at $21.95. There is no digital edition. The cover is by R.W. Boeche.

Total Pulp Victory: A Report from Windy City Pulp & Paper 2019

Total Pulp Victory: A Report from Windy City Pulp & Paper 2019

Windy CIty Pulp and Paper 2018 paperback treasures-small

A few of the $1 paperbacks I brought home from Windy City

I returned from the 2019 Windy City Pulp and Paperback Show a few hours ago, weary and happy. It was another fabulous convention, and once again it proved to be the undisputed best show in Chicagoland for those who love vintage books and magazines.

This was the 19th annual convention. It was founded in 2001 by Doug Ellis, and I’ve been attending ever since Howard Andrew Jones and John C. Hocking made the long trip to the 7th Windy City way back in 2007. This year I spent most of the show with friends, including BG bloggers Bob Byrne, Rich Horton, and Steven Silver, as well as local booksellers Arin Komins and Rich Warren, who had a booth and a few spare chairs and were kind enough to let us hang out. There was lots of great food and terrific conversation, and we toasted absent friends, including Howard Andrew Jones, Jason M. Waltz, Barbara Barrett, and especially bookseller and all-around great soul Dave Willoughby, who passed away last year. Dave personified the friendly and welcoming nature of Windy City better than anyone else, I think, and he was profoundly missed.

I made numerous great purchases at the show, including an assortment of Arkham House hardcovers from Doug, some marvelous books from the Glenn Lord estate (purchased from his widow, Lou Ann), a couple of recent Dark Adventure Radio Theater releases from Greg Ketter, a box of vintage SF digests in great condition — and some really wonderful treasures at the auction, including a copy of the 1990 Donald Grant illustrated edition of Lovecraft’s At The Mountains of Madness, several stacks of pulps, and an absolutely magnificent set of 1927 Weird Tales, bound in two volumes.

But as usual, most of what I took home with me was paperbacks. Lots of paperbacks. I found a few that I was willing to pay a premium for, including some Clark Ashton Smith collections and horror anthologies, but the vast majority of them — well over 200 in total — were less than $1 each, including all those I spread out on my kitchen floor to photograph when I got home (see above).

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Tomorrow Isn’t Always Another Day: Remembering Howard Fast’s The Edge of Tomorrow

Tomorrow Isn’t Always Another Day: Remembering Howard Fast’s The Edge of Tomorrow

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The Edge of Tomorrow (Bantam, 1966) Cover artist uncredited

Books, like music, can evoke images of another time and place. When I picked up The Edge of Tomorrow recently, it triggered memories of Manhattan, Kansas, just before my husband left for Vietnam. It was mid-June 1966 when I drove from California to Fort Riley.

Manhattan was a whole new world. I remember heat and humidity so heavy it was like walking around on the bottom of a warm fish bowl. But there were awesome times too — a Harry Belafonte concert, thunder so loud I thought it would flatten me, and staring out a window all night during a tornado watch.

Yet, my most vivid memories are about food and friends. It was still early days for the anti-war protests and we were not aware of them. Uppermost in our minds was knowing our husbands or fathers or sons or brothers would be going to Vietnam. With so much uncertainty in our lives, we made the best of the moments we had and meals were about the only time life seemed normal.

The troops at Fort Riley trained twelve to fourteen hours a day. That left evenings and some weekends for relaxation. When Bob was home, his Army friends often stopped by for a beer and a chat. Many times, they stayed for a home-cooked dinner. During the five months in Kansas, I prepared a lot of food. Mostly from family recipes. So did other wives. We tasted dishes we had only heard about and exchanged recipes. One of my favorite memories centers around a feast those of us from California put together. We craved Mexican food but tortillas, pinto beans and hot sauce weren’t available in the local stores then. That problem was solved when we wrote and asked our families to send supplies. They were generous beyond belief. All our friends were invited. For a few hours, while we were eating tacos, enchiladas, refried beans, rice, burritos, guacamole and hot sauce, we were home.

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The Golden Age of Science Fiction: The 1973 Hugo Award for Best Fan Writer: Terry Carr

The Golden Age of Science Fiction: The 1973 Hugo Award for Best Fan Writer: Terry Carr

Fandom Harvest

Steven Silver has been doing a series covering the award winners from his age 12 year, and Steven has credited me for (indirectly) suggesting this, when I quoted Peter Graham’s statement “The Golden Age of Science Fiction” is 12, in the “comment section” to the entry on 1973 in Jo Walton’s wonderful book An Informal History of the Hugos. You see, I was 12 in 1972, so the awards for 1973 were the awards for my personal Golden Age. And Steven suggested that much as he is covering awards for 1980, I might cover awards for 1973 here in Black Gate.

The 1973 Hugo Award for Best Fan Writer went to Terry Carr. Terry Carr (1937-1987) won four Hugos overall – in 1959 he won for Best Amateur Magazine for Fanac (along with his co-editor Ron Ellik), and in 1985 and 1987 he won for Best Professional Editor. (Alas, he died early in 1987, so did not get to receive that award. Famously, this was the second consecutive year that the award was given posthumously – though in 1986 Lester Del Rey bitterly refused the award to his wife Judy-Lynn. (There could be a third posthumous Best Editor award this year, as Gardner Dozois is one of the nominees for Best Editor, Short Form.) Like the great majority of Fan Writer winners, Terry Carr was also an accomplished professional writer, probably best known for his stories “Hop-Friend” and “The Dance of the Changer and the Three” and for his novel Cirque.

Carr wrote some fine fiction, as noted, and also spent some time as an agent, and he was a prolific and wonderful fan writer and fanzine editor. But his largest contribution to the field was as an editor. He worked at Ace through most of the 1960s. There he co-edited the World’s Best Science Fiction series with Donald A. Wollheim, and he spearheaded the classic first Ace Science Fiction Special series. After leaving Ace he became a freelance editor, most famous for his Best Science Fiction of the Year series for Ballantine/Del Rey, and for his Universe series of original anthologies. He also edited the third series of Ace Specials.

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