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A Sci Fi / Fantasy Hybrid with a Middle Eastern Ambiance: Mirage by Somaiya Daud

A Sci Fi / Fantasy Hybrid with a Middle Eastern Ambiance: Mirage by Somaiya Daud

Mirage Somaiya Daud-smallThe nameless young Andalaan boy has yet to reach his majority, so he doesn’t have his face tattoos yet. But that’s what makes him a perfect assassin. The evil Vath invaders won’t be able to trace him back to his family and tribe.

For his whole young life, the boy has known the cruelty of the Vath. If he kills their crown princess, he’ll win a cottage for his family and a husband for his sister. He knows it’s a suicide mission, but he accepts. He readies his weapon and goes to the event where the Vath heir appears.

She looks so much like his own people. Her blood is only half Vathek – her mother was a native of this planet. But she’s rumored to be even more vicious than her iron-fisted father.

He raises his blaster and fires twice.

Amina is an Andalaan girl on the verge of becoming a woman. On the night that she gains her majority, she goes to the festival with her family to have her face tattooed. This is one of the few Andalaan traditions that persist. And since the Vath have burnt the farmers’ fields, leaving no provisions for the upcoming winter, the whole tribe needs an excuse to come together and enjoy an evening of ritual, however brief.

But the ink on Amani’s face hasn’t even dried before a squadron of Vath droids burst into the gathering. They separate Amani and the other teenage girls from the rest of the tribe and make them stand in a line.

One by one, the robots move down the row, scanning the girls’ faces. One by one, the scanners flash a green light, clearing them with a beep.

Amina hasn’t done anything wrong. She hasn’t aided the rebels or raised a hand against the Vath. Still, when a droid scans her face, an alarm erupts and the robots seize her. They drag her away and load her onto a Vath spaceship even while the droids set fire to the building that holds her family and friends.

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A (Black) Gat in the Hand: Norbert Davis goes West(ern)

A (Black) Gat in the Hand: Norbert Davis goes West(ern)

Davis_DeadMansBrandEDITED

You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Wasn’t sure what to write about this morning. I went on a mini Sword and Sandals kick and recently finished Scott Oden’s Men of Bronze, and Howard Andrew Jones’ Desert of Souls (reviews coming, time willing). I’ve played a lot of Conan Exiles the past few months (when I could) and I definitely want to do a post on that. It’s Minecraft on Steroids (now THERE’S a post title!). My Game Night group dug into Shadows of Brimstone earlier this year and that was a lot of fun (not as brutal as Descent). And my son and I are revisiting Star Wars Destiny (a neat card/dice game).

I’ve continued to work on what I hope will be the definitive Max Latin (Norbert Davis) essay. Though, to be honest, there isn’t really much competition for that honorific. His Latin stories are even more woefully neglected than Davis himself is. Being in a Davis mood, I decided to get Black Dog Books’ Dead Man’s Brand. Davis is best known for his screwball hardboiled comedies (a style that didn’t get him many sales to Cap Shaw, famed editor of Black Mask).

But he wrote for several pulp genres, as well as for the higher-paying slicks. This collection includes eight solid westerns from the pulps, including Dime Western Magazine and Star Western. There’s a good introduction by Bill Pronzini, and in the afterword, Ed Hulse talks about the lone movie adapted from a Davis story (there’s further proof of the under-valuing of Davis’ work).

Maybe I can talk James Reasoner or Duane Spurlock into doing a much better essay on Davis’ westerns than I could possibly ever hope to write, but I’m just going to talk about the first story: “A Gunsmoke Case for Major Cain,” which appeared in Dime Western in October, 1940.

We don’t learn all the details right away, but the story opens with a young girl named Missy trying to crawl under a covered wagon while her drunken uncle (Pops Reese) whips her with a quirt (a short-handled riding whip with a braided leather lash). The coffee she gave him was too hot and burned his tongue. That’s the kind of guy he is. Well, that, and he’s taking her to the town of Cranston to sell her to the local boss – presumably to become a whore in his saloon.

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The Golden Age of Science Fiction: Amazons!, edited by Jessica Amanda Salmonson

The Golden Age of Science Fiction: Amazons!, edited by Jessica Amanda Salmonson

Cover by Michael Whelan
Cover by Michael Whelan

The World Fantasy Award was established in 1975 as part of the World Fantasy Convention. Seen as a fantasy version of the Hugo and the Nebula Awards (neither of which are strictly for science fiction), the nominees and winners are selected by a panel of judges, although currently, two positions on the ballot are opened up to nominations from members of the World Fantasy Convention. The Anthology/Collection Award was presented from 1977, when it was won by Kirby McCauley for Frights, through 1987 when James Tiptree, Jr. won it for Tales of the Quintana Roo.  For two years prior to the award’s establishment, a Best Collection Award was presented. In 1988, Best Collection and Best Anthology were each split out into their own categories and remain so until this day. Originally, the trophy was a Gahan Wilson created grotesque bust of H.P. Lovecraft. In recent years as more and more authors, fans, and winners of the award spoke out against Lovecraft’s misogyny and racism, the trophy was replaced by a sculpture of a tree created by Vincent Villafranca. In 1980, the award was won by Jessica Amanda Salmons for the anthology Amazons!

Salmonson’s introductions to each of the stories are lengthy and provide insight not only into the stories that follow, but also her process in creating the anthology. She discusses her motives for putting the book together, her reasons for selecting the specific stories, related anecdotes about how the stories came to her and, in the case of Charles Saunders’ story, addresses the fact that only one story by a male writer appears in the anthology.

Following the general introduction by Salmonson, in which she discusses both historical and mythological warrior women, the book presents the short story “The Dreamstone,” by C.J. Cherryh, which the author would eventually combine with her novella “Ealdwood” and publish as the novel The Dreamstone in 1983.

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Future Treasures: The Shadow Saint, Book 2 of The Black Iron Legacy by Gareth Hanrahan

Future Treasures: The Shadow Saint, Book 2 of The Black Iron Legacy by Gareth Hanrahan

The-Gutter-Prayer-medium The Shadow Saint-small

Covers by Richard Anderson

We’ve covered a surprising number of titles by Gareth Hanrahan here at Black Gate… but most of them haven’t been novels. He made a name for himself first in the gaming industry, with many releases that greatly impressed me for Ashen Stars, 13th Age, Trail of Cthulhu, and Traveller.

But his breakout book was definitely his debut novel The Gutter Prayer, the opening title in The Black Iron Legacy series. Publishers Weekly praised its “thrilling action sequences and imaginative worldbuilding,” and Holly at GrimDark Magazine wrote:

To say that the hype surrounding this book is intense would be an understatement. Anticipation levels have been through the goddamn roof… Briefly, it features three friends, thieves, who get caught up in an ongoing magical battle. Shenanigans abound….

It’s evident that Hanrahan writes role-playing games, because he took all of the best things from RPG’s & made it into something even more mesmerizing within this fantasy epic. The world building is just wondrous. The characters are intriguing (I loved Aleena. She is such a badass!). The storytelling is phantasmal. It’s a book that I had to stop and turn around in my head for a bit once it had ended.

The Gutter Prayer is incredibly original… Within, there is a smorgasbord of imaginative beings littering the universe. Monsters, humans, sorcerers, Lovecraftian ghouls, Gods, saints, Tallowmen (warriors made from wax), AND… WORM CREATURES THAT FEAST ON THE DEAD.

There’s a lot about this book that caught my attention, and I’m delighted to see the sequel, The Shadow Saint, scheduled for release next month. Here’s the description.

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Stories That Work: “Toppers” by Jason Sanford, and “Strange Waters” by Samantha Mills, from The New Voices of Science Fiction

Stories That Work: “Toppers” by Jason Sanford, and “Strange Waters” by Samantha Mills, from The New Voices of Science Fiction

The New Voices of Science Fiction-small

Cover by Matt Dixon

If I consider types of stories as a Venn diagram, two of the circles are “entertaining stories” and “moving stories.” They overlap but a large number of stories are one but not the other.

By “entertaining,” I mean that the situation, characters, events and writing are sufficiently distracting that I fall into the story and forget I’m reading. When I get to the end I feel my time was well-spent, but I’m not particularly changed by the experience. The story was fun. It’s the reading equivalent of watching The Last Starfighter. A great example of entertaining works I’ve read lately were Martha Wells’ The Murderbot Diaries.

A “moving” story gets to me emotionally/intellectually at the end. The writing may also be entertaining (remember that the circles overlap), but how I feel when I walk away is different. I’m thoughtful, emotional even. The story changed me.  Saving Private Ryan or Schindler’s List are films that I’d say were “moving.” By my definitions, though, they weren’t “fun.” I can say a lot about those two stories, but I wouldn’t describe them as “entertaining” without a few caveats. Keye’s Flowers for Algernon moved me, as did Willis’s Lincoln’s Dreams and Leiber’s “A Pail of Air.”

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Jim Baen, Warren C. Norwood, and The Hitchhiker’s Guide to the Galaxy

Jim Baen, Warren C. Norwood, and The Hitchhiker’s Guide to the Galaxy

Pierce Watters, Anne McCaffrey, Warren Norwood, and Linda Sanders 1978-small

Pierce Watters, Anne McCaffrey, Warren Norwood, and Linda Sanders (1978)

I got an Advance Review Copy of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy at Worldcon ’81 (in Denver).

Jim Baen was handing them out at the Simon & Schuster suite. I was working for Ace, sharing my room with Warren C. Norwood, budding author, and one hell of a good friend. A great drinking buddy, too. The night before, Warren and I spent too much time in the SFWA suite and its free beer.

We saw William F. Wu and James Patrick Kelly. Kelly, Wu, and I, all three of us 1974 Clarion East graduates, were there.

I don’t quite remember how we acquired the copies of the book, but I remember Baen’s grinning face in there somewhere.

I like to call that the night Warren and Pierce almost fell out of a hotel window. Don’t try this if your hotel is higher than the first story. If the curtains in your room somehow come loose and now reside on the hotel room floor, leave them there.

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New Treasures: Down Among the Dead, Book 2 of The Farian War by K. B. Wagers

New Treasures: Down Among the Dead, Book 2 of The Farian War by K. B. Wagers

There-Before-the-Chaos-medium Down Among the Dead-small

Covers by Lauren Panepinto and Stephan Martiniere

Down Among the Dead, the second novel in K. B. Wagers’ Farian War series, arrives from Orbit tomorrow, and it’s one of the most anticipated SF books of the month. It’s the sequel to the The Indranan War trilogy featuring gunrunner empress Hail Bristol, which put Wagers on the map for serious space opera fans. The Barnes & Noble Sci-Fi & Fantasy Blog said the opening novel, There Before the Chaos, was “”A perfect blend of political intrigue and realistically-conveyed action…. [with] Kick-butt women, space battles, complex relationships, and fiendish plots.” Publishers Weekly was even more enthusiastic:

Hailimi “Hail” Bristol, an Indranan princess turned selectively ruthless gunrunner, was forced to take her empire’s throne after conspirators murdered her family. She saved the empire, but now a war between Indrana’s centuries-long allies, the Farians, who can heal or kill with a touch, and the Farians’ ancient enemy, the Shen, threatens to spill over to all of humankind, with disastrous consequences… Wagers achieves a rare balance of action… tension, and quiet moments, keeping pages turning while deepening the portraits of Hail and the friends and foes around her. Fans of the original trilogy will welcome Hail’s return, and any space opera reader can easily jump in here.

We covered There Before the Chaos last November. Down Among the Dead will be published tomorrow by Orbit; it is 448 pages, priced at $16.99 in trade paperback and $11.99 in digital formats. The cover is by Stephan Martiniere.

Surprisingly (well surprising to me, anyway), The Farian War is not the only space opera series Wagers has on the go at the moment. Early next year Wagers is launching a brand new military science fiction series that looks extremely interesting. Check it out below.

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The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of November 2019

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of November 2019

Fortuna by Kristyn Merbeth-small Made Things Adrian Tchaikovsky-small The Killing Light Myke Cole-small

It’s December already. Hard to believe, I know. But it’s true.

It’s many ways I’m not sad to have November in the rear view mirror. For one thing, the weather was terrible. More importantly, it brought disturbing changes to one of my favorite genre websites, the Barnes & Noble Sci-Fi and Fantasy Blog, which fired all their freelancers on November 26th. I don’t know if the ongoing changes will also impact folks like founding editor Joel Cunningham, or Jeff Somers, who writes the top-notch book survey every month, but I really hope not. We’ve benefited greatly from their work here at Black Gate, and I hope it continues.

In particular, Jeff Somers’ monthly survey of the best genre books is something I always look forward to, and he never disappoints. His November column — with 25 titles by Neil Gaiman, Myke Cole, Walter Jon Williams, and many others — is a classic example. Packed in there with the blockbuster new books by E.E. Knight, Howard Andrew Jones, and Rebecca Roanhorse, are several genuine surprises. Here’s a look at the best unexpected books on the list.

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Check Out Angry Robot’s 2020 Catalog

Check Out Angry Robot’s 2020 Catalog

Angry Robot 2020 catalog

I miss the days when publishers mailed out catalogs. Yes, it was, like, a hundred years ago. And yes, it means I’m old. But paging through through slick color brochures and discovering a favorite writer had a new title coming out in three months? That was cool. Old school, maybe. But still cool.

Those days are over, of course. Nobody mails physical catalogs any more. But catalogs haven’t actually vanished. Like everything else, they’ve just migrated online. And they’re still fun to page through, and they can still surprise you.

Have a look at the Angry Robot January-June 2020 catalog, for example. Angry Robot is one of the most exciting and innovative publishers active today — and one of the few still publishing mass mass market paperbacks. We’ve covered a whole lot of exciting releases from them recently, including Starship Alchemon by Christopher Hinz, The Axiom series by Tim Pratt, and The Traitor God and its sequel by Cameron Johnston, among others.

Their 2020 catalog showcases upcoming books by Myke Cole, Jeff Noon, Kameron Hurley, Rod Duncan, Asaf Ashery, and lots more. It’s well worth a look, especially if you’re not familiar with their back catalog, which is top notch. Check out out here, and support one of the most exciting publishers in the industry.

New Treasures: Starship Alchemon by Christopher Hinz

New Treasures: Starship Alchemon by Christopher Hinz

Anachronisms Christopher Hinz-small Starship Alchemon-small

Covers: unknown (left) , and Francesca Corsini

Christopher Hinz’s 1987 SF classic Liege-Killer won the Compton Crook Award, and came in fourth for the Locus Award for Best First Novel. It’s part of the Paratwa Saga, which also includes Ash Ock (1989), The Paratwa (1991), and Binary Storm (2016). I picked up his latest novel Starship Alchemon on Saturday, only to discover it’s a rewrite of his second novel, Anachronisms, from 1988. Here’s an excerpt from the Strange Alliances review by Elaine Aldred, who is clearly better informed than I am.

The nine members of the crew of the Starship Alchemon are sent to investigate a mysterious anomaly on a distant planet. But the mission is far from straightforward and the crew are soon battling for their lives.

Starship Alchemon started life as Christopher Hinz’s 1980’s novel Anachronisms, but this version is not a simple rehash. It has an up-to-date feel and explores the characters in more depth, as well as tightening the whole worldbuilding experience. Each of the crew has their own particular skill set, with some possessing extraordinary abilities, like the character LeaMarsa de Host’s powerful psionic qualities. But there is careful attention paid to giving each of the characters a significant role in the story. The first half of the novel is slow, but the moment strange and ominous events begin to kick off, there is an Alien narrative in the sense of the crew just fighting to survive the escalating events.

Anachronisms could probably be thought of as being “of its time” however, put in the context of 1980’s science fiction, it still makes for an interesting read. Despite having been exposed to the novel in its first incarnation, I enjoyed this second outing, which can be thought of as having its own personality…

Despite being a rewrite of an older book, there’s a lot that appeals to me about Starship Alchemon — not the least of which is Aldred’s comparison to Alien. She’s not the only one to make that connection; keikii Eats Books on Reddit has the same idea.

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