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And the winner is…

And the winner is…

sci-fi-summerNPR has posted its top 100 science fiction and fantasy picks, based on the votes of 60,000 respondents who could choose from 5,000 initial nominations. The point of these things is, well, what is the point of these things? To get people up in arms that their choices weren’t selected? To have something to publish during slow news cycle in August? To give people who have nothing better to do a chance to express their opinion in a largely meaningless exercise?  To have a little fun? To get bloggers looking for something to write about something to link to?

In any event, check it out to see how it jibes with your personal list (as if we all carried around a best-of list with us anytime someone issues one of these things; oh, you mean you actually do?). Just take a wild guess at the number one pick. Hint (as if you needed it): it’s not science fiction.

Blogging Marvel’s The Tomb of Dracula, Part Thirteen

Blogging Marvel’s The Tomb of Dracula, Part Thirteen

tod-65tod-66The Tomb of Dracula #65, “Where No Vampire Has Gone Before” starts off with Rachel Van Helsing returning to Quincy Harker, Frank Drake and Janus to tell them that Dracula is no longer a vampire. Frank is skeptical, but Janus and Quincy believe that Satan has stripped him of his supernatural powers and left him in the 20th Century as a mortal man out of time. Quincy and Rachel point out the ethical dilemma they face. They have no right to hunt and kill Dracula if he no longer is a vampire despite the many murders he committed when he was undead. From there the scene switches to a cemetery where the unnamed bounty hunter (who with his Stetson and western dialogue is also a man out of time) digs up a vampire and interrogates him with a fiery cross held to his forehead until the vampire confirms that Dracula is in Boston. We then find Dracula, homeless in an alleyway where he meets a junkie prostitute named Harriet. Dracula innocently (for once) accepts her invitation to go back to her apartment where a couple of her dealer’s hired muscle break in and rough Harriet up for having stolen heroin. Dracula gallantly defends her and though mortal (as he is reminded after he is shot in the shoulder), he is still the fierce warrior of old and easily hurls one of the goons threw a third storey window to the street below. The former vampire is arrested along with Harriet and one of the hired guns, but is later released and declared a hero and has his picture taken by a newspaper photographer. Back on the streets, Dracula finds himself, homeless, penniless and hungry for food for the first time in five hundred years. After running into trouble on the streets again, he resolves to seek out his daughter, Lilith and ask her to turn him into a vampire once more. Meantime, Quincy, Rachel and Frank learn of his recent exploits when the 11:00 news carries the story of an anonymous hero who saved a woman from a mob hit. The next morning, Dracula hijacks a private plane and forces the pilot to take him to New York as he is aware his daughter is living in Greenwich Village currently. A witness to the hijacking recognizes him as the hero seen on television the night before and reports the hijacking to the police. The issue ends with the bounty hunter picking up Dracula’s trail in the police station and realizing his quarry is no longer a vampire. Content that his job has just become easier, the nameless bounty hunter checks out of his hotel and heads for New York.

Issue #66, “Showdown in Greenwich Village” starts off with Dracula in Greenwich Village at winter. He is cold and lost with no way of finding his daughter. He mugs a husband and wife hoping to find enough money for food and shelter, but is run off by an angry mob. He seeks shelter in a church, but refuses a priest’s offer of help having forsaken God as a child centuries before. He wanders into a disco bar and has just enough money to buy his first hamburger (which he dislikes) when he is picked up by an attractive divorcee named Ann Keats. Dracula humorously chooses the identity of Drake and tells her he is in Greenwich Village looking for his daughter. Ann has friends in the village who trace runaways, but Dracula is unable to provide a photograph or any information on Lilith. He and Ann are accosted by a street gang upon leaving and Dracula easily beats them off, but is stabbed in the process. Dracula goes back to Ann’s apartment and tells her his true identity. While Ann thinks he’s delusional, he places a long distance call to Boston to check on Domini, but refuses to tell his wife where he is. Just then, Francis Leroy Brown, the bounty hunter breaks in and a violent battle ensues that ends in Brown’s death, but not before he shoots Dracula several times. The former vampire slips into unconsciousness as Ann calls for an ambulance. The issue ends with Lilith reading a New York Times article about her father surviving a fatal encounter with Brown as she realizes he is now a mortal and is obviously looking for her.

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Art of the Genre: An Interview with Stephen Hickman

Art of the Genre: An Interview with Stephen Hickman

lemurian-princess-254You know, life in LA is never easy, we all just make it look that way. I guess that’s why a few months back I got a rather rude awakening from none other than John Hocking. I’d just gotten back in from completing the Michael Whelan assignment, and considering everything that went into that, I was feeling pretty stoked.

The interview finally goes to press, I pop open the Champaign, and then what happens? Hocking rings me and asks when I’m doing a Stephen Hickman interview. Hmmmm, at that moment I felt like an NFL quarterback who just won the Super Bowl, goes off the field to the locker room to celebrate and has the owner pull him aside and ask, ‘what are you going to do next season that will get us back here?’

I mean come on! Can a guy get a moment to bask in the glory? Well, the answer is no, not here at BG L.A… The next thing I know O’Neill is calling, Kandline sits crying at the reception desk over a failed casting call, and Ryan Harvey won’t stop pestering me that he’s a published fiction writer so he should have the bigger oceanfront office. Yep, business as usual…

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Dorgo the Dowser and Me

Dorgo the Dowser and Me

mad_shadowsWhen John O’Neill invited me to write article about my collection of sword and sorcery stories, Mad Shadows: The Weird Tales of Dorgo the Dowser, for the Black Gate blog, I was naturally thrilled and honored. I was also somewhat uncertain.

Where do I begin? What should I say?

So I asked myself… why not first tell readers something about your book — the world of Tanyime, the kingdom of Rojahndria, the city of Valdar, and its main character — and then talk a little bit about how it all came to be? Well, here goes.

Mad Shadows is a picaresque novel — six interconnected sword and sorcery tales featuring Dorgo the Dowser, a sort of private eye set in the 14thcentury of my alternate world. It is pulp-fiction, old-school sword and sorcery with a film noir twist. That’s one of the reasons for the subtitle, The Weird Tales of Dorgo the Dowser, and the retro look of the cover.

One reason of the reasons Dorgo is known as the Dowser is because he’s a sort of private investigator, searching for clues and answers like someone searching for water with a dowsing rod. The other reason for his epithet is that he actually uses a special kind of dowsing rod in his line of work. There are all kinds of dowsing tools, and each has its own special use or “power.” I even think that dowsing rods may be the inspiration for what we call “magic wands.”

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You Maniacs! You Actually Made Rise of the Planet of the Apes into a Good Movie!

You Maniacs! You Actually Made Rise of the Planet of the Apes into a Good Movie!

rise-of-the-planet-of-the-apes-posterRise of the Planet of the Apes (2011)
Directed by Rupert Wyatt. Starring Andy Serkis, James Franco, John Lithgow, Brian Cox, Freida Pinko.

This one may take me a while to process.

At the moment, I know that Rise of the Planet of the Apes is a good movie. Dramatic, exciting, technically marvelous, intelligent. But I need more time to figure out if it is a great movie. I don’t mean over a couple of weeks, or even months. This film may require years before I can grasp how it stands in the science-fiction world. It feels possible that Rise of the Planet of the Apes will achieve the status of a movie that people watch over and over again on whatever the top home video device of the day will be, and which will sell perennially in each new “Special Edition” released. Or, it might become a modest good memory, a film people return to occasionally but don’t think about much beyond saying, “That ‘Apes reboot thingy’ was a sort of cool flick. Hey, let’s watch Inception again!”

Rise of the Planet of the Apes is a movie that is either good or great, and I won’t feel comfortable placing a ten-dollar chip on either square at the moment. I only know that I enjoyed it more than anything else this summer, fannish Captain America love excepted.

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Adventures Fantastic Reviews Black Gate 15

Adventures Fantastic Reviews Black Gate 15

bg-15-cover2Over at Adventures Fantastic Keith West, who wrote an open letter to Bud Webster in response to Bud’s first Who? column in BG 15, has reviewed the Warrior Women section of our latest issue:

The stunning cover by Donato Giancola kinda makes the point.  Eight of the twenty-one stories (not counting the excerpt from The Desert of Souls by Howard Andrew Jones) are part of this theme and have their own separate table of contents… Some of the stories relating to the issue’s theme stretch the definition of warrior woman pretty far.  Still, it’s not often that I can find eight stories by eight different authors (four men and four women if anyone’s counting) in a single venue that I enjoyed this much.  Usually there’s at least one or two that don’t click with me.  Not here.  Every selection was a winner.

He starts with “The Shuttered Temple” by Jonathan L. Howard:

Featuring the return of his thief for hire, Kyth, who made her first appearance in “The Beautiful Corridor” in BG 13… a clever tale well worth your time, even if it is somewhat darker in tone.  In both stories Kyth is required to survive by her wits, rather than her brawn or skill with a sword….  Mr. Howard has an inventive imagination, and I enjoyed trying to figure out the puzzle of the temple in this one.

And “The War of the Wheat Berry Year” by Sarah Avery:

This has a traditional warrior woman, who is leading an army in revolt against her former kingdom… Ms. Avery did a much better job than many writers would have done with this subject.  The heroine, Stisele, has to face her old mentor on the battlefield, making this a story of greater than expected emotional depth.  I look forward to Stisele’s further adventures.

He has words of praise for “Roundelay” by Paula R. Stiles:

Paula R. Stiles tells the tale of a sorceress who challenges the Queen of Hell for the soul of her husband in “Roundelay”.  It seems the woman’s son died of fever and her husband went in pursuit of the boy’s soul only to end up trapped himself.  The story takes place on a flying ship over an ocean.  There are a couple of supporting characters, and Ms. Stiles does a great job of fleshing them out so that they are more than just stock characters from central casting.

And especially  “Cursing the Weather” by Maria V. Snyder:

Nysa… is probably as far from the sterotypical warrior woman as you can get.  She’s a young girl working in a tavern, trying to earn enough money to buy the medicine needed to keep her dying mother alive.  Then a weather wizard moves in across the street…  I wouldn’t have considered this one to really fit the theme of warrior woman.  In spite of that, I think I enjoyed it the most.  I’m going to be checking out more of Ms. Snyder’s work.

You can find the complete review here, and the complete BG 15 table of contents here.

Being in the Nature of an Anniversary: Ruminations on Fantasy

Being in the Nature of an Anniversary: Ruminations on Fantasy

Grey MaidenIf I’m counting right, this marks my fifty-second post on Black Gate, which means this is effectively an anniversary. At any rate, it’s a good point to pause and reflect, I think. Writing here’s been a blast, from my first piece about Howden Smith’s collection of historical adventures Grey Maiden, up through last week’s essay on the origin story of Steve Ditko’s Doctor Strange. I’m eager to keep going, too; I feel like I’ve gotten better as a writer and critic from posting on this site, and I feel like I’ve begun to understand certain things about the nature of fantasy. I have to thank John O’Neill for inviting me to join his team, and Claire Cooney for her editing work; both John and Claire are accessible and generous with their time, and make posting here easy and fun. I also want to thank all the other bloggers who make this site, I feel, one of the best places on the web for fantasy fans. And especially I want to thank everyone who’s read and commented on my posts over the past year; I’ve been impressed with the level of responses I’ve seen, on my posts and others’, and fascinated by the conversations that’ve developed.

Lately, I find myself coming back to a question I started out with in one of my early columns. Mostly because I think I may actually have begun to figure out a few answers. In a post I wrote by way of an introduction to myself, I mentioned that I wanted to figure out what it was about fantasy that attracted me as a reader, and as a writer. What did it give me, in all its different forms, that no other kind of writing did? I felt that ‘escapism’ was an insufficient answer to explain the power of fantasy; I’d add that ‘wish fulfillment’ didn’t, and doesn’t, seem to cover it, either.

It’s a question that’s begun to seem especially pressing. On June 1 I started an online fantasy serial, The Fell Gard Codices. It’s been a powerful experience, and aesthetically rewarding. There’s no doubt that it takes up a good chunk of time; and yet it feels, paradoxically, liberating. I’m getting back something I couldn’t have gained in any other way.

Is what I’m gaining as a writer the same as what I get from fantasy as a reader? I think so, yes. But just what is it, in either case?

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Jabberwocky 7 & Goblin Fruit Summer 2011

Jabberwocky 7 & Goblin Fruit Summer 2011

bgfrontjabberMorning and evening
Maids heard the goblins cry:
“Twas brillig, and the slithy toves
Did gyre and gimble in the rye!”

…Dear Mr. Carroll and Ms. Rossetti,

I AM SO SORRY!

But I couldn’t help myself!

I’m just so excited because the summer issues of Jabberwocky and Goblin Fruit are up!

Sincerely,

Claire Suzanne Elizabeth Cooney

P.S. I’ll talk about both issues LOTS if you keep reading! Promise!


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Queen’s Blade: The Bouncing Bosoms

Queen’s Blade: The Bouncing Bosoms

queene28099s-bladeDid you think the only problem with the 80s animated epic Heavy Metal was that there wasn’t enough nudity?

Do you enjoy old swashbucklers with Errol Flynn and Basil Rathbone crossing swords, musing that the only way the fight could be any more thrilling would be if they were both teenage girls? And naked?

Do you have a well-thumbed set of Luis Royo art books?

Then you’d probably enjoy the anime series Queen’s Blade. Or, as I like to style it, Bob Guccione’s Highlander. Finally in Blu-Ray!

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The Nightmare Men: “The Diehard”

The Nightmare Men: “The Diehard”

crerarShiela Crerar, psychic investigator and adventuress, first burst into public view in the pages of The Blue Magazine in 1920 with “The Eyes of Doom”. The obscure creation of the intriguingly enigmatic Ella Scrymsour, Crerar battled ghosts, werewolves and gibbering ghouls of all types from May of 1920 to October of that same year, appearing in a grand total of six stories which vanished into the literary ether when The Blue Magazine folded not long after. Luckily for aficionados of occult sleuths, Ash Tree Press released a lovely collection in 2006, marking the first time these stories were collected or reprinted in any form.

Beginning with the aforementioned “The Eyes of Doom”, in which Crerar confronted the eponymous vengeful spirit, the series progressed with “The Death Vapour”, “The Room of Fear”, “The Phantom Isle”, “The Werewolf of Rannoch”, and “The Wraith of Fergus McGinty”. Unlike her masculine counterparts in the occult detective business, Crerar is a two-fisted phantom fighter, wading into supernatural situations with little more than guts, brains and a distinct lack of fear bolstered by harsh economic necessity. Not for her the remote recordings of Dr. Hesselius or the psychical solutions of John Silence. Instead she pounced willy-nilly on lycanthropes and luminescent manifestations, sinking her teeth into matters both mundane and malevolent with equal determination.

Say hello to Shiela Crerar, the Scottish terrier of the psychic set.

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